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FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Terry Jordan Mar 2017
I am a thriving survivor
Though twice betrayed and abandoned
Often been lied to and cheated
Plutoed*, fired, hired then mistreated
Struggled getting up off the couch
Alienation caused self-doubt
For this thriving survivor

Release all the hurt and slander
To that past I will not pander
Determined to walk through the door
To a life with so much in store
For this thriving survivor
Trying my hand at the Rondine poetic form: #12 lines in #2 verses- with #7 lines in the 1st, #5 lines in the 2nd, consisting of 8-10 syllables for each except the refrain, or repeat of, part of the 1st line.  Awaiting feedback if I got the form right or not.  *demoted
Bitcoin’s growing every day
With fiat inflation on display
Own your money - come what may
As Bitcoin keeps on thriving

Officials saying “all is fine”
Printing money by design
Cutting down our bottom line
As Bitcoin keeps on thriving

You can learn it, take some time
Bitcoin’s young and in its prime
Yet every cycle it will climb
As Bitcoin keeps on thriving

Worth and value it retains
Unlike fiat money drains
The choice is very clear & plain
As Bitcoin keeps on thriving
You can see this poem on a background here - https://www.bitcoinpoems.pro/delivery050BitcoinKeepsOnThriving.html
During my Childhood.
a New Hampshire father of twin boys named Joe taught me that friendship, love, and respect,
meant wrestling.
He was a burly man
with glasses and a salt and pepper beard
Who loved guitar hero, dunkin' doughnuts and Motorcycles.
One day joking to his adult friends I heard:
"I'm a lesbian trapped in a mans body"

Now, Joe did not mean this the way
we think of it in this community.
He was not transgendered.
probablly didn't even know they exist.
He was simply saying.
"I have an attraction to girls who will never love me, because I have a *****,
and Isn't that tragic enough for a punchline?"
Though a young boy,
I identified with that.

In middle school, the media convinced me
that gay boys were getting all the ladies.
So I needed everyone to know I was gay.
that way, they'd be my friends,
and get naked in front of me.
It worked.
However, I still could not get a girlfriend.
And I did not want a boyfriend.
because again, It was all a 10 year old me's
Con just to see girls undress.

A year or two goes by
being gay
To get a girlfriend.
when on the television:
I see Tila Tequila.
A bisexual Bachelorette reality Show.

Wait! I said to my mother.
"I CAN LIKE BOTH?"
"Sure you can! I do.
This one time, aunt spider and I"
"Mom! That's enough."

So in my living room,
Surrounded by fold-out tables
And chicken parmesisan
I pronounced myself bisexual.

I had the best of both worlds! I could watch girls undress, AND have a girlfriend.
This was not relevant however, for a while.
As I still had not developed social skills.

Enter highschool awkward bisexual boy.
I'd never actually been attracted to a man before...
But I wasn't ruling it out.
zero percent of the woman I fell for seemed to like men,
Or more accurately, me.
I was resonating closer to the
"Lesbian trapped in a mans body"
line then ever before.
I probablly asked out every female senior, every girl I grew up with.
every girl who looked at me, to go on a date.
All to be turned down.
Except one.
I entered college with a monogamous Long-term relationship raising A beautiful Nerd girl's daughter.
Seemed like I had it made.
Young parents.
Both bisexual.
Together we flushed out Every kink and curvature of what pleasured us.
Then two years later.
My grandmother died,
I lost my job of four years,
She left me,
taking our daughter with her.
Devastated, I turned to the most destructive of known vices.
Tinder.

I went on first and last date after parking lot hookup after rooftop romance with these girls.
Writing poetry all the while to document my stresses.
I was no longer "A lesbian trapped in a mans body."
If anything, I was a lesbian
Thriving! In a mans body.

This came up at a party once
We were playing rockband when I said it.
A woman spoke up:
"You're devalueing the phrase for transgendered woman who use it!
It's dissrepectfull."
When I tried to explain myself:
That it helped me rationalize
years of rejection
laugh at my own failure.
Build the foundation
for my optimistic attitude
By saying it's not me.
I just like lesbians.
it made my failures a predictable Punchline.

But I was weak.
They convinced me.
I stopped identifying as
"A lesbian thriving in a mans body."
from then on, I was a man.

Years have passed and I've given a lot of love to a lot of people.
Learned a lot about my preferences
Sexually, romantically, personally.

At the momment:
I am a:
Hetero flexible
Polyamorous
Male.

But deep down I know.
Even though I'll never say it.
Because it isn't really true.
Or maybe because it's offensive.
Or maybe because i'm scared.
I'll always be a lesbian
Thriving as a man.
ryn Oct 2014
tell me...

will tomorrow bring,
     all the things
i'm longing...
    stowed upon its elusive wings,
tirelessly beating
    and fighting
to show what's dangling
and hanging...
          ready for the picking...

                          awaiting...
such time so it could begin its need for unloading,
                   delivering
                                      and dropping,
its gleaming
                      treasures
on those who are deserving,
        in no way lacking
so they could be at the receiving
end of this pressurising,
           inking
                      of dwindling
                                        words...

carel­ess thoughts conceived only to
              fuel
           my deranged ramblings...
incessant mutterings of a shattering
                         mind...

           bending backwards, almost breaking,
         risking...
the chance of ever fully
                                          mending...

hopin­g and praying
   for a sentence that's pending
dawn's approval...

allowing
   the rising
of the sun...
                  paving
            ways for thriving
                                          wishes,
unbarr­ing
                  gates for soaring
                                                dreams, unlocking
                   latches,

relieving...
the heightening
                     anxieties of grieving
                                                        ­ hearts.

constantly whispering
                               utterances, promising
good will, happiness
                              and titillating
                                                     ­ sanity.

we're thinking...
     the earth is spinning,
         the moon is setting,
     so the sun must be rising
                         but...

             tell me,
                           tomorrow...

                                *is it coming?
Isaac Golle Sep 2012
Grace.
Let it fall like an ocean
Let it rip through the skies
Let it fill up my heart and pour out my eyes
Let it gravitate my soul
Let it make me feel whole
Let it remind me of why I live
Let it remind me of all that you give!

Grace
Let my heart be made still and let mine eyes be opened!
Let me remember that my ears
were made to listen
And my lips exist for a lot more than just kissin'
Let me remember that these hands simply cannot do it all
Cuz see I wasn't made for that
I wasn't made for that at all

Grace
I was made to live and when I say live I think I mean give
But then I quickly realize I can only give so much!
And there's only so many lives I can touch!
Well how can I love if I can't constantly give
And how can I live if I can't constantly love but
Where's the hope in the God above if I'm the one doin' all the work?
And that's when I remember I accomplish the most when I just let go
And let You grab hold

Grace
Well what were these hands made for if not feeding the poor?
And what are these heart-wrenching feelings of constantly wanting more?
Why do my bones ache and my soul quake at the thought
Of living for myself?
Why do I worry so much about putting the marginalized on the shelf?
Why do I worry
about a life that loves hell?
Well maybe all this
is an unidentified desire to glorify God personified in Jesus Christ crucified

Grace
And maybe my soul's been singin' songs to my saviour since the day I was born
And maybe my saviour's been singin' sweet lullabies to quench the fear in my eyes
Maybe not all is lost
Maybe hope and salvation really come without cost
WELL TRY AND TELL THAT TO THE MAN LIVIN' ON THE STREET WITH NOTHIN' TO EAT
an'
TELL THAT TO THE CHILD WHOSE FATHER GIVES HIM A DAILY BEATING
TELL THE MURDERER'S AND RAPISTS THAT THEY CAN GO FREE
TELL THEIR VICTIMS...
Tell them what?

