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This happened last Fall, during Thanksgiving break.

Lisa and I were at the MET (The Metropolitan Museum of Art), with her family, at an exhibit of Art Deco sculpture. Lisa and I came out of a gallery and there was a group of older adults gathered near a bar.
“Hermé!” Lisa suddenly squealed. “Come on,” she said, dragging me towards the group. “I want you to meet one of my favorite people in the world!”

We crossed the room and found ourselves at the back of a large group, Lisa nodded to highlight a 60ish (I’m being generous here) lady. She was wearing a midnight blue Givenchy asymmetric midi dress and way too much jewelry. Both arms featured large and small gold bracelets that jingled when she moved. “She’s a friend of my grandma's,” Lisa said, “she’s off the hook.”

Hermé was chatting with those close to her and after a minute, Lisa said, “I’ll get us a drink, wait here,” and headed for the bar. Watching Hermé, I decided that she embodied the 4 fashion-aesthetic-principles: 1) dress for the occasion, 2) look good, 3) feel good, and 4) be seen looking good. She was definitely the center of attention.

People peeled off the group, one or two at a time, as people will do and as I got closer, Hermé was saying, “Russians - the way human history repeats itself, it’s like we’re in a time loop.” There were sounds of agreement.

When there were only a handful of us, I was the odd one out, being under 60. Hermé asked me, “And who are you?”
“A friend of Lisa’s,” I glanced over and waved at Lisa, who waved back, “Anais,” I finished, offering my hand. She was wearing little white gloves which suddenly seemed like genius (in these virus times).

“What did you think of the exhibit?” She asked, looking through the ½-frame glasses perched on her nose.

“Art Deco Sculpture?” I shrugged, looking around at the room’s remaining art lovers, “It looks like men doing heroic things with their clothes off. Like always?” The silence that followed seemed to beg for words, but I felt like maybe I’d said too much.

Then she laughed. The laugh was as measured and controlled as an opera singer’s vibrato. There were a couple of other chucks too. Then she became serious, “What do you think of the Ukraine mess?”

“I’m a pre-med major,” I started to demur, but her gaze was on me uncomfortably, “Putin *****,” I answered.

She smiled, this time with no hesitation. “You’re a Yaleie - with Lisa?” She followed up.
“Yes mam,” I answered. I guessed she’d seen Lisa steer me over. She was sharp as a tack - I decided I liked her.

Her cell phone chirped then, and she excused herself. I mean she said, “excuse me” and everyone else made themselves scarce. As I took a few steps toward the bar I overheard her telling the caller, “Tell him he can just have it..” and after a split-second she added, “at cost.” I had to smile, no one’s as cheap as the rich.

I reached Lisa as she picked up our drinks, two American martinis (gin, vermouth and olives).
“Hermé has a ‘gild’ complex,” I whispered, indicating the glittering, fake gold fashion on display.
“No!” Lisa said in shocked amusement. This was more than repartee, it was 411.
“I’d be willing to bet.” I assured her, quipping, “fashion is my passion,” before I sipped my drink.
Lisa moved around to where she could inconspicuously observe Hermé better - we didn’t want to be rude.
“I like her, but her Louis Vuitton “Ponthieu” handbag is fake,” I said in a low murmur, “the pleshette’s wrong and the logo etching is too deep and reflective.
Lisa sipped her drink with an “mmm,” as she appraised Hermé anew.
“Her bracelets and necklaces are fake too,” I continued, “fake gold glitters, reflecting light like a mirror, real gold lusters, it caresses and almost deflects light.” After a second I nva’d, “Of course, she might be afraid of being robbed.”

An elderly man, about 90 (my guess), who’d been in Hermé’s group a minute ago, was making his way, slowly, in our direction. He was wearing a suit with black, tuxedo pants and a deep-red velvet coat with black trim.
“Who shot the couch?” I whispered to Lisa. We thought he was headed to the bar. But he stepped right up to us.

“What are they teaching you girls at Yale these days?” He asked. He had a ******-mary in one hand, so I opened up.
“A load of science, and how to do laundry,” I said, and wanting to escape the usual questions, I added, “and there’s a lot of drinking.” Leaning in confidentially, I added, “It’s opened me up, emotionally.”

“I was raised in the old ‘carnage on the highways, broken lives, stay away’ days,” he revealed, winking.
“But you got over it,” I nodded at his cup.
“We evolve, you know?” He said.
“Yes sir,” I grinned, “I hope so.”

As we talked, Lisa’s dad, Michael, joined us. “What are you two up to,” he asked, then, under his breath he added, “you seem conspiratorial.”
“Nothing,” Lisa said. “We’re taking fashion.” I updogged.
“Better lose those,” he nodded to Lisa indicating our drinks, “before your mother and Leeza get here.”
We’re under 21 and she doesn’t like us to drink in (Manhattan) public.
.
.
Songs for this:
Dat's love (From "Carmen Jones") by Lesley Garrett, Andrew Greenwood & Philharmonia Orchestra
Far Far Away (Charles Tone Mix) [feat. Brenda Boykin] by Tape Five
Martino Cafe by Gabrielle Chiararo
BLT Marriam Webster word of the day challenge: Repartee: “a quick and witty conversation”


411 = the info
nva = not vital information
Man 7d
So much to say, which means so little;
So little to say, what that means much.
These ends we face, often,
Come on fast and taper out just as such.
What that remains: naught but thought.
Loose and multiplicitous as strands,
Hair of the artist's brush,
Colors as the richest palette -
Bold & bright, deep & dark
You were enchanted by the mystery,
You thought it was love and pursued me.
Been excited to discover every part of me.
Touched me like a book, what an interesting story it could be.

