She belonged to him, no other man,
So he said to her each day she left.
To sell the eggs and the dress she made,
To pull them from the line of the poor.

On the way to town each day she passed,
The rings of County Tipperary.
The ancient rings that live the wee folk,
Who dance in moonlight and trick us all.

That day she waited to see her kin,
But she left no gift to please the old.
So home she came with arms still heavy,
and a chest that weighed a cough so foul.  

“My Bridget” as he knelt by her bed,
Holding her hand as it shook with cold.
In the crack of the flame voices he heard
To hang him from his grief with despair.

The news he heard was of his father
Whom died the evening he felt alone.
Mr Cleary swore and slammed his fist.
“Midnight tonight or Bridget is lost!”

The men in village knew the tale,
Of the wee folk who cursed Bridget.
The woman in the Cleary home bed,
Was an echo of the wife he loved.

They held her down and asked her, her name,
She screamed and growled but did not reply,
Three times they asked and still she refused.
So tight the grips they beat her to sleep.

The morning arrived, Bridget awoke,
To her husband who looked upon her.
His eyes full of loss and fear as-well,
“my Bridget?” he asked “are they gone now?”

She smiled and agreed, she was alone,
So the priest came to deliver mass.
Mr Cleary agreed and drank from the cup
But he knew that his wife was not home.

He asked her again, three more times; “Speak,
Your name to me now, are you my wife?”
Each time she replied “It is I, Yes.”
Michael still knew his wife was away.

That evening men from the town arrived  
And took Bridget deep into the bog,
Where they bound her and lay her down flat,
As she screamed for her husband to help.

“It is I, It is me, Your sweet wife,
Believe me my husband I am here,
No faerie has seized my soul from me,
No witch has uttered a devil curse.”

Her mouth was covered and bound so tight
Her screams were made only with her eyes.
In front of the men, Michael asked her.
“Are you my wife? My Bridget Cleary?”

No voice or reply came from the girl.
Her body lay still in the bog land.
So onto a bed of wood she was placed,
And burned in the cold evening moon light.

The story was told through the village,
That Bridget had fled with another,
A man who bought all her eggs each week,
But not everyone believed this tale.

The priest of the village found Michael,
Praying blood, sweat and tears in the church.
He told him the fairies had taken,
The changeling they had placed there before.    

The priest told the men of the Garda
That ****** was rife in this village.
That men had taken a sick women
And burned her to death in the bog land.

Michael was guilty of Manslaughter
No conviction of ****** was passed
For the people believed his story,
The woman who burned was not his wife  

To this day the rings of Tipperary
Still grow foxglove and weeds in the cracks,
The Faerie mounds are feared like darkness
And steered clear of, by those who live near.

Even now it is heard in the school,
By the children who skip on the rope.
“Are you a witch, or are you a fairy,
Or are you the wife of Michael Cleary?”

Come away O human child
to the waters and the wild
with a faerie hand in hand
for the world's more full of weeping
than you can understand.

Bridget,
Your pretty face,
was all they found in the peat
with the hoarfrost over your mouth
and your burnt skin curled in ribbons.
This, and your black stockings
he couldn't bear to remove.

Bridget,
Did you see the wildness in his eyes
that night he brought the priest
for last rites?
Did his hands shake
as he mixed the herbs with *****
and threw them in your face,
telling you to come home?

Bridget,
was he jealous of the sixpence in your apron pocket
the pieces of you he could never own
and the independent streak
that ran through your sensuous hair.
The hot iron at your throat
the only jewel he cared to hold there,
the slow smoke rising like a chain
'round your neck.

Bridget,
did you stare at the frightening faerie child,
his changeling wings beating above you
as he called you by his own name.
Did you scold him in the name of his aos si mother
to watch his strange eyes flare
as you choked on the dry bread
he'd jammed down your throat.
You were never his Bridget
you were your own.

Bridget,
You were never the last witch.
We are still hunted
across deserts and into alleys
acid and fists destroy the magic
of our bewitching eyes.
Angry, they reach for the pieces of us they can never own
and burn our hearts on hearths
across continents.
The smoke rising from so many fires,
unnoticed.

