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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
the mind is its own beautiful prisoner.
Mind looked long at the sticky moon
opening in dusk her new wings

then decently hanged himself,one afternoon.

The last thing he saw was you
naked amid unnaked things,

your flesh,a succinct wandlike animal,
a little strolling with the futile purr
of blood;your *** squeaked like a billiard-cue
chalking itself,as not to make an error,
with twists spontaneously methodical.
He suddenly tasted worms windows and roses

he laughed,and closed his eyes as a girl closes
her left hand upon a mirror.
Ember Evanescent Nov 2014
"DEAR BLANK CHALLENGE" PLEASE PLEASE READ THIS AND REPOST TRY TO KEEP IT GOING:  HELLOPOETRY "DEAR BLANK" CHALLENGE SECRET SANTA POEMS EXCEPT NOT SECRET AND NOT SANTA RANDOM ACT/POEM OF KINDNESS STRANGER POETRY APPRECIATION

I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. If you need an example I just posted DEAR IMALRIGHT which was exactly what I meant. Check out imalright's poetry btw it is amazing.
I plan on doing for more than one person and I'd love for you to do the same. Spread a little kindness, we could all use a little.
Also message me if you are going to do the challenge and message the stranger you do the DEAR BLANK challenge for so they know to look for and read your poem.
I just thought that Imalright who was a perfect stranger to me seemed like a wonderful poet and a wonderful person based on her poetry so I chose her.
You do that too if you accept the DEAR BLANK challenge.
INCLUDE DEARBLANKCHALLENGE AS A HASHTAG IF YOU DO THE CHALLENGE SO EVERYONE CAN FIND THEM
please repost this over and over so we can get as many people involved as possible and try and make a difference in a couple people's lives because I just want to make everyone feel loved but I'm just one girl, I can't do it alone. Please help me with this and join me in the DEAR BLANK challenge. Take time out of your day to properly appreciate someone's poetry who you do not know.

PLEASE REPOST LET'S GET EVERYONE INVOLVED!!! ;D
THANKS!

-EMBER EVANESCENT
DEAR BLANK CHALLENGE
Mateuš Conrad Jan 2017
that's 3 weeks without a keyboard,
that's 3 weeks on a dual-detox -
         that's that: roughly: antagonism
of: once upon a time...
           there can only be one Hans Andersen,
and as the story goes: ol' granny
   passed on the tales, without which:
no talk of posterity, and seances at
the theatre; alternatively: what if Kierkegård
opted for opera, rather than theatre?
    well: horrid is the task of dropping names,
as if being a village idiot, in that
capacity: giving directions... no such thing!
  nonetheless: a horrid task...
3 weeks... without this horrid world-entanglement...
amphetamines in the wild west,
                   and yet... everything slows down...
that's 3 weeks without such ''luxury''...
    and would you believe it?
3 weeks went by: in a blink of an eye.
             strange, or what 21st century writers
fail to recognise: the ******* canvas has changed!
any-single-one-of-them bothered to scrutinise
this new canvas? anyone?
     ah yes, it's still in its adolescence -
it's still: Dostoyevsky, scuttering in the grand
dungeon: that's the Moscow underground.
             the canvas! the canvas!
                             and indeed, if this be some
bellowing horn, from the depths of some forsaken
place... i'll go into the street, and sabotage
civilisation with graffiti...
                     then again: i have the least
expectations, such that capitalism works...
poetry... and what investment have you made?
nil, or almost nil... evidently: zilch!
      ah, but to have invested in canvases,
a studio, paints, brushes... see... no one sees
investment in poetry: primarily because the poet
has done the minimal...
            unless of course it turns out to ****
with a hot poker something once resembling
nations... which now resides in the insane asylum
(even though those, have been abolished)
                           , nation - ooh! what a ***** word!
the left irksome sometimes uses it:
in theory: the nation-state...
                        and then there's the resurgence of
ancient Greece... in a sing-along:
maybe 'cos i'm a Londoner... brother! brother!
Athenian! Athenian!
                                       but we are born into
a Spartan wedlock... no one really bothers to
**** our gob with Shakespeare...
    then again that is the schizophrenia (alias
dualism) in humanity... thus, to be frank,
psychiatry can be congratulated, it has provided
one useful term... and i will use it, over and over again,
in a non-symptomatic way, because, i find,
it stands, as if the Olympic Graeae (Zeus, Poseidon
and Hades) eating the carcass of some inhabitant
of Tartarus...
                               evidently: tartar steak...
doubly evident: tartars, or the remnants of mongols,
settled in crimea, and elsewhere in the Ukraine...
   tartar                      tra-ta-ta-ta... ku ku ryku!
a ja fu! krecha! a ja znow... fu!       radowitą
uprzejmość... skłaniam...  
    or what i call: rising spontaneously from the depths...
polymaths applauded, the tribunal resides in
bilingualism... trenches... history... perspectives
and current affairs... wicker man media...
                        so... an example of pedantry?
ó....               that's an orthographic dignitary -
        an aesthetic muddle... as is
c-ha                               contending with samo-ha...
     ch                            came from antagonism of
cz                                   which was later antagonised
by č               in česka.... say that: hen party
bound to Prague... in the Czech republic...
                                          ch      k..­.
i am, quiet frankly... standing at the feet of the tower
of babel... and i'm looking up, and i see
correlations, and i see decimal marks,
which, when given enough geography,
can seem like England and the isles,
       and central Europe...
    Iberia? phantom of Seneca...
  eureka! let's begin, once again...
  why is there a continuum beginning with
Plato and Aristotle?
                                           we could become
reasonable people... told to deal with madmen...
we could claim beginnings with Seneca...
and Cicero...
                      and why? the Romans loved poetry...
the Greeks antagonised Homer...
            the Romans loved Horace, Virgil,
                           Ovid... perhaps we should really forget
beginning with Plato and Aristotle...
       the former has become a church,
the latter a dentist's assistant (minus the ancients'
concept of a joke).
                      evidently i have to finish off reading
Seneca... his educational letters to Lucilius....
      moralising ******* that he was, thus, perhaps
a nibble at Cicero? but i must say:
                           it has to begin somewhere,
so not necessarily in stale-bread Athens...
                      and having such perspectives helps
in claiming casual conversation?
   assuredly - if it doesn't involve talking about
the weather...
                                which is always a great mystery
   if it's given enough aurora.
   onto the mystery of dialectics,
as discovered by Alfred Jarry in his Faustroll
Pataphysics contraband...
                                                nag­ging agreement...
nodding without approval... (chapter 10) -
beginning with αληθη λεγεις εφη
        (you speak the truth, he replies) -
   and ending with ως δoκεì
                              (how true that seems)...
and then some dub-step...
        know nothing dROP! boom! jiggy jiggy,
get the rhythm.
   as i always find it hard to look at
    diacritical arithmetic...
                                  given the following
represent a prolonging: hangman:
       å, ā and ä...
                             esp. in Finnish -
stratum: hedningarna täss on nainen.
                        rolling yarn, plateau, two dips;
and i will never say something profound...
i'll just say something no one else has said,
benefit of the doubt? somewhere, someone,
                                      kneels at the same altar.
  such are the distinction - invaders from the
north, and invaders from the south...
                                           even with
crusading Golgotha mann -
the times? many bats, supers, spiders,
but not enough readings of thomas mann...
                              easily befallen into prune-nosed
high-airs... it comes with the diet of literature...
   unfortunately.
                              and with yet another book:
i have burried yet another living person
i could have had a beer with, and conversed.
it always happens, every time i read a book
i have to attend a funeral... by reading a book
i have burried someone alive...
                          shame, in all frankness...
    i will sit in a congested train, touch a breathing
body, and consecrate the touch with
a warring genuflect - harbringer of a Teutonic
passion for initiation: a komtur's slap across the cheek.
   chequers played with passions...
           and some have to be approached like
caged animals, their vocabulary as cages,
                and the whole world before them:
cageless!
             some have indeed become so encrusted in
their daily: routine, that it would take a zoologist
(thrice oh, begs some sort of diacritical marking)
rather than a psychologist to understand them...
    like the darting dupes they are, enshrined in
20% gratis! smile! have a nice day! boxing day sales!
all but pleasantries, fathoming the grave.
   stiff vocab and all other kinds of perfume...
                           a king and his charlatan knights,
who are merely ditto-heads.
                  and not of this world, afresh -
among the nimble hands prior to birth -
surely there is: more grandeour in birth
   that entry via a ******...
                            the greatest pain of ****...
and when the ancient treaty was signed
under the name: Augustus Cesarean - or
recommended for a need of aristocracy -
    it was, for a time, the mana magnetism:
and such was the rule of poetry:
rather than a crown, donned the laurel leaves...
donned the laurel leaves...
    and such was the covenant from ancient
foes when trying to assimilate the Jew...
three kings from Babylon,
                         the child in Egypt...
          no good tides from Nazareth...
         a crown of myrrh - later overshadowed
by dogmatic sprechen, simpler: thorns...
yella things... or rzepak, Essex is filled with it...
rzepak... so why bother adding a dot above
the z, when you get capricious and use rz to
denote the same?! thus a science:
voiced retroflex fricative... Stalingrad!
                       can you really stomach this kind
of jargon? if it wasn't for science fiction:
science would be twice removed from gott ist tot,
*******' worth of pondering, given the close
proximity rhyme... nothing that rhymes should
ever be taken seriously, it should be hymnal!
                         Horatio! mein lyre!
   mein Guinness leier! rabbi krähe -
     and they deem that ****** white when talking:
thinking? i'd prefer Cezanne in real life -
   maggot wriggling and all...
                                          as much eroticism
as bound to a dog slobbering its testicles:
which means ****-all in an almighty stance
   for a dollop of halleluyah in Nepal.
well: pretty talk, pretty pretty pretty: i feel pretty,
oh so butter-fly-e.
                                    2 week stance,
***** in autumn... but so many Swiss hues
coming from the same concentration of decay!
shweet!  zeit-ser!        and that's me talking
kindergarten german: innovation begins with
a fork and a spoon, should the tongue come to it...
            i see a poem,
i see something worth bugging... c.i.a.,
f.b.i., hannibal's lecture in Florence, Venice for
the rats... bugging... shoving...
  shovelling... necro grounding, rattling...
    windy via north... Icelandic...
drums along incisors of abstract gallop:
violins... fringes of the mustang... airy airy...
all regresses toward the Vulgate...
         like ****, like said, and the only pristine
stress comes with vanilla ice-cream,
or a medium-rare beef ****! hmph!
                         fa fa fa excesses with that hurling
puff...
                      and i did finish Kant's
critique of pure reason... minus two calendars...
but, so help me god, the 2nd volume was hiding
under some corner...
                           thus, from transcendental methodology
came plump apricots, plums and pears...
             sweet decay fruit baron...
              and it's called sugars in the intricacy of pulp...
lazily grown, dangling on that caricature of
a formerly known: full crop of wheat-crude fringe.
    2 years... honest to god!
         but so many books in between...
i was given a recommendation...
i cited it already... kraszewski's magnum opus...
29 books...
                       although that's history fictionalised...
but nonetheless, it really was about
     the cossack uprising in the 17th century...
   and it was, as i once said, something i can forgive
sienkiewicz - the film version,
as in: i will not read a book once it has been adapted
to a movie... it's self-evident that too many
people have read a piece of work and are gagging
for a conversation... but where's the playground?
           ******* cherades!
  chinese whispers and a Manchurian candidate!
  i thought as much.
                          and whenever it's not a preplaned
escapade, what becomes of the day?
     was it always about a stance for carpe diem?
  syllables: di                em.
                            carpe is said with more lubricant.
corpus diem. well, that's an alternative, however
you care to think about it.
                and whenever you care to think about,
the proof is there: mishandling misnomers:
poets as tattoo artists... although no one sees the ink,
signatures on a reader's brian (purposively altered,
toward a Michael Jackon he-he, and other:
albino castratos the church venerates!)...
   that's 3 weeks in a catholic country...
  3 weeks... if only the football was better,
      i'd be called Juan Sanchez...
               but, evidently, the football is bad...
     so it's catholicism on par with a sleeping inquisition...
no one really expected Monty Python to conjure
that one... because it never really took place,
not until a trans-generational exodus
postscript 2004... once western brothels were exhausted,
and the Arab started ******* a hippo...
              then it was all about lakes and rivers
and Las Vegas 2.0 in Dubai!
                     you say quack... i say:
                                                    easy target.
and they did receive a blessing from Allah...
enough ink to write out Dante's revision of the Koran,
and some Al-Sha'ke'pir to write a play called:
the Merchant of Mecca.
  last time i heard, when the reformation was
plauging Christendom, no one invited the Arabs...
these days i think the little Lutherans of Islam
watched too many historical movies...
me? pick up a crucifix and march to Jerusalem?
  and is that going to translate into:
   blame the populists! blame the nationalists!
it's like watching a circus... why is the Islamic
reformation asking for third party associates?
                  i was happy listening to
the klinik... albums: eat your heart out...
time + plague...
                             once again: the world narrative
gags for enough people to conjure up
     a placebo solipsism... and that's placebo
with a squiggly prefix (meaning? how far
that ambiguity will take you) - ~placebo...
well: since existentialists were bores...
it's about time to head for Scandinavia
   and ask: is that " ''                 for passing on
an inheritance, or better still: ripe for
acknowledging ambiguity?
                          and if you can shove this
  into your daily narrative... you better be
a connaisseur of chinese antiques...
                frailty... then again, theres: ******;
well hell yeah *****'h, it's a murky underwold
after all.
                     and yes: that's called a petting word...
some say hombre, and we'll all be amigos
and muskateers at the end of the story.
                                    finally... i feel like i'm writing
a poem that i'll never end...
              why? it was supposed to be about
how John Casimir of Sweden championed
  the crown away from his brother Prince Charles
(volume 1)...
                      the bishop of Breslau...
a recluse... couldn't ride a horse...
    then again: nothing worthy imitation...
beginning with a donkey...
                               the transfiguration of palms
into whips... 2000 years later
talk of Hercules is madness... that other bit?
complete sanity.
                              well... if that be the case...
the book is there... i signed it, 2nd volume of
Kant's critique...
  
