Submit your work, meet writers and drop the ads. Become a member
Ceida Uilyc Feb 2015
being one for a long time now.
My days used to start with a joint, a Charminar and a corn roast with lemon and salt.
When I was rotten, ridden and worn out,
Other people’s dreams, heaves and hushes seemed the best to experiment on,
If not for the petty papers called money,
I’d continue to rot, ride and wear.
Being a ghost ain’t so bad,
At least it has pushed me to feel elated
That a degenerating section is following the echoes of my generic past.
That if not in my name,
The word sing the same lull.
It has been good that now my day starts with a joint, a Charminar, a corn roast with lemon and salt, Beer mug full of white pumpkin and Chiku in Milk and fresh cream,
And, the Chapter 1 of a new book.
I just, like it I guess, not just to buy the mixer, white pumpkin and Chiku in milk and Fresh cream, but for the ***, nicotine and the new rush to blow
Or howl into, as well.
I just like that it has pushed me to soar at my own level of dreaming real in my name.
That someday soon,
My dreams will be mine.
And yours,
Will be,
Yours.
firstly, it is Charminar cigarette that I mean, not the monument. Charminar cigarette is the lone toasted or roasted tobacco of India.
It is certainly good that the publishing world is creating a heavy boom today. I can see myself in ink and paper someday soon. Soaring in the wings of my poesy, prose and its prosodic will be ringing and reverberating in but,
Ink and paper
Around
n round.  And around.
Jessy Pryde Jul 2010
The papers said she was a small-town girl
from Massachusetts, an aspiring actress with
the looks of Hedy Lamarr or Norma Shearer.
The boys, they liked her minced walk,
those black curls and tight black dresses,
But it was the smile that won you:
An aphrodisiac painted deep red.

The picture didn’t do her justice.
I examined her body on a cold slab on metal:
Black curls, upstairs and down, matted with
Dirt and blood. Body, cut clean in half.
I bent over to get a look at those eyes:
Death hadn’t yet stolen their blue.

Folks say she didn’t care for school, but studied
Movies religiously. She was determined
to be known by the world—one day,
With bags and ambitions, she fled
To California. Reporters called her a vagabond amongst
Other Lost Angels; no permanent address,

though her mother received letters every week.
When the cops brought her in to identify the body,
I pardoned the girl’s condition; I had not yet
Stitched up the sides of her mouth.
I hear the leeches got to the daughter first,
Calling up the poor mother

With some cockamamie story that her
Little Betty had won a beauty contest.
The mother answered their questions proudly,
Never the wiser, never know she was
Ghostwriting her own daughter’s obituary.
Betty’s pretty picture was soon plastered across

Headlines and the evening news:
I could still hear the mother’s shrill screams
From a few hours before. I had kept the girl’s
Severed body draped, to give her
Some dignity, but I couldn’t hide
her Glasgow smile.
For the Black Dahlia.

"The Mortician" is the intellectual property of Jessy Turner and thus protected under the U.S. Federal Copyright laws and the Berne Convention.
Mystic Ink Plus Apr 2019
If you can't find
Yourself
In those lines
It's a lie

Here, you survive
As reflection
Being
A story
Genre: Autobiography
Theme: Everything that touches our life, worth to get inked
Daisy King Mar 2016
Apathetic, acataleptic, anthropomorphic abstractions aided an anorectic.
Biology and botany, both broad, but bellicose blossoms bring banality.
Considered communication can conceal certain capabilities- cruelty without causality.
Delirious dreams of divination dwindle during daytime's discontinuation.
Echoing and eerie, ecclesiastical ecstasy eclipses eccentric ebullience in extroverts.
Face-to-face farewells facilitate friendships & fatigue families, familiar in fantasies.
Grace goes gardening, garnishing and ghostwriting, good god, glistening a glittery glaze over.
High, hovering, hallucinating helps habits' hardening and hiding in hazy harmony.
Introduced ideologies, indeed, illustrate ingenuity in idiosyncratic individuals I impersonate.
Jumbled and juiced juxtaposition of jitterbug and jazz justifies jovial jumpiness- jeez.
Karaoke on ketamine, a kettleful of kerosene, kindling kisses, knocking knees.
Last but not least, the lawless laying low are liberated, later learning large life lessons.
Mainly markedly meticulous, maids manage the meagerness of mess, mollifying mothers.
Namely narcotics, not either naivety nor narrow-mindedness, necessitates a nosedive.
Obligations to obtain n occupation only obfuscates obvious obstacles, and oftentimes objectivity.
Pervasive paradoxes parody people's past perceptions, predominantly persistent patterns.
Quick-witted quarrelers query quantifiable qualities, quotations never quivering or quiet
Rickety, raggedly radios ring with ragtime, rainbows remain a rarity.
Sick, staggering students suddenly spill, saucer-eyed, onto streets and scatter.
Thrown together, the tank top, the trousers, tempted and tongue-tied them, totally.
Underestimation ultimately undid the understanding of ubiquitous underachieving underdogs.
Variability in validity and value variance violates the valuer's viewpoint very vividly.
Wandering war-torn wastelands, wayfarers weaken, wait for water, wearily wonder at weather
Xenophobic xylophonist's x-ray wouldn't show his xanthopsia, xeroxed in the xanthic Xs of his eyes.
Your yawning and yelling is yellowing your youthful yearnings for yesterdays.
Zigzagging, zany zookeepers zestfully zone out with zoom lenses, to see from A-Z.
Satsih Verma Jan 2018
Flaunting your new skin
like a salamander,
ready to endure fire,
O stranger,
read me,
read my tears,
the pathbreaker is going back.

I will not extort, never your integrity.
The trump has committed suicide.
A game was over. I am
gathering my ruins to go
into winter sleep.
Let the sun wait for eternity.

Somebody was climbing
on the breast rocks. There were
no landing planks. Words
mingle with four― leaf clovers.
You can inhale the smoke,
eat the walls of palace. I open
the latch of mud house and
disappear in future.

— The End —