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fleabag Sep 2019
Her name is Sapling,
a tree with calm and quiet chirpy personality
She lives her life the way it is.

When one a day comes,
Zephyr, the wind,
suddenly caress her soul moderately
Sapling can do nothing
Nothing, to stop it from coming
and devouring itself.

Why can't Sapling do anything?

A choice to fight over oblivious Zephyr
from hurting her,
from how Zephyr slaps her leaves
and sometimes even letting it fall to the ground
like an ordinary *******,
from how Zephyr swung Sapling's stems,
making it dance like it had just agreed to
but it never did.

Sapling stays calm in every idyllic second of her life
but that was before Zephyr came,
now, she was fuming
for Zephyr had caused great downfall to Sapling's life
Every little thing Zephyr had done to her
meant a lot to her.

Yet, there is only one thing Sapling had not known:
Zephyr had no choice either.
I am 'Sapling' and my love for him is 'Zephyr'
Toni Seychelle Feb 2013
The ground beneath the stiff leaves is frozen. The cold, brisk air invades my lungs, I exhale, my breath visible. I step over fallen branches and tugged by thorny vines. A red tail hawk screeches overhead, this is a sign of good luck. There is no path, no trail to mark our way, just an old, flat railroad bed surrounded by walls of shale, blown up for the path of the train so long ago. The only ties to remind of the rail are the rotting, moss covered ties that once were a part of a bridge that would have carried the train over a small creek between two steep hills. I see a fox burrow, and it's escape hatch is one of the hollowed railroad ties. I want to be a fox... The trek down this hill is not easy, thorny blackberry bushes and fallen trees impede progress. At the bottom, the small, bubbly creek is frozen at the edges, traveling under rocks and continuing its ancient path. I look up the hill that I just descended, and wonder how the return will go. Keep moving. The next hill will be easier, there are no thorny tangles, just treacherous leaf litter that will give under my feet if I don't find the right footing. The trick is to dig my boots into the ground as if I'm on steps. These hills are steep. Finally at the top, I look back at this little spring valley, I'm not that high up, but what view. Here, there is a dilapidated tree stand, falling apart from years of neglect and weather. Surrounded by deep leaf litter, there is a patch of rich dark earth, a buck has marked his spot, his round pellets are nearby. The saplings catch my hair as I walk by, and at these moments I am thankful for this cold snap that took care of the ticks. A creepy feeling takes over me, so thankful for this snap. A few feet further, as I watch where I am walking, another tussled bit of earth and I notice some interesting ****. It's furry and light grey; I poke it with my stick and find a small skull when I turn a piece over. Owl. I continue my walk, I didn't come here to play with poo. The last time I took this hike was three years ago, on a similar frigid day. It was a lot easier to make it through the shale valleys. Last summer, a wind storm felled trees and took out power for two weeks. The evidence of that derecho is clear here in this untouched forest. I remembered a tree, which now is a fallen giant, that had lost it's bark. The bark had separated and laid around this tree like a woman's skirt around her ankles. Now the tree lies with it's bark. I pass another tree I recognize whose branch extends out but zig zags up and down, as if it had three elbows. The tree signifies my next move, to descend from the flat railroad bed, down to a creek that flows through the tunnel that would have carried the train. The creek is considerably larger than the last creek I could step across. Descending towards the creek leads me over moss covered rocks and limbs, still bearing snow. Outside the tunnel, the hill walls are large stones, covered in a thick layer of moss, some of which has started to fall off due to heaviness. There's a sort of ice shelf in the creek, it's three layers thick and can support my one hundred and twenty pounds. Laying across the creek is another derecho-felled tree. Some sort of critter has crawled on this, using it to avoid the water below and as a short cut up the hill. His claw marks are covering the the limb, a few are more clear, it looks as if the creature almost slipped off. His claw marks show a desperate cling. I walk through the tunnel, in the mud and water; the creek echoes inside. I look above. There are drainage holes lining the ceiling, one is clogged by a giant icicle. I imagine the train that used to ride over this tunnel, I pretend to hear it and feel the rumbling. The last time we were here, we found cow skeletons. We placed a few heads on branches and one over the tunnel. We stuck a jaw, complete with herbivore teeth, into the mossy wall and a hip bone on a sapling. The hip bone reminded us of Predator's mask in the movie. All these bones are turning green. When I was here before, there was a bone half submerged in the creek; I had taken a picture of it but today, it isn't here. I'm sure it was washed away. After our exploration of the previous visit, we turned back. We are cold again, can't stay in one place too long. I climb through the deep leaf litter and over the rocks back to the railroad bed. Passing all the things I've already seen and spotting things I missed. I find two more fox burrows. They utilized the shale rock and burrowed underneath the jutting formations. Hidden coming from the south, the gaping openings seem welcoming from the north. My friends, the spelunkers and climber, want to descend into the darkness but I remind them, it is an hour to sundown, our trek is hard enough with overcast daylight. Wisdom prevails. We pass a tree, we didn't notice before, that was struck by lightening. The cedar tree was split in two and fell down the shale wall. I see the evidence of the burn and a smoldered residue at the base. Nature has a cruel way of recycling. The downed tree still has snow on it and the path of a raccoon is visible, I like the paws of *****. Though the way is flat, the walls of shale tower above us, limiting routes. At one point I can't see through the fallen trees I have to pass through. I have to crab walk under, crawl over, duck again and find my way around the thorny collections of bare black berry bushes. Finally into a clearing, still surrounded by sharp shale, there is another wall covered in inches of thick, healthy moss. I place my hand, taking time to stroke the furry wall. My hand leaves an imprint. I wonder how long that will last.. Back down the steep hill up and up the thorny tangle. I know I'm on the right path up, I see the fox's hole through the railroad tie, and his entrance burrow up the hill. Going down was definitely easier. The summit is literally overgrown with thorns, there is no clear path through. It is, again, impossible to see through the tangle of limbs and saplings and more thorns. Somehow we make it through. We are close to breaking off this path. We know this by the remains of a cow skeleton that more than likely fell from the top of the shale cliff. Femurs and ribs and jaws abound. On the last trip, we placed a hip bone in the "Y" of a sapling. The young tree has claimed it, growing around it. We add a piece of jaw to the tree's ornamentation and move on. We climb down from the railroad bed to our car - parked on the side of the road with a white towel in the window so that no one suspects a group of people walking through private property, past faded NO TRESPASSING signs.

