I smile and cry in Bengali
I sing in Bengali too
Whenever I feel pain
I find a cure in Bengali!

Bengali is my mother tongue
The Bengali language is my soul
I see the simple path in Bengali
and there I get my wound heal!

Bengali is the light of my eyes
Bengali words are the power of my voice
The Bengali language has been honored
and it has no competitors.

We talk in Bengali
That's why we are Bengali
We won the Liberation War for this passion
and now we are independent!

Bengali, today you are proud of us
for whose love, blood, and self-sacrifice
They are on the head of Bengali;
They are alive with the rising sun.

Oh, Bengali language,
You have been purified
with the blood of our nation
On the 'Twenty-one' February!

Freedom, you are the pride of Bengal
Freedom, you are the right of Bengali
Freedom, you are the light of life path
Freedom, you are built with the blood of Bengali!

Freedom, you are the smile of sad moms
Freedom, you are in the heart of Bengali
Freedom, you are the moon of the night
Freedom, you are the best success to Bengali!

Freedom, you are the reward to the ****** ocean
Freedom, you are the reverence to crores of Bengalis
Freedom, you are the reason for happiness to Bengalis
Freedom, you are the new life of Bengal!

Freedom, you are the dream of millions of martyrs
Freedom, you are the island of the endless ocean
Freedom, you are the long hair of the village girls
Freedom, you are so high like the blue sky!

Freedom, you stay in real action
Freedom, you stay in the spirit of Bengalis
Freedom, you stay with black and white
Freedom, you live in everyone's religion!

Freedom, you are my first priority
Freedom, you are my first torch
Freedom, you are my dignity
Freedom, freedom, I'll never do injustice to you!

Shabash

Shābāsh (Hindi: शाबाश, Urdu: شاباش, Punjabi: ਸ਼ਾਬਾਸ਼, Bengali: শাবাশ, Telugu: శబాష్) is a term used in the Indian subcontinent to signal commendation for an achievement, similar in meaning to
bravo and kudos.


……………………………………………
a poem writ sometimes, oft,
snaps back,
I was surprising recipient
of a commendation in language
I knew not

the poem spoke well
of broken boundaries,
between in this instance,
Jew and Muslim,
capturing a momentary parting
of the seaways and
walls of misbelief
and mischief,
normally employed
to keep our divisions,
parted perpetually

I’ve decided to begin to
use shabash now,
my ‘go to’ word
from now on,
a small quiet way
to say
well done

it starts with one word,
a stretching hand across
the face fence,
imagining John Lennon’s
imagine-world,
who lay dying when I was
a young father of thirty,
me residing less than a
mile away from each other

little could I imagine then that
poetry would pick me at all,
especially to write of words
in dialects I don’t speak,
but imaging their pastel colorations
flying by in gentle breezes,
eager to be grabbed,
plucked from the air,
tongued and loved

so!
when I say to you,
in the softest spoke,

shabash!

to all of us,
for choosing this path,
using your words in
every dialect,
to spread the imagination
of good will

8-4-2019
10:10 am
S.I.

Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!

Keywords/Tags: Tagore, translation, Bengali, come, forget appearances, hair, bodice, feet, anklet, bracelet, beads, necklace, sky, clouds, cranes, cattle, toilet, lamp, wind, mascara, eyeshadow, mrburdu



These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Patience
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bowed low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.

Then your words will take wing in songs from each of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and likewise embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

i used to care so so much
for this world,
but then a cat on a street taught me
to do otherwise,
there i was, by the lorry bins
on an estate, and there he was,
autistic as he was,
i stopped, he gestured his five whiskers,
i asked afoot at the crucifix: 'may i pass?'
he gestured with a blank stare that
i was granted...
so i passed... i didn't want the poor
****** to feel displaced...
or as in vision: a giant Venus over-flowering
of genitalia descending onto Plato's academy
into picture like a roof - asking - will the argumentation
seize to continue?! a floral goddess could
not enlightened these stone hearts,
so descent of a goddesses' genitalia comparable
to a flower could not weaken and make root
of weeds and later flowers into these hearts,
and i know so... oh i know so...
i know the strength of this brotherhood -
it's akin to a tear hearing the islamic call to prayer...
and the competing disavowal of an engagement with
women, simply for their despotism in the realm
of the household, which only women of blue Indians of
the former Raj know how to avoid, via sway unto
Bengali en-route to the Himalayas.

Mumbai is rich, Mumbai is poor.
Mumbai is fast, Mumbai is slower.
Little bit sweet, and little bit sour,
Sometimes it’s hot but not too more….

Mornings are energetic and evenings are electric.
Noons are lazy but Nights are crazy
And any one you ask he always say “M busy”
Dude, life in Mumbai is not so easy

There is lot of Masti with little bit of Maska
Welcome to the city that can’t live, without Bollywood Chaska

From cooker whistles to the traffic jam horns,
From steaming tea kettles to breaking nut-betels
From telephone rings and doorbell brings.
There are people connecting through Blackberry pings

Where there’s little time to spare for kids
People here spend their lives on bids
Here you actually pay your travel fare by meter
But milkman mixing water is not a cheater!

Sev puri and bhel puri are all Mumbai chaat
Relishing it with spicy chutney is no easy art
From pop-corn to ice-cream, all sold on cart
Mumbai o Mumbai, you’re always close to my heart

Where local trains usually run on time
And violently rushing for a seat is not a crime
Here 3 PM for lunch and 12 AM to dine
People face hardships, but still say “it’s fine”

From Mt Mary in Bandra to Mumba Devi in Town
And ISKCON in Juhu to Haji Ali in Mumbai’s Crown
Faith runs deep as the Arabian Sea
But people don’t hesitate to pay early darshan fee.

Marathi, Punjabi, Gujarati and Bengali
Everyone forgather celebrate Id and Diwali
Holi is colourful and Christmas is cheerful
Spend some time here and your life will be un-forgetful

Billionaire to baggers, all found in this city
Be careful dude, this place is a bit witty.
Overall this dream-world is huge but pretty
Mumbai o Mumbai you’re wonderful city.

To speak all these languages:
Assamese, Bengali, Bodo,
Chhattisgarhi, Dogri , Garo -

Oh, to be able to tongue, "Love"
in Gajarati, Hini, Kannada, Kashmiri,
Khasi,  Kokborok, Konkani -

Or lip, "Desire" in
Maithili,  Malayalam,  Manipuri,  Marathi,  Mizo,  Nepali -

Or whisper, "Good night, Dear"
in Oriya, Punjabi,  Sanskrit,
Santali,  Sindhi, Telugu, Tamil, or Urdu.

Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses

Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971

Gandalf: a character ( wizard) from the legend that is lord of the rings
...

chapter - 0:



he was walking past the useless lake on a breezy autumn day when the gust of wind brought with it the scent of a thousand abandoned garage bags littering the corner of this semi unorganised semi-civilised halli part of a mega city.

his home was about three thousand kilometres away and a dozen hundred dialects removed from where he chose to pursue his 'higher' education.

a term he took literally and to heart.

he was almost always high, if that's what you call being semi awake and always clawing somewhere deep, both mentally and sometimes even physically.


but as soon as the cacophony of a thousand different bad smells hit his soul, he knew the trip was over.

he jolted back to existence from an escalating thought process leading him to the discovery of a new and a better universe.

he took a deep breath and immediately regretted his decision, almost screaming in horror.

and while he was battling a lost battle trying to defeat an invisible and impossible to contain force of population and pollution,

his smoked eyes latched onto a figure emerging from the corner of his smoked eyes.

he suddenly realised where he was. and it wasn't where he thought he was about two seconds ago.

leaf-less and life-less trees stood where he could swear was just an empty slightly orange and red sky a few milli moments ago  

the lake had turned from blue to a shade of green or was it still blue ?
he wasn't interested at all, so he just gave up reasoning in mid-process..

what difference does it make ?

but suddenly his mellowed mind  realised the threat, and his attitude changed from i-don't-really-give-a-**** to oh-****.

there was something else there too, and he, like a ******* cat- turned around just in time to see what it was,

and the time stood still. he couldn't believe his eyes.

it was    gandalf.

**** it. he was sure. ******* gandalf.
with a ******* stick, his beard and that grey whatever. gandalf.

he took a deep breath again. it didn't hurt as bad as before. maybe it was growing on him. he took another breath just to make sure it wasn't. it wasn't.


and as gandalf started becoming bigger and bigger, he could see his mighty white beard dancing in the wind more clearly. he could sense his aura radiating a wonderful positive force that was almost impossible to describe with a naked eye and with an F  in communication skills.

gandalf was finally a stone throw away from the boy. he could throw a stone at him. he could but he wouldn't. no, he thought about it but no. it wouldn't make sense. it was too insane of an idea too. he wasn't yet ready to accept his true human nature that enjoyed the absurdity of violence.

though he was a hard-core stoner.  ah irony and puns.


instead he took the more scenic route and almost mumbled " gandalf?! what?!?! "


it took the old white man a second to register but he managed a sudden " gand elf, what?!? "

it wasn't awkward yet. but it was india. so it kinda' was.

the boy almost trained in apologising professionally and profoundly, mumbled " oh, no.. I'm sorry.. I just.. you know.. there's this .. dude.. people do cosplays now.. and I was a little high... ahem.. I mean I was thinking.. I mean I saw.. you.. I mean, I swear you're looking like a ******* gandalf.. I mean gandalf ?!?! "


another gust of wind and they both frowned.

gandalf responded " who .. what the **** is gand elf ?!?!"


the boy " he was supposed to be a dwarf like something.. but he become a wizard and tall, you know .. fought a dragon.. and rode giant birds.. ?!?! "


not gandalf " what the **** are you talking about, what is wrong with you, you're not making any ******* sense and I, I'm .. hey, you see.. just saying, I'm very good at making sense, that all "


the boy " so, are you like a ******* teacher or a .. scientist?!? "


not gandalf? "ummm.. well you can say that.. something like that "


the boy " what do you mean, for all I know you could be a perverted ******* who also happens to wander the woods doing weird cosplays and killing people. "

not gandalf " the ****, kid ?! jeez.. simmer down.. that TV is insane, you guys ******* love it.. **** man.. I should have stopped that from happening... and video games! god, they ****.. I should have just killed the lot of you.. " and on went a rant the strange man


the boy " wo.. wo.. whoa.. wait, you're talking like you are better than the rest of us...are you on crack ? what are you even saying you ***... you're more like someone who pulls on broken strings on a hand down guitar on some shady corner of an immaculate subway... you're just a boomer, are you not, mister ? "


strange man not gandalf " well, in a way I am.. I am.. well, I am everything and everyone" he whispered..    a satisfying smile almost breaking out


the boy " the ******* mean ******* ?!? "

this was too much for the old man who was just having a walk and minding his own business

he whispered more angrily his time " oh you punk, you little punk I'll tell you! I'm ******* god, you **** .. yeah, **** it.. I'm not even kidding.. I'm ******* god, yeah!... **** it *****!. "


he took his hand and pointed to the sky and the clouds parted.


the boy couldn't believe his eyes, and almost suddenly the clouds began to form a shape.

he couldn't make it out at first, all he could see was that the old man who claimed to be a god, drawing something in the air.

he looked up and finally realised what it was.

God was drawing a giant duck in the sky.

and as he was staring up in a mixture of disbelief and horror,  the old man spoke loudly " that's you.. you sick ****.. it's your little duck. "


old-man-now-god-went on "... I mean it looks like a big duck 'cause you couldn't see it otherwise.. but drawing to ratio... it's your little duck.. and the whole world can see it now.. and they know it's small.. and not as big as it appears because it had to be big enough for everybody to see.. "


the boy was now going insane. anybody would. people just don't turn up, part clouds and draw ducks in the sky.. that doesn't even happen in movies.



the boy went on- a little horrified of what he had just witnessed " what kind of a god are you, I mean... what in the god's name was that ? how did you do it. ?"


God responded with squinty eyes " which part of i-am-a-*******-God did you not understand.. you.. you stupid mortal. "

from the depths of darkness a flicker of light emerged in the boy's mind, and he realised something very important..


the boy " hey, you can't be god, god won't ******* curse! he's god. " screaming cautiously at the stranger...


God had heard petty arguments and had gone through all that phase of  people taking some time to turn around and warm up to the idea of the literal god in front of them, he'd been over that all his life.

but this was the single dumbest thing he had ever heard since he made the decision to create the universe in a hurry.

God thought to himself " I should have paid more attention. meh. "

one more thing- the boy went on " why are you a he ? not a she ? I mean if you're a god why be ... I mean an old man with a stupid beard. why not somebody hot, and cool... and with a nice body and a face... slightly better... or maybe much better..  you get the point, right ? I mean.. you're god, right ? "

God just stood there and soaked in his own filth.

the boy went on hysterically " oh my... did you hear my answer even before I said it ? did you ? I mean can you ?... and did you ? or was it you that gave the answer.. 'cuz if you made the universe.. you made me too, right ?. "


God was annoyed. like really annoyed at this point and he blurted out " you think I made you ? you think one fine day I woke up and I thought to myself.. oh! I've created this beautiful but empty place full of darkness and the cold, spectacle of fire dancing in nothingness- breathing life in ***** of all kinds circling around the stars and what not.. and you think I was like 'what am I missing ?'... oh yes, right! I'm missing one ungrateful ******* snake with a little duck. "


the boy stunned " God ?!.. No, **** no! "

god almost curios " why would you say that. why did you even speak , why! "


the boy " my duck .. you know.. ain't that ... small. "



God almost smirking " shut up, *****. "


the boy " oh, yeah.. right you... really know how to abuse your own species. jeez. "


God " I didn't make you ... I ******* dropped my dope in the ocean once and you ******* things came out of it. "

he went on " I thought you'd die on your own but nah.. life's too nasty.. ugly and ... you know... it's.. admittedly... quite beautiful. "

time stood still as soon as he said that.

and it was a beautiful moment. both god and the boy trying not to turn red or cry.