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | Y| | | |
| | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | |

        an oak... in a forest of pine...
an oak in pine wood...

then onto the wood of sighs:

aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
aH aH aH aH aH aH aH aH
          (somehow the surd escapes,
and later morphs into, but prior to)

a short script: variation on MW...

      pears' worth of blunting runes:
opulance s and ᛋ - versus z,
    congregation minor: the interchange, ß,
buttocks and *****, minus phantoms of erotica.
yet, taking into account trigonometry...
sine (genesis 0), and cosine (genesis 1),
or            M                                   W
(no Jew would dare believe the Latins have
the second 'alf of the proof: that loophole of all
things qab-cannibal-mystic - cravat donning
mystique - a flit's worth of sharpening,
or dental grit... flappy tongue,
flabby oyster, lazing for a crab's palette)...
so?

1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0
1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0

of course there's an
Jordan May 2013
Radness

The Philosopher’s Stone is not just a spiritual metaphor but an actual substance that can transmute lead or mercury into gold. The Stone is a product of Alchemy. Unlike chemistry, which only deals with physical matter and energy, Alchemy makes use of etheric and astral energies to reconfigure matter at the quantum level. Alchemy is to chemistry what a cube is to the square; it is a superset of chemistry and is capable of so much more.

How Etheric Energy Overrides Physical Laws

Alchemical achievements require successfully gathering, concentrating, and multiplying etheric energy. When this energy reaches a critical threshold, it overpowers the normal laws of physics and allows seemingly miraculous processes to take place. I believe it does this by biasing probability. By amplifying the probability of minor quantum effects, which are normally limited to the subatomic scale, they manifest on the larger atomic scale. In this way, one element spontaneously transforms into another.

The world around us is made of subatomic particles that regularly undergo unpredictable jumps, teleportation, bilocation, superposition, and other strange quantum behaviors. Why don’t everyday solid objects do likewise? Because the random quantum jittering of their subatomic particles collectively average out to zero. Think of a large crowd of people; seen from the air, the crowd as a whole is stationary, even though individuals within the crowd move in seemingly random directions. It’s because their movements are random and uncoordinated that they average to zero net movement on the whole.

The world we see around us is merely a crowd of subatomic particles whose individual quantum jumps aren’t apparent because they average to collective stillness. Physical laws that govern our everyday world, known as the deterministic laws of classical physics, are merely the laws of the crowd. These laws are what’s left of quantum physics after the unpredictability is removed through statistical averaging. They are not absolute laws; they are just the most probable manner in which matter and energy behave.

Physical laws can be bent. While the probability is incredibly low that enough coordination and coherence develops among the quantum jitters to manifest on a collective scale, that is exactly what etheric energy does. It alters probability and thereby skews the laws of thermodynamics, gravity, electromagnetism, and chemistry.

Alchemy does not violate the laws of physics, nor does it always follow them, rather it bends them as needed. It operates upon the quantum foundation from which these laws arise in the first place, via etheric energy affecting the probability of quantum events.
http://montalk.net/gnosis/174/the-philosopher-s-stone
Joel A Doetsch Jan 2012
What would I do for you?  There's lots of things, actually


I would spontaneously start speaking Hungarian for you...but it probably would sound like nonsense

and some Hungarian dude

   Would be all like "Haver, nem beszél magyarul"

        I would shrug, because
        
              I don't know Hungarian...

But I'd still do it for you, if you wanted me to.



I would fly us to ancient Mayan burial grounds, where we could

   Learn all about a lost culture

           We would run into a cursed
                
                   Mayan Chief, but he'd actually be pretty cool
          
              He would teach us how to do a rain dance,

         Every once in awhile he'd look at you and say "kíichpan"
  
   and I'd be like..."Dude, back off..."

                       He's like 2000 years old...
                                
                         ­    He's way too old for you.



I would carve you an Ice Sculpture in your likeness

        Taking care to make sure that every detail was perfect and reflected
          
            Your beauty
              
               In every possible way.

     I'm not too good at Ice Sculpting, though, so it might just end up looking
              
            Like an oddly-shaped block of ice.


      Sorry...

            I hope you would like it anyway



For you, I would count to infinity

     Which might not sound like a feat, at first

   But then I would count back to zero

  I'm pretty sure no one's done that before....

     I won't be able to do it all in one day

So it might take awhile...

                  Hope you don't mind waiting for me




    I would write poetry every day for you


            Because I know that I would never run out of things
  
       To write about







....Well, maybe every 'other' day.
"Haver, nem beszél magyarul" means "Dude, you can't speak Hungarian" in Hungarian.  For some reason, though, when you put it through a translator, it will tell you that it means "You cannot speak English".  This is somewhat offputting.  "kíichpan" means "pretty" or "beautiful" in Mayan.
Ember Evanescent Jan 2015
Hemophilia runs in the family
A bleeding disorder
I was fortunate
My sister got the gene, not me
She is a carrier
and has mild Hemophilia
If she had been born a boy, it would have been far more severe
But even with her mild disorder
She spontaneously begins bleeding
Without anything even happening to her
I spontaneously begin bleeding too
Even though nothing is happening to me
But you can't see that bleeding
It's internal
Not inside my body
But inside my soul.
Or something.
I'm not really sure where it hurts, all I know is that it hurt a lot
People say, just be happy!
Don't you want to be happy?
Can't you just ignore it?

NO.
That's like asking my sister
When she spontaneously gets ****** noses
Just stop bleeding!
Don't you want to stop bleeding?
Can't you just ignore the fact that blood is pouring out of you?

NO
just because the pain is not visible
DOESN'T MEAN IT ISN'T THERE.
IT IS NOT ESCAPABLE THE SAME WAY BLEEDING ISN'T
That is why I'm trying to find a distraction from the pain
Because when my sister gets a ****** nose, she just goes and distracts herself with a movie, so she doesn't pay attention to the bleeding
My point is, though
No.
I can't just "be happy"
I'm bleeding too
And it is spontaneous and inexplicable
YOU JUST CAN'T F*CKING SEE IT
sorry, just getting sick of people thinking depression is the same thing as sadness
Like a disease of the mind is something you can CHOOSE to ignore
To feel or not to feel
To suffer or not to suffer
It is not for attention
It is not for any other reason
Than Brokenness that you can't explain
And wish it would go away
If you wouldn't tell someone with a bleeding disorder who is randomly bleeding to stop bleeding, they are being overdramatic,
Then don't say that to someone with depression about their sadness.
aetherx May 2014
you're a melancholic blue rock
who's oblivious to what you're parallel of

just a slight erosion I noticed,
as I picked up
the little crumbles
the gem stones
the tears

crystallizing under crushing pressure;
I know it's aching,
some time to tether
you're (spontaneously) combusting
but you're still as dainty as a feather

don't have to look at your reflection,
just your shadows
then you'll see you're illuminating
and now you know
you're more than enough
you were just
a diamond in the rough.
[to all who are crumbling]
sunprincess Mar 2017
He's my sun, he's my love, he shine's so bright
He lights up my days, and even my nights
Sometimes he tosses me gently on the bed
Messes up my hair, and messes up my head
I wiggle away like a kitten, and become free
Then spontaneously I shower him with a smile
"Would you like to enjoy a drink with me?'"
xoxo
------------
teaching a wild creature to feed from your hand is a feat maybe maybe not Mom taught me from a young age then never let go in June 2013 the estate will cease all the coats hats shoes scarves skirts dresses blouses belts purses from Ultimo Saks Neimans wherever steaks from Gene and Georgetti’s Gibsons whatever will be consumed and she will be forced by the bank to resign her condo on lake shore drive and go live with her sister and i will be left with nothing

nothing feels better than fighting back gathering the strength courage to do that to fight until there is no daylight

the world is a mysterious place it is Sunday December 26th 2010 6AM pitch dark outside in several months daybreak will come earlier a remarkable surprise yet always been this way in several minutes firmament turns light i open eyes stretch legs look out window pink blue gray blue morning skies tree tops mountains watch flock of birds maybe 30 or 40 flying back and forth east west why do they do that how would you like to be one of those birds flapping around searching from above at the earth hmmm what if everyone had a ***** and ****** feathered wings fin distinctive tail floppy or pointed ears what if you could share breakfast or lunch with Kim Gordon Patti Smith work on poem with e. e. cummings James Joyce William Faulkner paint with Mark Rothko Anselm Kiefer play football with Payton Manning Drew Breeze jam with Jimi Hendrix Keith Richards race with Secretariat sniff with Lassie mix with Max Ernst Georgia O'Keefe Donald Judd meet with Gandhi and J.F.K. make love with Charlotte Gainsbourg Kate Moss dinner with John Lennon Friedrich Nietzsche dance with Albert Einstein Isadora Duncan share a smoke with Sam Clemens (Mark Twain) Sam Shepard last drink with Sylvia Plath Virginia Woolf then go to sleep next to Sphinx Pyramids wake with Cleopatra Mata Hari on Bali beach look up at tiny puffy clouds that resemble strange script do you understand the possibilities mysteries of everything

old is lecherous but i’m still trapped in childhood hurting wanting to be grown-up

i think i said i don’t know how to talk i was speaking to this **** greedy landlord trying to negotiate between 2 different spaces long distance and i meant to say i can’t talk right now i’m in a restaurant or shop but instead what came out was i don’t know how to talk he was insulting me bullying hollering at me on cell phone accusing me of dickering about price lease and it slipped out my terror from Dad my childhood fears repression inability to negotiate i froze fumbled finally uttering i don’t know how to talk then disconnected

i’m running scared gasping for breath heart pounding yearning praying crying for love beauty happiness success i’m smart creative powerful yet inept too shy or fearful to know how to properly spontaneously speak in person

what if consumerism is realized as a mental disorder a method to suppress genuine hunger with fetish products

what if money is identified as disease actual legal tender found to source fatal viruses

what if humanity is discovered to belong to an alien predatory race independent from Adam and Eve or monkeys

what if all knowledge is found to be deceptive invention concealing real world truth

what if existence is a chess game or trial enacted by higher forces and your every thought feeling recorded in eternity

what if progress is the enemy and primitivism the remedy

my whole life i’ve learned about infidelity my mom sister dad uncle i don’t understand i’ve never been unfaithful to a girlfriend (one is enough one is more than i can handle) why do people speak those vows then get married only to violate themselves their mates maybe that’s why i am afraid to ever get married infidelity is the most painful betrayal to find out your partner with all your shared secrets compromises them with someone else oh god