When I undress for bed later, there are many small scratches up and down my legs from those ****** thorny vines. I'm okay with that, it's better than searching for ticks in my head.
I couldn't write a 'poem' about this hike. It was too full of nature.
Keiya Tasire Jan 2019
On the land of our family
Are the ashes of generations.
Each generation planted with the saplings of the trees  
The Cedar, The Fir, The Larch, and The Mountain Ash
Standing regal in the sun's early light.

It is a new day
Standing under their boughs
Comforted by ancestral arms touching
In a circle of Love and Light.

What is emerging?
Sprouting up from under the Sphagnum  
It's a seed! Raising its head
Peeking up, and stretching towards the sun.

Ever upward it expands
Though nights of rain and clouds.
Through days of heat and seeming drought.

Yet the seedling grows and endures
Bent by the late summer winds
The fiber of wisdom ever increasing within its core.

At the end of Indian Summer
The frost begins to unleash its chill
The young sapling freezes
As the blanket of white thickens across the land.

With the weight upon it's back
In humility the sapling bends low to kiss the earth.
Bravely holding this asana in the coldest of the winter days.

Today by my window
I am basking in the sunlight of a very early spring,
Bright are shimmering reflections of sunlight snow.

Squinting, with eyes half open and eyes half closed
The small rainbows begin to dance
Between each pair of lashes.
A delighted inner child
Chuckling with joy.

I can hear the sound of water running  
And ice falling from the rooftops above.
The snow is finally melting!

The tall cedar boughs dance with the wind.
Up and down, releasing their winter coats
As Ice crystals floating on the air.

Gazing across the white wonder
To the very spot where I last saw our little tree
What of the little seedling?
Is it still alive?
Or broken and crush by the ice and snow?
My musing over the Cedar Sapling
Shifted with a gasping surprise
It sprung up!
Announcing "I am still alive!"
And my inner voice giggled with delight.

Hum, I wonder
Do trees have a heart?
Do they perceive beyond their bark?
Do they remember?
In this very moment the sapling's sudden appearance
During my musing seemed to express, "Yes!"

Is it just a deep enduring feeling
That the elders of this world
Are the 400+ year old Cedars
Keeping their long record of time?

My dear little sapling
may you continue to grow into magnificence.
I will only see your first 100 years.

For your last four hundred
Allow me to lie at your roots
Under the Sphagnum from which you sprung.

And my children will water flowers at your base
That you may grow as the guardian of the ancestor
Who planted your seed and watched you grow.

Yes, the very one who is now delighted that you
Have popped up from under your blanket of snow.
The winter is giving to an early spring here where we live. There is a young sapling outside my kitchen window I have watched for two years now. This is the second season I have watched it pop up out from under the blanket of snow that has covered it thickly each winter. I am amazed at its flexibility, strength, endurance and tenacity. As the years pass I will continue to watch over this little tree with the desire that it will watch over me when I have passed and my body has been laid to rest.
Poetic T Apr 2017
Little sapling growing between a rock and a hard place.
Weathering what life is surrounding you. No friends of yet
but you are only a sapling give it time. Moments passing
watching scenery elope to shifting seasons beauties.

Sea air invigorating as rain trickled from above dancing on
your now maturing leaves, tickling as each one weaved its
way down, like teardrops they descended on there journey
of life carrying on.

The Cliffside sighs, and teardrops of rocks descend,
woeful of those this motion that swept away, beauty
that clung silently there. The sapling is of branches
and leaves giving needed shelter to tired wings.

Seasons whisper by as the sun and moon dance above
her gaze. Roots delicately weave deeply into the Cliffside
keeping here steady, for if it were to sigh again her fate
steadfast in this place between a rock and a hard place.

Her leaves happened upon a blossom, so delicate in
its serenade of colour against the harsh rock face.
Like a parent when winds were bleak shielding its
frailty with branch and leaves, it only lost a petal this time.

She flowered in the seasons, blossom invigorated the
surroundings of what was bleak, like teardrops of love
for a time they painted vivid etchings on the Cliffside
till they faded nourishing those of lesser stature.

As she yawned on the morning rising above the
horizon, she felt motions upon her leaves.
Never in her time had she felt such gentle touches,
as palms glided over her foliage.

Feeling the breeze from up high, the cliffs edge she
had flourished in growth, now little eyes saw her
in full blossom as the seasons had changed.
Laughter ensued when gusts eloped with blossom.

Pink and light shades of magenta danced between
children, a fence keeping wondering thoughts safe
from the fallen dreams at the bottom of the Cliffside.
Leaves caressed the winds and she was content.
TheBlackBird Aug 2013
She was a sapling,
Small and shaded by
The branches of  
One hundred year old oak trees
Maples and Evergreens

Wilting without sunlight,
The rain never reaching the dirt around
The places she buried her roots

The sky was a dream
Clouds she could not see
Through the thickness
Of birds’ nests and tree forts
Nestled in the arms of
The great plants surrounding
The seedling, starving for sustenance

I was a sapling, dying alone
In a petrified forest
Surrounded by what seemed
Like no hope for hope
No chance for survival

Then along came a woodsman
Or so I thought
Ready to put me out of my misery
Cut me into kindling and
Burn me into my next life

But a woodsman, no
Instead he was a farmer
Come to hack and saw the trees around me
And cultivate my species

Nurturing and sacrificing
He cleared the air around me and
For the first time I found myself
Breathing in

He cut away the branches
Prison bars that held me
Back and down for so long

Released me from a doomed fate
I had nearly begun to accept and  
Because of him I drank the tears
That fell from heaven
And for the first time
Felt alive

And then one day I realized
A farmer you were not
But instead like me
You were another tree
With vines that grew towards
And with me

You brought me back to life
You know
Reminded me of why it is
I wake each morning and
Lean towards the sun
Soaking in her rays
And living
Michael R Burch Apr 2020
Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
Every parent Grandparent every one who is tending to a child is a Gardener and the child a precious sapling

MY SAPLING

I am your loving guardian, your Gardener;

Who awaits to see a sapling bloom, as if a baby it were.