Bridget the ******,
the dwarf who loves *******;
Bridget the ******,
she comes when she's *******.

She'll open her short legs
for a tenner or so,
and if you pay less
she'll still have a go.

She loves a good *******,
both active and passive;
Believe me, her botty
-hole is quite massive.

Bridget's a goer,
always ready for more;
She's a fat ugly ******
and a little fat *****.

In last November 2015 a friend of mine named Bridget died and
Her partner sadly misses her
And on August 12 2016 Bridget
Was reincarnated as Michael Townsend son of Alice and brother of Toby Townsend
You see it is my work as Cronus to bring Bridget back into the world as Michael Townsend
And another mate of mine that died last year was Steve Grigor
And September 6th 2016
Steve Grigor was reincarnated as Ethan felix Vaughan
You see as soon as Steve died
Bridget took him by the hand and they shared many a methane smoothie together
So their bodies can improve the quality of their life and now
Bridget's mother is Alice and Steve is son of Tamara and Henry
Here is a welcome to earth song to Bridget and steve's soul
Welcome welcome welcome
You drink your methane and you have a lot of fun
And now you have been reincarnated into your new life
Death isn't the end
It is a new beginning
So let's party with Michael and Ethan

Here Kid take this what is it? whats it look like? its a prayer book thing yes so take it and hide it under your jumper why? just hide the **** thing so Benedict hides the  black book with red ends under his jumper and follows Anne into the grounds out of the French windows Anne crutches herself across the grass and makes towards the round white table and chairs and plonks herself down in a chair tossing her crutches aside Benedict sits down in the next chair looking back towards the nursing home do you think we were seen? seen doing what Kid? walking across the grass no doubt liberating Sister Dumb-arses prayer book no Anne says Benedict turns around and stares at her dont keep looking around Kid or the penguins will guess youve been up to no good me been up to no good it was your idea to take the prayer book but youve got it Kid not me but you said take it and you did well done Kid Anne says smiling she rubs her leg stump and pulls the blue skirt down further what do we do now? Benedict asks looking at Anne tempted to turn around and look behind him sit tight Kid sit tight but I cant hide the book under my jumper all day he says pass it under the table to me so he passes the prayerbook to Anne under the white table and she opens it in her lap he looks at her his stomach tightening guess whose it is? Anne asks he shrugs dont know its only Sister Bridgets how do you know? has it got her name in it? no they dont own personal property its just that it has this prayer card in it with an image of St Bridget on one side and a prayer on the other and on the top shes scrawled Sr Bridget in her bird-**** hand writing God shell go ape he says looking round at the nursing home what do we do? shush Kid what do want them to know weve got it? he stares at the building imagines the nun galloping across the lawn towards them her black robes billowing behind her like Batman turn round Kid youll look suspicious he looks round and stares at her sitting in the chair as if butter wouldnt melt in her mouth on a hot day where are you going to put it? he asks out of the sight of their eyes she says where though? she pulls up her blue skirt and tucks the black prayer book in her navy blue underwear and pulls down the skirt and brushes out the any signs you cant keep it there he says why not my knickers she says are they going to search me there? she says now just go get my wheelchair and  we can go visit the sea out the back gate he sighs and wanders back towards the home trudging across the lawn leaving Anne sitting in the chair like some royal queen on her throne she lifts up her skirt and adjusts the book more securely just as well I wore the passion killers Mum bought me she says to herself and lets down the skirt again and sits staring towards the home as she sits a few of the kids come out and make their way to the swings and slide they know her and avoid her like a plague a nun comes out too Anne stares at her its Sister Lucy a young one green as grass more ****** that the Blessed ****** herself Anne says under breath the nun walks towards Anne her hands inside her black habit how are we today Anne? the nun asks smiling my ****** leg aches Anne says o dear the nun says looking at Annes leg visible under the table have you seen Sister Paul about some pain killers? no not yet Anne says anyway its not this leg its the one not there my stump leg o I see Sister Luke says staring at the unseen stump beneath the blue skirt I could pray for your leg if you would like me to the nun says might help Anne says putting on her pious pose its hurts so much I feel like crying she allows tears to dribble out of her eyes(shes an expert of conjuring tears out of her eyes) o my dear child the nun says coming around the table and placing a hand around Annes shoulders Ill ask Sister Paul about some tablets the nun says thank you Anne whimpers feeling the prayer book move slightly as she moves in the chair she