April 19th 1995 a bomb explodes in Federal building in Oklahoma City killing 168 people injuring 759 what are Timothy McVeigh and Terry Nichols thinking did they act alone there are so many lunatics running around out there so much misunderstanding disenfranchisement in America

Arlington Street Asheville North Carolina June 1995 Odysseus and his dog Farina keep mostly to themselves something is wrong with his voice he sounds hoarse when he speaks it is uncomfortable to talk he goes to free clinic and waits half a day elderly doctor attempts to stick long metal instrument down Odysseus’s throat Odysseus gags coughs elderly doctor becomes irritable he warns Odysseus to quit smoking Odysseus wonders what it would be like to be loved possibly married in loving positive relationship to know all the endearing enduring connections between caring couples other people manage it why can’t he? he thinks i’ve never been a good provider nor placed enough value in money i believe in freedom and love i chose to make art and pursue a life of self-discovery experiment dang i am wrong from the moment one’s work hangs in a gallery the artist’s integrity is compromised individuality becomes commodity typically people who buy paintings have so much money they scatter a trifle on art the artwork provides the consumer with a look of ‘soul’ to be shown off to their envious friends the artist becomes needy pet of dealer and client maybe converting one’s spirituality into commercial merchandise is like making deals with the devil he thinks about Native American artists whose work is immediately esteemed and utilized in their culture he has spent his whole life seeking validation in art world he wonders how many other unknown artists feel similarly useless discarded he considers i’m forty-five years old now and i don’t have a penny to show for all my troubles i still believe i have much to give insights to reveal but no practical plan for survival i don’t know how i’m going to get through this existence the world wants young promising talent not some older painter striving for another chance women want nothing to do with an impoverished aging dreamer my dog loves me she knows who feeds her i’ve got academic degrees a long resume of legitimate shows i know how to use a computer solve problems fix toilets sinks strip and paint serve food and liquor but i can’t land a decent job i never learned how to properly market or barter my work and i’m not interested in the position of sacrificial lamb i want a home and female partner like other men have i want to be needed respected loved a creative member of a community instead of an expendable outsider working menial jobs for minimum wage what good are paintings if no one looks at them what good are noble values in a corrupt society the world runs on money and greed not freedom and love
Mateuš Conrad Sep 2018
.oh yeah... chris isaak's: wiucked game - plenty of "facts" went into taping as many covers as the song spontaneously made replica... so many objective "facts"... too many to count... when will certain subjective taboos be recognized and other, objective "truths" be denied?! how long must humanity be obliged to secure the argument by "confusion" be deemed liberation as necessarily-arguing the case of confiscatory material? what?! my grammar is bad? if my grammar is so ******* bad... ask someone from Rotherham!

.i tend to forget that people have this, collective amnesia regarding subjectivity, somehow they only associate it with news spew... they vaguely recognize an old widow walking from a surgery to a bust stop, stopping my a lavender bush, to pick a few flowers off of it... like some quasi Notre Dame hunchback... joyous that she bypassed all the ghost souls on the "waiting list" of an English doctor, joyous... clearly innocent... there can never be a place in this world for objective truths... objectivity is limited in the realm of aesthetics... whereby objectivity is a truth: whereby two uncorrelated people say the same thing... but  when it comes to a taste in music? what is objectivity that focuses on the differentiated between the sound of Wagner with / without an orchestra... and a traffic jam? objectively? both are sounds... extreme comparisons... but you can't call one black and the other #A, can you? subjectivity is not a 1-dimensional propaganda machine, it is also a truth... and when it comes to aesthetics... within the confines of personal taste(s)... i can say Wagner works better without an orchestra than with one... but... you can't tell the two apart... subjectivity is not a bias... it is a profound truth... in comparison objectivity's claim for truth is a tirade, compensated by the mere excavation deposit of journalism, which is becoming ever more fractured in compensation; it was always the case that life, expired prior to the, death... but now? it appears? death expires prior to a, life. Wagner isn't anemic without the orchestra... Wagner merely hijacks an orchestra to overdo the purpose of the piano... to enrapture a concert hall; nothing more, and i wouldn't expect nothing less.

i'm drunk...

  you're sober...

good luck
reconciling either,

even if either:

invokes:

         none....

   who gave the reigns
to the internet,
under a sober guise?

****! quick!
catch me a moth in a lampshade
and send me off to
a CIA acid camp!

IVANA BELIEVE!
and congregate
like a ******* beehive!

or a termite mount...
whichever...
            what?
i'm drunk... you're sober...
    
unless you have some
fetish for Swedish pop music
akin to Roxette...
  we, have, seriously,
nothing, to, talk, about...

  savvy? is that privy enough
for you?

tell me the difference between:
i have no rank, no lābrador
to mind suite for an orchestra
worth a Wagner...

**** it... i just watched
Apocalypse Now...
   3 and a half hours of what i could
make of the heart of darkness...
prior to the ride of the valkyries...

but to be honest...
i'm with david...
             take of pure piano...
of Wagner's
     the entry of the gods into Valhalla...
sole, piano... it's not anemic...
it's justified interpretation,
it''s... the justified counter
to Chopin...
  a refined honesty...
                 i never liked
Chopin...
   unlike most Polacks...
i never like Jean-Paul II either...
like most Polacks...

i'd envision a Jean-Paul II emeritus...
like all old Polacks lay claim:
it you have been nice to see
an otherwise different,
process of dethroning...

no... the orchestra undermines
Wagner... the piano will do,
for now, for as long as it takes...
the piece doesn't require orchestration...
if the mere piano makes the pieces
anemic...
then the orchestra makes is
gluttonous...
  
people shouldn't expect their children
to be intelligent by merely
listening to classical music...
what they should expect...
is listening to classical music...
elaborating into jazz...
and then coming back into classical music...

why do i hear such horrors...
that the only classical music made pop...
is classical music underscoring
moving image...
why is the only classical music
"worth" listening to...
the music composed for movies,
or at least, incorporated
into them?

            no... Wagner is not anemic
on the sole basis of piano...
     das rheingold: is not anemic...
Chopin might be...
with his intricacies...
a bountiful butterfly in the age
of Bonaparte...
              
               but? listening to the piano?
of Wagner's exclusion of
orchestra?

   Handel is the new Bach...
and Wagner is the new Chopin...

you don't make toddlers listen to classical music
because they might be better
at arithmetic like some prized
monkey who later struggles
with economic biases -
or tax returns...

                     you need a classical
music appreciation,
to hit against jazz...
and if it doesn't return to classical
music?
then the original investment was
worth... zilch!

       orchestra ruins what perfects,
or rather allows Wagner
to stand-out from a Baroque tradition
of Germanic exfoliation...
   and hurts, hurts...
hurts the gentile spirit of a Schubert
or a Schumann...
      
the just Libra interlude hanging
within a composition,
the dangling in the air...
or a dire, interlude, a dire... note...

                   Wagner minus
orchestra...
                      what a fine affair to...
anticipate:

                                              ­    en oeuvre.
Ember Evanescent Nov 2014
POEM FOR IMALRIGHT
Dear Imalright
I discovered your poetry and LOVED all of it. I was struck by lots of what you wrote and it inspired to write this to you. I promise you I mean every word of it.
I read your poems:
Unexceptional
Unbeautiful
Anxiety at 3AM
Two sad teenagers
Relapse
Fifteen
Starving artist
2014
Nothing special
Rough Edges & a dorky face
Under eyes
I adored them and spent the better part of a full day, hours and hours combing through the verses, dissecting the poems, analyzing the words and fully appreciating your incredible work. I picked out my very favorite phrases or yours that I found particularly powerful and moving and responded to these lines. I wanted to start a challenge. (In fact I posted this challenge as a poem, you can find it on my page).
I thought it might be nice to do like a secret santa thingy on hellopoetry only not secret and not santa… what I mean is, find a random stranger you literally have never met and do NOT know at all whose poetry you like and spend actual time genuinely reading their work, picking out your favorite lines and responding to them, pondering them, etc. Write something positive to them and post it as a poem with their name in the title. The “DEAR BLANK” challenge only you put their name instead of “blank”. I think we could all use a little recognition that we exist and are worth something since everyone seems a little depressed on here (including myself) which is fine, it’s a great outlet but it would be nice for people to just spontaneously find that a random stranger spent time in their life just to recognize you and care about your poetry. To write a kind poem/letter to them responding to lines in their poetry. I just thought that you seemed like a wonderful poet and a wonderful person based on your poetry so I chose you, Imalright. So here it is:

Your head whispers these words that crawled onto the page:

We're the kind of people that fade into the background

that people forget are in the room.

-Imalright

I won’t say something that the rest of society seems to think fixes everything. I won’t tell you the typical: you are important to everyone, you are not just a faded part of the background, people do notice you etc. because those are empty words everyone uses and they people who are always pretty in the spotlight are always the ones to say it, so what do they really know about the background, forgotten, white-noise people like us?

I will tell you, instead, I know it hurts like hell to be forgotten. For your existence to go unnoticed. I know being a part of the background is never anyone’s first choice. I am a backdrop-dweller myself. I am the unnoticed girl who blends in with the shadows. There is nothing wrong with that.
Never forget that the starry night sky is a background too. You can still be wonderful without being the center of attention. You can still be wonderful even if you are a part of the background. I want you to know, I noticed your poetry. I noticed you, and your name, and your wonderful talent and I have spent my time dissection every poem you have posted because every single one of them, is a different shade of amazing. We are all backgrounds in someways but what we choose as our phone screen backgrounds tend to be pictures of what we love the best. Pictures of beautiful things. There is nothing unbeautiful about the background. So from one forgotten soul in a room to another, I your poetry was just another account in millions like the stars but you are one of the loveliest sections of this world’s background I have ever seen. Keep that in mind. 







I just wish that I was one of those beautiful things.

