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Shofi Ahmed Apr 2017
At times I heard the songs of the giants
who opted to sing for a glass of wine!

Like Omar Khayyam would sing to the grove of vine,
while singing their lullabies they wouldn’t mind,
defying the bloomer stars in the moonlights
gladly treading on the black alleys of the night.
Didn't they budge, didn't they bend to pick up  
a potion of the sea, billowing in the dark?
But they opted out, just for a glass of wine!

To paint a glimpse of that gorgeous Saqi
till now they shun, lending the sun a paintbrush,
‘cause "if only it was colourful enough,” yet the sun
paints the enduring shades of the blue yonder.
But they turned around—just for a glass of wine!

The moon hanging low over the ocean took a pause.
The earth weighed down so deep is brimful!
Every sunrise paints new, loves to shine on once more
That delved-deep earth vintage taste, cooled in age-old,  
now close by the hands breathe in, full of warm south.
Yet they opted out—just for a glass of wine!

Even the time is speechless, ask me not but why.
Still keeps an ear bent on the wall of the leaning sky.  
Nor those who pop out with an inside scoop are ever drunk.
Nor they leak out, it’s a sea off the sea or Abe-Hayath.
It ain’t that small, it is the deathless spring of elixir!
Natasha Adorlee May 2010
He probed his cooled instrument
into the meat of my ear,
and the ENT specialist
gives it an "all clear"-

Yet these ears go on repeating,
those words caught draining,
out of your cigarette mouth-
lit deep in our darkening alley.
Raghu Menon Jul 2015
Patiently he untangles the net
Standing calmly
Brazing the breeze
On the dancing boat
With an oar on its side
Which is cooled by the
Waters of the river..

The sun will set in an hour or so
And he has to finish his catch
Before the dusk
And back to his hut
Where his wife will
Waiting eagerly
To make the dinner
With the fresh catch

Another day
Another catch
The river but
Remains the same
Greeting the fishermen
Who roam the river
With their boats
http://tprmenon.blogspot.in/2015/07/the-fisherman-and-his-boat.html
1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House
Spill from their tumblers a libation to the Erinyes,
And Leavis with Lord Russell wreathed in flowers, heralded with flutes,
Leading white bulls to the cathedral of the solemn Muses
To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before
The Lardergods. Unmarried daughters with obedient hands
Tended it By the hearth the white-armd venerable mother
Domum servabat, lanam faciebat. at the hour
Of sacrifice their brothers came, silent, corrected, grave
Before their elders; on their downy cheeks easily the blush
Arose (it is the mark of freemen's children) as they trooped,
Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods,
Shun Hubris. The middle of the road, the middle sort of men,
Are best. Aidos surpasses gold. Reverence for the aged
Is wholesome as seasonable rain, and for a man to die
Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune
Cooled and schooled and tempered our uneasy motions;
Heathendom came again, the circumspection and the holy fears ...
You said it. Did you mean it? Oh inordinate liar, stop.

2

Or did you mean another kind of heathenry?
Think, then, that under heaven-roof the little disc of the earth,
Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll
Look in, ready to invade it. The Wolf, admittedly, is bound;
But the bond wil1 break, the Beast run free. The weary gods,
Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand,
Will limp to their stations for the Last defence. Make it your hope
To be counted worthy on that day to stand beside them;
For the end of man is to partake of their defeat and die
His second, final death in good company. The stupid, strong
Unteachable monsters are certain to be victorious at last,
And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits
Who walked back into burning houses to die with men,
Or him who as the death spear entered into his vitals
Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs;
You that have Vichy water in your veins and worship the event
Your goddess History (whom your fathers called the strumpet Fortune).
Francie Lynch Dec 2017
You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth on that night
Never cooled,
And indeed,
It was
A cold Christmas Eve.