" but the sad part is.. " God whispered with the love of a thousand cuddling pandas " you guys found me, I mean... oh my God! that brain thing really worked ... extraordinary! my subordinates tell me ... very expensive.. err... I mean to design... "


the boy " people work for you ? what ?! that's like.. you have a staff ?!.. weird. "


God " *****, i'm ******* god.. I don't have a staff.. I ******* make the staff. and no that's not even an iota of weird.. but you know what's weird ...truly weird, a fact so crazy that it'll blow your mind and give you enough wisdom to tear through the fabric of the world I've made and undiscover all its secrets, science and gossip?!  "


the boy was now as curious as a teenage boy in teenage, he replied " what?! tell me.. is it here on earth ?!"



God " yes, it is my child.. indeed it is! such joy!... and it is also right here where we stand. "


the boy's mind went into an overdrive.. maybe this was all his design.. the almighty has come to show him the path.. out of these woods he's lost in.... and also a path of divinity and happiness.. and also he had watched Bruce almighty a dozen times or so... he was ready.


almost in a poetic voice filled with a general sense of elation.. the boy asked god " tell me.. please what is it pleaseeee ? "


the god smiled, in a way only a father smiles to her new born daughter.. knowing she's going to be paid less, has to go through the cycle of being temporary insane every month ( or that's what female's had been telling him .. it doesn't matter.. you a guy.. you see a woman in pain.. you *******... that's 10 hours of her ******* the life out of you. and you still wouldn't be a good listener or attentive according to her even if you give up in the 9th hour.

the boys repeated desperately " what is it! I'd be a good boy but please tell me pleaseeee! "

and the god smiled. he smiled and pointed to him. " that there , that is it.. that ugly ******* little duck of yours. "


and immediately burst into a laughter more grandeur than any sound in the world. I mean right after radiohead but whatever.


the boy saw his finger and tried to trace it's path. and almost in a moment.. it was over.


he had lost it- he screamed at the creator " you think you can make fun of me 'cuz you a big guy ? you think you can make fun of me because you're the most powerful thing there is and can literally turn me into 50 hands and no ducks... just living life in pure agony.. " he trailed off looking a bit distant towards the ending..

God " jeez. kid. you don't have to be so dark and imaginative unnecessarily.. see, okay I'm sorry... I hurt your little heart...which by the way I have made and do own the materials to.. and that's why you're alive... basically all of you and everything.. now to think of it.. it does make me a big guy... or more than that... but that's not the point. "

he went on " the point is i should've known better... because you know I made it all.  even the concept of being better..  booom! blows your mind ain't it.. chuck it.. and the point is.. I should've known better, so I'm  sorry!.. you can tell people I said sorry but they're not 'gonna believe someone like you "


the boy " **** do you mean someone like me?! " back in his form


god " oh you know... someone with a small...... ******* duck !"

and the god fell down laughing hysterically and immediately as soon he said the words..

rolling all over the soft grass and the boy's face.


the boy had enough- he screamed " **** like you can spend two minutes being a human... who's to tell you didn't have a small duck and then just made yourself one big enough " his voice trailing in the wind


god hadn't been spoken like this since the invention of languages.. oh how much he despised languages..a ******* constant annoying noise in his head specially the bengali.. **** them.

God spoke back " oh, so you think being a snake is better than being the almighty ?! "


the boy " I'm not a snake.. I'm a human.. what school did you got to ? "

God " you can be a ******* rock for all I care ... just be nothing.. you know.. instead of being everything.. the idea of it... it's is rather.. you know... so beautiful. "


and at that moment the boy realised that even god wasn't immune to something that he didn't know.


the god " I'll do you a deal, you be two seconds in my place and I'll be two seconds in your place... and then we'll know.. I'll know the fear of being nothing and you can know the escatsy of being everything. deal dawg ?"


the boy " but.. like two seconds .. awful less of a time to enjoy any kind of escatsy "

God " running late, mate. "


the boy " okay okay.. let's do it "



God smiled a bit and immediately a giant light came down from the sky roaring with a thousand thunderstorms...

wind was growing stronger by the second and it was almost impossible to hear anything... or analyse anything for that matter...

God screamed at the boy " it's going to go in your *** and out of your mouth.. and your soul will be passed to mine.. "

the boy screamed back in oh-my-god-that-face horror barely making any coherent sense.


God rolling on the floor laughing
" jeez. I'm kidding you punk.... that face tho.. so woke.. so woke..."

it took some time but he picked himself back up and screamed at the boy " it's going to happen... three..two.. one.. " and boom


the boy felt what can only be described as the best ****** anybody has ever had.


the god felt like what can only be described as the hardest kick to the nuts in the history of universe.

two seconds after... bam! everything stood still.. like nothing had happened.


both stared at each other for a while..
God went first " so, ... ?! "


the boy " yeah. "


God " pretty tense...yeah.. *******.. I mean.. God!.. you guys are awful to be.. it *****.. I gotta' change that thing... you know... about people taking their own life... and going to hell... I get it... I mean..  yeah.. you know... like whatever."

God went on " how was yours. "

the boy " yea.. pretty chill.. ... "

God " that it, boy ?! "

the boy " yeah. .. mostly "


God " hmm.. woke.. woke... so were you clever enough to do something for yourself ? "

the boy " oh..yeah..pretty much.. nice cars and girls.. stuff.. " his voice cracking with a very refined i-don't-give-a-**** attitude


the wind was still now. butterflies were flying between the blooming flowers and singing AC/DC for some reason. it was pleasant.


god snapped his finger once and said " so.. yeah i should go now... apparently somebody's supposed to take a picture of me in the sky.. gotta flex up.. chow~ "


God snapped his finger a second time and lo behold!  like that he was gone ****!...


the boy stood still for a moment longer. he smiled and walked away.




(4 days later...)



god was in the alps...looking out of the large window wondering how dreadful it is to be human..  

and as he was crawling in and out of different dimensions he smelt something. something interesting.


it was alcohol. ( he's god so it's very easy for him to figure out such little things.)

so he went over the fancy bar and poured himself some *****.. " ah potatoes.. at least they turned out to be just right.." he thought out loud.

and then he proceeded to drink himself to death.. countless times. 'cuz he could do that. he was god.


over and over again. glass being neither full or half or even ******* empty.

drink after drink. and soon late enough he went into a deep slumber because of course god loves a good sleep. who doesn't ?


he slept through the entire life span of many insects and until the breaking dawn.

the first rays of the sun hit the mighty alps as well as the face of this almighty being on a white bed in a red hotel by a blue lake who had forgotten you do your own curtains in the human world.

his first thought was to destroy the sun- it took a lot to not lift his finger.

slowly but surely he regained his infinitum consciousness, and got in touch with the multi dimensional universes sprawling all over every  second in past and future simultaneously... but **** that 'cuz the head ache oh! so painful.. almost made him forgot he could just not want it and it won't happen.