-Imalright

Once again, I won’t use a society phrase like: Everyone is special and beautiful in their own ways!! Because people don’t seem to get that no matter what they say, it doesn’t even matter if it is true, but if you tell someone who thinks they are not one of those beautiful things that they are beautiful They. Do. Not. Believe. You. It just doesn’t matter, it won’t change their mind, it doesn’t help and it doesn’t fix it. It just makes them feel like you are lying to them and then they feel vain and self-conscious about admitting to you that they don’t feel beautiful etc. etc. I’ve been there so I know.
So I won’t tell you that. But I will tell you a couple facts instead.

It is a fact, that there is ugly inside of every single person.
It is also a fact, that there is beauty inside every single person.
Because beauty is NOT a definable concept. It is different to every person depending what kind of lens they look through and let me tell you, physical beauty is artificial and even though I wish I could be physically attractive in my own eyes, I have come to accept and I hope you have too or will as well, that a deeper beauty than that is inner beauty. What you keep in the cracks and crevices you made yourself in your soul. I think you are beautiful. I the pages you’ve written on soaked with ink made out of your inner self is magnificent. Your way with words and your flow of thoughts, the way you look at life through an indigo-tinted-one-way-glass-lens, it is all a whispering sort of beauty. Like the soft ringing sound of raindrops skimming the window pane on a grey sky, storm cloudy day. That same sort of delicate loveliness. I think you are a very unique and exquisite color of beautiful unlike any other poet I’ve ever seen. I don’t know you, you don’t know me, we can’t label ourselves friends since I have never spoken to you, but friends are basically socially required to tell you that you are beautiful whereas strangers are bound by no such obligation, yet still I tell you, I find you a person with a beautiful soul. I have only ever seen your poetry, but that is enough for me to know you are a beautiful person. After all, poetry is really where our souls spill what they are truly composed of. If I were to judge your beauty by your face and actions, all those are altered by circumstances beyond our control, society standards and pressure etc. What you do does not define you. Your soul does, however. You are beautiful to me. 







I JUST WANT TO BE LOVED I JUST WANTS THINGS TO BE OKAY

-Imalright
A truthful scream of the heart that many have felt. It’s funny that we all have this same base desire that tends to reveal itself more and more the later at night it gets, and yet we all still suffer the feeling of being unloved and unokay alone and silently. I wish I could reach out and fix you because the pain of others that is out of my reach always pains me more than any kind of physical agony I could ever endure. I can’t fix you though, so instead I offer you the only thing I can, I am with you. As a friend, just another soul on the earth who has felt this feeling you express in this line. I reach out with the hands of my spirit and for your spirit. Maybe if you know that I too have felt unloved and unokay you can find comfort and strength in that. Because no matter what kind of darkness you face, literal or internal, I find being united with someone empathetic to you who knows how you feel makes it just a little less scary even if it is just a sliver of hope for even just a second. It is something and the idea of “hereness’ you know, like being “here” for you, being “with” you in that emotion is all I can offer and I just want you to know, I love everyone and everything until I am given a good reason not to. So in a way, even if not on a personal level (because I do not know you, so I can’t love you on a personal level the way a sister loves a sister or a best friend loves a best friend) just generally, you are loved by me, because I love your poetry and I love all things that haven’t given me reason not to. And do you know what? Even though it hurts and it is unfair, everyone has to be unokay for a little while. I have been too. Maybe you were unokay for longer than what could possibly be near just or humane or reasonable but you were strong enough to pull through. I applaud you for this and want you to know your strength in powering through your unokayness has been recognized and admired. By me. Because the warriors are the ones up at 3AM having anxiety attacks but never let it show and you are a warrior. I am proud to call you a fellow poet.




but being sad and lonely is worse than being sad.

-Imalright
I know what you mean by this line. It is sculpted so beautifully though. The words in the phrase are just so raw and honest. Not over romanticized, just plain relatable great poetry in its true form as it should be. Wonderful. I hope you have found refuge from loneliness or will find refuge from it soon in finding someone else’s heart to call your own and in your heart belonging to someone else.





A new scar for that comment that boy said.
A new scar for that friend that betrayed you.
A new scar for every word you swallow.

-Imalright
That boy has scars of his own and he thought it would make them fade if he cause you to have scars too. ***** him. The betrayal of a friend is a special kind of pain like being stabbed with a knife you made yourself. A pain I know too well and wish no one else knew. Let the scars heal and do not swallow words. You will choke pretty soon if you don’t. Keep in mind that you are worth more than scars. I think you are worth more than scars.






You don't know how bad things are.

-Imalright
First off, I love this line. Just so simple and yet so relatable. There is some beauty to that. Sort of like thorns on a rose stem. Although they can be piercing and ugly there is magnificence that goes along with it. To be 15 and not know how bad things are, you have the rest of your life to obsess over the bad things and how awful things really are. You have the rest of your earthly existence to be broken, so like a child’s smile, at least you had that one moment in your life when things weren’t shattered as far as you knew.





With nowhere to go but everywhere
-Imalright
What an extraordinary thought. Such a liberating idea. You have really inspired me with this one single phrase. Keep in mind, you can be so inspiring to people who don’t even know you (like me) just with your words. You really make such a difference in this world. I have decided after reading this line, I’m going to try and let a little bit of that philosophy into my life. Nowhere to go but anywhere.

And that hope is going to make me stop doing this to myself.

-Imalright
Well, I really hope so too. I hoped for hope to save me for way too long. Eventually you gotta find it in yourself because this world is a little short on Hope, its main export being Despair. Just know you are not alone in this. I wish Hope was something you could wrap and mail it to someone who needs it but I can’t hand you Hope. I cannot offer it to you physically but if it helps at all, if it creates Hope for you, I want you to know that I personally, desperately from the bottom of my heart hope to God, genuinely thinking of you individually as a person that you have healed or are healing or will heal through Hope. If that helps. I have been crumbling, but somehow, after a hell of a lot of anguish, I found Hope. You can too. If it doesn’t help then I offer you my hand spiritually and metaphorically. Stay hopeful, because in this world, that is all we have.






i'm nothing special
im not beautiful
i'm not gifted

-Imalright
I know I can’t change your mind the same way no one can change mine when it comes to how self-image and esteem, but I just wanted to tell you even if you don’t believe me, in my eyes and in my opinion, not saying this to be fake or just being nice. If it weren’t true I just wouldn’t bring it up or say anything about it but you are VERY special. …okay that doesn’t sound good that sounds like the kind of special people put in quotations like: oh, she’s um… you know, “special” alright…
What I meant was, you are special because your poetry has made a difference in my life. You insightful view into life, your precious unprecedented perspective on the world and how you perceive it is very special. I have already explained why I think you are beautiful internally and keep in mind there is no such thing as one type of physical beauty. It is all about opinion and to some person or some people out there, you ARE physically perfect. To them, your physical traits are their definition of beauty because beauty doesn’t have a size, a color or a shape. That is the beautiful thing about beauty. And you are gifted at poetry, that’s for **** sure. Your poems are absolutely toxically flawless I adore them and I really, really mean that. Your writing is close to my heart. That may come across rather creepy sorry about that haha :P but you need to know that you are gifted when it comes to beautiful words.






No one will make me believe that all of my flaws aren't wonderful.

-Imalright
Such a sensational thought and resolve. I really and truly admire and acknowledge your indescribable strength I wish I could achieve to not only accept but embrace your flaws. You are such a strong person and I want to thank you for being such an inspiration to me and the rest of the world, doing that and finding that truth within yourself that flaws are wonderful things.
wondering why i had shattered myself in the process of picking up someone else's pieces

-Imalright

Okay, before I say anything else… omfg wow holy mother of waffles. (That is not a very common expression but I am so struck by the priceless incredibleness of this line I can’t think straight. Also, waffles are good.) This is amazing… how do you come up with stuff like this???!! The imagery, the metaphor, the power of the phrase embedded in the words just… wow. Spectacular. God, I just really, REALLY hope with every ounce of my soul you find a way to repair yourself or someone to repair you because to lose yourself, saving someone else who was broken is so heroically tragic it breaks my heart because you are such a beautiful person.




Dear Imalright
I offer you Poet’s Love.
One poet to another.
I admire your work and your work is made out of little parts of you.
I admire you and your strength, your writing abilities and your outlook on life.
Never ever change.
I hope you find Hope.
Message me anytime should you need anything.
And I want to thank you for being such a strong inspiration to the race of people we call: Poets.
Love,
Ember Evanescent.
DEAR BLANK CHALLENGE
Right to education,
Is a right to live,
Without education we spontaneously get,
A right to die,
Not physically but morally,
Illiteracy is our moral  death,
For being illiterate we can't even talk life,
Education is a soul rests
In the body of human being,
So without education,
We are only human animals,
Education takes us to height of humanity.

                                                                   BY: Sandhya Nirvana Indarjeet(me)
Ayad Gharbawi Dec 2009
THE STORY OF SARA


AYAD GHARBAWI


CHAPTER 3: BEING AN ACTIVIST

  
Gradually, we become ever more radical in our burning quest to uproot every conceivable element of the corrupting culture of the oppressors.
  We soon started to call these oppressors 'Pigs', because that is exactly what they were: overweight, bloated, filthy animals who live simply eat and consume all day, and who love to live in their own excrement.
  The Pigs had to be removed, because you cannot negotiate with a pig.
  It was so obvious to me!
  Some people did, indeed, argue that diplomacy and negotiations were the way to achieve our blessed equality-based society, but that was pure idiocy to me; because, for Heaven's sake, a pig will remain a pig and cannot become an 'enlightened' pig! These criminals, who are creating poverty, and who are killing people, because they do not allow them decent health services, must be completely eradicated, or else, ordinary people will continue to suffer.
  One day I heard Tony give a speech in front of a huge audience: "There's no point in cutting the tail of the snake. No, you must go straight for the head, and that's how you **** it!" And there ensued roars and cheers, from the mainly young crowd. "And, if someone is trying to **** you, what do you do? Negotiate? Talk to them? No, you **** them first, that's what you do! That's who the Pigs are, my friends. They are out there killing you, and so many of you tonight are simply not even remotely aware that you are dying slowly – so, you must, first of all wake up, and realize that someone, somewhere, is draining out the blood of your life, and next you must identify the cancer that is killing you. So, who's the cancer?" Tony screamed, and the by now delirious crowds immediately responded with a thunderous and hate-filled, "Pigs! Pigs! Pigs!"
  "The Pigs talk and teach us about 'morality' and 'respect' and 'decency', and other subjects like that. That's laughable now, isn't it?! I mean, the blood stained mass murderer is teaching us etiquette here?!"
  "No! No!" roared back the audience. "**** the pigs! **** the pigs!" they suddenly and somehow instantaneously started to chant. So, I must correct what many people think about Tony, and that is, he 'invented' and popularized that phrase, '**** the pigs". No, he didn't; it was the audience that night who spontaneously came up with that really exciting and vibrant phrase!
  From then on, violence became more common along with the never ending chants – if not screams – of '**** the pigs!' Every day, and all over the country, the movement had flourished, and there were the most refreshing and gloriously destructive riots in almost every major city.