We stuck branches of pine
In a bucket of sand,
That's the snapshot I've got
Of our Christrmas tree then.
Here's the memory that Eve
Of a lad of three,
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy was an Operator
Of cranes and loaders
Dirt packers and graders.
He was working North,
Far North,
Manning a dozer,
Distant from family
Near the Quebec border.
That's where he was
Days before,
When his pant-leg caught fire,
When the diesel was spilled.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree
.
CK Baker Apr 2017
Willets cull the seawall
snapper on the grill
rock ***** swoon
in shallow lagoons
long boats pass
under quiet
palm shade

Plovers dance and flutter
handrails frayed and torn
graffiti spots
at lovers rock
frigate-birds fall
from a high
noon sun

Thatched roof on a mud wall
fish flags settle score
anchors arch
in front line march
pillar cracks form
under rust brown scars

Elegant tern and grebe
watchmen fall in cue
children play
on crested waves
whimbrels and notchers
perch above Tentaciones

Striped pelícanos
the bandits of the sea!
merchants grow
in steady flow
siblings jostle
in a tide cooled sand

Heerman gull and boobie
durango smoke in yurt
boiler shrimp
and puffer blimp
castle buckets and scrapers
under a dusk light cheroot

Six pulls on a lead line
painted toes in sand
shearwater run
in a rainbow sun
the portly mexicano
flaunts his tacos
and wares

Rooster house for swordfish
bamboo shoots and sails
broken shells
and ocean swells
rise
on the
perfect
La Ropa bay
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
singingghosts May 2016
triple layer chocolate cake (hint of coconut) with mint lime cream filling completely encased in chocolate.



WHAT YOU NEED

8oz cream cheese
1 and 1/4 stick of butter
possible 3 cups of powder sugar
2 limes
fresh mint
all purpose unbleached flour
white sugar
baking soda
Cocoa power
salt
2 eggs
coconut extract
buttermilk
vegetable oil
water
dark chocolate chips
whipping cream


I can't remember what else but I say what below in case I missed something








FILLING:
8oz cream cheese
1 stick butter
2.5 cups of powdered sugar
3 tablespoons lime juice
2 teaspoons lime zest
half handful of mint leaves

BLEND mint, lime juice & zest together. you want mint to be tiny tiny.

BEAT butter and cream cheese together. I leave them out, sometimes I heat them up to make it easier to beat.

BLEND lime mint mixture into cream cheese butter.

ADD powder sugar.

MIX all together by hand first.

get a hand mixer or beater or whatever and literally beat the **** outta that stuff. until it whips up as much as possible.

PUT it in the fridge for a few minutes. like 10. just to check how it does. if it's not a consistency like cream, beat it more and add half a cup of confectionary sugar.



CAKE MIX: (realistically you can just buy cake mix)

2 cups all purpose unbleached flour
2 cups white sugar
3/4 cup cocoa powder
2 teaspoons baking soda
1 tsp salt
2 eggs
1 cup buttermilk
1 cup vegetable oil (or any type of shortening you prefer)
1 cup water
2 teaspoon coconut extract

put all the dry ingredients into a bowl. MIX with a whisk or something. if you have sifter, use that to break up the flour. you wanna get all the dry ingredients mixed pretty well before you add wet.

ok, so flour, sugar, cocoa powder, baking soda, salt. all together. great job.

next, BEAT all the wet ingredients together NOT INCLUDING THE WATER.

you beat the eggs, buttermilk (don't replace this with regular milk), oil, and extract. once it's all blended all nice, add it to the dry and mix it together by hand.

you use an electric mixer or beater now. the reason you hand mix everything first is to avoid a bigger mess when the machine mixes because it can make the dry ingredients spread out like ****. and I hate messes. so I'm extremely **** in the kitchen.

ok now just beat it all baby. add the water slowly. a lot of people will tell you to use boiling water. you can but I don't suggest it to anyone who has never used boiling water in a batter before... so I'm not suggesting it.

it should be runny and also delicious. if it's not, uhm... oops? mine was great. you ****** up. let's continue.

GANACHE!!!!!: (wait until the cakes done AND COOLED to do this part tho!!!)

get a ***
add a bag of dark chocolate or milk chocolate whichever you want. I prefer dark chocolate while baking.
I really eye this so I'm throwing caution to the wind here and pour maybe 3/4 cup of heavy cream or whipping cream.
also, 2 tablespoons of butter. (you don't NEED the butter but I like what it does to the ganache)

ok now on low heat leave those things in the ***. mix it a little. DONT LET IT BURN. MEANING, DONT PUT IT ON HIGH HEAT. YOU WANT A SLOW MELT

Ok so. mix it until it's creamy and silky and soft. but seriously do this part at the very end.

get three 9 inch cake pans. spray, butter, coat, oil WHATEVER just grease the ******* pans.

use a measuring cup because you want each cake layer to be the same. do 1.5 cups of batter in each. if you have left over, divide it by three.