Grace
Maybe it's time I remembered I don't have all the answers
Maybe it's time I remembered I am a speck of dust in a rolling beach of existence
Maybe it's time I look at what's right in front of me
And not strain my neck as far as the eye can see
Maybe it's time to focus on living and not just surviving
Maybe thriving looks more like trusting than trying
Maybe all the answers to my questions aren't really answers at all
Maybe it's alright that my walk sometimes feels like a crawl
Maybe 100% of the wrongs I do are all my fault

Grace
Maybe God's lookin' at me like a child set free
Maybe God's not lookin' at who I used to be
Maybe God's lookin' right past all the bitterness and apathy
Maybe God really does look at the heart
And maybe He's been holding mine from the very start
Maybe this is all going according to plan and if it's not well then maybe God's still using it to help me become a better man
Maybe it's time I stopped trying to figure all this out!

Grace
Let it be felt
Tangibly
Mary Ab Jul 2014
Our hearts and souls were so blessed to fast Ramadan sincerely
To be enlightened by its super mercy and extreme prosperity
purity abiding around my heart, kindling my every part

a gift from Allah came along to bless our hearts
to spread  peace and love, to dig faith in each part
A blessed bounty to wipe away our tears
to zest our souls and vanish our fears
to sparkle with faith with our keenest beliefs
and twinkle light in our bright smiles
oh dear eid, you can't help it but sowing seeds of joy,
Capturing joy and happiness in every single countenance ,
of a child's enthusiastic joy kindling a thriving inner radiance
joining hearts and souls with the deepest crystals of love
revealing such a fancy artistic touch of a peaceful dove
feeling the gratitude for Allah's super merciful blessings
praying to pluck the roses of peace each single moment

pounding hearts of affliction and yearning
missing your everlasting passion getting sick of poisoning
yearning for their peaceful deliverance
to catch glimpses of happiness
that once has been hunted by a sudden death of a loving part of soul
until Allah will send a cheerful hope,
just be patience to get over all the mope
smile and share the joy of eid and love  ,
work even harder to cherish the heaven above ....
This is the first draft of the poem " imprinted feelings"  written jointly with my dearest poet Amina ♡
Check the final version ^^
Tannor Fortin Dec 2014
The World Relies On What I Despise,
We Thrive On Its Soulless Power,
To Our Demise,
And We Hope To The Skies,
The End Of Its Mighty Hour,
Technology Will Fall So Fast,
And Most Of Us Won't Know What To Do,
As We Continue Thriving On The Past.
My opinion on technology as the world stands with it now.
winter sakuras Jul 2018
There is such a place, you know--
one that transcends time and space
and visions of what you're supposed to resemble,
and the limits placed by the digits
of your mortal age.

I can feel the presence of it
in my bones,
where the sky is never ending and liberated
and the sun and moon
can openly converse and love and exist,
without the rules of superiors
who like tragic love stories and twisted histories.

Whatever you decide to do, whatever you decide to feel,
there are no restraints
to keep you from the prospects of flying,
or dreaming,
or embracing things that you had to
let go of in another existence.

There is no fear, confusion, or awkwardness,
no doubts of not belonging,
of not deserving to exist in such a place
where your soul can be pure,
and being able to thrive
without having to try so hard
anymore.

You don't have to try anymore to
be a good person,
because you are one.
You don't have to struggle to hold on to yourself,
you don't have to feign ignorance
or enlightenment.

You can breathe and smile openly,
and every smile is so breathtakingly beautiful that
you glow and transcend above all heavens
and insecurities.

The ground is soft and supportive,
giving way to your feet, that no longer
feel so tired and heavy from having to labor to live,
or from constantly running away
from demons and voices
that tear at your conscience and soul.

No, you can now feel as light as air itself,
soft feet running on sunkissed clouds that
formed from tears of happiness.

When it rains,
you don't have to take cover
for it has already washed away all your sorrows and guilts,
guilts in the forms of hot, suppressed tears
in the failures of your lost ambitions
and stolen discoveries,
guilt from turning away, even when someone
asked you for help.

You can forever venture out here,
to unknown, misty, thriving islands and majestic palaces
far away,
you can do things you never got to do,
for you don't have to pretend
to be someone you aren't.

You don't have to live each day questioning
every single telltale of life.

You don't have to wonder anymore
about why the world can be
such a cruel place,
no matter how many rays of hope
reach into the darkness.

You don't have to wonder anymore,
because here
such misery does not exist,
and the ruins of a good soul
dance as a renewed, enlightened being again.

Above all,
you don't have to live someone else's life
because here, you find yourself
over and over
and over again.
07/09/18

The Green of this particular Nirvana is a component that allows you to love and live freely, with no restrictions or heaviness of people weighed down by the world, and themselves.

Here, you are liberated from the faults of others, and the faults of yourself in a time and place where you were ignorant and lost.

Here, there is no society to degrade you. You can exist solely in harmony with nature.

Edit: Wow, I can't believe this poem got chosen to be the Poem of the Day! I've never received so many likes, comments, and feedback on any of my poems, so I feel overwhelmed, but very happy. Thank you for taking the time to read my words; it really means alot to me <3 <3
SR Nirmal Kumar Oct 2018
Blinding flashes of lightning
Deafening claps of thunder
Unflinching, mushrooms sprout in my backyard
Shofi Ahmed Sep 2018
Bud of the winter dew on lips grow,
Snowy boughs surrounding began to unfold,
'Spring it shall flower' you must travel along, to see
When she will flower and in her very first glance,
Shall innovate the ether lapis-lazuli sky,
And the glamorous sun in her luminous dews,
She will cast her gaze towards the infinity,
And the veiled spring-night of tender full-moon,
With millions of star thriving, will be reflected upon;
She will whisper to the sleeping morning breeze,
And that will wake dancing the primrose's aroma,
Smoothly waving over the green meadows!

Who will let it be freely, purely, organic!
In whose innovate warm touch shall dissolve,
Poor winter's covering upon the earth,
Hence, once again green earth shall cast,
A glance to its vernal zenana,
Beneath the sunny sky wherein the air,
Shall sniff the aroma of the radiant rose,
And the birds shall tour around,
Singing the song of freedom!

Endure, yet she is beyond the gaze of the sky!
Now a season poor as she has flown away,
Gone to address the assembly of the Angels!
Therefore, accepting an invitation from the fairies,
To have a bath in their lotus-pool, prior to flight.
Hence, delighted fairies all flew to the palace,
To give the news to Queen Mab!

And soon a while after they return,
Around the pool, they greeted and sang,
The spring while she steps into the pool,
They sing and dance, hail the spring:

'The troublesome thorn mingled into itself,
The long ugly arm has collapsed pieces itself,
And the beauty has broken through!
Behold! The shining sun under her shadow!
The beauty by her grace fathomless,
Gorgeous she looks, rosy winsome!
Make all dance her awakening fragrance,
Tenderness she breaths, and caresses the bliss,
With a heart of endless love,
Vivifies the file, pleasant, dynamic!'

Meanwhile, the maid of honour came with the news,
They wanted to hear 'the Houris too shall join them.'
Yet they are flowering themselves alike as they gaze,
Upon the adoring scene of divine, winsome, paragon, fashions,
Impressionist hairs of the Queen of Paradise!
Where lay upon the Throne, and youthful streams,
Flowing, surrounded by, and canopied by the sky
Of glory garnished by the millions of the divine artisans!
There the sun care greatest and offers harvest lights,
And now, she comes to the streams, she shall swim.
Therein the never fading water-lily will please her sight,
She will listen to the divine birds of joyfulness,
Singing the songs of the blissful souls,
In the name of the all praiseworthy,
The perpetual Creator, Allah.
As she will innovate the songs,
And the innovative image of the eternal creations,
Will be bestowed upon the spring and all the houris,
Shall greet the spring as they will pour
Flowery rain over the fairies' pool!