And you of course , my most precious sapling are.

See you I wish to, blossom, bloom n spread your branches far.

Tender, loving you are, sweet as sugar or honey.

Sometimes giggling, crying, angry or even funny.

Everything is a game, be it sleep, studies or time for feed.

I your gardener painstakingly will tend to all your needs.

May you blossom to be a great Parsi, n an Indian great too.

May Ahura always shower His choicest blessings upon you.

Your Gardener, your Ma

Armin Dutia Motashaw
Kasandra Cook Feb 2013
Amidst the redwoods finite upward stretch,
streams of light grace darkened ground
where golden beams and deepened greens together catch
the promise of new sapling can be found.

Between these giants’ towering cast
that sovereign sunlights aid,
mighty limbs direct where any rain might pass,
and whether light gives way to shade.

His feeble roots take what they may,
with time enough to grasp only shallow sheet of earth.
And though by slightest breeze he’ll fro and sway,
he takes protection by his elders timely girth.

And, if looked upon by eyes with mind that couldn't know,
it may seem these ancient elder trees never had to, like the sapling grow.
For the way they stand against wind and gale it might serve as a surprise,
that they hadn’t always stood that way, that they like sapling, had to rise.

It was by passing years their rugged hide is earned and just.
And while saplings' leafy shade may be a lighter green,
and though his tawny bark be invisible to their upward eyes as of thus,
against the elders' ever richer jade, lest by my gaze, he can be seen.

Moons pass while sapling takes only what his patriarchs bestow,
It’s with patience he waits for the dusky day that he too shall finally grow.

Then all at once- he reaches and, with casted shadow of his own,
no more is he cloaked by his elders grander silhouette.
Alas, his quiet presence is timely to them shown,
they will see this sapling yet!
Kelley A Vinal Nov 2014
I have been witness to many things
You must fear not what cold winter brings
You are young, but the reason this bird sings
To you, sapling, this bird clings
Let go of your evergreen hesitations
Your leaves will fall in wondrous presentations
Followed by gazes of beautiful validation
Your stems a sign of majestic acclimatization
While your trunk grows larger and far more in tune
Your leaves will broaden to as large as the moon
To each passing insect and all birds here soon
Your pits to catch water as a natural spoon
You see, young sapling, you are a delight
Do not see winter as a source for fright
Each tree in this forest has seen the same plight
But all have continued their journey for light
314

Nature—sometimes sears a Sapling—
Sometimes—scalps a Tree—
Her Green People recollect it
When they do not die—

Fainter Leaves—to Further Seasons—
Dumbly testify—
We—who have the Souls—
Die oftener—Not so vitally—
Michael R Burch Apr 2020
Withered Roses
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

What shall I call you,
but the nightingale's desire?

The morning breeze was your nativity,
an afternoon garden, your sepulchre.

My tears welled up like dew,
till in my abandoned heart your rune grew:

this memento of love,
this spray of withered roses.



Ehad-e-Tifli (“The Age of Infancy”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

The earth and the heavens remained unknown to me,
My mother's ***** was my only world.

Her embraces communicated life's joys
While I babbled meaningless sounds.

During my infancy if someone alarmed me
The clank of the door chain consoled me.

At night I observed the moon,
Following its flight through distant clouds.

By day I pondered earth’s terrain
Only to be surprised by convenient explanations.

My eyes ingested light, my lips sought speech,
I was curiosity incarnate.



Excerpt from Rumuz-e bikhudi (“The Mysteries of Selflessness”)
by Allama Iqbal aka Muhammad Iqbal
loose translation/interpretation by Michael R. Burch

Like a candle fending off the night,
I consumed myself, melting into tears.
I spent myself, to create more light,
More beauty and joy for my peers.



Longing
by Allama Iqbal
loose translation by Michael R. Burch

Lord, I’ve grown tired of human assemblies!
I long to avoid conflict! My heart craves peace!
I desperately desire the silence of a small mountainside hut!



Life Advice
by Allama Iqbāl
loose translation by Michael R. Burch

This passive nature will not allow you to survive;
If you want to live, raise a storm!



Destiny
by Allama Iqbal
loose translation by Michael R. Burch

Isn't it futile to complain about God's will,
When indeed you are your own destiny?



O, Colorful Rose!
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You are not troubled with solving enigmas,
O, beautiful Rose! Nor do you express sublime feelings.
You ornament the assembly, and yet still flower apart.
(Alas, I’m not permitted such distance.)

Here in my garden, I conduct the symphony of longing
While your life is devoid of passionate warmth.
Why should I pluck you from your lonely perch?
(I am not deluded by mere appearances.)

O, colorful Rose! This hand is not your abuser!
(I am no callous flower picker.)
I am no intern to analyze you with dissecting eyes.
Like a lover, I see you with nightingale's eyes.

Despite your eloquent tongues, you prefer silence.
What secrets, O Rose, lie concealed within your *****?
Like me you're a bloom from the garden of Ñër.
We’re both far from our original Edens!

You are complete, content, but I’m a scattered fragrance,
Pierced by love’s sword in my errant quest.
This turmoil within might be a means of fulfillment,
This torment, a source of illumination.

My frailty might be the beginning of strength,
My envy mirror Jamshid’s cup of divination.
My constant vigil might light a world-illuminating candle
And teach this steed, the human intellect, to gallop.



Bright Rose
by Allama Iqbal
loose translation/interpretation by Michael R. Burch

You cannot loosen the heart's knot;
perhaps you have no heart,
no share in the chaos
of this garden, where I yearn (for what?)
yet harvest no roses.

Of what use to me is wisdom?
Having abandoned Eden,
you are at peace, while I remain anxious,
disconsolate in my terror.

Perhaps Jamshid's empty cup
foretold the future, but may wine
never satisfy my desire
till I find you in the mirror.