bake it at 300F for 30 minutes

don't open the door between those 30 minutes. when you do, poke middle with toothpick. if toothpick comes out clean, it's done.

let cool completely on a cooling rack.

some people cut the tops off to make the cake layer even. I **** at cutting things evenly unless it's ******* so I have my own method. I suggest cutting though. you can also cut the edges if they're crispy but I like it that way.

ok. the ganache. get a spoon and just coat the top layers of the bottom and soon to be middle layer.

you want all three layers lined up next to each other.

take the *** off the heat while you're doing this. just hold off for a moment. you come back to it.


let the ganache layers cool down. you'll know when it's cool. when this happens  get the cream and do a nice layer over the chocolate. now stack them.

it should be from the bottom up: cake, chocolate, cream, cake, chocolate, cream, cake. (try to stack in on a cooling rack)

take the rest of the cream and evenly spread it over the entire cake.

nice. the rest of the chocolate ganache? double check that it is POURABLE but also that it's NOT HOT. warm is ok but a little less than warm would be ideal.

pour. the. chocolate. over. the. entire. cake. if you can do this on a cooling rack, do it. it'll let the excess chocolate drip down. you can take a knife to spread it around nicely. I think that's it. I can't think of anything else.
rhiannon Mar 2019
Once upon a time there was a brave girl called Alison Parker. She was on the way to see her mum Michelle Ramsbottom, when she decided to take a short cut through Wyre Forest.

It wasn’t long before Alison got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Bunny, but Bunny was nowhere to be found! Alison began to panic. She felt sure she had packed Bunny. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a kind werewolf dressed in a black skirt disappearing into the trees.

“How odd!” thought Alison.

For the want of anything better to do, she decided to follow the peculiarly dressed werewolf. Perhaps it could tell him the way out of the forest.

Eventually, Alison reached a clearing. She found herself surrounded by houses made from different sorts of food. There was a house made from carrots, a house made from biscuits, a house made from cakes and a house made from pancakes.

Alison could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

“Hello!” she called. “Is anybody there?”

Nobody replied.

Alison looked at the roof on the closest house and wondered if it would be rude to eat somebody else’s chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Alison a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Bunny!

“Bunny!” shouted Alison. She turned to the witch. “That’s my toy!”

The witch just shrugged.

“Give Bunny back!” cried Alison.

“Not on your nelly!” said the witch.

“At least let Bunny out of that cage!”

Before she could reply, three kind werewolves rushed in from a footpath on the other side of the clearing. Alison recognised the one in the black skirt that she’d seen earlier. The witch seemed to recognise him too.

“Hello Big Werewolf,” said the witch.

“Good morning.” The werewolf noticed Bunny. “Who is this?”

“That’s Bunny,” explained the witch.

“Ooh! Bunny would look lovely in my house. Give it to me!” demanded the werewolf.

The witch shook her head. “Bunny is staying with me.”

“Um… Excuse me…” Alison interrupted. “Bunny lives with me! And not in a cage!”

Big Werewolf ignored her. “Is there nothing you’ll trade?” he asked the witch.

The witch thought for a moment, then said, “I do like to be entertained. I’ll release him to anybody who can eat a whole front door.”

Big Werewolf looked at the house made from pancakes and said, “No problem, I could eat an entire house made from pancakes if I wanted to.”

“That’s nothing,” said the next werewolf. “I could eat twohouses.”

“There’s no need to show off,” said the witch. Just eat one front door and I’ll let you have Bunny.”

Alison watched, feeling very worried. She didn’t want the witch to give Bunny to Big Werewolf. She didn’t think Bunny would like living with a kind werewolf, away from her house and all her other toys.

The other two werewolves watched while Big Werewolf put on his bib and withdrew a knife and fork from his pocket.

“I’ll eat this whole house,” said Big Werewolf. “Just you watch!”

Big Werewolf pulled off a corner of the front door of the house made from biscuits. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Werewolf started to get bigger – just a little bit bigger at first. But after a few more fork-fulls of biscuits, he grew to the size of a large snowball – and he was every bit as round.

“Erm… I don’t feel too good,” said Big Werewolf.

Suddenly, he started to roll. He’d grown so round that he could no longer balance!

“Help!” he cried, as he rolled off down a ***** into the forest.