Listen, the angels sing 'Lo, the spring, '
Again and again, as she dives into the fairie's pool,
And dips out up to the earth! See for yourself:
As youthful as ever with the sun shining on her forehead
And the day on her flowers, with her the earth is radiant
Her soil is perfumed, she belongs to paradise!
Leah Marie Apr 2015
I was the sun,
You were the rain.
Our lotus flower bloomed,

Thriving with life,
Screaming in color.
We had the perfect flower.

But lack of rain,
And overwhelming sun-
Our flower died of thirst.

It was beautiful;
We were beautiful.
Stephanie Lynn Sep 2015
i'm biracial
no i'm not an oreo
no i ain't your zebra
i ain't the best of both your worlds
i ain't mulatto either

i am white
and
i am black
living my life with a sense of inequality
my race always seems to follow me
no matter where i'm at

white people have jokes
black people have questions
my hair appeals to some of you
while the rest of you have suggestions

who said i needed you to tell me who to be?
who said i needed to explain who i really am underneath?

striving to be normal and thriving to be equal
i just so happen to be a white girl
that knows what it's like to be black
and that bothers a lot of people

my race may not define me but it is apart of who i am
so yes i get offended when you refuse to understand

that i am what i am
black and white
white and black
light brown complexion
***** curls front to back

a strong black woman resides inside and it's she you see
a white woman is there but will never be
but i never deny my lines culturally

because they are me
(C) Maxwell 2015
it was warm
for a winters eve
unusually warm
but damp very damp
birthing a persistent
midnight mist that
crawled over everything

avenging
halogen angels
flitted down from
streetlight perches
skidding through
bare limb bars
of broken trees
roped in by sagging
telephone wires

skulking
seraphs
joined
ebullient
neon auroras
laughingly
brake dancing,
jittering away on the
pock marked rims
of hip hop streets

the fine drizzle
descending from the
black urban heavens
splayed holy water
over the bodies
of anything
that moved; and
layered mounds
of transparent beads
on all inert things
chiding those yolked
to weighty burdens
to seek relief of
a much needed
breaking point

our
slouching city
mired in a cycle
of a prolonged
historical rut
beavers away
to lift the lid
on tomorrows
tipping point
in a desperate
labor to stop
tripping over
itself...

a dinged up
Sentra’s
flashing spinners
twisted round
our dark corner
nearly clipping
our troop

inside the
yakking low-riders
scuttled along,
their hidden ***** eyes
cruising the stoops
and cyclone alleys
scoping opportunities
for the next
jolly hustle
to feed
a growing
angry fix

tonight
Mother Nature was
running a *****
to the wall third shift,
manufacturing a
stationary low
of gagging precip
churning volumes
of Vulcan smoke
conjuring
convective spirits
from all the
dim places

emanations lit
the balmy January air
rising from
stubborn gray patches
of despoiled snow
and rancid ponds
organic gutter water
composting
in distilled pools
awaiting leakage
through flotsam
clogged sewage grids

Paterson’s
litter police
could close the
city’s budget deficit
if all infractions
were properly cited
and paid in this
neighborhood

this queer elixir of
rising vapors from
evaporating snow
escaping the cracks
lining the bowels of
mordant streets
joining descending
screens of billowing mists
blurs boundaries of light,
diffusing temporal time

people and things
lose precise definition
reducing sentient beings
to moving silhouettes of gray
photographic negatives
framed in dribbling palettes
of pastel hues

our
5th Ward mission
planted in the
hub of a neighborhood
still holding on...

Old WASP’s
of St. Paul’s
long ago
winged away
from this
princely
Episcopate
principality

the abandoned
conical nest, its
chambers filled with
the mud of 50 dead rectors
precariously clings
to its shivering
boulevard corner

its endowment depleted
its earthly treasure rusting
grandiose Tiffany windows
remain the last legacy of an
opulent faith now
shamefully rattling away
in moth eaten frames

once icons of
adulatory reverence
the final sparkling asset
of a distressed religion
begs to be monetized
by flummoxed vestrymen
yearning to extend
a stewardship
over a dissipating
ESL flock

distress in the hood
parades down Broadway
in all directions

a few blocks east
a shuttered
Barnert Hospital
transfigured into an
urban enterprise zone
for health-care privateers
working overtime to
extract federal
corporate welfare
rent subsidies
dutifully fulfilling
fine print obligations of
Obamacare legislation

Old Mayor Barnert’s
namesake synagogue
once hard by
City Hall
is long gone
its absent footprint
now centered by
a thriving
White Castle

near Broadway’s end
on the outskirts
of Eastside Park
Art Deco Emanuel Temple
the last anchor
for the city’s Judaism
lies vacant
awaiting a renewed
purpose

fraught with irony
a thriving Islamic Center
stands juxtaposed
across the street
from the old
Hebrew Temple

we wonder what
will emerge
from the
hallowed chrysalis
of decommissioned
Emanuel?

rumors of a
Great Falls Art Center
trickle like a leaking faucet
failure to secure a mortgage
in the post credit
bubble pop economy
dams the possibly
of a new centers
coming to fruition

will
the city’s
changing
demography of
reverent Muslim’s
genuflecting
across the street
take time away
from prayer to
patronize a venue
offering decadent
bourgeois jazz and
risqué reviews
of retro Borscht Belt
vaudeville?

when Constantinople
became Istanbul they
converted the Christian
churches into mosques

when the Inquisitioners
drove the Moors from
Granada they converted
the Grand Mosque to
the Cathedral of the
Incarnation

what incarnations
will this city’s
twilight bring?

As Byzantine
begets
Constantinople
begets
Istanbul
the links
in the Silk Road
spanned west
to the new world
of mechanized looms
powered by
Great Falls
raceway water
and a distribution
and procurement
chain anchored
by the Morris Canal

Capitalist
modernity
begets
our Silk City
it also bespeaks
its demise

in the courtyard
of St. Paul’s
a muffled chorus
trawls the thick air

a posse of pimps
done wrangling
their stables
of $5 ******
sing reveries to
the evening haul

midnight lullabies
of corner crooners
lift a Capella hosannas
from the dark armpit
of an alley behind
the Autozone

“i said
you say
what can make
me feel this way
my girl”

juiced pimps
cashin in
livin large on
a skanks
50 cent haul

the trade in flesh
of distressed
human capital
remains a
growth industry

Music Selection:  
Temptations, My Girl

jbm
3/1/13
Oakland
Part 1 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Paterson NJ is nick named The Silk City.
Paul M Chafer Apr 2015
Even at my age,
I see mountainous lands in the sky,
Languishing among towering clouds,
A lofty empire, lost kingdoms,
Perhaps a strange magical realm,
Thriving with dwarves and giants,
Maidens in towers awaiting rescue,
Where lone horse warriors wander,
Maybe observing us, far below.

Must be a poetic creative thing,
Or simply the child deep within,
Viewing through the eyes of the man,
Dreaming ancient days of long ago,
When the child yearned to be grown,
To know all there is to know,
Never appreciating escapism,
The chance to drift within time,
Ponder upon distant, aerial, worlds.

Or maybe I’m just a dreamer,
That and nothing more, hmm,
Telling myself, I am a poet,
A procrastinating creative spirit,
In love with the trappings of art,
The child asleep within wisdom,
Languishing among towering clouds,
I see mountainous lands in the sky,
Even at my age.