I am just ordinary,
people might see me as an old book that could not be understood easily.
I am just nobody,
but you brought me up to life where my existence has been saved from a tragedy.

You have stolen my heart that made my feelings to ramble.
'T was confusing...
and for a moment, I never thought that this will cause me to slumber.
'T was frightening...
A nightmare when we became lovers.

We both made this story, a fairytale.
In the end, it's ourselves that we fail.
Fantasizing each word, trying to mend the aching wounds.
It's not the sword that cuts, but the lies that's ripping us 'till we hear the rhythm of the heart that pounds.

I have never lived my life through your expectations.
Still, we tried to chase everybody at their romantic phase,
while being deceived by our own illusions
As I turned the page, showing fears that I couldn't face.

I laughed when you told me that, alone, I can write it beautifully.
like the songs with a perfect melody.
You think that tearing me apart could turn into a perfect art,
Leaving me afraid and lonely.

I was left there, hanging.
In every page, horrible scenarios are ranging
I was left there hoping,
Just in case there still be a happy ending.
WHAT AN ART TO GET HURT
The vibrant colors
move together like a dance.
They are in rhythm moving
and flowing together.
Creating artful delight.
I pour and blend
choosing colors so alive.
It's so satisfying seeing the colors create such beauty
some abstract some wild
let the paints dance on canvas
Let them become the colors
they design &
are meant to be.
Vibrant and Colorful.
© Jennifer Lynn DeLong
4/27/24
Aynjul Apr 22
why not let out the ideas in your head before you die?
so it can live on
and you can go peacefully.
but what is this pool of ideas in my head?
What if I drain it out?
What if I let it out So Much that I have nothing left of me...
?!
maybe that's the point.
there won't BE nothing left of you.

So, You let it out Until you die.
I should let out what's in my head before I go
because when I die I'll just take that with me and no one will see. (not that anyone seeing matters)
I'll just end up taking my ideas with me when I die.
Carlo C Gomez Apr 17
~
Cotton duck canvas
on careful days
in a closed room,
intersecting tension,
energy and interest
for strangers to interpret

Three bashful belles
and lovers of art
undressed as a figure study,
cloistered together
in a line of beauty
for moral support

Their congregation assembled
in glorification of
angelic landscapes,
tempered by the mysteries
within convexity's arboretum

In unequivocal parts and gradation,
where good posture
and graceful presentation
count in equal measure,
to create Hogarth's
line continuous
--the Analysis of Beauty,
bended at the waist
to spread light through the canopy

During such exhibition
the belles whisper
under the rose,
of war and shopping lists,
they seem to avert eye contact,
gazes fixed to
the eternal sphere
ticking on the far wall,
never directly into the eyes
of those who come to
paint their *******
with sandalwood

~
Truly, I felt drawn to you like a pencil,
Scribbling down my feelings.
Like the strokes of an artist's hand
Bringing a blank canvas to life.

Some days, I find myself carelessly putting
Your smile on display in my day's portrait.  
It's as if I am painting a personal masterpiece,
Where each brushstroke represents a memory,
We've now created together.

But eventually, the fading light of the day
Brings forth words left unsaid,
Casting a shadow on the beauty we,
Once shared.
el Mar 20
The art is hiding behind one pretence or another, for surely it cannot be both of these? Hidden things cannot stay hidden, for found is where beauty is. Hate. The incessant whining of an ache behind my ear, and it is like the wind whistling between glass at an ungodly hour. Like smoke between teeth. The world does not obey your thoughts, does not listen to my wishes. So tell me your name, at least one time, tell me your name so that I may place it in my mind in a place where it can live and dance and rot and forever remain, and let me say, I love you.  Love doesn't exist. It is the chemicals that are held in the heavy weight of your tears.
I’m a broken poet
Who longs to write
About sadness
love
heartbreak
Although, I haven’t experienced either

I’m a broken poet
For, I have so much
Left to say
Yet, I search for words
Every single day

I’m a broken poet
For, my words
Do not spill
On these empty sheets

I’m a broken poet
For, the words
That I write
Do not reach
People’s hearts
They get lost
In the depths
Of this crowded world

I’m a broken poet
For, my words
Do not carry the pain
And suffering that
Other’s have felt

I’m a broken poet
For my words
Do not feel
Like a warm hug
From your favorite person
On a cold day

I’m a broken poet
For my words cannot console
A broken soul
To not give up
And sail through life

I’m a broken poet or
I’m not;
Maybe,
I’m just a broken person
With words left to say
But no one to hear them
-RB©
Ken Pepiton Mar 6
This is Ken Pepiton, as he sat in the sun,
thinking of Van Gogh's ghucking sunhat
self portrait,

and laughing at having dropped my name,
where he left his hat.
caught a thought. Rough edged, too true, madness patterning
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