Jamshid's empty cup: Jamshid saw the reflection of future events in a wine cup.



Coal to Diamond
by Allama Iqbal, after Nietzsche
loose translation/interpretation by Michael R. Burch

I am corrupt, less than dust
while your brilliance out-blazes the brightest mirror.
My darkness defiles the chafing-dish
before my cremation; a miner's boot
crushes my cranium; I end up soot.

Do you acknowledge my life's bleak essence?
Condensations of smoke, black clouds stillborn from a single spark,
while you with your starlike nature triumphantly adorn monarchs,
gleam of the king's crown, the scepter's centerpiece.

"Please, kin-friend, be wise," the diamond replied,
"Assume a gemlike dignity! Carbon must harden
before it can fill a ***** with radiance. Burn
because you yield warmth. Brighten the darkness.
Be adamant as stone, be diamond."

Iqbal’s poem was written after a passage in Nietzsche’s Twilight of the Idols in which a kitchen coal and diamond discuss hardness versus softness.

Keywords/Tags: Urdu, Hindi, translation, English, rose, roses, withered roses, nightingale, desire, breeze, garden, nativity, cradle, infancy, heart, tears, dew, rain, rainfall, longing, conflict, tumult, peace, life, life advice, live, nature, survive, survival, storm, destiny, God, God's will, silence



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)
Michael Mitchell Apr 2013
A sapling restrained from its dirt prison
Wanting to sail across the vast seas
Yearning for liberation

Rain brew in the mighty sky
The little sapling endured valiantly
The sporadic growth of the sapling now on tie

Tempest devoured by the radiant sun
Absorbing nutrients from the sun’s jubilance
The days till maturity became none

The petals of the primrose began to blossom
A majestic scent pervaded the boundless air
The options veered from lean to awesome

Spain, Germany, Belgium, and France
Foreign mountains, towers, and customs
Now in sight from the blossom dance
This is my first poem ever written. Advice and other commentary will be immensely appreciated! :) Thanks for reading!
Àŧùl May 2017
I went to the park,
Read the board on the entrance,
It was suggested to plant a sapling.

It said that we plant a tree for our lover,
I counted the number of my past lovers,
And decided to set up a sugarcane farm!
Just kidding!
I only ever had just 6 girls loving me back.
One girl at a time.
Broke up with all of them one by one.
The last one was the one who led me here.
My HP Poem #1522
©Atul Kaushal
Rj Sep 2015
Okay. I am going to talk now.
And I'm not gonna be poetic
Rhyme, or make lines or stanzas. I'm just gonna talk. Because this is MY life, and MY opinion and this is a website where I can get out MY feelings. And I shouldn't have to feel like putting up a filter. I don't feel all that special, not standing next to some people. I feel like, like I'm not someone that you'd say "wow I like your outfit" or "wow I like your voice". Because guess what. I wear lame tee shirts from football games three years ago with jean shorts because I don't have TIME or money to shop for appealing clothes to where I can express myself. I can't make an aesthetic. My parents are always telling me how much of a selfish person I used to be. So I DONT ASK for clothes anymore. If I did, it would be so out of the ordinary, the answer would be a painful no. But this isn't about clothes. It's about Never being noticed. I swear sometimes I am wearing the invisibility cloak from Harry Potter. I know quite a few people with a list TO THEIR KNEES on how many people they KNOW care about them. People they can say for SURE care about them. My list. Well you can't call two or three people a list can you? Maybe it's because I don't have those characteristics that draw people to me. I don't have that "strong presence". I don't. I am Miranda Kramer. A junior who looks more like a freshman. When I talk, people don't turn their head to look. When I speak, I find over and over again people talk over me. So, naturally, I don't talk as much as I used to. Yes, rejection is a fear of mine, and so is being ignored. Being replaceable. And YES I wrote a poem about this before, but I don't think I can stress enough that I don't have that twinkle in my eye. I don't have the cute smile that lights up the world. I can't list a single thing that makes me unique, yet I know I am. I know everyone is. But is it true or not that some people are more unique than others? Imagine a sapling. A cute, small, unique pine sapling. Now picture that sapling sitting at the root of a giant oak tree. No one sees the sapling anymore do they? Well that's how I feel compared to most everyone else. People who feel loved, who KNOW people care about you, I am so happy you have that list. I hope you keep adding to it. I'll sit here. Holding the pencil in my sweaty hand, anxious, because I can't tell if that person cares about me. Do they? Or am I forgettable? Am I forgettable? Am I? I can't really tell anymore. I can't really tell anymore
Don't read too deep into it. It's just an entry, I haven't written like this in a while. A shoutout to MF for getting me started on this rant with a great poem recently added. Anyways this isn't really for others, it's more for me
Andrei Marin Aug 2016
Little sapling growing on the roadside, defying the pitiful looks of passers by, fate has truly given you a poor place to reside,  but one day, you'll grow to touch the sky.

Poor little sapling, struggling to survive, but when you'll grow, under your shade all will thrive...

People look down on you now, rejoice, for when you'll grow, with respect before you they'll bow.

Inspire them you will, and poems of you they'll write, fires will burn beneath you still, in the middle of the night.
Wrote this after I saw a little tree trying to grow on the dusty roadside... The little guy really inspired me.
Lazhar Bouazzi Jun 2017
A cabin that had once been white
Stood, peeled, on the shore of Carthage.
Looking like a tipsy scarfaced knight-
Eyes shut to Dionysian carnage.
A pack of lost dogs roamed around it,
Their pangs of want they sought to manage.

The lone cabin stood on the wrinkled sand,
Like a young tree on Shott el Jerid's* white pale
Whom the white monster forced to speak with the hand:
“Basta, no stubborn resistance from me will avail.”

The fuming sun displayed his festival of fear
Over dogs who could handle their thirst no more;
While the salt has now made its white task clear:
Gnawing the sapling and gnawing evermore
Till the sole mark on the Shott shall disappear.

Now the poet who has only half-chosen the vision
Half not knowing what to do, tried to listen
To the trickle of his one obstinate cheer
Oozing through the new orange laptop,
He had purchased from a japanese peer.