God did not enjoy most human banalities.. but he did enjoy a rather a peculiar one...even more than drinking and kissing death. the one of peeing.

and he had to ***. bad.


God, with a hint of a smile lifted his finger and boom he was right by- where the deed is done in a civilised community. he imagined what would people think if they came to know why he's always more often than not a 'he' than a 'she'.

he was in his stark boxers, standing almost naked with a smile on his face enjoying the rush.

pink floyd started playing out of the thin air. an autumn's calm spread through the veins of this sudden universe. I kid you not, shahrukh khan was there with his arms wide open.

slowly the god began the almost holy ritual.

pull down the garment. admire. take it out. admire. do the deed, keep admiring. put it back. sigh. very well organised and neat.

so god took a deep breath, looked at the alps one more time, looked down with a smile on his face, and slowly pulled down the garment... his consciousness in a rush.

and then god screamed. there was a duck.

Patience
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bent low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.
Then your words will take wing in songs from every one of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.

Keywords/Tags: Tagore, translation, Hindi, patience, heart, silence, night, vigil, morning, voice, golden, streams, heavens, songs, birds, melodies, songs, jubilation, flowers, forest groves, mrburdu

These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.

The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and like him embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

POETRY AND ITS IMPACT ON HUMANITY

Today the word poetry evokes images of love and sentimentality, but the term romanticism has a much wider meaning. It covers a choice of developments in art, literature, music, dance and philosophy, spanning the late 20 th and early 21 st centuries.

The romantics would not have used the term themselves and the label was applied retrospectively, from around the middle of the 20 th century. Man was born free in this virtual environment of real life but, everywhere he is in chains. During the romantic period major transitions took place in culture, as dissatisfied intellectuals and artists challenged the establishment.

Almost all the romantic poets were at the very heart of this movement. They were inspired by a desire for liberty, and they denounced the misuse of the poor.There was a highlight on the significance of the individual; a conviction that people should follow ideals rather than imposed conventions and rules. The romantics renounced the rationalism and order linked with the preceding clarification era, stressing the importance of expressing authentic personal feelings.

They had a real sense of responsibility to their fellow men: they felt it was their duty to use their poetry to inform and inspire others, and to change the humanity and their social attitude. Poet Rumpa Ray Ghosh believe in this theory on life and poetry of this time.

A PASSIONATE POET OF THIS TIME

For Poet Rumpa Ghosh, even a quatrain is what in a verse, which makes someone to cry or to laugh, or just be silent, makes your twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.
Poetry is taking at the heartstrings, and making music within our solitude in life. Rumpa Ray Ghosh is a poet of profound obsession towards composing lyrical form of poetry. Her poetic enthusiasm makes her verses, extremely impressive and highly alluring. She is fast budding poetess of wisdom and emotional response. She had completed her Masters degree from University of Calcutta, though she is from Calcutta currently living in Mumbai.She started composing poems since her young age.

Intentionally or innocently, many of the poets are most often trying to fill a vast space with things that cannot satisfy fully. We look forward to fill the void with our own possessions for comfort, but unfortunately we normally end up wanting more and more. We try to fill it with relationships or pleasures, but we end up feeling even more empty and further more depressed than from the point where and when we commenced the discontentment as these thoughts were well presented by Rumpa Ray Ghosh in her poems, namely, “ The Roof”, “ The broken house “.
The only place that we can really find true fulfilment and gratification is in the hands of divine God. We need to recall and allow our convictions, not in circumstances, to govern our sense of contentment. The anthology freshly illuminates many excellent lyrics and short poems and are highly valued regardless of its freestyle genre.
For both the poet’s, self-consciousness is connected to the new eminence established to poetry by the feelings of the self, which truly resembles the title of the anthology, “ The Musical Marvels of Self “. Her poems are lyrical, close to heart, soft and romantic. The scrupulous flow in her rhyme magnetizes the readers. Her works were widely published in many national and international journals. She is a regular blogger. She takes the images of her writing from simple every day incidents, uses metaphors and imagery to add grace in her skill of presentation.
Her language is simple, easily understood by lay man, quite touching and heart rendering. Her first book " Musical Marvels of Self ", an anthology of 43 poems came out through Zorba publishers.

The anthology was a combined effort in association with honourable poet Dr Ujjwala Kakarala during September 2017 Besides, being a talented poetess of lyrics, she was an excellent singer Proficient in Bengali folksongs, Rabindra Sangeet and Nazrulgeeti and ghazals and has sung in numerous local stage shows. Rabindra Sangeet merge gracefully into Tagore's literature, most of which—poems or parts of single scene plays alike—were beautifully transformed or converted to lyrical formats. Influenced by the “ Thumri “ style of classical vocal music, this has made the entire scope of human emotion, ranging from his early songs-like Brahma devotional hymns to human soul.
This has emulated the tonal color of classical “ragas “to varying extents.
Earlier, She had also the chance to attain a position as Quarter-finalist in BBC Mastermind Family Quiz competition aired on Disney Channel.Poet Rumpa Ray Ghosh, an Indian by nationality, she hails from West Bengal, the “ City of Joy “, but currently living in Mumbai, Maharashtra, India. She is by occupation a teacher, content writer and a blogger. By obsession she is a poetess and a singer. She has completed her post-graduation and B.Ed. from the University of Calcutta. She has worked as a teacher in St. Thomas School, Mumbai, as a content-writer for ‘Pratham’ (NGO) and as an English curriculum developer in Vibgyor High School in Mumbai.
She publishes her writings on her own blog with a name ( fragmentofimagination). She is also a writer for some literary groups. Some of her poems have been published in national anthologies. Recently one of her poems has been published in a US e-magazine "Beyond Borders” in a popular poetry site. She has also participated in an open-mic poetry reciting performance in the Prithvi theater arena in Mumbai. Being Proficient in classical vocal music, she had the opportunity to perform in classical vocal music on various musical events. She is a Sangeet Visharad from Bhatkhande Sangit Vidyapith, Lucknow and is trained under Late Pandit Vinayak Vohra. More tha a Poetess having a deep passion in writing, she enjoys dance, music and teaching his students as part of her professional skills. Stay blessed in all ways at all times.