tries to adjust it with her hand to a more secure position Benedict comes across the lawn pushing the wheelchair he sees the nun and his eyes enlarge and he senses danger have they suspected Anne already about the missing prayer book? he wheels the chair behind Anne the nun looks at him arent you a good boy she says yes hes my best friend Anne says smiling through the glassy eyes the nun smiles well I best get back Ill see Sister Paul about those pills the nun says and walks off towards the home that was close Benedict say she didnt mention the prayer book Anne says she just came about me and the ****** leg and offering prayers o I see he says gazing at the stump area thinking about the stump of her leg hes seen many times are you going gawk at my stump all day or are you going to help get in the ****** wheelchair? o right yes he says and helps her get from the chair and into the wheelchair holding it steady at the back make sure the prayer book doesnt slip out of my knickers Kid she says as she rises from the chair and plonks into the wheelchair she moves the book to a more comfortable position and pulls her skirt down pass her knee just as they were about to move away Sister Bridget comes across the lawn towards them like a rhino on heat hang on Kid here comes the penguin wait wait the nun says raising a hand Benedict pauses pushing the wheelchair and stares at the approaching nun keep cool Kid Anne says under her breath act innocent as the Pope at a nudist colony Benedict feels himself perspire the nun stands in front of Anne in the wheelchair a prayer book has gone missing the nun says gazing at Anne has it? Anne says in an innocent tone yes it was taken from the Common Room shall we help look for it? Anne asks have you seen it? the nun asks no not that I know of whats it look like? Anne asks as if butter wouldnt melt a prayer book is what it looks like the nun says eyeing Anne with her suspicious eyes black cover with red ends no cant say I have Anne says Benedict looks away at the trees behind of them at the avenue between them and you Benedict have you seen it? the nun asks staring at him her eyes over him like maggots he shudders no sister not seen it at all he hates lying to  a nun he feels as if she looks into his soul and at the minor sins lurking there like naughty children then the nun looks down in Annes lap gazes at the outline of the leg stump not hiding it are we? the nun says hiding what? Anne says my stump? no I tried hiding it but its always there each morning I wake up the nun screws up her eyes and peers at them both no I mean the book where is it? no idea Anne says Benedict looks down at Annes lap where have you hidden it? the nun says havent seen it Anne says one of the children says she saw you take it the nun says me? Anne says you cant take the word of child I believe what the child tells me Benedict looks at the outline of the leg stump the child says you have it about your person she saw you from the upper bedroom window the nun says sternly must be mistaken must have seen me rub my stump they always watch me rubbing it so nosey the nun sighs and gazes at Annes lap and at the stumps outline show me your leg stump? the nun says hands on her hips Anne pulls up her skirt to reveal the stump Benedict looks too wondering if the book outline could be seen under the knickers the nun looks away where have you put it? put what? the book the prayer book the nun says I havent seen it Anne says as innocent as she can muster innocence lies will get you to Hell the nun says and walks off across the grass like a bad tempered bear what now? Benedict says Anne takes the book out of her knickers and hands it to him warm and scented what do I do with it? he asks shove it on that other chair under the table and were off to the beach so he puts the book under the table and pushes Anne off in the chair off out of reach.

O'DRISCOLL drove with a song
The wild duck and the drake
From the tall and the tufted reeds
Of the drear Hart Lake.
And he saw how the reeds grew dark
At the coming of night-tide,
And dreamed of the long dim hair
Of Bridget his bride.
He heard while he sang and dreamed
A piper piping away,
And never was piping so sad,
And never was piping so gay.
And he saw young men and young girls
Who danced on a level place,
And Bridget his bride among them,
With a sad and a gay face.
The dancers crowded about him
And many a sweet thing said,
And a young man brought him red wine
And a young girl white bread.
But Bridget drew him by the sleeve
Away from the merry bands,
To old men playing at cards
With a twinkling of ancient hands.
The bread and the wine had a doom,
For these were the host of the air;
He sat and played in a dream
Of her long dim hair.
He played with the merry old men
And thought not of evil chance,
Until one bore Bridget his bride
Away from the merry dance.
He bore her away in his atms,
The handsomest young man there,
And his neck and his breast and his arms
Were drowned in her long dim hair.
O'Driscoll scattered the cards
And out of his dream awoke:
Old men and young men and young girls
Were gone like a drifting smoke;
But he heard high up in the air
A piper piping away,
And never was piping so sad,
And never was piping so gay.