Big Werewolf never finished eating the front door made from biscuits and Bunny remained trapped in the witch’s cage.Average Werewolf stepped up, and approached the house made from cakes.

“I’ll eat this whole house,” said Average Werewolf. “Just you watch!”

Average Werewolf pulled off a corner of the front door of the house made from cakes. She gulped it down smiling, and went back for more.

   And more.

      And more.

After a while, Average Werewolf started to look a little queasy. She grew greener…

   …and greener.

A woodcutter walked into the clearing. “What’s this bush doing here?” he asked.

“I’m not a bush, I’m a werewolf!” said Average Werewolf.

“It talks!” exclaimed the woodcutter. “Those talking bushes are the worst kind. I’d better take it away before somebody gets hurt.”

“No! Wait!” cried Average Werewolf, as the woodcutter picked her up. But the woodcutter ignored her cries and carried the werewolf away under his arm.

Average Werewolf never finished eating the front door made from cakes and Bunny remained trapped in the witch’s cage.Little Werewolf stepped up, and approached the house made from pancakes.

“I’ll eat this whole house,” said Little Werewolf. “Just you watch!”

Little Werewolf pulled off a corner of the front door of the house made from pancakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

After five or six platefuls, Little Werewolf started to fidget uncomfortably on the spot.

He stopped eating pancakes for a moment, then grabbed another forkful.

But before he could eat it, there came an almighty roar. A bottom burp louder than a rocket taking off, propelled Little Werewolf into the sky.

“Aggghhhhhh!” cried Little Werewolf. “I’m scared of heigh…”

Little Werewolf was never seen again.

Little Werewolf never finished eating the front door made from pancakes and Bunny remained trapped in the witch’s cage.

“That’s it,” said the witch. “I win. I get to keep Bunny.”

“Not so fast,” said Alison. “There is still one front door to go. The front door of the house made from carrots. And I haven’t had a turn yet.

“I don’t have to give you a turn!” laughed the witch. “My game. My rules.”

The woodcutter’s voice carried through the forest. “I think you should give her a chance. It’s only fair.”

“Fine,” said the witch. “But you saw what happened to the werewolves. She won’t last long.”

“I’ll be right back,” said Alison.

“What?” said the witch. “Where’s your sense of impatience? I thought you wanted Bunny back.”

Alison ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from carrots and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Alison sat down on a nearby log.

“You fail!” cackled the witch. “You were supposed to eat the whole door.”

“I haven’t finished,” explained Alison. “I am just waiting for my food to go down.”

When Alison’s food had digested, she broke off another piece of the door made from carrots. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Alison was down to the final piece of the door made from carrots. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Alison had eaten the entire front door of the house made from carrots.

The witch stamped her foot angrily. “You must have tricked me!” she said. “I don’t reward cheating!”

“I don’t think so!” said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. “This little girl won fair and square. Now hand over Bunny or I will chop your broomstick in half.”

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Alison hurried over and grabbed Bunny, checking that her favourite toy was all right. Fortunately, Bunny was unharmed.

Alison thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Michelle. It was starting to get dark.

When Alison got to Michelle’s house, her mum threw her arms around her.

“I was so worried!” cried Michelle. “You are very late.”

As Alison described her day, she could tell that Michelle didn’t believe her. So she grabbed a napkin from her pocket.

“What’s that?” asked Michelle.

Alison unwrapped a doorknob made from biscuits. “Pudding!” she said.

Michelle almost fell off her chair.