(c) LazharBouazzi
“*Shott el Jerid” is the largest salt lake in Tunisia and the Sahara desert, with a surface area of 7OOO km2. As far as the poem is concerned it would perhaps be helpful to say that the gigantic dry salt pan has the shape of a wolf.
Can you see it coming
Sprouting through the buried soil
From the seed you unknowingly sow

Can you catch it as it grow
Spreading tender leaves green
Feeding on your sinister thoughts

Can you nip it off, can you?
before the sapling gains ground
Jealousy... Spreading its roots
Seán Mac Falls May 2017
( Sonnet )*

Under the primrose stars, the lovers
Lie abed, on green, threadbare croft
Of sleeping daisy, clover and moss,
Trails with hushed air, an embroidery
So fine as to stitch blushing heart fall
And wrap the waters full of quietude
In graces, winding, soft, granulating
Time, wings flutter and hum, winsome
Sparks, fire white, flying as little suns
Burst confetti, in sweet encampment,
Of grass and sapling wood, innocents,
Charmed are wholly twining, in moon
Rise a lantern to the winking heavens,
Out of their skins they are climbing.
Re: a poem of mine, finally being chosen as 'The Daily Poem' ( it only took over five years )

First, I'd like to thank all the fine writers and readers on HP for your lovely comments and support.

Secondly,
As an earnest and hopeful poet, who has been here, posting poems nearly since the beginning of 'Hello Poetry'
I'd like to thank the HP - daily poet - algorithm for finally choosing one of the hundreds of poems I've listed here.
Perhaps the ghost in the machine has a heart after all?
.
The acorn is threatened and desired
A delightsome delicacy for predators- big and small.
The lucky ones emerge as oak seedlings.
As each taproot burrows to the heart of the earth,
the sapling doth heavenward shoot.

At the mercy of the elements,
The tender sapling’s survival seems
like a fanciful daydream,
one that slumbers in the womb of time.

In the acorn is hidden immense energy
to sustain the sapling until self-sufficiency it attains.
But will the sapling survive the forces of nature-
The floods, fires, and fall foes?

The Tender steps forth to prune in hope
with fired imagination and starry eyes,
He beholds, not a sapling, but a majestic oak.
From sunrise, He draws from his creative aliveness
as He nurtures and nourishes it
to pave the way for a coveted dream.

He is ever lost in ruminations
about the strength of the future Ancient
to provide soccur and solace
to generations yet unborn,
long after his final bow.
He is comforted that
underneath its soothing shade,
Youngsters will find
private escape from the drudgery of life.
Little Sapling
sitting upright in the
Big Arm Chair
calm classical music
muffles the sedated voices
behind each door.

You sit
upright, improperly left alone
to fill such a Large Arm Chair.

You turn
your young face to the side,
staring with large eyes at
the toys adorning
The Corner Table.

The toys which you
once would have played with,
been engrossed with,
a few Long Sunny Days ago.

Yet today your innocent eyes merely
dabble with the sight of them;
the sight of a Long Sunny Day
which was once yours
to behold.
Archaesus Jan 2018
In the shady, shallow clefts,
A ray of light doth glow,
A tender, vibrant shoot springs forth,
'Midst rocks as cold as snow.
Though winds howl the banshee's moan,
Though bitter cold doth tear;
In shadowed, forlorn cavern's mouth,
A sapling surely 'tis found there.
Though leaves and branches break in fear,
When stormy gales release their hate,
That tenacious shoot doth hold its place,
'Till storm and snow and winds abate.
Amidst the dusty cavern floor,
Though it be a shallow hold,
At last a sturdy bough springs forth,
Weathered, beaten, torn, yet bold.
And at this affront to dignity,
The winds tear forth in awesome might,
But with a mast thus strong, roots so deep,
'Tis now naught but the sapling's fight.
Though leaf and branch may flee in fright,
And scathing winds still howl in rage,
Though ice doth press amidst the storm,
There stands that tree, by strength of age.
Lazhar Bouazzi Aug 2016
A cabin that had once been white
Stood, peeled, on the shore of Carthage.
It looked like a drunken scarfaced knight -
Eyes shut to Dionysian carnage.
A pack of lost dogs roamed around it,
Their pangs of want they sought to manage.

The lone cabin stood on the wrinkled sand
Like a young tree on Shott el Jerid's* white pale
Whom the white monster forced to speak with the hand:
Basta, no stubborn resistance from me will avail.”

The fuming sun displayed his festival of fear
Over dogs who could handle their thirst no more;
While the salt has now made its white task clear:
Gnawing the sapling and gnawing evermore
Until the only mark on the Shott will disappear.

And the poet who has only half-chosen the vision
Half not knowing what to do, tried to listen
To the trickle of his obstinate, patient cheer
Oozing through the new orange laptop,
He had purchased from a Chinese peer.

(c) LazharBouazzi, August 10, 2016.
“*Shott el Jerid” is the largest salt lake in Tunisia and the Sahara desert, with a surface area of 7OOO km2. As far as the poem is concerned it would perhaps be helpful to say that the gigantic dry salt pan has the shape of a wolf.
Grace Apr 2014
When you tried to give me a compliment I always turn the cheek
Batting it away like it doesn't belong to me

That my hair is too frizzy for you to like it
My eyes too blue for your brown

My legs are elegant but they are marked with my disappointment
The purple and the blue will never go away
Yes, the bruises will slowly heal but by the time one problem is resolved another sapling and will slowly take root and show it's colors

You say my heart is made to heal
But I can't find it
It's buried so deep I can't hear it keeping time to my life song
It's crushed under all my self downs and worries
In that hollow it grows
Like a new bud
And one day it will turn into a flower

My response to your comment is lost on my tongue
It is somewhere tucked inside my conscience
Playing hide and seek with the directions on how to talk to boys and how to give an oral report without turning red
And I'm the seeker

You tell me I'm beautiful
But I can't hear you
The voices taunting me inside my head are too loud for your soft voice
Arguing about which way right
When I find my answer it seems as if the time has already left

You are already heading off in the other direction
Leaving me stumbling over my daydreams and expectations
Trying to get a grasp on what's ethical