I just saw this slinky old man with a remote control in his hand
Maybe he is in command of this spin off game show

I picture him walking to his home, old banana peels on the floor
Cans of Mountain Dew and crumbs and bugs and Lay’s potato chips
Ultimately thrilled, switching furiously through the channels

He was watching when Mack the ****** met Bridget
When Bridget left Mack the ******
and Mack went on to better things
Bridget got fat and won a hot dog eating contest
and Mack laughed

He followed the life of crippled Harry
Attending Harry’s late night boxing bar fights
When his peg leg karate kick knocked out Jimmy Giant
Jimmy Giant got on a train
And Harry smiled

He remembers when Jimmy Giant met Mack the ****** out of state
How they matched so well, brilliant!
Then Big Bridget met Crippled Harry
At the state fair while watching monkeys juggle fire
And one new moon night they all danced to the same song
In different states
In different bars
That were both named
Desire

He watched as a bee stung the *** of a pagan
Stripteasing and pleasing a distant follower
He fell in love with her spontaneous situations
The skinny dipping
Her marriage to the 7 different ***** dwarfs
The spells she would cast
as her ******* bobbed on the top of the water
creating ripples
starting new stories
which created new gossip
beginning new adventures
and the future telling of legends

As the teacher fell in love with the student
As the immortal fell in love with the mortal
As the fantasy fell in love with reality
As the statement fell in love with the question
As the ****** fell in love with the giant
As the blimp fell in love with the *******

And he watched as we all tried to find such beauty
Whether we were searching or not
He watched as it passed us
When we didn’t even turn

for a double take

“what else is on?”

1275

The Spider as an Artist
Has never been employed—
Though his surpassing Merit
Is freely certified

By every Broom and Bridget
Throughout a Christian Land—
Neglected Son of Genius
I take thee by the Hand—

He said I’m the wrong shape. I could do with putting on a few pounds and, almost as an after thought he said, you’ll have to cut your hair – yourself.  I know she was an artist, and a mother, and a gardener. I had to admit to him I didn’t know any painters. My cousin Julie’s a sculptor – same thing he said – but I had to tell him I hadn’t yet looked at her painting, only what he showed us in his presentation.  He then told me exactly where in the National Museum of Wales I could see one of her paintings – Gallery 14 – and its from this period, a Parisiene picture. He suggested I might go to Cambridge and spend a day at a place called Kettles Yard. There are more Winifreds there than anywhere else in the UK, and many pictures by her close friend Christopher Wood.
 
Oh dear. This is difficult. The only thing going for me seems I’m about the right age and I’ve have children, though mine are older than hers in the production. I was so surprised to get this part, but as Michael said over the phone, your profile fits. Except for the weight and the hair, and I know nothing about painting. Why should I? Jeff told me, the composer Morton Feldman once said if you haven’t got a friend whose a painter, you’re in trouble. I’m in trouble. But he has very kind eyes and when he touched me gently on the shoulder after Lizzie and I sung that shells duet I had to look away.
 
Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-millennial sea-floor,
Held in my fingers forms shaped on the day of creation….
 
They sleep on the ocean floor like humming-tops
Whose music is the mother-of-pearl octave of the rainbow,
Harmonious shells that whisper for ever in our ears,
‘The world that you inhabit has not yet been created’
 
Mind you, I don’t envy Lizzie being Kathleen Raine. Now that is a difficult part, even though she’s only in Act 2. Raine was definitely odd. He says I have to understand their friendship, because there was something about it that made them both more than they were. I don’t understand that.
 