The End
Patrick Austin Sep 2018
Tinder dame, early September,
kindred flame I'll long remember.
I crossed her path & she crossed mine,
attraction shared was so in line.
A close encounter, nothing serious?
I'd never tried, she had me curious.
Commitment for us to meet soon,
tonight at 9, nearby saloon.
The tension built 'til she arrived,
a warm embrace, my fears subside.
All the while my stomach in knots,
we cleared the air & shared our thoughts.
Talk of cribbage & our pasts,
hopes for futures built to last.
Face to face, our eyes spoke words,
reading minds, beyond what's heard.
Telling I could use a nudge,
She told me she's not one to judge.
Rainier cans & shots of whiskey,
holding hands & feeling frisky.
She opened doors, established trust.
Leaving together was a must.
One more dose of nerve eraser,
another first, a pickle chaser.
We walked along, enjoyed the view,
talked and smoked, Camel's for two.
The house of love, our room awaits,
we tiptoed through the noisy gates.
Alone at last, where to begin?
The curtains drawn, a lovers den.
Our souls & skin soon came together,
kissing lips soft like a feather.
Arousal swelled, and time stood still,
as I explored her lakes and hills.
A loving gesture I did get,
the best one I have ever yet.
Overcome with thoughts of lust,
the mounted madam felt my ******.
Upon her neck, my hands feel right,
She'll teach me more another night.
Our scissored legs ensured a ride,
within so deep I could reside.
Both of us were so perspired,
we drank some water, cooled the fire.
On through the venture we pursued,
enjoyed each other in the ****.
I found it such a great surprise,
my hands controlled her rolling eyes.
A luscious lass with her own way,
her glass half full began to spray.
I found it far beyond appealing,
it gave us both a special feeling.
Afterwards we're side by side,
I couldn't sleep, my smile's so wide.
Bursts of sleep, I dreamt for more,
was not prepared to close this door.
In morning light, our eyes would meet,
I kissed her more beneath the sheet.
Our bodies rested now and ready,
I gave her mine & took hers steady.
I lost my focus in her eyes,
My ***** release, between her thighs.
A perfect evening, morning too,
a shared passion with someone new.
A breakfast spot, that we both know,
Sandwich, omelet, cups of joe.
It was so nice to share a meal,
two new friends who made a deal.
As we went our separate ways,
I hope again, her eyes I'll gaze.
When I felt lost, inside myself,
I found my way through someone else.
This poem is based on my first experience with online dating. A very inspiring event after a difficult separation from my long time spouse. It provided me with a positive outlook and confidence during a time of chaos, confusion and self doubt.
Phyllis T Halle Dec 2012
Caint Complain
                       By Phyllis T.  Halle  February 26, 2006
Growing up in a tiny coal mining town in the hills of Eastern Kentucky,
I frequently heard a response out of the lips of stooped, arthritic miners, toothless women, old before their time,
wretchedly poor widows with six children to feed.
It was just a common reply to the courteous, "How are you?" -
"Caint complain."
The high pitched voices of those descendents of English, Scottish, German, Irish pioneers still echo in my ears and I wonder always at the tenacity, strength and wisdom which resounded firmly in those two words,
                                          "Caint Complain."
Very few people had indoor plumbing, telephones, cars or two pair of shoes. Health insurance, retirement plans, paid sick days, furnaces, pizzas, air conditioners, jet planes, paid vacations, job security, career planning were all unheard of unknowns.
When someone became ill, the ‘‘kindly old general practitioner would come to the house and dispense his little pills and words of encouragement and instruction, knowing the limitations of his skill and ability to heal.
Mothers and fathers still buried their little children who died from diphtheria, pneumonia, whooping cough, measles, diarrhea, croup ( a disorder known in later years as asthma).
Husbands buried wives who died in childbirth, at an alarming rate. "Caint Complain," they'd say gently, with a soft 'almost' smile and deeply troubled eyes.
Sanitation was fought for, vigorously, by hard muscled women, who scrubbed and washed, and swept and mopped.
They'd boiled the family’s clothes which had been worn for a week, in pots in the back yard, "to get ‘em clean."  
Killing germs was not in their vocabulary, but that is what they'd were doing. Ask that little old gal who was out in the yard, stirring the clothes around in boiling water, over an open fire, "How are you doin’?"  
                            "Caint Complain, " she would invariably say.
WHY couldn't they'd complain? Where did their tenacity come from?
Where did that philosophy of not complaining come from?
Where did they find the resolve to place dire, critical deprivation, hard labor and malnourishment behind them and place a smile on their faces and say
                                Caint Complain?