  It was at this time that I first heard a speech from Omar.
We waited for the man to appear, but he seemed nowhere to be found.
  My God, I heard from so many people that he was the most radical in the deepest sense of the word!
  Apparently, he made Tony sound like a child!
  He also had a well disciplined party – unlike Tony.
  Here was a place that I can find the ‘cause of my life’!
  I could work for Omar and that would be the point of my life!
  The thought thrilled me – because I was already a convert to their ideas, but with Omar, there was a real party that was actively fighting the government, whereas Tony and other leaders like him were independent activists, but with no party behind them.
    Then, Omar suddenly appeared.
  He was of medium height, average looks - but it wasn’t long before you noticed his inexpressibly burning, fanatical eyes!
  I was about a few metres from him, and I could feel the sheer intensity of passion and rage within those eyeballs!
  This man must have absolutely the words of truth, for no Man could look like that and be a liar!
And then he gently spoke:
  "**** the pigs, I hear you say. Well, that's not good enough for me. People like that make me yawn. And, I'm bored of yawning every day. We need more. We need to move on faster. I need speed. It's not just '**** the pigs', it's '**** the cops!', because the cops defend the Pigs and attack us every day; '**** the teachers!' because every teacher does nothing except to teach us with pointless information'. And, '**** every human being' who sides or serves the establishment!”.
  Omar’s eyes were literally able to stab right through your heart and soul simply by staring at you!
  I can well imagine that my reader will not believe me and will say it was because I was a convert to Omar’s ideas that I found his eyes to be so abnormally powerful – but, what do you say to all those people who did not like him, and who met him, and yet, they, too, all said that his eyes were profoundly piercing?!
  So, you see, reader, do believe me – it’s not because I was emotionally enthralled by Omar, that I am describing him to you the way I do!
  He had beautifully framed fingers – I don’t know why I noticed that!
  He had a rather longish nose – maybe, that was one defect in his face, but you hardly noticed that, given the other attractions in this man.
  And then he possessed the deepest, most guttural, and yet so sweetly melodic voice, that I had ever heard, and when he spoke, he simply entranced me – not to mention the thousands of others.
  Omar continued, beginning to raise his ragged voice:
“And, so I order you, tonight, and tomorrow, and every day, to fanatically and ruthlessly exterminate every visible sign, agent, artist, writer, philosopher, painter, sculptor, journalist, teacher, professor, lawyer, doctor, surgeon, banker, engineer, everyone who works in the mass media like the television, every film maker, every scientist, and every single employer and employee of the Pigs."
  The audience now simply shrieked the verb, '****! ****! ****!’ while Omar went silent, amidst this wild orchestra of hate being played out.


  I noticed, that unlike Tony, Omar wouldn't gesticulate or move his hands at all.
  Actually, he just stood there, rock solid, like a statue while only eyes and mouth spoke!
  The man, I swear, looked like a 'human rock'!
  He was the absolute epitome of boundless hatred; of unrestrained defiance against the rulers ruling us!
  Yes, I do admit, and I hesitate to say so, but, yes, he almost did like completely maniacal – were it not for his self control and the beauty of his words!
  The audience relaxed.
  Omar waited until there was silence, and he continued:
  "Do you see the difference between what I am saying and what brothers like Tony say? People like Tony demand from us to uproot the pigs. But what Pigs does he, in fact, mean? Who does he mean, when he says 'Pigs'? He means the rich. That's it.”


  Now, Omar abruptly went silent.
  Tension.
  He was staring at us.
  I could feel that the audience felt nervous precisely because Omar was staring at them.
  Finally, he continued:
  “Can you imagine the limits of his intellect?! To Tony and his misguided followers, the solution facing the problem before us is simple enough: you simply wipe out the rich, and suddenly we have the beautiful society!"
  Omar was sneering, being utterly sarcastic in his voice and tone.
  "So is that it, Brother Tony? Is that all we need to do?”
  There, he stopped again, with a sarcastic, wicked smile on his face.
  The man’s body simply had no motion in it!
  I was waiting to see, if Omar would, at some point, move his body or his arms, but so far nothing!
  He continued:
“My goodness, I never knew that the gigantic problem facing us was to be solved in such a simple manner! But, no, you're being fools. Or, maybe you're fooling your selves. Either way, I don't know, and more importantly, I don't care, because, as I told you all out there listening to me,” suddenly, he began to scream with his rasping voice:
  “I'm a serious man, with a serious mission, and above all, I'm a man in a hurry!"
  Again, Omar went suddenly silent.
  I could sense, that he was deliberately teasing the audience, because they were obviously desperate for him to continue speaking, while he, would every so often stop speaking, thus adding to the tension in the atmosphere!
  The audience laughed, loving the biting sarcasm; obviously there were lots of rivalry and jealousies between the two camps, and so Omar's followers just loved to hear the buckets of insults being poured upon the followers of Tony.
  The mocking tone continued:
  "These fools are retarding our own path to victory! These followers of Brother Tony, are doing the dumbest acts that I have ever seen. I mean, what do you mean and what are you trying to achieve, when you have his followers going to restaurants and disrupting the place? I mean, is this what the definition of 'stupidity' is, or what?!"
  The crowd cheered: "Yes! Yes! Idiots!"
  "Listen here Brother Tony; I would like to say, 'it's all right, you're still young and you'll soon grow up'. But I can't say that. You know why?"
  The audience waited as Omar paused.
  He was staring at his audience.
  Suddenly, he erupted with his deafening scream:
  "I can't wait. Didn't I already tell you that? Didn't I tell you I'm a man IN A HURRY AND I'VE GOT TO DO MY WORK! DON'T YOU PEOPLE OUT THERE GET IT?"
  He roared, and the masses applauded furiously.
  "I don't have time, for children like Tony, and for his own little children, to stand in my way, and wait for them to grow up! I don't have the time, because I have an enemy out there, that needs to be completely, ruthless and fanatically exterminated, root and branch, do you now follow me?"
  "Yes! Yes! We follow!" screamed the masses.
  Silence.
  And then, Omar continued:
  "So, we know who Tony defines as the Pigs. What about myself? We must talk the talk of the brave. If you're scared, then get out of here. Why do I say this? Because this struggle requires the most ruthless behaviour on our part, and to be ruthless, you need to be brave, and to be rave means you have no fear."
  It sounded almost as if he were singing.
  Or maybe it was my imagination.


"So, who are the Pigs, you ask me? Simple. The Pig is a man, woman and child who has any Pig Attributes. What do I mean by 'Pig Attributes'? Very simple. Any human, who has in his brain, any idea, concept, believe and acceptance of any value from the rulers who rule us all. And, what are these 'values' that come from our dear rulers? They are ideas and values such as: there are the simple ones, like the belief in the right to profit, belief in the right of property, inheritance and so on. Then, there are the other beliefs, such as, belief in compassion for the rich, or cooperating with the rich or socialising with the rich. You follow?"
  The audience was silent.
  "That means, any human in our sick society, poor or not, who in any way, not only physically interacts with the rulers is a Pig himself, but also any human, poor or not, who has in his heart and mind, any empathy for the rich is a Pig himself, and so therefore, it follows – and I hope you people out there are listening to me – it means, therefore, that a poor human being who has any Pig Attributes, is a Pig himself, just like the rulers themselves. Do you understand?"
  Silence.
  And then he walked out.


  It was so sudden, because I expect a really screaming end from Omar, but to the surprise of everyone, he ended and simply walked out!
  But, I, understood what he meant.
  Basically, he was enlarging the definition of what it meant to be the 'enemy'.
  This struggle was now going to be infinitely more difficult. With Tony, the war was simple enough.
  We were 'right' while anyone belonging to the ruling class was 'evil' and that was it.
  Obviously, no member in the ruling class can deny that he's in the ruling class! They can even change their accents and their clothes, pretending to be poor, but there are computers and archives, such as birth certificates, school records, and it doesn't take long, to find out a person's origins.
  But now what Omar was proposing, that a Pig is any human being who interacts with the ruling class is evil.
  Also, anyone who has any thoughts that have any Pig Attributes (for example, being pro-ruling class), are also evil, and therefore, had to be eliminated.
  In other words, the poor can be Pigs as well.
  I loved that, because, I was never comfortable with most other left leaders, including Tony, who only focused their ire against the rich.
  To them all the poor were ‘blessed’ and ‘sinless’, and I knew, from my own background, that they simply romanticised the poor, probably because they themselves were all rich people who had never lived one day of their lives in poverty.
  With Omar, being impure, or sinful could be anyone in society – and, your background or class didn’t matter.
  That was far more logical to me!

But with joining Omar’s party, came other problems for me.
How were we supposed to ‘find’ a Pig, or an impure person?
  How can we be sure if a person has the Pig Attributes in his mind?
  It seemed ludicrous to me!
  I had doubts because as attractive an orator that Omar was, once you went home and thought about what he actually said, a lot did not make sense.
  I had so many ideas that contradicted what Omar had to say.
  For example, can’t we achieve our goals by peaceful means – rather than choosing the path of violence?
  And if we must use violence, then why don’t we attack military targets and not civilians?
  Wasn’t it wrong to target civilians and civilian places – like factories, farms, and shops?

  
  There he stood; eyes blazing as ever.
  What makes eyes 'blaze' I wondered.
  They don't actually emit any light, do they?
  So how can one man have such penetrating, piercing eyes that go right to your innermost heart?
  Omar seemed to be made of steel.
  Or, maybe it was all in my imagination, as Sanji would always be telling me.
  It was his personality and also his body language: that stern, stiff way of standing, that seemed to be the epitome of defiance against the evil in the world!
  His whole body seemed to be chiselled from the purest marble; there he stood, this heroic rock, against the tyranny of the storms and the oceans that were crashing on him; and still, there he stood, not only in supreme piety, but also, there he stood, waging a struggle against these very dark forces of evil.
  He will rid our society and our nation from evil, and one day, we shall live in a truly happy country.
  This nation and its sad people, this nation that has so many miserable, poor and unhappy people, will soon be able to live free, happy lives, without the burdens and the shackles imposed on them by the ruling elites.
  He spoke:
"They need to be utterly, and without a shred of human mercy, be exterminated, or else, it is us, who will be exterminated! It is either them or us! We need to cleanse our entire body from these cancerous cockroaches. Don't you people understand? Call it '******', call it 'exterminate', call it 'butchering them' – I do not care; what I do care and what I need in order to breathe uncontaminated, fresh air,  is to surgically and methodically and blindly eliminate the very existence of every Pigs on our land! That is why we have no choice but to fight. The criminals leave us with no choice. If they surrender their corrupting ways agai
Phosphorimental Dec 2014
Mm, yes.  
I find that the sultry of subtlety
does not hide well among the obvious!  
We catch each others eye
across crowded parlors
to steal off in the wings
for sodden romantic whispers.  

Her muted presence is a cloud born
particle of dust –
gathering the purest droplets,
to fall, and
falling waters accreting
into mighty rivers churning earth.  

Shamefully, perhaps by nature of a poetique,
my proclivity is to paint nuance up
like a dime-store ****,
parade her around in metaphors
under my propped writing arm,
my free hand palming a chained timepiece...
Oh how these nuances matter
as I slip a moment back into the pocket of time.
This "thing" was inspired by a comment by one as fine a poet (as my first blush will be confirmed) as I've seen in these parts.   Marshal Gebbie http://hellopoetry.com/marshal-gebbie/  (wow)
Robert Ronnow Aug 2015
The four fundamental forces:
Zeus, Aphrodite, Ares (or Mars), and Adam and Eve.