Jane and the children are amazing already. Martin (my ‘other’ half Ben Nicholson) said they’d been rehearsing with Robert because his wife (Robert’s wife Debbie) is at WNO and they were scared about this one. I’ll say this for him he knows exactly how children interrupt, constantly. It’s clever the way he uses the interruptions to change direction of the dialogue. Conversations are often left unfinished. The bit when that ***** Barbara visits the apartment unexpectedly is brilliant. She’s completely demolished by these kids of her lover.
 
But those letters . . . he said, can you imagine your husband writing to you over a period of 40 years? Quite a thought that. David wrote to me a few times when I was in Madrid for Cosi just after we’d met, but it was all telephone calls after that. Why waste paper, time and a stamp. But I take his point – their letters are so beautiful – and they were separated for God’s sake. He’d gone off with another woman, and even brought her to Paris. And you could not have two totally different women – she ,slight, chain-smoking, work-a-holic, sharp-tongued with that Yorkshire edge, and me with ‘a quiet voice, trying always to be gentle and kind ‘– W would be called an earth-mother these days. She was a kind of hippie, only she had money – mind you most of those hippies of the 60s had money otherwise they couldn’t have done drugs (heard that on Radio 4 last week in a programme about Richard Brautigan). But they wrote to each other almost every day.
 
Dear Ben,.
            Do you know there are several kinds of happiness, and there is one sort which I have found. It is the sort that is within oneself, enjoying fresh promise, and taking all the experiences of life that one has been through, so-called sad ones and so-called happy ones, to make up understanding that is further on than joy or sorrow. I have been extremely lucky – I have had ten years of companionship with an ‘all-time’ painter, working in the medium of classic eternity and that has been better than a lifetime with any second-class person – isn’t it - I have found it so…
 
Best love Winifred
 
What’s clever about the letter sequences is the way the two-way correspondence is handled as a duet and right in the middle of it you’ll get a flashback – like Winifred suddenly remembering her first meeting with Ben.
 
I heard this voice
In the room next door
I couldn’t breath, I couldn’t move
I knew, I knew for certain
This was the man I would marry.
And when we were introduced
He seemed to know this too.
 
We gaily call this an opera, but it’s not. It’s something else. It simply doesn’t do what you think it’s going to do. Even when you do something for a second time the accompaniment doesn’t do what you expect and remembered. It’s this open-form business. Something else I know nothing about. He mentioned Umberto Eco – now I’ve read Name of the Rose. When Braque or Mondrian or Jan Eps visit unannounced I have no idea which one it’s going to be – these guys just used to turn up. Sometimes two at once. W didn’t invite them. They came for her English hospitality (home baking I think) and her beautiful apartment come studio – beautiful, because she made it so. Her French was appalling, and this is difficult because I speak quite well, and now I have to speak like an idiot. Bridget  (playing Cissy the Cumbrian nanny) having her French lesson is a hoot, and with the children correcting her all the time, it’s lovely.
 
He was very sweet when we broke for lunch. Sara, he said, as I collapsed into an auditorium seat to find my bag and mobile, Sara, we’ve got to find you a painter to spend a day with . . . so you’ll know how to stand in front of an easel.  I phoned Sarah Jane Brown who has a studio in Cardiff and she’d love to meet you. Here’s her number. She paints flowers and landscapes – as well as the abstract stuff - just like Winifred. Her tutor at the RCA actually knew Winifred. And with that he disappeared to a dark corner of the theatre and unwrapped his sandwiches. You can tell he’s not into break discussions with Julian or Michael. I think he’s terribly shy. He’s interested in the cast and so he picks them off one by one. Julian I know doesn’t like this. I think everything needs to go through me, he said at the end of yesterday’s rehearsal. Who does he think he is?! Lizzie reminded Julian he was the composer and what he doesn’t know about this whole period and its characters isn’t knowledge. Liz thinks he’s a sweetie – and she’s sung his Raine settings at Branwyn Hall last year – with Robert who was his MD with BBCNOW. Liz knows Julian hasn’t done his usual homework because he’s got this production in Birmingham on the boil. Unknown Colour is a distraction he can do without.
 
This afternoon it’s back to the mayhem of those ensemble scenes in Act 1. They’re quite crazy, but I’m already beginning to feel I can start to be someone other than me. Did you know I have this lovely song? It’s quite Sondheim . . .
 