©Paul M Chafer 2015
Inspired by the poem ‘A Procession Of Days’ and dedicated to fellow visionary, friend and poet, W L Winter.
Rosie Owen Apr 2015
Marriage is changing, from who can get married (37 states now allow gay marriage!) to who actually ends up doing it. Only 26% of millennials are married, a sharp decrease from 36% of Generation X and 48% of baby boomers, according to the Pew Research Center. But marriage isn't obsolete — in fact, in many ways it's thriving as we re-evaluate what the institution really means to us.

And with re-evaluating marriage comes re-evaluating weddings. The Knot's "2014 Real Weddings Study" found that couples are foregoing traditional wedding customs to modernize their nuptials through their choice of rings, dresses and officiants.

That includes — perhaps most importantly — the vows. Couples today are taking cues from badass brides like Amelia Earhart, who banned the word "obey" from her 1931 wedding vows, and reciting promises to one another that reflect the partnerships they strive for. Here are 12 real-life couples who vowed...

1. "To split the difference on the thermostat."

Why it's awesome: When Brad Pitt and Jennifer Aniston got married, Pitt pledged to "split the difference on the thermostat." While that partnership didn't last, as we all know, it was a lighthearted vow that highlights a crucial element of modern marriage: compromise. The key to a happy marriage is learning how to meet halfway.

2. "To be a true and loyal friend to you."

Why it's awesome: Marriages weren't always about intimate, caring partnerships between equals. But we know well enough now that the happiest, most long-lasting marriages are those in which partners see each other as friends (even studies have proven it true). Jevan's vows to Alithea, shared by the Knot, are a reminder that the bedrock of friendship is what makes a modern marriage stand.

3. "To communicate fully and fearlessly."

Why it's awesome: Among the traditional promise of partnership and faith, real-life couple Anne and Gabrielle told the Knot they vowed "to communicate fully and fearlessly" as spouses. In our modern world, we have seemingly endless ways to communicate — text, email, Skype, Snapchat — and yet still have to work to connect. Sitting down face-to-face, making eye contact and being vulnerable with one another is still crucial, as is being honest without fear of judgment from your partner. Emojis aside, that's what really sustains a lasting relationship.

4. "To grab your **** even when we're old and wrinkly."

Why it's awesome: As we become more open about sexuality (thank goodness), it's only natural that a wink and a nudge find their way into the wedding vows. In an open thread on A Practical Wedding, Zach and Kate shared their vows, which included the promise "to hit on you in awesome accents and grab your **** even when we're old and wrinkly." This promise to keep the spark alive even years down the line is no small thing. After all, studies have shown that all it can take is a simple touch to maintain a ****** connection.

5. "To value our differences as much as our common ground."

Why it's awesome: Love is a powerful force to bring people together, even when they're divided by cultural background, religion and, increasingly, politics. As society grows more divisive and we hold tight to our views, it's valuable to remember that our differences don't have to actually divide us, as these vows from real-life couple Greta Christina and Ingrid, told to Patheos, show.

6. "To continue to love your children, as if they were my own."

Why it's awesome: A marriage isn't just a vow to one person, it's a vow to an entire family — future and present. In 2011, Pew Research found that more than 4 in 10 American adults have at least one "step relative" in their family, including a stepparent, a stepchild or a step or half sibling. These adults are just as likely as others to say that family is the most important element of their lives. So it's no surprise that people have been adapting their weddings to encompass the commitment to an entire family, as Sara M. did in her vows, shared on Offbeat Bride.

7. "To comfort you when the Falcons lose and drink beer with you when they win."

Why it's awesome: As Mallory summed up so perfectly to Eddie in their vows, shared by the Knot, appreciating each other's distinct interests and actively sharing in them together makes a huge difference. It goes beyond just putting on the Falcons jersey: Sitting down for the game and sharing a beer is what researchers would call "shared leisure," and it makes a big difference for marital satisfaction. That football game is more than just a football game.

8. "To never try to hurt you just because I'm angry or tired."

Why it's awesome: The chaos of our lives means lots of stress, lots of late nights and lots of exhaustion. (Unsurprisingly, Gallup found that 40% of American adults get less than the recommended amount of sleep.) That can actually wreak havoc on a relationship, which is why it's all the more important to anticipate the challenge. Sarah's vows to her husband, which she shared on A Practical Wedding, are a promise not to take out her stress and exhaustion on him. Instead, she vows to trust him throughout the chaos, "even when we veer from GPS directions, schedules, itineraries and to-do lists."

9. "I have called you my life partner, my significant other, my longtime companion, my lover. ... Now I vow to love you always as my lawfully wedded husband."

Why it's awesome: The vows said by George Takei and longtime partner Brad Altman at their wedding, after the passage of marriage equality in California, were unsurprisingly moving, given they were 21 years in the making. As couples, straight and gay, wait longer to get married (and cohabit in the meantime), labels like "husband" or "wife" are less crucial for defining the relationship than the moments a couple has shared. Takei and Altman's wedding was not proof of their commitment, but rather a tribute to the commitment they had already demonstrated — a truth echoed clearly in their vows.

10. "To be your partner in all things, not possessing you, but working with you as a part of the whole."

Why it's awesome: If we're really striving for egalitarian marriages, then recognizing the equal amounts of work required by each half, as partners, is crucial, especially as women's participation in the workforce keeps growing (57.2% compared to 69.7% for men in 2013). In order for both careers to receive equal focus, a promise not to "possess" but to work to support each other is key. Much like Amelia Earhart refused to use the word "obey," real-life couple Alex and Michelle promised to be each other's "equal in all things" in the vows they shared with the Knot.

11. "I will love you no matter what makes my blood circulate, or even no matter what provides my body with oxygen."

Why it's awesome: Traditional weddings tend to be religious occasions, but with increasing rates of atheism and marriages across faiths, religion is taking a back seat to a more personalized expression of commitment. As of 2013, only one third of couples opted to get married in a church, and even more are removing religion from their vows. But that doesn't mean the vows don't appeal to a higher sense of faith — in the other person or in the world, as these scientific, "atheistic" vows, translated from Swedish and shared on Reddit, prove.

12. "I see these vows not as promises but as privileges."

Why it's awesome: Marriage might have been necessary decades ago, but these days it's more of a choice. So it's only natural that the vows we recite — traditionally a list of duties and obligations — actually reflect the happy choice that marriage now is for so many.

Yuval and Dina chose to frame their vows as honors, as they shared with the Knot: "I see these vows not as promises but as privileges: I get to laugh with you and cry with you; care for you and share with you. I get to run with you and walk with you; build with you and live with you." With between 40% to 50% of marriages in the U.S. ending in divorce, it's more important than ever that couples remind themselves that being with their partner is a privilege in itself, and one to never take for granted.

Source: http://www.graziadressau.com
Valora Brave Nov 2012
I'm living with a cloud
angrily trapped, separated from belonging
expressive, loud

I'm living in stormy weather
hidden protection from the sky above
attacked by wind, blown like a feather

I'm staring at the unforgiving sun
seeking out superior potential
sifting through ideas
before I'm undone

I'm delivering a speech
bounded to my emotion
I bear it, desire to reach
full potential, operate in purposeful motion

I'm thriving and its not enough
I hear my voice
full of nonsense and fluff
it angers me. I search for substance
by traveling a further distance

I resent the forced truth
I can lose my shoes eternally
where I stand, but I can never escape
the limbs that fill them

I'm echoing off the rim
circle back, I wonder
where these shoes
have been
verwandlung Jan 2019
My beautiful sunflower,
of warm, yellow joy -
infectious - as sunshine
beams across our faces.

An abundance of petals,
golden in the light.
Growing toward the sun,
striving for perfection.

