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mark john junor May 2014
she picked at the
guitar strings without much heart
and as the long night wearied into dawn
her song changed
the confines of this run down mill of the mind
had worn her down
watch now as daylights child spoon-fed
the nights dream now wakes crying for lack

daylights child growin fast
listen now as her fingers stumble in the sweet song
hear the notes changing like spring changes winters face
know that she must feel it deep
she was always a tough girl
and would never shown tears like this
lest it was going deep as deep can be
deep as the sea

listen now to her song
just her weeping to her her guitar
in this run down broken old mill
this factory of forlorn
the child of daylight now grown
flexed muscles for some some strange woman of evening
took his wallet an' took his boatman coat
washed poorboy out to sea
listen now to her motherhood song
weeping for foolish boy gone astray
weepin' for poorboy lost at sea

mind your mothers now lad's
watch them strange girls of the setting sun
set your lines and watch your jibing
sail good lad sail on home
set your lines watch your jibing
sail on home good lad's
(happy mothers days...listen to your mother now)
Piercing the skyline;
poke satan,
as it is jibing.

(Variant Verse*)

Look at it
in adoration
this erectile.

© S. Wesley Mcgranor
Among Judaism is the belief that a steeple at a Christian church is a ******* symbol.
VG E Bacungan Feb 19
Like marionettes,
dancing, swirling, jibing
moved by strings of their desires.
Their bodies set ablaze,
by the fiction of their hides.

Despairing to escape by any means,
keeping their mem'ries in the haze.
Aimlessly thrusting til' Tilda tires;
swinging, struggling, scathing,
like marionettes.

And when the zenith is reached,
comes a fleeting sense of victory.
Their point of contact comes to an end.
***** hollow, and soul still empty.
Like marionettes.
Written 25 November 2020.

Original Commentary: This poem was inspired by a theme set by a friend.
Fish The Pig Sep 2015
Last time our lips touched-
our bodies entwined-
you felt,
to me,
a stranger.

I sit,
you sleep
hours passed,
I have not the heart
to sleep next to you.

was it me
or you
that woke one morning
and changed the game?
I'm beginning to think
it was both
that said
that felt
'there is no passion here'

I
feel no burden
no guilt
for stolen kisses
and dinner dates
you
simply ignoring
barely notice
I still live
inches away
we
are not speaking
or laughing
or jibing
just existing
where the other
also happens to be existing
time
is ticking on
the alarm will ring
and neither of us
will have anything
to say.
Wilfredo

from above i know you saw
what my hands are capable of doing

in front of the hospital,
a fistfight out of pretentious rumbles.

language of war
sabotaged my silence — trickled,
pried my squalid mouth
with jibing
        lips

once upon the nascent
   stance of night
(that is
  over the libidinal moon: i have my
way with colored forget)

   a dog walked this Earth
hunting for something — the drunk
    applaud of night swings the ides
  into an endless dance

    you turn in your grave like
  the replicate of an oncoming wave,
   bringing the ocean closer
   to the burning
   of my
    
          mouth, wordless —
For you, grandpa Wilfredo, and for I.
Beware of sporty, blood-lusting ***** as pay-by-the-week roomers,
as they are more dangerous than alcoholic, latch-key baby boomers
New Zealand ****** becomes Australian ****** by legal immigration
that is mercifully accommodated by pervert Philip's regal invitation
as Jimmy Saville had proffered necrophiliac help for broken spines
bisecting paralleled courses jibing with England's mystical ley lines
Men with men is homosexy for homosexual men who're ****-gay
when it's McDonald's unofficial Feed the Customers Garbage Day
to stuff diners with McNuggets beneath skies cannibal-Clinton gray
'cause Americans mustn't stray from a corn diet approved by F.D.A.
nor abandon the mathematical unreality of Enron's trollop Ken Lay
whose vacated stench breaks pungently like an alley tom cat's spray
collected on a brown plastic, Dave Thomas-approved, Wendy's tray
or in a Bennigan’s pitcher from an Afghani olympic marathon relay

— The End —