*I like to have a picture in my room.
Without one, my room feels bare
however much furniture is there;
Pictures play so many roles.
My room has too much going on in it
for something extravagant.
In the morning it is a sanctuary,
in the daytime a factory,
in the evening a place of festivity,
and through the night a place of rest.
 
I want a window in it,  
And a focal point, something alive and silent.
A bunch of flowers on the window sill?
Yes, but they will wither.
A cat curled up on the hearth?
Yes, but it will go away and prowl upon the rooftops.
 
A picture will always be there.
It will make no sound. It will wait.
If it is true I shall never grow tired of it.
I shall see something fresh in it
when I glance at it tomorrow.
It will always be my friend.

It’s amazing how one hospital trip can change the rest of your life. Or even lack of one even. He was four. I, three.  It was late, I had no idea why I was going to Bridget and John’s house. More importantly, I didn’t know why Zack wasn’t coming with me. 11 pm, I guess that’s pretty late for a three year old. I don’t think at that point I really had any grasp on what was actually happening. That nothing would ever be the same again. Half asleep, trudging to that sliding glass door I’d seen hundreds of times. I went into the house, the aroma of sweet cinnamon and love hung in the air.
      Burnt toast and peanut butter. That pretty much sums up an entire year of my life. Three years old, and for almost every weekend, which was too many, spent with Bridget and John, sleepless nights and peanut butter toast. There was: late night toast, midnight toast, way too early morning toast, morning toast, breakfast toast, too much toast. I think I was a picky three year old, then again, that isn’t exactly unheard of. I wasn’t very fond of peanut butter or toast, but I still ate it. I yearned for a sweet taste of normality. I craved something routine. Funny, because my life was everything but normal during that year. Funny, because I will never eat peanut butter toast ever, again.
     Many nights spent waiting for an answer. Wishing to go back, and hoping for everything to be okay. But as the car rolled out of the gravel driveway on that first night, so did an unmedicated future for my brother.

Of all the ****** that i like,
The best would be of lace and white,
But then again, there's so so much,
There's even knickers with no crotch!?,

Those little bras for beginner *****,
Or leather gear, for naughty moods,
And not forgetting Bridget Jones,
Come on girls, we've all got those ones.

Those yummy corsets **** us in,
We'll shake our hips and bear a grin,
To tantalise and tease men so,
Our ***** with tassels on, so guys can, ahem, grow.

Those fishnet stockings cost a bomb,
But ladies, that's why we put them on,
We feel so ****, and so do they,
So that's why we get them to pay.

Silk and satin, black or red,
Or going commando instead,
What then girls, do we love these things for,
Because they'll only be scattered on our bedroom floor?...

Hey Skinny Kid
one legged Anne said
have you ever seen
a *******?

no
you said
thinking it
some kind

of fish
she nibbled
at her scrambled egg
on toast

at the table
in the children's
nursing home
you mouthed

Cornflakes and milk
Anne was next to you
eyeing
the nursing nun nearby

would you like
to see a *******?
Anne asked
in whispered voice

thinking it
some rare find
you said
yes ok

where will I see it?
the beach?
she almost choked
on her scrambled egg

are you all right Anne?
the nun asked
coming over
her black and white habit

swishing as she walked
yes
Anne said
egg went down

the wrong way
well be careful
the nun said
and walked off again

yes the beach
if you like
Anne whispered
trying to keep

a straight face
but you're sure
you've not seen one?
you nodded your head

not that I know of
you said
have you asked Sister Bridget?
you added

giving the nun
a look
o yes she's seen one
Anne said

straining the muscles
in her face
did she say so?
you said

o I know she has
Anne said
you mouthed
more Cornflakes

and milk
little Miss Sad
sat nibbling
at her toast

her tiny fingers
holding hard
the other kids eating
their breakfasts

the morning sunshine
shining through
the windows
after we've finished

I'll show you
Anne said
show him what?
Malcolm asked

who was sitting
on Anne's other side
never you mind prat face
Anne said

only special people
can this see
what I'm showing
Skinny Kid

then I'll tell Sister Bridget
Malcolm said
kiss my backside
and drop dead

Anne replied
Sister Bridget
Anne swore at me
Malcolm said

the nun shook her head
and said
Anne it's a sin to swear
God is listening

you know
and so you sat
and wondered
if you'd ever see

what it was
one legged Anne
was going
to show.