I knew some of those people when they had grown very old and faced birthdays in their late nineties. Without exception, they had the sweetest dispositions, most grateful hearts, kindest words and calmest old ages of any among the many I have known who reached that age!
When the pressures of their life had faded and they had nothing remaining that had to be done except to live out the final part of their life, they did not have a habit of complaint.
Some recent phone calls I have received were what prompted me to think about this. One right after another, friends called and for the first ten minutes of each call, I listened to a long list of complaints about the trials and travails my dear friend was suffering.
Each friend has: no financial worries, a wonderful primary care doctor, prescriptions to keep their heart pumping, eyes seeing, brain focusing, stomach digesting and body sleeping, each night.
They are protected from financial ruin, by medicare and/or HMO, social security checks, pensions, savings and inherited wealth. They have loving, devoted sons, daughters, nieces and nephews who keep in touch and are there for them.
They each one have lovely heated and cooled homes, apartments or condos with every convenience known to Americans; cars or taxi/bus services to get them out and around. More than that, each has beautiful memories which they can call upon to bring a smile to their face at any moment of the day or night. But somehow we find plenty to complain about.
Why haven't we formed the habit of Caint Complain?
Maybe the philosophy of always seeking more comfort, more possessions, more money, more- more- more- of everything, has driven us to achieve, accumulate and accomplish but it required us to never know what the word contentment means.
Contentment doesn't mean having everything at one’s fingertips. It doesn't mean lacking nothing. It certainly doesn't mean every dream and desire fulfilled.

Yet there are many who have enough of everything except the common sense to know when they really "Caint Complain."
Happiness is a fleeting moment of joy. Contentment is finding peace in what you have, what you are and what you have accomplished.
Having the serenity to know which one brings lasting goodness into your life is wisdom.
A SMILE IS THE KNIFE GOD GAVE US TO CUT THE SIZE OF OUR TROUBLES DOWN TO A BEARABLE LOAD.    
Lots of love and hugs, Phyllis
I.

  When to the common rest that crowns our days,
  Called in the noon of life, the good man goes,
  Or full of years, and ripe in wisdom, lays
  His silver temples in their last repose;
  When, o'er the buds of youth, the death-wind blows,
  And blights the fairest; when our bitter tears
  Stream, as the eyes of those that love us close,
  We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:

II.

  And therefore, to our hearts, the days gone by,--
  When lived the honoured sage whose death we wept,
  And the soft virtues beamed from many an eye,
  And beat in many a heart that long has slept,--
  Like spots of earth where angel-feet have stepped--
  Are holy; and high-dreaming bards have told
  Of times when worth was crowned, and faith was kept,
  Ere friendship grew a snare, or love waxed cold--
Those pure and happy times--the golden days of old.

III.

  Peace to the just man's memory,--let it grow
  Greener with years, and blossom through the flight
  Of ages; let the mimic canvas show
  His calm benevolent features; let the light
  Stream on his deeds of love, that shunned the sight
  Of all but heaven, and in the book of fame,
  The glorious record of his virtues write,
  And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.

IV.

  But oh, despair not of their fate who rise
  To dwell upon the earth when we withdraw!
  Lo! the same shaft by which the righteous dies,
  Strikes through the wretch that scoffed at mercy's law,
  And trode his brethren down, and felt no awe
  Of Him who will avenge them. Stainless worth,
  Such as the sternest age of virtue saw,
  Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.

V.

  Has Nature, in her calm, majestic march
  Faltered with age at last? does the bright sun
  Grow dim in heaven? or, in their far blue arch,
  Sparkle the crowd of stars, when day is done,
  Less brightly? when the dew-lipped Spring comes on,
  Breathes she with airs less soft, or scents the sky
  With flowers less fair than when her reign begun?
  Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?

VI.

  Look on this beautiful world, and read the truth
  In her fair page; see, every season brings
  New change, to her, of everlasting youth;
  Still the green soil, with joyous living things,
  Swarms, the wide air is full of joyous wings,
  And myriads, still, are happy in the sleep
  Of ocean's azure gulfs, and where he flings
  The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.

VII.

  Will then the merciful One, who stamped our race
  With his own image, and who gave them sway
  O'er earth, and the glad dwellers on her face,
  Now that our swarming nations far away
  Are spread, where'er the moist earth drinks the day,
  Forget the ancient care that taught and nursed
  His latest offspring? will he quench the ray
  Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?

VIII.

  Oh, no! a thousand cheerful omens give
  Hope of yet happier days, whose dawn is nigh.
  He who has tamed the elements, shall not live
  The slave of his own passions; he whose eye
  Unwinds the eternal dances of the sky,
  And in the abyss of brightness dares to span
  The sun's broad circle, rising yet more high,
  In God's magnificent works his will shall scan--
And love and peace shall make their paradise with man.

IX.