Our beautiful sunflower,
nurtured and thriving,
growing through my heart, warm
with happiness and love.
happiness of being in love? feels gross to read it now haha
Emanuel Martinez Feb 2013
What are we scared of?

Fending off hoards of oppressed human beings
Of acquisition, of possession, of autonomy, of legitimacy
Never been anyone; why empower them now

Legitimized crucification
No exoneration for grave transgression
Morality of mankind stabbed, under siege, defiled
Integrity constantly bloodily ***** like the virtue of women during war
Transgression, nonetheless, legitimized not by the law of a god or science
But that of a righteous m/an

Bodies without agency traversing into illegitimacy
Becoming illegal human beings
Transgression thrusting them into humiliation
Derailed, deprived, dehumanized
Earning rights to hunger, sickness, homelessness in the eyes of civilized man

Growing global economic hubs welcoming
Illegitimate bodies with contempt, violence, violation
Don't belong, lives becoming expendable, adversary to structured society

Trafficking, dragging, trading disempowered labor across meaningless borders
Nationalists disregarding with much pride illegitimates' desires for life
Killing them after you've beaten their soul, in negligence, extracting the fruit of their labor

Xenophobia killing Japan, dying refusing to open its borders to starving workers
When will a muslim sister in headscarf travel across ALL Europe without discrimination
Be careful America, you're murdering liberty's meaningless oath to the homeless of the world
Preaching the birth of the greatest nation on earth on the backs of immigrants across time
When it refuses to cease the political firing of condemnation against displaced human beings

Greatest plunderers of this world, those who set the rules, guarding their loot
Having had displaced black, colored, and brown bodies across time
Abducting black bodies from mother Africa
Contaminating mother America's native bodies with the corruption of whiteness
Causing mother Asia to discourage its pores from allowing the mobility of bodies

Greatest plunderers of this world, those who set the rules, guarding their loot
Legitimizing their stolen appropriations for the world to see
By excluding those they extract the wealth from
Displaced bodies achieving transnational identities in pursuance of unreachable wealth
For far too long trickled out of their home nations
To build the wealths of the new homes they're delegitimized from

Every country great or small falling in line with border policies
Desperate developing countries much too worried to contain fleeting flocks
Developed and thriving nations too ready to ****** the souls of bodies without agency

World's population imploding
Countries' power structures hungering to exploit the oppressed within their borders
Majority of us peasants, poor, without agency, moving across borders
Everyone's in danger of falling in line with the masses
Or the monopolistic governments deliberately creating monstrous line divides
February 4, 2013
Dee Oct 2013
To explain in which extent I love you we would first have to explain how the tears of the clouds can fulfill the thirst of a plant how can the loss of something be the completion of another you empty yourself upon me and I grow from within the confinements of an un nourished soul you tell me your stories and fill up the voids within me with the sadness you've endured nourishing with life the pieces of me that I thought with sadness had already died in turn I recycle your energy and turn it into thriving life that from the ground you helped pick up like a perfect Eco system in which we rain upon each other to help each other flourish to everyone that watches it doesn't make sense but every time a bud grows within me i finally find beauty  in a world full of weeds
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
Mary Ab Jul 2014
Thirty days have passed by,
purity abiding around my heart
Our souls were so blessed
to fast Ramadan deeply sincere
To be enlightened by its vast mercy
and the extreme prosperity

a gift from Allah came along to bless our hearts
to spread peace and love, to dig faith in each part

A blessed bounty to wipe away our tears
to rest our souls and vanish our fears

to sparkle with faith with our ambitious beliefs
and twinkle light in our bright smiles

I can't explain the sadness,
that all of it is already gone

Yet I am unable to express,
all the happiness that came along

Oh dear Eid,
you can't help it but sowing seeds of joy,
All the little children jumping out of ecstasy,
or something more

We gather all of us in a room,
cheering everything we have got
the child's enthusiasm kindling a thriving inner radiance
joining hearts with the profound crystals of love

feeling the gratitude for Allah's merciful blessings
pounding hearts of affliction and yearning
attempting to catch glimpses of happiness
that once has been hunted by a sudden death
of a loving dear soul

I have two sides today,
in my spirit is something wrong
but it's real, and I can't hide it
and let the feeling in my heart just lay

A beaming smile, so doleful eyes
As I said I have got two sides
And still can not decide.

This great festival meant a lot,
now it is just a reminder,
to all the years that have flown
celebrating a day without her.


It is just a replay,
to the digging nostalgia in my core,
until Allah will send a cheerful hope,

just be patience to get over all the mope
work even harder to cherish the heaven above.

Yet you see,
this movie will come again, the next year
and the melancholia, tingled with nostalgia
might keep you deaf and blind
along your long road.

Remember that Allah's door of repenting is always wide open

Waiting for your heart to get back and mind be awaken...
Happy eid for everyone ♡♡
This is my first collaboration with the most adorable poet Mina  ^^ (( http://hellopoetry.com/minasteeleh )) ===> check her poems , they are so awesome ^^
I was so happy working with her ^^ ♡ hope we can write together so often ^^
May Allah bless her and protect her ^^
El7amdulillah for everything, Ramadan changed us to the best ,and El eid is a gift from Allah to spread love and peace ;)
And no matter how life gets tough  , just be patient and strive , fight until you'll find your way and Allah will reward you and make it up for you ;)))
Always pray , may Allah guide us to the straight path ;)
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Nathan MacKrith Dec 2018
I will have you know that you are in the mine-ority
If you don’t look at my pic and insta-click “like” on me
I thrive in this weblight, you subsist in ambig-you-ity
Mine is the looking glass of Aphrod-I-te
The un-My-ghty look on my aesthetic perfection and despair

I am the reason there is an earth
All was designed to usher in my triumphant birth
You are just hateful ab-you-sers and mis-you-sers
YOU are YOUVENILE YOULINQUENTS!

I am the oh-so-fleeting truth  
Present in a world obsessed with youth
I am only worth what others see in me

I embody the my-jority
My onscreen attention antics
Are the me-ssential components
Required to build a thriving Me-ocracy.
~
NM  
10/17/14
presented as part of a Dawkins’-meme based poetry collection at the 2019 “Trash Talkin’” literary Conference at the University of Regina, in Regina, SK, Canada
Madisen Kuhn Jun 2013
soon i will f a d e
like a photograph
left upon the windowsill,
and you will wipe away
my name from your lips

my laughter will become
a faintly familiar echo
in the hollows of your memory,
and unlike your thriving soul,
i will be fixed in a state of affliction
by the absence of your tenderness

yes, the fire in your heart
that once burned brightly for me
is growing dimmer by the hour,
however, you shall remain with me
e v e r m o r e
NC Aug 2018
She is not thriving in the fancy place
but she grow up with the fertile mind
Other people think like she is in prison
But she feels like in mansion

She grow up and feel comfy
Stuck in her own routine
Doesn't makes her feel unlucky

No one can judge her, she doesn't care
She will prove it someday
What she's been prepare.
©anecstatic 2018
thejohnags Jul 2018
you're lost in the wild
you don't know where you are,
you don't know what to do,
so you're dying in the dark.

you're looking for a trace
you're looking for a place,
but all you get is this maze
you should've seen your face
you got burned, got cornered
no turns, just liars.

and when you try to seek out the exit,
you find the monsters in your closet
smiling, waiting, hungry to dive in
you can run, but you can't hide
you can try, but you'll be found

so you're lonely in the streets,
you've been sleeping there, no sheets
you're looking for a mirror, looking for a lover,
looking for a mother, looking for a savior,
but you're alone, child.
but are you lone, child?
are you gonna cry now? be brave child.