I always forget to say thank you
It's sort of a bad habit
I'm always too worried about what will happen if I say something wrong
If I'll turn you away

I want you to know that I want you to stay
Stay close and hug me when I need it
So I can help you through your hardships
And carry each other's hopes and dreams upon our shoulders

You will be the soldier of my heart
Guarding the gates for all of the knights in shining armor that aren't noble enough to be my Prince Charming
Sorry I know it's not complete. It's a work in progress and I would like some feedback. Thanks!
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
CJ M Feb 2016
It’s like my life flashes before I can grip it
I think too much about what I try to say, and always end up messing my words up.
I can’t fix it. It’s grown on my
Growth
A product of time.
A sapling is born in a soul, that soul is tormented and the sapling struggles for life.
But the sapling endures in the freezing temperatures.
It knows it will blossom to become a true self-revelation.
When will this sapling become a tree?
Only time will tell
Our last connection with the mythic.
My mother remembers the day as a girl
she jumped across a little spruce
that now overtops the sandstone house
where still she lives; her face delights
at the thought of her years translated
into wood so tall, into so mighty
a peer of the birds and the wind.

Too, the old farmer still stout of step
treads through the orchard he has outlasted
but for some hollow-trunked much-lopped
apples and Bartlett pears. The dogwood
planted to mark my birth flowers each April,
a soundless explosion. We tell its story
time after time: the drizzling day,
the fragile sapling that had to be staked.

At the back of our acre here, my wife and I,
freshly moved in, freshly together,
transplanted two hemlocks that guarded our door
gloomily, green gnomes a meter high.
One died, gray as sagebrush next spring.
The other lives on and some day will dominate
this view no longer mine, its great
lazy feathery hemlock limbs down-drooping,
its tent-shaped caverns resinous and deep.
Then may I return, an old man, a trespasser,
and remember and marvel to see
our small deed, that hurried day,
so amplified, like a story through layers of air
told over and over, spreading.
emma green Jun 2012
“My heart wanders the mossy mess of wet country, reliving a time when youth had charm, hand held hand, letters were written with not a classroom blot in sight, kisses were blushed.. and boys ran home to hide their eagerness.

Life was what it was, merely a game of engendered differences.”

scribbled the poet with his special pen. Leaning against an oak - as proud a tree as he was a man.

There was no need to make excuses for his silence here. Why apologise for watching space fill with swirling prisms across such a wonderfully vast panorama? So many greens in this god-forsaken county. But it was refuge for someone like him, was an escape route to whatever the future held. Anyway, where he was concerned, guilt was neither muse nor amusing, it merely lay a rough stony path ready to trip the careless walker he‘d almost become.

‘Oblivious to life in the real world’, he’d been told at least once a week for far too many years. He laughed, those words would never be uttered again.

“Shadows
of buttery budding green
dripping flavour ‘cross soil,
moaning,
muttering,
life.to.come.
fruitful.”

He shook his head, trying to be rid of thoughts, emotions: ‘I don’t want to think of her. ‘HA, too late! There and then the six o’clock in the morning drew his woman from the shadows of deception. He smiled. In his ragged mind she became .. she became a sapling formed of malleable clay. ‘I want to shape her.. a touch here and here so her ******* flourish with pleasure. Then, I‘ll stroke her right side.hip.thigh. to where the skin is both silk soft and a touch of treble plaited gossamer, that trimmed topiary of woman awaiting her future.

Who knows, in my next life perhaps I’ll be a sculptor and lay claim to the master’s crown. I’ll become lord of much and more.. why not, someone has to!’

“Memories,
hands soft as sugar spun
in quadrants arched quiescent,
harmonic pleasuring,
all.frantic.full.
ripe as berries brown
and fatal flawed.”

Man scratched the pen against vellum, then.. oh then, heard its crickling cry; remembered the rippling of her moan.. the call of his name.. the echo of his weeping into her. Then her - fingers gripping where space permitted.. palms moist and made fluorescent.. back arching.. hair flying.. falling onto each of the four crumpled pillows. Then, then.. becoming a streaming sway of tressed love battling breath. And the smell of wild garlic filled the air

never to ward off his fears, nor outsmart his demons. He was meant to be taken by the sight of a woman both too good and bad for him.

“Feeling night
a creep of nails tip touch
in devil’s bliss
where all men meet a foe,
but headlong thrills
deep.diving.hot.
as hell”

He took his pen and with a mighty shout, ****** a myriad of dark memories into his own heart - his memories, his memories - not hers. She’d laughed when he asked her to stay with him, to be his .. forever. Until that moment the pen had been softly ****** between his full lips but moved to be gentled between index finger and thumb. Her rampaging words struck home. They broke his silence, they hurt.

Whirling and swirling it over her *******, his pen became a weapon. He taunted her skin with a pen ripe with red ink, swore and wept, swore again. His hand fell screaming into her flesh, not once but a dozen frantic times. Finally her breath became a dense gushing cloud which swiftly rose so dark that, within seconds, once pure angels fell to earth looking akin to a chimney sweep’s boys - unregonisable as once human.

“Harvesting
kiss kiss full lips
gleaming at the point of red,
so sharp whilst ..
poppies parchment pollen
trembling.moisted.dark
unloved”

The body was found months later. It had laid until bronze leaves and golden were drifting upon and across what had once been a face, and now discovered by shocked, sickened walkers. When the police arrived, all they found lying near to the man was a pen and dulled pages within a leather binding.

A forensic scientist is still trying to decipher the wording on the vellum, what words he’s found to date are quite beautiful - or so he told his wife in an aside. She shrugged, he’d always been a strange man. Should have married her own kind .. too late now. Marianne looked away, unused to anything remotely like conversation from him. She smiled, turned the mirror to the wall and waited ..



© 2012 Emma Joy
Stephen E Yocum Sep 2013
Returned flush with excitement,
From a ten mile bike ride,
On a day near perfect,
Out along the river,

Temp in mid seventy's
not a cloud in the sky.

Beside the river I ride,
the water summer calm flat,
Scents of wet mossy rocks,
and dogwood trees non relenting.
The perfume of the Valley,
the River damp, sweet and pure.