                            <<0>>                                          >> 0 <<

             Electric field induced by             Electric field induced by
            a positive electric charge            a negative electric charge

"Deutsch thinks that such 'jumps to universality' must occur not only in the capacity to calculate things, but also in the capacity to understand things, and in the closely related capacity to make things happen. And he thinks that it was precisely such a threshold that was crossed with the invention of the scientific method. There were plenty of things we humans could do, of course, prior to the invention of that method: agriculture, or the domestication of animals, or the design of sundials, or the construction of pyramids. But all of a sudden, with the introduction of that particular method of concocting and evaluating new hypotheses, there was a sense in which we could do anything. The capacities of a community that has mastered that method to survive, to learn, and to remake the world according to its inclinations are (in the long run) literally, mathematically, infinite. And Deutsch is convinced that the tendency of the world to give rise to such communities, more than, say, the force of gravitation, or the second law of thermodynamics, or even the phenomenon of death, is what ultimately gives the world its shape, and what constitutes the genuine essence of nature. 'In all cases,' he writes, 'the class of transformations that could happen spontaneously--in the absence of knowledge--is negligibly small compared with the class that could be effected artificially by intelligent beings who wanted those transformations to happen. So the explanations of almost all physically possible phenomena are about how knowledge would be applied to bring those phenomena about.' And there is a beautiful and almost mystical irony in all this: that it was precisely by means of the Scientific Revolution, it was precisely by means of accepting that we are not the center of the universe, that we became the center of the universe."

Danger comes from the root bad brakes and bald tires. Chain saws
      and wildfires. Poisonous
ideologies, housecleaning chemicals and toiletries. Powerful
      industrialists, alcoholic fathers.
Invasive species, illegal immigrants. Concentration camps, attention
      deficit disorder.
Performance phobia, identity enhancements. Pleasure, applause.
      Quiet moments, walking and
talking war buddies. Electoral politics, marriage and divorce. Pest
      exterminator, Yeats seminar.
Love affair, pencil sharpener. Whatever, matter. Ionic and covalent
      bonds, republican hairstyle.
Events in their mere chronology.

"What is a typical place in the universe like? Let me assume that you are reading this on Earth. In your mind's eye travel straight upwards a few hundred kilometers. Now you are in the slightly more typical environment of space. But you are still being heated and illuminated by the sun, and half your field of view is still taken up by the solids, liquids and **** of the Earth. A typical location has none of those features. So, travel a few trillion kilometers further in the same direction. You are now so far away that the sun looks like other stars. You are at a much colder, darker and emptier place, with no **** in sight. But it is not yet typical: you are still inside the Milky Way galaxy, and most places in the universe are not in any galaxy. Continue until you are clear outside the galaxy--say, a hundred thousand light years from Earth. At this distance you could not glimpse the Earth even if you used the most powerful telescope that humans have yet built. But the Milky Way still fills much of your sky. To get to a typical place in the universe, you have to imagine yourself at least a thousand times as far out as that, deep in intergalactic space. What is it like there? Imagine the whole of space notionally divided into cubes the size of our solar system. If you were observing from a typical one of them, the sky would be pitch black. The nearest star would be so far away that if it were to explode as a supernova, and you were staring directly at it when its light reached you, you would not even see a glimmer. That is how big and dark the universe is. And it is cold: it is at that background temperature of 217 Kelvin, which is cold enough to freeze every known substance except helium. And it is empty: the density of atoms out there is below one per cubic meter. That is a million times sparser than atoms in the space between the stars, and those atoms are themselves sparser than in the best vacuum that human technology has yet achieved. Almost all the atoms in intergalactic space are hydrogen or helium, so there is no chemistry. No life could have evolved there, nor any intelligence. Nothing changes there. Nothing happens. The same is true of the next cube and the next, and if you were to examine a million consecutive cubes in any direction the story would be the same."

The 5 colors of sadness:
disappointed, didn't get what was wanted
confused, don't know what to do next, where to go
lonely, no one to love or be loved by
sorry, unable to help or change what happened
depressed, can't get out of bed, want to **** self

"Unless a society is expecting its own future choices to be better than its present ones, it will strive to make its present policies and institutions as immutable as possible. Therefore Popper's criterion can be met only by societies that expect their knowledge to grow -- and to grow unpredictably. And, further, they are expecting that if it did grow, that would help. This expectation is what I call optimism, and I can state it, in its most general form, thus: The Principle of Optimism -- All evils are caused by insufficient knowledge. Optimism is, in the first instance, a way of explaining failure, not prophesying success. It says that there is no fundamental barrier, no law of nature or supernatural decree, preventing progress. Whenever we try to improve things and fail, it is not because the spiteful (or unfathomably benevolent) gods are thwarting us or punishing us for trying, or because we have reached a limit on the capacity of reason to make improvements, or because it is best that we fail, but always because we did not know enough, in time. But optimism is also a stance towards the future, because nearly all failures, and nearly all successes, are yet to come.

As I think of things to do I do them.
Thing by thing I get things done.
That's how my father and his father did things.
I guess my mother and her mother did things that way too.

Sometimes I'm driving and I think how my father and his father drove
      too.
There was weather and they had problems. There is weather and I
      have problems.
Time exists only in the human mind. But if the mind exists, time exists.
Joy everywhere. Joy at birth. Joy at death. All joy, all times.
--Alpert, David, "Explaining it All: How We Became the Center of the Universe", NY Times Book Review, August 12, 2011
--Deutsch, David, The Beginning of Infinity, Viking Press, 2011

www.ronnowpoetry.com
Mateuš Conrad Nov 2015
why doesn’t english phoneticism diacritic the non-trill r, or why doesn’t it diacritic the non-harking h? i wonder... where’s all the nation’s intelligence gone to... investing 650 billion in the ant mound that’s london? the politics blame it on the eastern european... ‘never blame it on the chinese or the arabs... they have the investments to come with boom & bust coordinates of new york’s 1920s hopes... followed up with depression.’ but oddly enough no recession in poland... perhaps because the poles have all the salt and lost all the dollars’ worth of edible mince pie (while the irish only lost ***** in hazelnut hangover forgetfulness on the titanic minding the class system of who got the lifeboats) - **** me, i’ve turned into a welsh longbows’ man with the famous V of agincourt... i’m not even welsh... but i’m assuredly an abacus: count to two sheep flights of suicide and towing two snorkel sneezes worth of bubbles before dozing off; ah... the celebrated humanity.*

that’s how it works... the r that lost the wheel and the ballerina twirl,
and the rolling-on requirements of a diacritic mark,
since all the available ones are inadequate,
and the h needs surgery to be honest...
it’s hardly a hay stack... as is the gnome eager to learn
about gnosticism and u-boats...
but did i tell you this one story that might
make you laugh?
in my post brain haemorrhage psychosis
i bought a martin & co. acoustic guitar for £600
while trading in a mandolin i bought cleaning toilets
in an edinburgh nightclub getting more than i expected
from a **** groper... sold for £25 second hand which i didn’t take
and just left it there due to honour
(who'd empty ****** in beer bottles from a toilet
getting harassed by a gay
in order to buy a £70 mandolin to play
only one song and then sell it for £25 and take the money?!)...
no, really, the english r needs diacritic markings
to distinguish it from the other european arms and arses
fidgety.
so this martin & co.’s guitar i bought
and took to my ex-girlfriends house...
which i left outside... and... oddly enough
in a guitar sheath the guitar suddenly spontaneously
decided to itch and break up...
my ex-girlfriend’s father said the cold did it...
he was always the handyman to break things...
then i started to head-**** the guitar until i managed
to weave a hole in it to sound more hollow...
so i fixed it in the end... a blind man could play it...
my ex-girlfriend’s father ended up as a nutcracker in
the mental health unit for a month while
england rejoiced when the pantomime season came along
in the local theatres - plates were thrown and dogs were walked...
like tonight... me in cognitive conversation:
‘hey stranger’s dog across the street, why you pausing
tail waggling and pavlov ready for a treat
and trying to imbue a french revolution’s cause off the leash?’
religiously you're reversing the due pundit of prayer
for the thing suffering... christianity almost feeds
the notion of prayer unto the continually suffering...
you wouldn't see prayer so easily given to
zeus ******* hera on the chair... would you?
pathetic, even morbid perverts of poverty
******* out the blood from the man...
if he deserved it he deserved it... it's not so easily
grecian polished into the realm of the undeserved...
the classical philosopher inquired: the gods exist...
but why are you sacrificing animals for their existence?
the modern philosophers inquired: the god exists...
but why are you sacrificing your emotions for their existence?
i will not sacrifice a goat on the altar...
but that was easier given the fact you're feeling
such sibyl s & m with that thing dangling on two planks of wood;
didn't i write of the malachi heresy...
the heresy that invaded monotheism and said
john smith postcode *** *** from the 21st century
will always be john smith from london from the 16th century?
malachi's heresy concerning the reincarnation of elijah
decisively spoke of the fractioned hebrew god... it spoke of 1
as 1/2, 1/3, 1/4, 1/5, 1/6, 1/7, 1/8, 1/9 etc.
i can't believe that... like hegel equated in
the book marx digested and rebelled against, i = i,
malachi you propagator & instigator of christianity and islam!
malachi! to the greeks & romans with you tied to st. paul!
(even allen ginsberg mentions this equation
in one of his poems: i am i, old father fisheye that
begat the ocean, the worm at my own ear,
the serpent turning around a tree;
kant and 0 as negation, hegel and the equals sign as being,
naturally ≠ has to imply non-being);
not building idols of forearm and knee for worship is what islam
got away with replacing them with the worship of words...
i'd hate to worship that night idol dictated by a man
who couldn't read... it's almost like a crow hunching
next to a statue of ramses ii about
where r a m s e s trivialised the six pack of the abdomen
there were the letters r a m s e s without definite form
to concern the suckling of favourite idol mantras...
idol holy word hum hum ham ahead of you...
thou shalt knot the casual reference of muhammad
in the corner shop for thou shalt not offend
the goosebumps sensation i feel when i hear the sounds...
MAKE THEE **** A HOLY **** WORDED & WORSHIPPED!
ARSES IN THE AIR GENTS... WE'RE GOING TO HAVANAH!
and so it was... the only fear of death i have
is to have lived to being aged 72... and then died;
death sooner... death... sooner!
my parents die i'm moving to the true england, up north,
to liverpool or manchester... **** the southern fairies
from dubai... i rather move to the faroe islands to be honest...
and **** a dozen orcas for a fry-up and the digestion of winter...
i rather **** time occupying the space in greenland
among the icy chinese known as eskimos;
i'd fit in among the føroyar kindreds... i love the doom & gloom
and hate the sun & tan of globalisation's adventures
with advertisements and juggling tourism
among terrorism's fictive narratives.
LJW Feb 2014
I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.
From the website http://talkingwriting.com/poetry-prayer
Ember Evanescent Dec 2014
How to cook a gourmet (whatever the hell that means) dinner:

Step 1: Send your boyfriend a text inviting him over for a romantic, candlelit home-cooked gourmet dinner.

Step 2: Remember that you are forever alone and don’t have a boyfriend.

Step 3: Go buy mass amounts of chocolate and cry about it.

Step 4: Get over it and invite over your grandmother instead.

Step 5: Preheat the oven to 975 degrees

Step 6: Freak out about the fire in your oven and turn it off.

Step 7: Open all your doors to let the smoke out.

Step 8: Get out all the ingredients you need for the recipe you are
following.

Step 9: End up eating most of the ingredients before you even get to
use them.

Step 10: Spill oil and wine all over your recipe book (umm pffft the
wine is TOTALLY one of the ingredients, that’s why you had it out… heh heh… yeah…)

Step 11: Panic and try to dry it off by taking the book outside and waving it around.

Step 12: Watch in horror as all the pages in your book tear and fly off
into the wind.

Step 13: Chase hopelessly after the pages down the block screaming
swear words and having a heart attack.

Step 14: Politely smile and wave awkwardly at your neighbour who
hates you.

Step 15: Yell an apology across the street to that other neighbour who
REALLY doesn’t like you with the little five year old daughter who is
now repeating all of your colorful vocabulary words you just yelled.