WILLIAMSJI MAVELI

Here love blossoms
Here people come running frankly
Here the head bows in reverence
Here Bengali is the book of poetry.
Here is a fistful of hands in vows to remember the martyrs
Here the Bengali's roared
Such as Ekushey of Bahanna one day
Woke up.
The world has seen a lot of shots
Didn't see the language soaked in blood February!
Hyena's team is so brazen and so barbaric
Kari wants to take her mother's language
Salam-Barkat Rafiq-Shafiq Jabbar
The vigilant guard of the mother tongue poured out the ****** of the chest.
Then a Mujib at the front of the procession
Sheikh Mujib is at the forefront of history
Bengal and Bengali took the lead
Fifty-two sixty-two - we got the demand to survive
The days of seventy-nine fires have come
Bangabandhu got Bengali
Day of release ahead.
In nineteen years, Bengalis took the form of the liberation army
Twenty-one to seventy-one
Mujib gave the call - at the March racecourse
When he heard the shackle-breaking poem
"This time the struggle is for freedom" ...
The fort was built from house to house
The defeated Pak army looked at him with a smirk
The red-green flag flew over the open land of Bengal
The people of Bangladesh chanted the slogan in unison - Joybangla!
The world has never seen such a February, such a March, such a December of victory
Proud Shaheed Minar with red-green flag!

'Kabali' and 'Badlapur' actor Radhika Apte will be the show-stopper in the upcoming Lakme Fashion Week in the ‘Gulzar’ collections of a prominent Kolkata-based fashion designer.

“We have been working with Radhika since 'Majhi the Mountain Man' days (2015) and she will be flaunting our fabrics as show-stopper in India’s premier fashion show which is keenly followed by Bollywood," the well-known city-based woman fashion designer told media after a fashion show in a city hotel last Friday night.

The Lakme Fashion Week is a bi-annual fashion event with the summer-resort show taking place in April while the winter-festive show is held in August.

This year the winter-festive show will be held from August 24 to 28.

Radhika will be wearing bright-colored lehenga since the show will be focused on beautiful India, it’s colours and contours, choreographed with the poetry of nature by Amir Khusro, the designer said.

“It can also be termed our tribute to a great name like Gulzar saab who has brought our lyrics and poems to a new level,” the designer Saroj Jalan said.

The signature style of the designer, whose works adorn Bollywood actors like Radhika beside well known models Lisa Sharma and former Miss Universe India winner Ushoshi Sengupta, is delicate floral patterns along with the use of Zardozi and array of hand-woven tusser silk and velvet enhancing the experience of the garments and “we will project the same in the Lakme week where the accent is on ethnicity,” designer Saroj Jalan said.

Supermodel Ushoshi, having recently debuted in the Bengali film 'Egoler Chokh', said “Lakme show reflects the different tastes of all leading Indian fashion designers who are still rooted to Indian heritage.”Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

Born to a Bengali father and Dutch mother, American fashion designer Rachel Roy, whose client list includes the likes of Michelle Obama and Penelope Cruz, is proud of her Indian heritage, and says India has influenced her work in many ways, especially the colours and prints in her designs.

“My father is Indian and I’ve been very fortunate to travel to India several times. This is my second trip in the last few years and I am bringing my daughter Ava again. She joined me on my last trip where we visited New Delhi, Agra, and Goa,” Roy told IANS during her recent visit to India to judge the 2016/17 International Woolmark Prize India, Pakistan and Middle East regional final held in Mumbai.

“It’s always an emotional experience for me as I’m quite proud of my Indian heritage and also quite passionate about philanthropic causes I’m involved in, including Children’s Hope India and World of Children,” added the designer in an email interview.

The Rachel Roy brand debuted in 2004 and for over a decade. She has built her ready-to-wear and accessories business into a globally recognised brand with categories including jewellery and home products.

Talking about India has influenced her designs, Roy said: “It has influenced so many parts of my life from design to beauty to accessories. I have a love of colour and print… And that was definitely influenced by my Indian side of the family. I remember my aunts putting on kohl on their eyes and loving the ritual and process — it felt really special for me to watch them,” she said.

“Fashion for me is very reflective of culture, a large part of that starts on the streets. When I travel, I make it a point to spend a great deal of time people-watching – seeing what people are wearing as they are in the throws of their life. It’s inspiration to me as I sit and pull together inspiration for collections,” she added.

It’s not just the country that fascinates her, but also the creations of some Indian designers.

“I always love what Bibhu (Mohapatra) and Waris (Ahluwalia) do and have been watching people like Manish Malhotra, Payal Singhal and Priyanka Lama. India holds a special place in my heart, so I look for growth and success of designers and businesses with roots to the country,” said Roy, who added that she would love to expand into India when the time is right.

“Everyone is so welcoming when I spend time here that it would be amazing to be able to establish a longer term relationship,” added the designer, who also has Kate Hudson, Kim Kardashian and Sharon Stone as clients.

In addition to running her successful brand, Roy is a sought after speaker on topics ranging from entrepreneurship to philanthropy and has shared her story and experiences at forums ranging from the White House to the Fortune Next Generation conference along with other various women’s empowerment summits.

Also a member of the Council of Fashion Designers of America, Roy was one of the few judges at the regional round of 2016/17 International Woolmark Prize. She says supporting young talent is important for her.

“Design, like so many other disciplines, is about communicating your point of view and using your voice. Your voice strengthens and changes as you progress in your career and life, and I think it’s critical to help young designers find their voice,” she said.

Roy also says that funding has always been a struggle for those starting out as capital is needed to take a business to a new level.

“Fashion is a business, it is important to understand that from the very beginning. Designers are really taking control of the business side of things from Alexander **** and Christopher Bailey being both the CEOs of their businesses and running the design side as well,” she said.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne

talk of empire can be a tedium to say the least,
the Maharajahs of India never felt more
at home with european literature and
culture overall, but class system doubly
emphasised - or as the television series proved -
hardly an affair for the pithy concerns of
pitiable folk - first season i never bothered to
sense a tightening -
you see, looking at colonialism is not looking
at racism - racism has a dynamic to it,
colonialism has a hierarchy - the two differ,
second season in i sense colonialism as the
intelligent form of racism, presuppositions too many,
racism for the poor and the idiotic and
colonialism for the rich and cultured and
Gentlemanly - pork buttocks for the fork to my care,
i said once i'm not into these post-colonial
dynamics in England - the only winners are
Australians, former convicts who care much about
preservation of the populace of crocodiles -
this 2nd season is really piling it in to differentiate
between barbaric discrimination and civilised
discrimination - i guess a prior history of instilled
hierarchy made the Maharajahs akin to the Brits
(the caste system, untouchables in Bengali),
the "great rulers" didn't mind, they were actually
trying to be kept in the commonwealth -
such aristocracy easily scared and even more easily
scarred - the aristocrats of communism came from
the intelligentsia - bookworms and hardly the
pompous old farts ready to hunt tigers replacing
goats with little children tied to wooden poles -
that's what capitalism fears, a coerced class of
intelligent people, coerced into a class, they fear this,
it's hard to control such people, collective ignorance
is too easily dissected and denied, via doubt -
hardly a reason to be a recipient of existence (out of
every instance per se, hence the sigma unfathomable) -
and to only be rewarded with entertainment?
these far-left intellectuals breed on thought to be
the sole existential reward, and subsequently entertainment;
i too find thinking a pleasure, when you assume that
there's no reward for it, or a reliability to it
being a kindred of an ***** phallus -
never mind - you see, this talk of empires has given
me an ideal conclusive remark:
landlocked empires, or, should i say,
empires that thrive on spreading via land alone,
ref. e.g. to the Mongol or the Alexandrian empire...
they're short lived, they increase landmass exponentially
and very successfully - their motto:
strike the iron while it's hot -
they depend on constant success - they require
a bacterial like membrane of being seemingly
invincible - these land locked empires come and go
very quickly -
unlike the second type of empire building,
those which also require more than horse hoofs
at a gallop, the ones that treat the power of the seas
as its arteries, and land as their veins -
the British empire, the Roman empire -
once an empire is dependent on sea and subsequently
trade, it will be convincingly successful and will
outlast all those brutal empires that spread via land alone -
russia is indeed an anomaly - but then again hardly
an anomaly given the harsh terrain it encompasses -
no one wants to live there, who in their right state
of mind would, anyway?
the russian pride has a weakness - siberia -
oh **** looks great, a 12" protruding **** of geography,
but it's Siberia, -40°C... the way i see it, Russia
is the size of from its borders with Ukraine
Belarus and the Baltic states and the Ural mountains...
the rest is Mongolia - the peoples are steppe Eskimos.
so to summarise - ambitions of empire building that
do not utilise the power of the sea are indeed
the largest but also of the shortest lifespan -
like that old fable of an old farmer dividing his land
among his sons - sooner or later it ends up
a complex intricacy akin to the Holy Roman Empire -
or as the Romans said: dub the germans holy
and you're going straight to hell! little princes that became
major beggars and leeches - the louse jealousy took over...
breadcrumb like land ownership:
20 kilograms of potatoes a year for each son,
enough to feed a pig for a month...
and yes, doubly conclusive, i don't know why
Christianity is blamed for the desecration of greek
culture, the so called "robbing of the greek culture" -
i can't imagine any singled out people
to be infused with ****** and keep it up -
Nietzsche blamed Socrates, the modern intellectuals
blamed Jesus of Nazareth... you know who i blame?
Alexander the great, a Macedonian after all,
and Aristotle (partially) -
that's the greeks though - the Mongols had nothing
prior and nothing after of note on the blank page
or care for a library, and perhaps that's all the better,
you hardly hear news from Mongolia in our
present age... they had the wind to write their history
in that great Genghis Khan Stampede;
i did tell you that the communist experiment took
place in Mongolia, didn't i? before it was accepted
as counter-Tsar pyramidal and later in the satellite states
it was first tested in Mongolia...
if you don't believe me, believe the guy who
sat in the UCL history library and was writing up
essay notes roughly 9 years ago.

[Dedicated to Aung San Suu Kyi, the greatest Fraud of all times]

Darkness like Halagu Khan is running
taking sword in hand;
Light is fleeing raising its tail.

The decorated dream-city will lose its
electricity for ever;
in all directions, the slogan of hyenas
will be heard only.

Going to the shade of Bodhi Tree,
I asked Gautama Buddha,
'By tasting which poisonous fruit,
your disciples have become insane
and have been involved in massacre
in Myanmar? '

Hanging his head, said Gautama, 'Darkness.'

Going to Bethlehem, I asked Jesus Christ,
'By drinking which grape-juice,
your disciples have become insane
and have been involved in massacre in Mosul,
Baghdad and Syria singing of democracy? '

Hanging his head, said Jesus, 'Darkness.'

Going to the holy home of Moses,
I bowed down my head and said, 'Would you
tell me, by eating which Manna and Salwa
your disciples have become insane
and have been involved in killing children
and women in holy Palestine? '

Hanging his head, said Moses, 'Darkness.'

Going to Mathura city, I said to Lord Krishna,
'Please tell me, by eating which food
offering to deity, your disciples have become
insane and have been involved in massacre
in Kashmir, Delhi and Gujarat? '

Hanging his head, said Krishna, 'Darkness.'

Darkness like Halagu Khan is running
taking sword in hand;
Light is fleeing raising its tail.

Again the days of darkness have descended on earth.
I have been searching Abdul-Muttalib's son
Abdullah's house in Pharaoh's city—
in such a thick darkness, no doubt,
the Sun of the desert had risen
in the lap of Amina!

[Translated by the poet from Bengali]

je t'aime said my first lover
France had given me love
Te amo said Spain
Still love wasn't enough
wô ài ńi i heard while eating sushi
China had given me her heart
ich liebe dich i heard in Germany
i thought maybe we'll have a start
s'agapo said the greek beauty
But i wasn't mesmerized in her soul
Doo-set daaram said my persian lover
i still didn't feel the warmth, i still felt cold
Ya tebya liubliu she said and kissed
But Russia was the same, still nothing new
ik hou van jou said dutch lady
but real love in this world was really few
Ngo oiy a  the cantonese beauty said
But i still kept searching for love
ani ohev otach by hebrew girl
But somehow it still wasn't enough
My bengali beauty said ami to make bhalobashi
but i wasn't yet satisfied
my arabic princess said ana behibak
But still i didn't have a peaceful night
When i sat back home
i realized which one is true
Arms wrapped around me, hugged me and said
"i love you".

After fifty years
I slipped into the school.

Madame Bela was visibly pleased
The classroom was too empty
Now I've one to do maths with

No less happy was Auntie Aloka
My favorite student is back
She lifted me up and said with a kiss
So vacant felt my class of English
Without a boy from olden times
Sweetly singing nursery rhymes

My eyes searched her and before long
Miss Jaya spoke in her softest tongue
I'm so glad to see his face
Sans him Bengali class was all emptiness

And there he was the only Sir
Amiyo Baboo the sports teacher
Isn't this the boy never won my trust
For always being in every race last

Fifty years haven't changed a bit
Either their age or their spirit
And surely the fun was doubly more
When I stood before the school mirror.

Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there, where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and likewise embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!

Keywords/Tags: Tagore, translation, Hindi, vain, worship, entity, God, temple, chanting, singing, counting, beads, petals, incense, meditations, tiller, paver, dust, rags, sweat, toil, mrburdu



These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.

The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Come As You Are
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Patience
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bowed low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.

Then your words will take wing in songs from each of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and likewise embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.