Ride as I did the trails,
some on paved surface.
most on wood chips and dirt.

Shifting gears to suit the,
changing terrain and the
resources within my aged knees.  

The wind from my speed,
blows refreshingly in my face,
Dark glasses slipping down my nose,
yet keeping sun glare from blinding.

I pass some people,
I smile and wave,
they reply in kind,
Maybe we even
exchange brief
verbal greetings,
Some lost in a blur
of movement.

Easy for us all to smile,
we are happy in our work.

Half way there,
I stop for a drink,
Ease my burning legs.
The spot I pick is under  
cover of a huge old walnut tree.
It's massive umbrella shade,
an embracing sanctuary.

Across the way, a little lake,
On the far bank there stands a
metal skeleton outline of three
buildings that once stood there.
This recreated site of the first
European settlement in Oregon,
Clear back in the year of 1837.

Methodist Missionaries they
were, came overland West,
from North East by wagon.
Bringing so they thought,
Needed "Civilization" to the
poor "heathens" here about.
Almost as always a very,
mistaken, arrogant notion.

There effort lasted only
four years, the locals
responding not so well to
their well intending invitation.

In historical retrospect,
one can not but applaud
their self scarifies, hardship
and strife, some of them even
died still trying.

However they did open
the door, to a new beginning,
Be it for good or ill.
Soon other settlers
made the long journey.
Becoming "Oregon Or Bust"
for many.  

As I reflect sitting beneath
this tree those early people
no doubt planted,
from seed or sapling,
brought so far to this
new land of beginning.
It stands here still,
176 years later,
a wonderful living,
still growing testament
to human efforts of trying.

The breeze livens,
stirs sweet pungent
scents of brackish water,
forest, and Valley,
hints of crocus,
ripe black berries and
summer flowers blooming,
All these scents mingle,
and grow ever stronger.

Off in the near distance,
a strengthening breeze whispers,
Approaching through forest trees
coming ever closer and nearer.
Reaching me in a refreshing
gust that lasts for only a minute.
The sweat upon my face
cooling at it's touch. As I smile,
in grateful acknowledgement.

I have seen this day,
two kinds of squirrels
one red, one grey colored.
Coveys' of doves taking flight,
from my approaching bike,
And birds of many description,
A Red Tailed Hawk on wing,
Harassed by two small pursuit birds
protecting their nests from him.
A huge Bald Eagle diving for fish.
And one of my very favorites,
a spindly legged Blue Heron.
Standing in mud, fishing.
Even a smart fox,
scurrying back to hide
in the foliage, too shy
and too fast to be viewed
for too long by a human.

Thankful as I am,
for this one more
glorious day of living,
In the ***** of nature
so inspiring, so splendid.
I embrace Life and in return,
it grants me, continuation.

I plan on returning soon,
maybe tomorrow if my legs
let me.
To those new agers, young hip and maybe even a little
judgmental friends out there. I'm a plain simple old guy,
not word fancy, I write pretty much like I speak, a little
old fashion but straight from the hip and heart. No pandering,
no pretense, no ******* and surely no apologies intended.
It's not pure, maybe not even poetry, but what I guess I'm
saying is consider the source and take it or leave it.
It was written and intended all for me, from the beginning.
Which is what all writer's and poets should always do,
write for themselves not a Jury. There is a real freedom in that.
The family tree is dying
Everyone seems to be lying.
The tree is falling apart,
Everyone stops caring
My family grew from the same roots,
But our branches are growing so far apart.
Everyone is letting this demon into their heart.


I am planting my own tree.
This tree is going to grow in upmost care,
With no one to stare at us.
This tree
I will call my own
Will have strong roots,
Values and traditions.
While the old tree dies away with every bad omen.


This tree will grow with care.
It will grow with every emotion to spare.
I will feed my new tree with genuine love and understanding,
No more fighting.
No more judging.
Just pure patience
Our branches will grow intertwined.
The roots go deep into the ground,
Tons of people in so many places.
But the past is dying.
The traditions are dying like a malnourished plant.
I cannot believe how low this tree is coming.’
These roots which grew deep
Are soaking in poison
Feeding the poison through the tree,
And affecting the modern members.
Anger the only root.
These roots are becoming ghosts.
They watch us.
Our moves.
Our actions.
My family is not a family.
These roots which was so deep are killing us at the top
Our lives falling like leaves in the fall.
I know that I want to make a new tree.
But let it not be in vein.
I will learn from this old tree,
An old mentor,
Who lived a life most unsatisfied.
This new life starts at 18,
Carving my name at the beginning,
And as I live,
I will see the sapling grow,
While watching the other tree die.
Its pain is my gain,
Because I am learning the tricks of the trade,
I am learning how to escape the grips of anger,
The accuser who condemned my family for generations.
I will break free,
Grow with the tree.

My family’s branches are high, but alas far.
They are becoming separated, but I am young and watching.
They say that your life is set by your parents,
But I am not fueled by abusive fire,
I have grown past them,
I have thrown this virus of the tree away.
I am not going to fix their problems,
But I am growing my own success,
My future.
This sapling here,
The seed to be birthed,
It is going to grow,
So tall.
These notes I have scribbled,
Will lead to the happiness of my child,
The contentness of my wife,
The success of the spawn of us.
This tree is going to take a long time to grow.
It will learn from its mistakes as its predecessor did not.
It will be tall.
Making this broken tree nothing more than a shell,
This life,
This tree.
It is going to be free.
The sickening evil for blood with dry up,
The new tree will feed on smiles and happiness,
And out will sprout
The family,
I have always hoped for.