the time is ticking
this game you're playing,
it's never ending,
but try to win it.

you say you're fine,
but you hope with fright.
you curse your life,
cuz it's killing you with pride.

the door is open,
but the sign says closed
your heart is breaking,
but you got no one to hold.

so you hold onto your dreams:
bright, and thriving lights, NYC
but is it worth it? can you chase it?
can you catch it? or miss all of it?

you sit in the corner of the bed
you're thinking about life, you're thinking about death
you're thinking about your friends, you're thinking about your family
when you thought of yourself, you thought of yourself lastly.

you sit and think about living
what to do to learn? what to do to earn?
how to keep up the pace?
how to dance in the rain?
and why are you lonely in this sick, crazy game?

so you wake up in the streets
the air is warm, so you smile, and you breathe
looking for dime, looking for a rhyme,
looking for more time, looking for your prime

looking for a flower,
looking for a paper,
cuz that is what you're best at:
painting words then you're a goner.
Claire Jan 2014
Air

  "I'll tell you what I've told everyone else.  The lake doesn't usually freeze because the air isn't usually so cold.  It was frigid that day.  Or more so, that week.  That year.  It wasn't a good one for Amie, she told me that.  And while the lake consistently stayed warm throughout the coldest of times, even it gave up that day, as had she.  It gave up and froze, the warmth taking Amie with it, lost under the icy surface. I know you know this."

  "Well, you have gotten us off to a good start.  I'm going to ask you some questions. What was Amie like at school that day?"
  
  "As far as I can remember, she wasn't acting in any unusual way.  They all ask me if I saw her smiling or laughing; pouting or crying.  School certainly isn't anything to cherish, nor anything to dread.  Amie wasn't some sort of intellect, she didn't want to be.  Or maybe she did.  She woke up at the outrageous time, walked the gloomy halls and did the infinite amount of meticulous homework-"

"But did you hear her complain?"

" No.  In fact, Amie was so monotonous in everything she did, it was hard to tell if she was truly alive.  She didn't talk, she listened, and to more than just voices.  All it took for people, including you and your coworkers, to become aware of this 'boring' life she lead was, ironically enough, her death."

"Don't say that. We were all aware of her existence in one way or another, and if not, you surely were.  You and her were good friends, is this correct?

"Amie was my best friend.  Not in the way your best friend is yours.  She was my best friend in knowing that I could sit in the same room as her for hours in utter silence.  I didn't even cry that day.  We weren't even close.  Our friendship was exclusive--the only person I wanted to be around was her because she was as human as everyone else but yet she served as my escape from everything human.  Do you know what I mean?  I know why she didn't hesitate the moment she fell through the ice.  And I'm the only one who understands because I am the only one who understood her."

"You said she listened to more than just voices.  What exactly are you implying?"

"I'm saying she could hear the earth breathe.  And you could too, if you tried.  It's all she did and it's all she ever wanted to do.  She was more than in love with nature and its simplicity; she believed that it was everywhere, alive and thriving.  I honestly don't think any person could ever make her feel the way she felt when she sat in an empty classroom.  Or when she laid on her driveway at night.  Or, the most relevant scenario, when she ran her fingers through the water of the lake in her backyard.  Amie may have been my best friend, but that lake was hers."  

"So this lake was clearly very important to her.  How often did she go outside to visit it?"

"Oh, every day.  More often than that on days she was home.  I spent a lot of time there at her house, and most of the time I would only watch as she went.  I think the lake gave her the same kind of escape that she gave me.  It was a beautiful thing and I wouldn't take that lake away from her even if it meant she would still be here today.  You just have to see things in the light that Amie saw them before you try to comprehend exactly what happened that day."

"Listen to me.  Do you know why you're here?"

"I'm here because you think Amie drowned herself.  And listen to me when I say that that's not what happened.  She let the lake drown her.  Willingly, yes, but this is a completely different situation.  You didn't know Amie, none of you did.  Even I may not have known who she was, but I knew her.  And I know that there is no other way she would've wanted to die."

"You're here because a girl is dead, presumably from a suicide.  It was you who, in fact, reported the incident a few moments too long after you witnessed from a window the disappointment in her face when her fingers touched the ice, which cracked beneath her feet at the center of the lake .  You watched and felt the indifference run through her body as the water enveloped her lungs, and this girl drowned.  She lived alone in a house with a backyard lake, and every other person we have brought in here sits down exactly where you're sitting and draws a blank after that.  Nobody knew Amie."

"I know what you're going to say and I've heard it countless times.  She was not depressed!  Haven't you been taking in what I've been telling you?  Despite her lack of interest in everything every human considered interesting, Amie was happier than you or I could ever be.  This is because, unlike us and everyone else in the world, she didn't need people to be happy.  I am like her in many ways except that because I needed her.  Shes gone but i'm ok because i still find her in the littlest things i see or hear, and she taught me how to do that.  She was and still is everything good in my life and subconsciously in yours, too."

"I don't think you have been taking in what I'm telling you.  Please listen to me.  You might not think so right now, but Amie was sad.  she was helpless and broken and without words, no one could hear her cry.  Amie, this girl who loved nature, this girl who didn't need people, who passed all of her classes in school but barely spoke, who lived in a perfect house with her beloved backyard lake, who no one really knew about, this girl is you.  And you're still alive."

"Wait, stop.  What are you talking about? I told you she was my best friend-"

"I know you love this lake and I know you have no one to live for but you have to believe that whether or not you need people, people need you.  You said it yourself.  YOU need you."

"No, I'm fine, I'm here in this room and I'm alive and-"

"You need to swim.  Swim towards the surface."

"I-"

"Amie, you need to press your hands against the ice.  Press it and push up.  Push!"


And suddenly, there was air.
Zeyea Jul 2018
sometimes she daydreams about life the way i do about death. it's ironic, i know: black and white aren't meant to be grey and the rumbling hum of expletives digging into mauve lips pass through like desaturated light to translucent statures. it makes everything seem sweeter than it looks. she thinks the ache feels lukewarm, just like those half-hearted smiles she gives out like presents on a holiday, and she may be right. pain is not cold, it covers your entire heart with microwaved fingers, leaving burn marks that leave chars and ashes. snaps the purple heartstrings and clumsily tries to mend it.

(i love you because you're corporeal, she murmurs, you keep me sane)

she's spider-webbed, sung gossamer and silk while her bar lines drip with ink. and she seems moonstruck—because of me she says and blooms throughout my epiphanies. fancies herself a ghost, a wisp, something ethereal that lingers on my lips like a kiss. and she lingers, oh she does. toppling from the skies and collapsing into my rib-cage, she stays, blushing rose-like and thriving. velvet and constellations of blood clots patter against her skin. it blooms like she blooms, a paint splattered canvas meant for all to see.
Kitty Oost Oct 2014
Crumbling cities.
Beauty in decay has always reminded me
of you.
When we were little and climbing trees
you told me of ow you would be great
one day,
like Athens and Rome.
I had laughed and called you silly.
Those were places and not people, I had said.
You shoved your tongue out and clamored:
"Watch me do it!"
I think I finally understand what you meant.
Singing songs to me in my backyard you
were amazing, thriving like you had sworn
to me
those many years before.
We danced and screamed from hilltops
with cities unfolding beneath
our mere human feet.
You weren't kind of the world, but you were
king of mine.
Later that night you dropped me off
at my front door.
Kissed my forehead and murmured
"Goodbye, I love you"
instead of wishing me goodnight.
You fell in the time between night and dawn
and when I woke up the next morning
our empire was gone.
Pierre Ray Mar 2012
There once was a black man... Old at heart, he fought verbally and accordingly with bold words, which abbreviated and arbitrated great art! He spoke of activism. Not just racial, and economic racism. He fought against demonic injustices for you, yes, made me see. He stood for principles of non-violence. Acknowledged corrupt government