Originally published by The Chained Muse. My translation is based on an untitled text in Bangla (Bengali) first published in 1912 and known as "60" due to its numerical placement. Tagore made history by becoming the first Asian to win the Nobel Prize for Literature the following year. Keywords/Tags: seashore, gathering, children, sky, sea, water, dance, sand castles, shells, boats, play, nets, swim, fish, pearls, ships, waves, songs, mother, lullaby, baby, cradle, tempests, death

Big Brother's are there
Elder ones also
But,Dada is one & only
The Prince of Calcutta(now Kolkata)
  "   heart throb of every cricket lover
  "   proud of Bengali's
He's a nation's leader
Also renowned as Maharaj
But,in true sense
He's the Royal Bengal Tiger
The one & only across the Universe
He's none but our beloved
Pride of Nation
Sourav Ganguly
The ultimate Warrior Prince-Written on 01.10.2012

I hear the sounds of the city I the distance.
Cars, truck and auto rickshaws  screaming for space on the bypass.
Far from my terrace they seem to be
Yet they are close to enough that the breeze brings their fumes.
A shawl is spread beneath me
To keep my clothes from the dust that is not washed away up here.
Up here, where my eyes can barely see the treetops.
Up here, where the sun is strong and browning my fair skin.
Up here, where I am  exposed and unseen.
The worries of all my differences are erased when I alight the steps to my rooftop.
It doesn't matter that I don't speak Bengali .
It doesn't matter that I'm sick of Dal and the Baigan Bharta is too spicy.
It doesn't matter that I am a foreigner and always will be.
I am celebrated by the the crows and mosquitos that find solace above Kolkata.
In turn, I can celebrate the fact that I've found a corner where my foreignness is not offensive nor inviting.
It just is, and I'm just me; far above the dusty streets and the stray dogs that keep me up a night with their howls.

am i the only one to spot that the former holy roman empire,
shifted a little bit to the east? the Visegrad alliance -
a new holy roman empire - well - as Billy Joel sang
of Belgians in the Congo - perpetually the Germans
attacked the colonial trinity: England, France... Spain...
which is why it all feels, well: a bit weird....
mind you, i like the poly-chromatic culture:
i get to cook curry - for each tsp of garlic and ginger
i shove in a tbsp -
                         because i'm nice -
but that doesn't mean i'll get
to bang a Hindu princess -
then again, a monochromatic society
gives me nausea - listen,
being 1st generation, you'd think i wouldn't
adapt to what former colonial powers said:
be nice... oh sure... i'm the sort of European
that never left the ******* continent...
nice is second nature when it comes
to pockets of Indian and Pakistani
while feeling superior with a cuisine of
bangers and mash... that's right up my street!
or be nice because you're all being
hypocrites or be nice for the sake of being nice
as in: socially acceptable manners?
this gets a bit confusing with America
******* into reliving the 1960s...
i mean...  just a bit *******...
but in reality? wholly window-licking.
with that d'uh of phrasing:
picked up a moth... d'uh... oh d'uh...
that's the point where i say: at least the
Iowa villagers aren't hypocrites -
all these New York scam morality brokers
and faking the charm of living out
a life of: moral ambivalence.
but sure as **** the holy roman empire
has shifted east by 1 degree...
of all the established powers of Europe,
the ones least hypocritical are the
non-colonial powers...
                    spain france and england will
continue receiving terrorist mail...
this is how i invested in a new sainthood -
we didn't leave the continent, they did...
we're not being hypocrites in the sense
of accepting migrants...
                 how about saudi arabia?
oh wait... no... too busy ******* out oil
and spending money...
                     true... what about Morocco?
n'ah... we're too much alike.
                  well... aren't the former colonial
rulers a bit thick? they thought the Irish
were a bit thick... i guess the Poles are doubly
thick... and if only i was born in England
and didn't retain an inkling into roots...
well... at least they aren't hypocrites:
i.e. said too much, but did too little.
                    sure, they'll attack the colonialists -
and the colonialists will wonder:
       but we've been so nice the past
50 years!
                          and my name is
Joseph Manage-Bottom, heir to
the entitlement of the 3rd estate of Sussex
known as: Candle-Lickwood -
                    because everyone said:
it's a bargain...                   i just don't understand
the whole notion of surprise -
    just because of the Rolling Stones
and the Beatles the fermenting crimes are to be
simply forgotten?
                                 Jesus!
              and i thought i had the naive perspective on life!
later the propaganda read: journalists reveal
the MI5 and MI6's curriculum vitae seances of
gearing up for employment the few that might
                                      do a Michael Jackson trick
with bleach.
yes, Poland has a monochromatic society -
and i'd feel weird cooking up Bengali perfumes -
i feel nausea whenever i enter it...
                 but, to be honest?
multiculturalism is a failure... in the sense
that as tradition states... i can't **** an Indian girl...
even though i'd be able to cook her
a meal her mummy also could - according to Caesar:
no one wins, ergo etc.

Bengal Lancers.
Bengal Tigers.
Bengali in a sombrero?
Bengal Pradip:
Priceless.

". . .CHITTO JETHA BHAYASHUNYO. . ."
( WHERE THE MIND IS WITHOUT FEAR )

breath & sax
unite to form
a creature made of flesh & horn

his sax calls forth
his own ghost
it dances before him like smoke

he closes his eyes
loses sight of everything
but the song

he plays
not knowing what he plays
until he plays it

the song seems to know
where it's going
it's the man he improvises

"...where the world has not
been broken up
into fragments..."

he longs to be taken
out of himself
so he can become himself

the last note
he comes back from the nowhere
that he's found

stuck now in this
somewhere he is
made ordinary again

now he's just
a man with a limp
just another drunk

his sax
the genie of sound
sound asleep in its case

he hums inside his head
the music heard
he the instrument now

tapping on the table
his cigarette dancing
to the invisible music

the notes
half man half ghost
tapped inside his skull

even the silence
now
full of sound

"...sometimes I wish
the music would leave
me alone..."

"...the music is like
a very very big dog
taking its owner for a walk.."

"...note by note I am
transformed
until I am the music..."

"...caught in a riptide
what can I
do. . ?"

I always think a sax can take you the beyond the beyond when words fail. Riptide was his pièce de résistance. And he would always quote the Tagore poem before playing it and so that became this poem's title. He used to call it his "habbijabbi" or "thingamjig" in Bengali.

The orginal Bengali script...

চিত্ত যেথা ভয়শূন্য, উচ্চ যেথা শির
জ্ঞান যেথা মুক্ত, যেথা গৃহের প্রাচীর,
আপন প্রাঙ্গণতলে দিবসশর্বরী
বসুধারে রাখে নাই খণ্ড ক্ষুদ্র করি,
যেথা বাক্য হৃদয়ের উৎসমুখ হতে
উচ্ছ্বসিয়া উঠে, যেথা নির্বারিত স্রোতে
দেশে দেশে দিশে দিশে কর্মধারা ধায়
অজস্র সহস্রবিধ চরিতার্থতায়,
যেথা তুচ্ছ আচারের মরুবালুরাশি
বিচারের স্রোতঃপথ ফেলে নাই গ্রাসি,
পৌরুষেরে করে নি শতধা, নিত্য যেথা
তুমি সর্ব কর্ম চিন্তা আনন্দের নেতা,
নিজ হস্তে নির্দয় আঘাত করি, পিতঃ;
ভারতেরে সেই স্বর্গে করো জাগরিত৷

And in Tagore's own translation, from the 1912 English edition of Gitanjali.

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is led forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father let my country awake.

We live in a house, simple and nice
With a garden lined with crotons in rows
Not so neatly trimmed or pruned as before
And a lawn not always well manicured
But abounding in plants with blooms of varied hue
From shady corners, orchids peep
They bring forth flowers in bunches and mass
Only on certain seasons, not the year round.
Then a visual treat to the eyes, indeed!