But this hope started somewhere.
This hope I birthed had pain.
It is a spawn of abuse.
Which seems to be the main cause for the old tree to dig so deep.
The anger of the leader spread somewhere,
And though not everyone is the cause,
We were ALL effected.
It took our values
Pushed them to the depths of hell
And left a chilling heat of anger and hate,
And though this is a debate,
Our family’s trajectory is going straight to hell,
Back to the man who gave us anger.
I cry today,
For those who were consumed by the darkness.
I feel sorry for those in the tree who did not reach for the sun,
Who did not fight for the family,
Who did not fight the urge to inflict pain.
A sad thing indeed,
But this is why I have the need
To start again.
This is why this life,
This current tree
Just isn’t working.
I’m tired of being fed hate.
It not too late.
My tree is going to grow strong.
It’s starting now,
Here
Today
It always has been.
I was superglued to someone else’s tree.
Taught their values.
Taught their insecurities and told they were my own.
But the forbidden word.
No.
Is becoming my advocate.
I will reach for the sun.
I vow to encourage
I vow to take what is rightfully mine.
I vow to start anew.
Make this tree reach high.
This new tree will never know the “Mendoza” way of things.
This new tree
Started by a sad situation
And a definite resolution
Is becoming truth.
I may have grew up in the poison,
But more and more ii have found a cure,
Immune to anger
To hate
I have found that these roots of their tree,
Which has poisoned each twig,
Has one fault.
It never tried to reach for the sun.
So I,
I take this,
And I make this my own.
This house is not my home,
But things will bend
And I will break,
And start anew.
I will live to see my family flourish.
As its predecessor did not
for my family
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
Mel Harcum Mar 2015
I remember the old back road I used to drive--
the one that connected my house to yours
with the abrupt boom of green mountainside, fog
clinging in patches above the evergreen

awning, and the old pine reaching far higher
than the rest--a monument to the trees
growing steady in your eyes. I haven’t
forgotten how your irises, only saplings,

drowned in the flood of ‘06 as the Delaware
crawled over the bank and into your head.
I never knew what to make of your
ripple-warped, water-stained fears crashing

rampant as the broken **** that swallowed
Church Street. They reminded me of tangled thorns,
my fingers scarred from moonlit attempts to smooth
needle-edged guilt as you repeated to me:

I’m so sorry, it’s all my fault, I should have known.
You told me how you knew I would, too, wash away--
that’s just what people did after floods.
Cory Childs Jul 2011
The room is empty, save the leaves of what was weakly grown
Parting way with pain and grief, new hope is hardly sown
Lonely sapling greets the light and cautiously unfolds
but is eclipsed from welling eyes by with'ring leaves of old

Fear has made the sapling pine for comfort's calm embrace
But oh, how better petals shine when love has set their pace
and as its blossom only stems from stock already grown
the sapling hopes to love again but grows as well alone
SEM Nov 2011
I snapped
Not in the way you
   expected
Not with tears and
   emotions
But with irreverence for
   etiquette

Stealing a kiss from him
A touch from her (I've lost count now)
Till my heart is drained
And my head is in pain
Then I remember you, and
How I spiraled out of control
Looking out of this hole you started
At least I'm alive (down here)
Stephen E Yocum Oct 2014
Pinecone, to seed, to sapling, to tree.
Egg, to chick, to bird of wing,
Seeks to mate and all repeat.
Pinecone, to seed, to sapling, to tree.

All living things on Earth it seems,
Do propagate in a continuous cycle of life.
Beyond our human ability to over think
everything, are we really any different?
Does thought merely confuse the issue?

Perhaps we be, too smart for our own good.
Seth Honda May 2018
What I dream of is a tree.
A tree one hundred feet high and fifty feet wide,
I dream of that tree.

I come to that tree in the middle of a forest,
In the middle of an uphill climb.
I come to the tree when I need it most.

I dream of the day where I come to the tree and lean against it.
I lean against the tree,
And it does not shake.

The tree wraps its rough brown arms around me
And the bark sheds way to skin,
The trunk sheds way to a body,
The leaves shed way to a head.
I dream of that tree.
The tree that sheds way to a person.

I want arms so strong they can hold the heaviest of burdens.
Arms that reassure me.
I want arms that do not know the cold sting of a blade,
The warm trickle of blood.
I want arms that can hold me tight and tell me “I’m here, there is no need to worry”
Not, “I know how it feels”.

I want the purity of naivety to pour over me.
Pure, untouched bliss to hold me.

I am tired of the blood stains on my shirt and the tears on my shoulder.
I want to leave a stain.
I want to spill tears.
I am tired of accepting them,
For every tear that falls on my shoulder,
The weight grows heavier.
The pain grows stronger.
The pain for those around me.
For those leaning on me.

I want to lean on them,
But they are just paper cut outs.
Trees with no roots,
Or roots that only run the surface.
Leaning on those who lean on me will only lead to me falling.
For these paper cut outs will fall over in a stiff wind.

I dream of a day where someone looks closer.
When a tree that has two eyes,
Two arms,
A nose,
Two ears,
Ten fingers,
And five senses,
Looks at me,
Reaches out their long skin covered branches,
And as the pads of their fingers meet my broken skin,

The tree will tell me to lean on them,
Because they looked closer.
They looked deeper than my exterior
And on the inside I’m a little sapling.
I am a sapling with the weight of the world on my little leaves
And it is breaking me.

The tree will tell me to rest.
They will give me shade and shelter.
Feed me with their fruit.

I dream of the day I will not weigh another sapling down,
Because if one more sapling’s roots are pulled from the ground,
If their leaves fall,
If their stems grow brown,
And their roots fall onto me.
I will collapse —
For I no longer have the strength for two.

I no longer even have the strength.
For one.
April 29, 2018 || 3:25 AM
Tiberias Paulk Nov 2015
I only ever seen you green and full of life
I never watched pressure and strife ******* you
the one that I had known grown into sight
in bird song and winter seeking light, if only I knew
we only ever stood in the woods for time
to catch water running down tree lines, still in red
as children in the wilderness often will
yet worst is just the thirst for the thrill, parched but never dead.
Tryst Jul 2014
Amongst the raging tempest storms,
Dark clouds covered the world
When acorns fell;

Blown hither and thither,
Dented, battered, and broken,
Fields of acorns;

If just one could take root,
Nurtured by hopes and dreams of the many,
To grow from seed, to sapling, to mighty oak;

One acorn could shape the landscape forever,
Changing the views of many,
A memorial to fallen acorns.
For the fallen of MH17
R.I.P.
x

— The End —