Last night on the roads of Jupiter there was this motor bike race where Brian Allan went up there to challenge up against scott McDonald and Bridget bromhead and Steve Grigor and Brian's late father Barry and his late Aunty pam
And the greatest boxer that had ever lived Mohammad Ali and
John English was at the tale of the race and as Brian Allan was pushing his weight around up and down up and down up and down and then as the race was progressing all the racers were
Putting pressure on the other races by psyching everyone out
But nobody was annoyed by that so much
Steve took the lead yelling out
Woh oh oh I am a working class man and scott MacDonald was keeping close to Bridget and
Brian's Aunty pam and Jon English sang Hollywood seven
Party all night as well as during the day and Brian Allan was keeping pretty close to Ali and he pedalled to the MAX and his abs were pushing upwards
And Steve Grigor said you are still alive and you should continue your writing because you were great and Brian put on the pressure on Steve saying
I will win this race and Bridget caught up to Brian but Jon English sped up past them
And won the race and Brian and Bridget were a drawn second
And the other racers were coming in bit by bit and John
English sang all together now
Yesterday was a memory
It might have been when rock and roll never forgets forgives or regrets nothing comes easy
Try to make it all together now
And Patrick came up to Brian and said let's fly up ahead and Pat flew too fast and Brian was
Giving his body a workout
But he stopped the bike and
Woke up dudes

Bridget was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

Rugby, Warwickshire
16/10/2015

Unholy streets of G-d, liquid tobacco,
gentle froth and steam
from the coffee estuary, split beneath the clock tower
on the idle hour; more pigeons than people,
more buildigs than choices
on this small-town, charity shop parade.

The women are still beautiful, still unattainable,
still on the brink of a breakdown
in the most confident dress.
Street-pastors carry the drunks home,
the street-cleaners appear by the afterparty,
clear out the old bottles
before the commuter picks up cigarettes
from the newsagents that never rests.

Tattoo parlours, barber shops,
Christmas on the radio come Hallowe'en-
this is the town that crazy built:
war-time poetry, jet propulsion,
chief inventor of sport,
of mild alcohol addiciton.

There's hundreds of places to get drunk in this town,
hundreds of places to hide away;
a foreign face in a sea of family and friends.
Landlocked, gridlocked,
centrally located but left out on a limb;
this town clings to the tracks,
it's avenues of escape
the only margin to keep the residents
out of mind and in their place.

But this is where I grew up,
always more car-park than parkland,
my first steps on Campbell Street,
on Armstrong Close,
first time I broke the law on Bridget Street,
on Selborne Road.
I'd push my bike all around this town,
no stopping off for a smoke,
for to get my fix-
I'd push on and on past graveyards and open bars
without a second gance.

Now, it's all shooters and soul-singers
and happenstance;
chicken wings on a late-night binge,
a box of wine, a night of sin,
wake up in shame,
life's a guessing game
and guess what, you'll never win.

Chewing gum, patches,
vapour that scratches the back of my throat,
nicotine in my blood,
you know, I'm trying my best to get clean.
Blister packs of vitamins, bowls of fruit,
buying coconut water over the counter-
green tea by the rising moon,
incense sticks and vegetables in the garden,
yet by the time night rolls on by
the locus of my eyes, they darken;
I'll be back on the beer,
I'll be smoking a carton.

This is the town that crazy built,
even the flowers by the roadside wilt,
cement factory, hum-drum poverty,
post-code belonging to Coventry,
kept out of the war
by a matter of minutes,
kept from the future
by corporate interest.

Hospital lights, supermarket glow,
I can't remember the last time
I wasn't loaded with chemicals
every time I get home,
every time I sign out
and put my head on the pillow,
I see familiar streets, familiar signs,
the job centre, the floodlights,
the 12% lager, the twist of lime.
I struggle with rhyme,
I struggle most days to get out of the house,
but at night, I know, that sea of doubt
is a river of light, to ruin my liver,
to spike my fever, to calm me down.