Trees big and small border our land
Mango trees and jack fruit trees
Coconut palms and guava trees
Twining creepers with globular passion fruits
Bushy plants of sweet and sour berries
Rose apples, papayas and Chinese limes
An epitome of country abundance!

In front of the house was once a stretch of fields
Lush and fresh with paddy plants in June
And in autumn, bent with arching sheaves of corn
Green parakeets used to come from far
To eat the grains ready to be reaped
Having their fill they would fly westward in flocks
Such scenes were a source of instant delight

But sad enough, those fields were gradually filled
In place of paddy and other seasonal crops
Industrial units, big and small have emerged
By degrees, the quiet and coolness of the place
That once soothed our frayed nerves are gone
Now an exodus of men have landed here
Laborers who have come from Northern states
To eke out a living in a better clime
Speaking languages, Bengali, Hindi and Tamil
Leaving the area noisy with incessant chatter

Along the road that runs parallel to our house
Now speeds past, motors in unbroken row
Honking horns and raising a screen of smoky dust
Spoiling the ambiance of our verdant setting
And badly impairing the neat surroundings
But with every change of scene and setting
We, like nomads cannot change our stay or dwelling

Well acclimatized to all noise and commotion
We now stick to our home, our humble haven
And strive to create within an inner landscape
Not polluted by the ravages of time or clime

Home is the sanctuary where we roost and rest
A sweet dwelling, more than all mansions blest
And it should be an abode of love where hearts embrace
Every turn of life, grim or merry with no fuss but with grace

How sweet it is to dwell beneath this roof
Our wedded life’s enduring love’s living proof!

Dawn and I dawn my caftan
With pen in hand
I close my eyes
And start crafting

I put on my djellabah
Which begets my lojong
...and soon
I begin to float

Like paint, ink blankets
The sheets of my Bengali jute
...and soon
I begin to coast

In this moment
I exist happily
Outside of all I know
About me
* Reprinted from 'My Hajj A Collection of Poems by Mekael'
© September 16, 2011 by Mekael Shane

Big Brother's are there
Elder ones also
But,Dada is one & only
The Prince of Calcutta(now Kolkata)
  "   heart throb of every cricket lover
  "   proud of Bengali's
He's a nation's leader
Also renowned as Maharaj
But,in true sense
He's the Royal Bengal Tiger
The one & only across the Universe
He's none but our beloved
Pride of Nation
Sourav Ganguly
The ultimate Warrior Prince-Written on 01.10.2012

Dear Poet Friends, the famous Coffee House is located opposite Presidency College (my alma mater) at Calcutta, it was set up during the British days, initially known as The Albert Hall. However, this poem has been inspired by an old Bengali song . Hope you will like it. Thanks, – Raj Nandy

MEMORIES OF COFFEE HOUSE OF OUR
                      STUDENT DAYS

Those nostalgic memories and our colorful dreams have
receded with the past.
Our regular evening meetings at the Coffee House has
flown with time’s arrow, - since nothing lasts!
Be it summer, monsoon, or winter, we had regularly met,
To exchange notes and gossip, even heated discussions
use to take place.
Our old friend Nikhelesh had left for Paris, and Moidul
settled in Dacca, as I last heard.
Guitarist D’Souza of the Hotel Grand now lies buried in a
walled cemetery next to a church.
Betrayed in love singer Reena Roy is spending her days in
a lunatic asylum alas!
While Amol suffered from a raging cancer, life had proved
merciless for him till the very last!
Renuka was perhaps the happiest amongst us all, having
married a millionaire husband as I have been told.
She lives in a luxurious bungalow covered in jewelry of
diamond and gold.
Sanyal of Art College who drew pictures for an Ad Agency
those days,
With wide eyes listened to the narrations of Runa Roy, the
amateur actress, during those Coffee House days.
Long haired Basir, the amateur poet, has been forgotten in time;
None of his poems got published, his talents had remained
unrecognized!
Between sips of coffee and cigarette smoke heated arguments
use to take place.
Topics ranging from politics, poetry, art and football, were
very popular even in those days.

Those black round wooden tables and chairs still remain
unchanged to this very day.
But with the passing of time the faces of its occupants have
all changed, as generations have faded away.
Thus the cycle of life revolves as new flowers bloom.
But the Coffee House shall continue to last through many
a moon.
                                                           ­      -By Raj Nandy of New Delhi.

She was scarcely twenty one
on the day the Reaper came.
A writer of great promise;
Toru Dutt was her name.

Bengali was her native tongue,
but only just her first.
She had conversed in German,
written French and English verse.

Now she lay silent, dressed in white
in the company of flowers.
A shame it was a funeral pyre
and not her wedding bower.

Her sister, overcome with grief,
Her Parents both the same.
Her sad eyed father lit the torch
and consigned her to the flames.

How quickly did those flames consume
the girl who lived to write.
Her dust was carried on the winds
from the sacrificial site.

The beauty of her verse endures
and will preserve her name.
That's all that could be salvaged
of the maiden from the flames.

He told me that he was afraid.
He told me that he had loved just one girl in his life.
And that she had crossed Seven seas and eight worlds by this lonely moment
That we were caught up in the swirls of the green grassy smoke of Mary and Jane.
He told me that I was too pretty for his eyes, mind and soul.
I told him,
It’s a heat and that I was not there to **** him.
I told him that we were just caught in the jingle of the purest heat,
I told him to relax and sleep.
And that I will not touch him.
I told him that I’m a sweet ******.
I told him to stop staring at me with those sweet puppy eyes,
So that I can control my arousal, nausea and heat.
I snuggled close to him on a single bed,
Lulling him and sending strong telepathic heat.
After a while, he turned.
He asked how wrong it would be if he would go soft in between the sacred art of love,
I told him that is the passion and that is the heat.
And that it is to be simply genuine to your rushes wherein *** comes.
I told him *** is not an exam.
I told him that *** is a rush.
I told him that *** is the Heat.
I told him to be simply genuine.
I told him *** is to love.
I asked him if he loved me.
He said, ‘Ami tomako Bhishon Bhalo bhashi’,
Which is Bengali for, ‘I love you very much’.
I creased my brows
And scorned at him saying that he’d just met me,
He said,
That was enough,
And that I was his own soul,
In flesh and Blood.
We made sweet sweet love,
That night.
All night,
On the cold floor of his shabby apartment,
On that sweaty night,
When power was never there.
I went to my flat in the morning,
I bid him goodbye by the evening train,
I never asked his name.
It was as if I had to know it later,
Not now.
Not today.
Not this week, month or year.
Just another age.
He never asked my name.
He must’ve felt the same.
For telepathy, never cheats.
Today, I wonder. I trip.
And I imagine him as all that I want,
For all that I know is his sweet puppy eyes,
And the ablaze heat that taught me that somewhere,
There lies a momentary passion bigger than me,
Inside me.
Waiting to burn, Roast and Shrink
My ego, my identity and myself!