Step 16: Reluctantly accept the fact that your recipes are gone. And also
that you have just contributed to the global problem of littering the
streets.

Step 17: Walk back to your smoke-scented house in shame.

Step 18: Look through pictures of scrumptious-looking meals on
Pinterest.

Step 19: Get inspired and decide to put your brilliant idea of creating your own recipe into action.

Step 20: Get out your frying pan and throw a bunch of random ingredients in.

Step 21: Put out yet another fire and realize that marshmallows, sprinkles, raisins, baking soda, orange peels and liquid gasoline probably wouldn’t have tasted very good together anyway.

Step 22: Wonder what the hell is wrong with you.

Step 23: Get distracted by the television for half an hour.

Step 24: Try to microwave 2 week old mac and cheese you forgot to
throw out.

Step 25: Watch as your microwave malfunctions and spontaneously
combusts.

Step 26: Decide to clean it up later because you just cannot even deal
with it right now.

Step 27: Fill a *** with water to make pasta and try to boil the water.

Step 28: Somehow manage to burn the water.

Step 29: Wonder how that even happened?!!!!

Step 30: Give up and call the pizza delivery guy.

Step 31: When you grandmother arrives have her take a seat in the
kitchen.

Step 32: Call an ambulance when she has a heart attack seeing the mess
in your kitchen.

Step 33: Get ready to leave and drive after the ambulance to the
hospital with your grandmother once the pizza arrives so you can
bring it with you. Get a call from the pizza place.

Step 34: Listen to the manager explain that your pizza spontaneously
burst into flames in the oven and they are terribly sorry there will be a
delay in the delivery due to this.

Step 35: Pass out.
Stay tuned for more HOW TO posts :D

Hope this was helpful. If this offended you in any way, I apologize. I will cook you a gourmet meal to make up for it.
M Manese Feb 2016
Your taste runs like kerosene in my veins,
Our kisses, heated, sending my insides aflame;
    I spontaneously combust, lover.
Skin to skin, your mouth is concentrated sin
You make lose my morals, the lust is building;
    Blinding, my pupils burn;
Yours darken with something primal, tensions thickening;
The anticipation's sinking
   right into my gut, I feel your touch
   calloused fingertips dancing up my thighs, teasing.


Your body glistening
   with sweat, trailing down south
   I follow the track hungrily with my mouth
   but it doesn't seem enough.
Our hearts beat fast like the ticking
    of a timebomb nearing detonation;
    We're going to detonate, my love.
We're going to burst in fancy colors like fireworks gone haywire,
    the bed is our sky.
We're going to get lost among the sheets,
    like sailing across familiar seas.
The moonlight, dangerously bright
    they seem to shine from your eyes
    but they darken with something like clouds on a stormy night.


And I'm not sure if there really is a God
    but tonight I kept calling his name
    yours interspersed in between
    heavy breathing, our pants sounding
    like broken notes of some orchestrated masterpiece
    and the crescendo's nearing.
Our pulse following the rising melody
I am mesmerized, out of control
I am lost amidst the euphoria
    right now
    with you
Poetry by MAN Dec 2015
Spark Me! Match my flame
Be warned when we burn up I will remain
Scars create patterns unique the stain
Suffering from pleasure transforming pain
Spontaneously combust exposing trust
Create a new definition of touch
All fantasies we can discuss
Tickle imagination till you gush
Harmonize sing ride emotional swing
Sparked no limit to what I bring
Bell goes ding watch me do my thing
Take flight fly high without wings
Extend beyond flesh personalities mesh
Pass every test with answers I am blessed
Been on many quests battled to the next
Phoenix heart explodes from my chest
Spark me! Don't get burned by ego's fire
Start with tongue..taste lips..vocal tone you admire
Stoke my flames..soul's dance in pyre
Set mark provide spark lets take it higher..
Poetry by M.A.N 12-16-15
dj Jul 2012
I've been searching these deserts
I've been rummaging through my closet
I've been eating more than usual
I've been spontaneously bursting into laughter
I've been attentive
I've been regularly missing taking my anti-depressants
I've been crying hard all at once (expectedly)
I've been very extremely me

This is okay - this is okay
Thank you life
I'm okay.

I'm at this airport and it's like a chorus
The people go up the ramps
Fly away for 3 days like Horus
The returner's come home now
Waiting families embrace them with love
Jumbo jets zoom outside these giant windows
Visitors, excitedly saunter
Into this new and open place...

And this is okay
Thank you, thank you airport
I'm okay.
This will be my last update until I return from my vacation :) Fittingly.
The Dedpoet Mar 2016
Where are you poet?
You poetess?
I search and become everything:

A pen of the sun's fire
Writing on a slab of jade,
I come face to face with all poets,
The roots of their soul dividing
Themselves dissolving into words
Writing the passionate fire sitting
On pillars of clouds,
A thousand moons surrounding them
Each like some serpent god,
They write the darkness like
Guardians of the night,
A stallar vertigo into the words,
They become like flowers
Of the Resurrection and in a lightning
Flash I am on a terrace of gold
Watching over a field of flora
And the storm's of April's pains
Comes to them each as a moon
In the sorrowing takes each word
And swallows them into verses,
They are the testament of wounds.

And still even more,
All are alone in the abyss they all share,
One man stands tall and says,
"Alone with everybody!"
He smiles as each poet places themselves
In a whirlpool of time,
They find a moment invisible
And make it a mirror,
It reflects forevermore the broken
Images of their past, they piece
Themselves upon a verse of shadows,
A verse is born and a piece of them
Stays in the past.

Suddenly there are those who live,
They are reborn from the womb!
They see daylight in the sorrows
And find happiness in clusters,
A perfect memory where the man
Loved the woman, her touch is like
An immortal fire burning into the focus,
His touch is a cascade of rose petals
On her naked body......

The young poets gather,
The defeat the circular days,
Fantastically naive and flamboyant,
Their moments flare like a sun's
Lost kisses on  magnetosphere's outer
Skin,
The procession of new pain
Fills the paper as they write an ancient
Language unbeknownst to them,
Their blood to papyrus, Sanskrit's
Unified language.

I see the poet's in their middle years,
Strong flavors mixed with heavy grief,
The clandar Is splattered in blood
While their dream sails away in paper boats
Sinking in the sea of forgotten hope,
They sculpt words of deep guts
That penetrate my spirit,
Time becomes a race against their pens,
Their fire blue into the jade
And life is lived on a string of theorise,
They become enlivened in the children,
Enormous mouthfuls of hope
Arisen from soils of regret,
And the perfect words ripen
Like a midsummer's harvest,
They spontaneously eat the fruit
Of life's labors and digest words
With seeds for the planting of more.

I turn my face in my search and see
The years turn golden,
These are the poets with life full
In experience and they write like
Youth writes, but written already
With eyes of indecipherable experience,
Their wounds are closed but written
In fresh blood, I could not understand!
They burn and are not consumed,
Their words are eternal in
Endless galleries of Picasso like
Verses, the words penetrate
Leaving me hopeful and confused.
I wonder if I would ever write
The light and the darkened like
They that balance both....

I find all poets in the middle of forever,
I see their walls of frightful memory,
Their home for tomorrow's bloom,
The self knowledge turning in
On itself and becoming wisdom,
They drown themselves in clarity,
Cling to audacious hope,
Remembering the nocturnal nightmare
Of the past, they are endlessly broken,
Always fixing themselves in words.
And I wrote a poem for them in
My mind:
    
        Poets, you little gods,
        The fire of life in your pen,
        You write the existence
        Forevermore on a slab of jade;
        
       I see the souls and angels
       Reading a book of every poem,
       I see God reading to understand
       His strange and wondrous creation
       Called the poet.
For all of you poets.
JV Beaupre May 2016
The Standard Model is full of sticky, quirky Quarks,
perky little Fermions, and the Boson Higgs,
the reigning King of Mass of towering might;
who, by spontaneously falling off in any old direction,
gives ad hoc Masses to nearly all, and to all a birthright.

And for all normal matter in creation,
the Boson Higgs is the physicist's salvation.
Alas, we could have learned more,
but a Weasel ate through the Collider core.
Commentary on the Standard Model of Particle Physics.
Commemorates the 2015 shutdown due to animal intrusion.
"Mother of heaven, regina of the clouds,
O sceptre of the sun, crown of the moon,
There is not nothing, no, no, never nothing,
Like the clashed edges of two words that ****."
And so I mocked her in magnificent measure.
Or was it that I mocked myself alone?
I wish that I might be a thinking stone.
The sea of spuming thought foists up again
The radiant bubble that she was. And then
A deep up-pouring from some saltier well
Within me, bursts its watery syllable.

II

A red bird flies across the golden floor.
It is a red bird that seeks out his choir
Among the choirs of wind and wet and wing.
A torrent will fall from him when he finds.
Shall I uncrumple this much-crumpled thing?
I am a man of fortune greeting heirs;
For it has come that thus I greet the spring.
These choirs of welcome choir for me farewell.
No spring can follow past meridian.
Yet you persist with anecdotal bliss
To make believe a starry connaissance.

III

Is it for nothing, then, that old Chinese
Sat tittivating by their mountain pools
Or in the Yangtse studied out their beards?
I shall not play the flat historic scale.
You know how Utamaro's beauties sought
The end of love in their all-speaking braids.
You know the mountainous coiffures of Bath.
Alas! Have all the barbers lived in vain
That not one curl in nature has survived?
Why, without pity on these studious ghosts,
Do you come dripping in your hair from sleep?

IV

This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard air.
An apple serves as well as any skull
To be the book in which to read a round,
And is as excellent, in that it is composed
Of what, like skulls, comes rotting back to ground.
But it excels in this, that as the fruit
Of love, it is a book too mad to read
Before one merely reads to pass the time.

V

In the high west there burns a furious star.
It is for fiery boys that star was set
And for sweet-smelling virgins close to them.
The measure of the intensity of love
Is measure, also, of the verve of earth.
For me, the firefly's quick, electric stroke
Ticks tediously the time of one more year.
And you? Remember how the crickets came
Out of their mother grass, like little kin,
In the pale nights, when your first imagery
Found inklings of your bond to all that dust.

VI

If men at forty will be painting lakes
The ephemeral blues must merge for them in one,
There is a substance in us that prevails.
But in our amours amorists discern
Such fluctuations that their scrivening
Is breathless to attend each quirky turn.
When amorists grow bald, then amours shrink
Into the compass and curriculum
Of introspective exiles, lecturing.
It is a theme for Hyacinth alone.

VII

The mules that angels ride come slowly down
The blazing passes, from beyond the sun.
Descensions of their tinkling bells arrive.
These muleteers are dainty of their way.
Meantime, centurions guffaw and beat
Their shrilling tankards on the table-boards.
This parable, in sense, amounts to this:
The honey of heaven may or may not come,
But that of earth both comes and goes at once.
Suppose these couriers brought amid their train
A damsel heightened by eternal bloom.

VIII

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.

IX

In verses wild with motion, full of din,
Loudened by cries, by clashes, quick and sure
As the deadly thought of men accomplishing
Their curious fates in war, come, celebrate
The faith of forty, ward of Cupido.
Most venerable heart, the lustiest conceit
Is not too ***** for your broadening.
I quiz all sounds, all thoughts, all everything
For the music and manner of the paladins
To make oblation fit. Where shall I find
Bravura adequate to this great hymn?

X

The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.

XI

If *** were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
But note the unconscionable treachery of fate,
That makes us weep, laugh, grunt and groan, and shout
Doleful heroics, pinching gestures forth
From madness or delight, without regard
To that first, foremost law. Anguishing hour!
Clippered with lilies scudding the bright chromes,
Keen to the point of starlight, while a frog
Boomed from his very belly odious chords.