mileage, European knowledge and college. A philosopher, teacher
and preacher as well as a civil rights leader. When he spoke his words of fire indeed chiseled and inspired. Causing some to conspire and also perspire! Born January 15th 1929 in Atlanta, Georgia. Named in honor of the German protestant Martin Luther. Bachelor of Arts

degree in sociology. Making a mark in doctoral studies, systematic theology. June 5th 1955 This King married Corretta Scott in Heiberger,
Alabama for many to see. Proceeding with four children: Yolanda, Martin Luther the 3rd to be! Dexter Scott and Bernice to increase the peace. Despite the European police, the movements and stressed

protests, the silence, ****** and racial violence. The segregation and interrogations in force, instead of integration of course. Black mishaps, lack of differences in relapse perhaps! Plagiarized and slandered, demised by some of the wise. Accused of communistic ties. Blinded
by others’ eyes and of our world’s twisted lies. Montgomery, Georgia

bus boycott, 1955 was the year. However, forever in disguise, our fear of tears was apparently adhered. From here to near, also all those dear. Mere letters he wrote, from Birmingham jail I quote! From the slums, some of sums, hail and prevail! A creation prevailing into a deriving and thriving nation. Mr. King’s vision of a dream, mission,

opposition, optimism and truism, on our wars, welfare and more. I suppose this sounds honest and fair. Mr. King’s theories and worries in emotionalism, evangelism, humanitarianism, racism and socialism. Nobel Peace Prize won in 1964. Regretfully, you may have heard of this before. Government conspiracies and indecencies. Assassination

and discrimination, allegedly, by James Earl Ray. On April 4th, I
almost choke, because for him, his blood did soak. Some thought this **** was a thrill or forced by will. Others still procrastinate in hate! However, forever Martin Luther King was and still is one of the late greats.
In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.
Michael DeVoe Aug 2009
She sat on a park bench crying at the moon
Because that's what wolves do
And wolves were a lot closer to her than family
He lied under a park bench
And spoke to the ants
Because ants were more like friends than any friends he'd ever had
And once upon a time
These two were children full of innocence
Full of vigor and life ready for anything
Like anything was the everything they did everyday
And this is an ode to lost innocence
But I'm not sure he's lost
We may have just forgotten where to find him
Or maybe he forgot where he lives
And right now he's wandering the streets
Finding refuge in anyone willing to dream when the sun is out
Our children are seeing things like they live in the third world
They're spending their days providing
For families their fathers left them
Watching gun shots count for the census
Seeing thriving turn in to surviving
And surviving turning in to not even worth it anymore
Our mothers can't afford gifts for Christmas
And sometimes they can't even buy their kids imagination for breakfast
We have kids knowing their **** hands
Before their clock hands
Surprising their math teachers
With their extraordinary knowledge of ounces and grams
Innocence has been gone for a while
So I put up missing posters on the same telephone poles
Those once innocent children sell themselves on
I place fliers in the newspapers
The teenagers are rolling their **** in
I'm searching for him everywhere
And I'm starting to believe he's nowhere
Then I see an old man
Who's been through his share of this war
Looking at a painting with eyes I once had
Admiring the image, not the brush strokes
Loving the feeling it provokes
Not the conflict it's trying to resolve
And I see in him the innocence that's lost
But it doesn't stay long
His cell phone rings and he hunches over
As if no matter who it is, it's the real world
And the weight of that is crushing him
So I crawl under the same park bench
And pray to the same moon
The young woman cried to
And I ask the man in the moon to save us
To use his huge eyes to find the innocence
And put it back in talking to ants
And howling at the moon
Convince them to leave the straight jackets
In empty padded rooms
And let the children we were
We are
We never got the chance to be
Run free
This is an ode to lost innocence
To lighters and cigarettes in the lost and found
To Anti Depressants in the nurses office
And Ex-Lax in the girls bathroom
They used to have four square and hopscotch courts
Now the only chalk on sidewalks is outlining a corpse
Explaining to our kids about pregnancy and STD's
Before we teach them the infield fly rule
This is an ode to the innocence that ran away
Because maybe he's not lost at all
Maybe he's just sick and tired of being ripped out of people
Of being ***** out of young girls
Beaten out of young children
Shot out of young boys
Maybe innocence just got tired of being taken for granted
About not being loved like poets used to love him
You don't see his name in too many hip hop songs
And I haven't heard a poem in a while to call his praise
Maybe he left to go try and find somewhere
He can be loved like he used to be
He could be courting aliens
Or wooing dolphins
Because it's clear we don't care about him anymore
That innocence got lost without us noticing
So why would we notice if he came back
So why should he come back
This is an ode innocence's last name
Children
This is an ode to lost innocence
The cops came and took her away
And before her head was tucked into the car
She howled one last time at the moon
And from my balcony as loud as my lungs could let me
I howled back
And the next day I crawled under a park bench and talked to ants
A week later I found myself howling at the moon
Because it seemed the whole block
Caught a case of insomnia the day they arrested the wolf lady
This is an ode to lost innocence
Please come home, our children need you
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Alexis Martin Jul 2012
I want to sit in the soil
until my veins transform into roots
and reach through the Earth
clinging to nutrients
thriving
slowly my skin becomes petals
opening with the rise of each new day
basking in the glow of the sun
infinite

I want to sit in a jar
that you placed on your bedside table
on a warm summer afternoon
reminding you that I am forever yours
captured
but as I slowly wilt and wither away
and you begin to lose interest in me
you will find a new love to call home
replaced
Lyn-Purcell Aug 2018
✿⊰✲⊱✿
The air filled with laughter and cheers, leaving me
and Ainhara on the hill
"Oh dear," my handmaid smiles. "It appears it will be a long night.
Parting Paul from our sweet Esshi will prove difficult."
"Difficult but not impossible," I chime. "Come, Ainhara,
let us enjoy the rest of the night!"
'My wish came true tonight,' I beam.
'I will always remember this fantastic gala...' as I enter
the main dining hall with all my friends from near and far,
all my friends of many cultures as we join in laughter, in
glee, ever hopeful for the future of our thriving Kingdoms.
With every sip of wine, every nibble of the fine
dishes, all of our bonds have strengthened.
So now, let us be like the lanterns,
and rises together, sailing through the horizons
to touch the Heavens above.
Eager for the adventures ahead...
This marks the last chapter of the Gala series!
I do hope everyone enjoyed it, I had a blast writing it.
Thank you so much everyone for the support!
It truly means to the world to me,
To Queen Donna and King Dean of Vesian,
I wish you all the happiness in the world.
Congratulations again on your marriage
and to the Great Lady of Haikus, happy belated birthday!
Tomorrow, I'll be sure to put it all in a collection for
you. I hope you enjoyed the series! ^-^
Stay blessed everyone and much love!
Queen Lyn ***
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
Pep Nov 2015
There is an ecosystem of conflict thriving in my brain.
A world with questions for residents and doubts for landscapes.
I’m not sure if I’m actually reaching for answers right now,
although something in my soul aches.
Those landscapes are parched
and turning to deserts under the sun the residents have named:
Uncertainty.
Pedro Tejada Jun 2010
From the ripple in a glass of water
to the sonic boom of this internal
Pompeii, the erosion
of her etymology is the only
sense of movement in her
dilated, cave-pupil eyes, those
two ghost towns spanning
and encircling all the way back,
stretched like an elastic blindfold
past the moment the first brick was laid,
perhaps her first vivid memory,
or anecdote, or first word uttered
in a Cuban slum.