There's hundreds of places to get drunk in this town,
and this world it don't spin,
it just throws me around.

She let my hand lay in hers
as she tapped it firm and rhythmal.
I knew I needed this moment with her,
but could not look her in the eyes.

She started.
You think you don't deserve true love.
I smiled. I'm such a walk-around cliché.
You put on this act of *** godess
because you feel that's the only way to get male attention.
Now I just sound like a *****. I'm not that weak.
You think every man will leave.
Boo-hoo, ******* bridget jones's diary
Because he left you.

That hit me.
Suddenly I was crying.
Not just tears, it was crying at its fiercest form.
I was howling,
every gram of pain dripped out of me.

She held me.
I felt clean.
I repeated after her.
Even though I'm afraid of being left alone again
She kept tapping.
I accept myself
I looked at her
*and I love myself

That's all so dandy,
Kiss me, Mr. Prince Charming,
Vanish tomorrow.

I stayed inside most of today
And watched Netflix
Somehow, as soon as I envisioned you as Colin Firth
In Bridgette Jones's Diary,
I couldn't help but think
"Am I your Renee Zelweger?"

I certainly ramble a lot
And say things I end up regretting
I don't make sense sometimes
I do silly things
I get into uncomfortable situations a lot
I certainly believe that I embarrassed you as well
But we didn't end up together
Like Mark and Bridgette

Every time he kissed her
My toes would tingle
As I remembered the way you kissed me
And when they went to bed together
I remembered things about you I have tried hard to forget

You are my Mark
And I used to be your Bridgette Jones
But I am not her anymore
You have a new girlfriend
But she is more like a lost puppy
Than your leading lady

Brigid was born on a flax mill farm,
Near the Cavan border, in Monaghan,
At Lough Egish on the Carrick Road,
The last child of the Sheridans.
The sluice still runs near the water wheel,
With thistles thriving on rusted steel.

Little's known of Nellie's early years;
Da died before she knew grieving tears,
They'd turn her eyes in later years.

She's eleven posing with her class,
This photo shows an Irish lass.
Her look is distant,
Her face is blurred,
But recognizable
In an instant.

She was schooled six years
To last a life,
Some math, the Irish,
To read and write.

Her Mammy grew ill,
She lost a leg,
And bit by bit,
By age sixteen,
Nellie buried her first dead.
Too young to be alone,
Sisters and brother had left the home.
The cloistered convent took her in,
She taught urchins and orphans
About God and Grace and sin.
There were no vows for Nellie then.

At nineteen she met a Creamery man,
Jim Lynch of the Cavan clan;
He delivered dairy from his lorry,
Married Nellie,
Relieved their worry.

War flared, men were few,
There was work in Coventry.
Ireland's thistles were left to bloom.

Nellie soon was Michael's Mammy,
Then Maura, Sheila and Kevin followed,
When war floundered to its end,
They shipped back to Monaghan,
And brought the mill to life again.

The thistles and weeds
That surrounded the mill,
Were scythed and scattered
By Daddy's zeal.
He built himself
A generator,
Providing power
To lights and wheel.

Sean was born,
Gerald soon followed;
Then Michael died.
A nine year old,
His Daddy's angel.
Is this what turns
A father strange?

Francie arrived,
Then Eucheria,
But ten months later
Bold death took her.
Grief knows no borders
For brothers and sisters.

We left for Canada.

Mammy brought six kids along,
Leaving her dead behind,
Buried with Ireland.

Daddy was waiting for family,
Six months before Mammy got free
From death's inhumanity.
Her tears and griefs weren't yet over,
She birthed another son and daughter;
Jimmy and Marlene left us too,
Death is sure,
Death is cruel.

Grandchildren came, she was Granny,
Bridget, Nellie, but still our Mammy.
She lived this life eduring pain
That mothers bear,
Mothers sustain.
And yet, in times of personal strain,
I'll sometimes whisper her one name,
Mammy.

Blue paint for him
I think he'd be red when he reads this
Sulfer tightens the air
In a celebration for yakuza
hierophant dont **** my vibe
A brainless information shrouds us
baphomet wont **** my vibe
Except the darkness sometimes, they whisper....