XII

A blue pigeon it is, that circles the blue sky,
On sidelong wing, around and round and round.
A white pigeon it is, that flutters to the ground,
Grown tired of flight. Like a dark rabbi, I
Observed, when young, the nature of mankind,
In lordly study. Every day, I found
Man proved a gobbet in my mincing world.
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.
Ember Evanescent Nov 2014
No, I don't think you understand how rare it is for me to like you

To just find you attractive because that is fairly common for me

But actually like you like you

Because those are two very different things

Attraction and affection

No, I meant Affection

It should be capitalized

What I mean is

I don't like ALOT of things

Seriously

I’m freaking negative

I am the queen of all pessimism

I don't like:

Bad grammar

When people pronounce words wrong

People who say Pacifically instead of Specifically

Overly optimistic people Example:(Oh your family is in thousands of
dollars of debt your sister just killed herself and your boyfriend just
cheated on you with your mom and you're pregnant with the baby of
the guy who got you drunk and slept with you without your sober permission who happens to have just moved to Asia to escape having to care for you and his baby? Well, you have your health!) –stab-

The number 9 it sounds like it’s on the edge of something. I hate wishy-
washy numbers that don’t go all the way. Resolve to ten already!!!

Movies where there is a completely impossible happy ending thanks to spontaneous magic

Apple juice

Most flowers

Pink (the color)

The Sun

The month of April

Girls who don’t know how to wear pants. Or a shirt. Seriously. Those aren’t shorts. That’s just a belt that ***** at being a belt.

People who try to ****** me

People who freak out at me when I try to ****** them

Mondays

Tuesdays

Wednesdays

Thursdays

Fridays

Saturday­s

Sundays

F!CKING MONDAYS AND TUESDAYS

When people pronounce french words WRONG

PEOPLE who pronounce french words wrong

Reality TV

Holidays that don't even get you a day off from school

Ducks that are yellow. THEY DON’T EXIST the bath toy company is LYING TO YOU

Sticky hands

The color yellow

The color orange

Colors that just seem too… happy. It makes me want to light them on
fire. And impale them.

Obnoxious hair colors

Girls who wear jeans and skirts simultaneously

Overly colorful rainbows

When people talk into your ear and you can feel their warm breath.

Being drenched in water

Character or word limits

Signs

When I get all disappointed because I dreamed someone I hated got hit by lightning and it doesn’t come true

When I wish really REALLY ******* a star but it just doesn’t come true. Then I have to go and fill the grave I had all dug up for them.

Plastic hangers

Man, I HATE plastic hangers

Walking

Running

Standing

Any kind of action that doesn’t include limply lying around

When I look at someone with extreme loathing and they don’t spontaneously combust. It’s very sad.

Raisins

When you THINK it’s a chocolate chip cookie and it turns out to be
raisins. MAIN REASON I HAVE TRUST ISSUES!

But, I do like you.

That’s saying something.

I LIKE YOU.

Really.

Honest.

But you don’t realize how rare that is.

:P

…God, I’m so violent. I should have that looked at...

Well, there's your positivity for the day
PLEASE FEEL FREE TO COMMENT AND ADD TO THIS LIST OF THINGS THAT ARE VERY HATEABLE
aniket nikhade Nov 2015
If not now, then after sometime
If not in the present, then somewhere along in the future
Things will change
Something good will happen
Something better might follow
Don't give up
Keep on going.

Success was never achieved instantaneously
Success never came spontaneously
Success came when hardwork was done, efforts were made.

Don't give up, keep on going
Definitely something good will happen,
something better might follow
Till then it’s all watch and wait
Always remember, keep it in mind
A bird in hand is better than two in the bush.

Have belief and faith in what you are doing
Believe in yourself
Never give up, just because you are facing an odd
A time will come when everything will fall in it’s place
A time will come when you will achieve your aim
Till that point in time, don’t give up, keep on going.
Kitty Oost Oct 2014
Three summers ago
I loved a boy
who's hair when moved
by wind or hand
was always magical,
who possessed tanned skin
and eyes so blue
they were waters to drown in.
Around him I felt enchanted
and he was enthralling.
He captivated me,
turned me into a slave of my emotions,
with words and promises
I knew he couldn't make come true.
"Run," my friends urged me, "as fast as you can."
But without him life was jaded,
their warning
had been voiced too late.
Already I had pricked my finger,
on a spinning wheel
and fallen head over heels
in that chemically induced slumber
we sometimes call love.
He opened a door for me that led straight
into a world filled with
bushes of roses
and buckets of sunshine,
I promptly forgot that too much sunshine
scalds the skin
and turns it a burning, vivid red,
almost as vivid
as the crimson blood
a touch from the thorns of roses draws.
I knew I had been warned so I stayed there
bleeding and burning,
swearing to myself as I suffered
that I would never again
give my heart to someone
who would not give me theirs in return.

This summer, three years later,
being around you
means feeling like being able to combust spontaneously
and I cannot forget
the sensation of my skin in contact with yours.
It made me realise
that though I have always loved you,
I started loving you a little bit too much.
You are my every thought.
They say you never make the same mistake twice,
that it is your own stupid fault the second time around.
But if it really was a choice
why then is it
that I spend all my nights these days
pleading with the universe
to let me unlove you.
/
When you are growing as a poet
your pain is pining to born a poetry
where there are too many clouds of emotions gathering,
also a pensive mood longing
then the thunder of thoughts growing,
your paper is awaiting for the first word
as I was waiting for you, my love
when you were coming slowly
then words of rain raining,
automatically,
randomly

When the first raindrop pings on the pond
even you don't know when it will be stopped
how far it will be covered
which path it will be taken
even its density,
dignity,
or the diversity

Your first word inks on the paper
you don’t know when it will be finished
which way the words will be taken
even you don't know
its size or style,
its fashion or the scheme

Either it's a long or a short
or even a sonnet or a verse
even its rhyming
or the rhythm

You should not think about its length
of course words grow as long as
the metaphors can travel
through its thoughts of cohesion
and its feelings moving
naturally,
poetically

You should not count the words
or even you can't stop within a limit
it makes your thoughts imperfect
rather you can tell totally
about the life,
or can tell about
the love easily
or beyond the life spontaneously

The words can grow 3,5,7
lines for a haiku
or even it goes for a mile for an epitaph
or more for an epic  

Poetry executes through words
words come from thoughts
thoughts come from the emotions
and ends with the wisdom
/
@ Musfiq us shaleheen
Tribute to Robert Frost, my beloved poet
Based on the theme and thoughts of Robert Frost.
Tony Novak Sep 2013
Hello
this is a short message
written this Sunday morning
on March the first

the rain keeps coming from the west
non-stop for two days
risk of flooding
government says.

I miss you - had another dream
driving in sunshine.
It's the sun I miss
mostly - and then of course
there is your friendship
to treasure and to hold.

I hope you're having fun
on your quad.
They say four wheels
are better than two
I'm not so sure
how could you
have Zen and the art of
quad biking -
impossible?

I see you have given in
to peer pressure or whatever
and made your modest entry
in the ******* book
I had a quick look.
It looks
OK.

Now I suppose Twitter
and MySpace
where you can compose
even wittier
sayings.

You're a true master
of Wisdom
with a capital W
But it is not that
you struggle to say something
wise
it comes spontaneously
best when blurted out
immediate response
like:
"they throw babies in dumpsters
in your country too, Janet?"

She'd never forgotten it
as it
was such a strange and powerful thing to say

by the way
I googled your name
and you have loads of coverage
mostly under AHEC and Best.

This is just a few short lines
to say you are on my mind
and in my heart
as always
yours
me.
Where the wind ruffles my hair
The rain kisses my lips
The sunrays embraces to keep me warm
And the serenity makes me break into a song
Or just a simple humming and wiggling
Where I can lie on the grass to catch my breath
And for hours watch the birds fly
And watch the kids play
Where the innocence once more beats in me
That I run up to them just to taste the shear joy in playing
Where I can spontaneously plunge into a river and then decide Whether to drink it's purity or drown in it's abyssal depth
Or just watch my reflection on its glistening surface
And drift off to distant thoughts with the shepherd's kulning
Where the farthest stars lead me to my deepest emotions
Where the silence of the dark night awakens my soul
There I'll make my bed
On the grass under the sky
And not sleep a wink
For I'll be already living in my sweetest dream
K Balachandran Mar 2016
Revving up the engine
of the gleaming funky machine
before zooming around, gave her
such an Adrenalin high, nonperil.
The constant ****** no guy ever could
promise, this act gives her.
She is pleased for that moment,
gets ready for the ****** rigmarole,
the very next second.

She gets jealous of her
own story, ever heard of that?
On the race course and the spread bed
alike her ebullience creates
tsunami waves,broke long standing records.

When you run fast enough
there comes a moment,when
there is no record left to break!
and the beds, you guessed right,
all are broken, made redundant.

And then the inevitable happens,
she smells leaking gas, panics,
freezes on the track, shuddering,
switches off quickly the engine
of her dream machine,her heartbeat,
makes the final escape,spontaneously,
without delay, decides to renounce
worldly pleasures altogether,
up to the Himalayas goes by foot, seeking
that thing which in life she missed all along,
Finds silver light's play on ice caps, and realize this:
she was walking through a dark, dark  tunnel ,
of self-deception,"Affluenza" was indeed her affliction.

The Himalayan snow cap, loomed large as an attraction,
in her dreams once, now seemed less formidable, at arm's length,
"What a Guru,who looked timelessly ancient,
jokingly predicted  once, comes true here"she muses.
Her trek upwards resumes with a vengeance.
Indian tradition stipulates, renunciation embraced  after through enjoyment of sensual pleasures, will be firm, with no regrets.
Jon Martin Dec 2012
Don't pretend
Don't sit here with your prtty eyes
and bore me with your sentiment
I've got a million miles to run tonight,
and no idea where my baggage went
Too many turns to try to hide
From things inside my lost lament
I'm drowing in the things you say
with no hope to save my precident.
Am  I lost, am I the one
that just can't start again,
Or is it you and your paltry lies
that brought me to this end ??
I'm not the type to run away, I love too much to fight,
But I've no other choices, if I survive tonight.
So this wall I've built, and the things inside,
I blame it all on you,
I'd try to bear the burden,
but what good would it do ??
It leads me to another time, another waiting end
Another lonely evening,
trying to pretend.....
It's nice to have a forum like this.....something hits me, and I can literally just regurgitate it onto the screen.
Crimsyy Oct 2016
If I were a solivagant star in space,
I'd link arms with the universe
and have her tell me that
all this pain was worth it,
that something golden would
blossom from it,
maybe then I'd be more focused
on planting seeds instead of
always drowning in the weeds
of my blackened psyche.

I'd burn, explode,
spontaneously combust,
and no one would tell me
that to confirm was all I
had to aspire to,
no one would be around
to make me feel like
too much of a burden,
as if I feel too much too quickly,
too warm, too much, too fiercely.

If I were truly solivagant,
I'd have no reason to cry
when asked "How are you?"
I would not avoid the
ever familiar question
"How was your day?"

Wanderlust would consume me
and I'd search for hidden gold,
space would not cheat me,
would not let me crumble and fold.

My tears would be of use,
they'd fall on clouds as messengers
to rain upon the seeds on earth,
to give life to the breathing dead.

I think I'd love to be
a solivagant star in space,
no magic tricks would be needed,
no quizzes to tell me
that I belong in this place.

— The End —