There are mountains of tumbleweed
over the once thriving metropolis
that expanded towards America;
who threw herself into
the architecture of seven pillars,
borne from her land and
minerals. Gone are the
huts that housed her
knowledge of basic motor skills.

The women who once imagined
Mami and Mima as her birth
name now scrub off
the graffiti of her excrement;
they saw a swarm of pink moons
the day she told the same story
to every visitor that came
their way, each day then becoming
a missing surveillance tape, a sinkhole
dismantling the awareness
in her bones and stubborn will,
until she became
these dust-engulfed plains with
a daughter and granddaughter
archeological in their efforts
to chase down the remains
of a girl still breathing in
those eyes from time to time.

Every other ten-millionth blink of
the eye rides the silhouette of a post-infant girl
on the high tides of her quick visit,
looking in horror
as the nation of her life's nightmares,
heartaches, broken promises, romances,
spiritual breakthroughs, life-changing seconds
drowns with morbid unity en cien fuegos,
desperately attempting to assemble
the remnants of her psyche
past her cognitive bloodclots
with the awareness of one
who speaks no languages.

Gone is the moment
she first learned
to feed her several children
before the slip of sunset.

One of seven pillars remain intact,
the others long dismantled of their
stick and straw infrastructures.

One pillar remained,
housed her own colony
for nine months,
and now both descendants
travel the mind of their
greatest influence
with perplexed dedication,
caustic humor the decoy
for swarms of exhaustion
and asphyxiation
from the truthful atmosphere,
reveling in the seconds
of humanity lurking
in an abandoned etymology.
In 1963
Mahalia prodded
the good reverend...

“tell them
about the dream
Martin”

transfixed on
a yonder time
he recounted
prophecies of
a near future

from a mountaintop
he foretold a
history of a people
returned again to
gardens of paradise
thriving in friendly
democratic soils
overflowing with a
colorful biodiversity
governed and
nurtured with a
vibrant sunshine
of divine justice
welcoming all
weary sojourners...

from  the
pinnacle of
a Birmingham
jail cell
Martin burst
the bars with
the clarion peel
of a golden trumpet
proclaiming the gospel
of liberation to
the wardens of
unholy gulags

“free yourselves”
the horn emblazoned
in streaking lightning
across the sky

cowed by
prophetic truths
of righteousness,
shamed by
lies the pride
of arrogance
bespeaks to
placate the
intransigence
of dominion,
we prayed the
the walls of racism,
bigotry, prejudice
would tumble down as
Martin lit the Battle
of Jericho

today our country’s
profit driven gulags
overflow with people
of color as justice
lingers on death row
begging for a plea bargain
of a life sentence in
solitary confinement...

from the
****** Sunday Bridge
in Selma, Martin
offered a prayer for
peace, rebuking
the dogs of war
admonishing
the tenders of
blood thirsty
machines to
beat the gears
of war into
pruning hooks
and plowshares

advocates of peace
hope to steer
the plow across
the battlefields of
acrimony to sow
rich seeds of
reconciliation, planting
new gardens where
the rich yields of peace
will be consumed
by all God's children

yet these gardens
remain unplanted,
untended and defiled
by the machinery
of war that churns
churns, churns...

Martin last
dream occurred
on a balcony
in Memphis

witnessing
to the divinity
of those considered
untouchable after
a hard days work
collecting a city’s
refuse

he insisted all labor
was worthy of dignity
and the economic
justice of a fair wage

Martin looked squarely
into the eye of the gun sights
of those who thought differently
he never blinked, he dreamed

Martin formed his last
testament to an angry nation
yearning for the reconciliation
of stability and peace,
unmoved that it’s violence,
exploitation and bigotry only
stoke bonfires of acrimony
and division, condemning
the reprobate principality
to the bleakness of a
smoldering discontent and
continued generations
of recurring nightmares…

Martin's dream continues
in awakened hearts
sojourning on

Music Selection:
Mahalia Jackson
Joshua Fit the Battle of Jericho


MLK Day
2014
Oakland
LDuler Mar 2013
The leeching color from my eyes
My parched mouth puckered
My joints are stiff, stubborn and brittle
Creaking like exhausted floorboards
Wringing my fists, white ands shriveled
Twisting my hands, skinned and raw
I'm ill with desperate thriving
Too weak to carry on, don't have the choice
Veins laden with liqueur, thinning hopes and regret
Pulsing pulsing pulsing
Bones fluttering with birds of bad omen
Scalp rid of hair to make place for the thorny crown of vanquishment
Blood diluted with bitter disappointment,
Sloshing, smearing through my mucked-up system
Aching from the deadly drone of existence
From small victories, large defeats
I'm the mortar, they're the pestle
Clobbering into my hollowed life.

The hammer of that thing
Routine so dull and tedious
Pounding and pounding and pounding
When you can't even scream or weep
Thud thud thud
My temples scream with dank submission
My brain is reeling, hurling from the vertigo of it all.

Morning, noon & night
The dead avenues, the empty buzzing
Beats hammers in my brain
Throb throb throb
I'm quivering with numbness.

I'm mature now, I'm ripe
So ripened and rotten
Adult things, adult preoccupations pulsing around me
It seems like person really only has two choices
Get in on the aimless hustle or be forsaken
I've taken it all up
Rent, coffee, wine, cigarettes and newspaper
Forgotten pills
Unpaid bills
Thump thump thump
Anguish, pain, woe and misery
Turbulence and stress, the banging hammer.

I'm a drunkard, a wanderer
With a beaten, battered suitcase
Days like these, weeks like these, when all the weapons are pointed at me
I'm a ***, an outcast
A pigeon in the pummeling rain
Dribble dribble splash
The ache is a relentless thing.

My job, my rent, my house
My walls limp with memories stuck with rotting glue
Wallpaper torn, curling at the edges
The cold hard floor radiates and screams
The couch, cold & hollow
Incrusted with bits of filthy grime
The dead radiator hisses like an angry snake
The shades down, no sunlight
No life seeping through the venetian blinds
And my clothing sits in the chairs
Like the dead emptied out
The blankets are thin, frayed and tattered
As hope is
The moths, on the other hand, are alive and well
They weave webs of moribund rot
Interlacing me into their strands of decay.

Surrounded by the coldhearted, they snarl
And their laughs abash, dishearten the pure
Bruising me relentlessly
They are so tired, mutilated
either by love or no love
All their bleak and sunken eyes
All their weak and drunken souls
All their meek and shrunken hearts
Vultures with neckties
Weasels in frocks
Collared beasts, that's all they are.

The mournful poet with the shrapnel wound
Was so wrong
I guess he wanted to be lyrical, but his words led astray
Time is not water
It does not flow easy, smooth and transparent
It drags you into dark alleys and batters the hell out of you
Punches you in the ribs, rips your skin,
Jerks you by your hair, stabs you, disfigures you
Leaves you crippled and broken, gasping for air.

Sweating in a rocker
Lanky skeleton hands clasped, praying- for what?
I'm not living, or dying
I'm simply crawling backward
Or no, I'm not crawling, I'm being dragged,
Through nights of lonely perfidy, breathing the beaten dusty air
The dark wind wailing, ebbing through the frail curtains
Laying in bed, too wretched to move
When memories, of heaven and hell,
Droop like broken shades
Across the window of my mind
And ****, I can feel my soul slowly dropping down through the mattress
My stomach is heaving, my teeth clenched and gritted
But not with fear, no, it's too late for dread
And it *****, because we realize we were all so caught up in a life in which we can find no meaning...we end up wrong and graceless and sick
We're born shriveled and alone, we die shriveled and alone
No matter what.
The Hammer by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

— The End —