  Sit at the feet of history--through the night
  Of years the steps of virtue she shall trace,
  And show the earlier ages, where her sight
  Can pierce the eternal shadows o'er their face;--
  When, from the genial cradle of our race,
  Went forth the tribes of men, their pleasant lot
  To choose, where palm-groves cooled their dwelling-place,
  Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.

X.

  Then waited not the murderer for the night,
  But smote his brother down in the bright day,
  And he who felt the wrong, and had the might,
  His own avenger, girt himself to slay;
  Beside the path the unburied carcass lay;
  The shepherd, by the fountains of the glen,
  Fled, while the robber swept his flock away,
  And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.

XI.

  But misery brought in love--in passion's strife
  Man gave his heart to mercy, pleading long,
  And sought out gentle deeds to gladden life;
  The weak, against the sons of spoil and wrong,
  Banded, and watched their hamlets, and grew strong.
  States rose, and, in the shadow of their might,
  The timid rested. To the reverent throng,
  Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;

XII.

  Till bolder spirits seized the rule, and nailed
  On men the yoke that man should never bear,
  And drove them forth to battle. Lo! unveiled
  The scene of those stern ages! What is there!
  A boundless sea of blood, and the wild air
  Moans with the crimson surges that entomb
  Cities and bannered armies; forms that wear
  The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.

XIII.

  Those ages have no memory--but they left
  A record in the desert--columns strown
  On the waste sands, and statues fallen and cleft,
  Heaped like a host in battle overthrown;
  Vast ruins, where the mountain's ribs of stone
  Were hewn into a city; streets that spread
  In the dark earth, where never breath has blown
  Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways--the Cities of the Dead:

XIV.

  And tombs of monarchs to the clouds up-piled--
  They perished--but the eternal tombs remain--
  And the black precipice, abrupt and wild,
  Pierced by long toil and hollowed to a fane;--
  Huge piers and frowning forms of gods sustain
  The everlasting arches, dark and wide,
  Like the night-heaven, when clouds are black with rain.
  But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.

XV.

  And Virtue cannot dwell with slaves, nor reign
  O'er those who cower to take a tyrant's yoke;
  She left the down-trod nations in disdain,
  And flew to Greece, when Liberty awoke,
  New-born, amid those glorious vales, and broke
  Sceptre and chain with her fair youthful hands:
  As rocks are shivered in the thunder-stroke.
  And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.

XVI.

  Oh, Greece! thy flourishing cities were a spoil
  Unto each other; thy hard hand oppressed
  And crushed the helpless; thou didst make thy soil
  Drunk with the blood of those that loved thee best;
  And thou didst drive, from thy unnatural breast,
  Thy just and brave to die in distant climes;
  Earth shuddered at thy deeds, and sighed for rest
  From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.

XVII.

  Yet there was that within thee which has saved
  Thy glory, and redeemed thy blotted name;
  The story of thy better deeds, engraved
  On fame's unmouldering pillar, puts to shame
  Our chiller virtue; the high art to tame
  The whirlwind of the passions was thine own;
  And the pure ray, that from thy ***** came,
  Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;

XVIII.

  And Rome--thy sterner, younger sister, she
  Who awed the world with her imperial frown--
  Rome drew the spirit of her race from thee,--
  The rival of thy shame and thy renown.
  Yet her degenerate children sold the crown
  Of earth's wide kingdoms to a line of slaves;
  Guilt reigned, and we with guilt, and plagues came down,
  Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.

XIX.

  Vainly that ray of brightness from above,
  That shone around the Galilean lake,
  The light of hope, the leading star of love,
  Struggled, the darkness of that day to break;
  Even its own faithless guardians strove to slake,
  In fogs of earth, the pure immortal flame;
  And priestly hands, for Jesus' blessed sake,
  Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.

**.

  They triumphed, and less ****** rites were kept
  Within the quiet of the convent cell:
  The well-fed inmates pattered prayer, and slept,
  And sinned, and liked their easy penance well.
  Where pleasant was the spot for men to dwell,
  Amid its fair broad lands the abbey lay,
  Sheltering dark ****** that were shame to tell,
  And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.

XXI.

  Oh, sweetly the returning muses' strain
  Swelled over that famed stream, whose gentle tide
  In their bright lap the Etrurian vales detain,
  Sweet, as when winter storms have ceased to chide,
  And all the new-leaved woods, resounding wide,
  Send out wild hymns upon the scented air.
  Lo! to the smiling Arno's classic side
  The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.

XXII.

  Still, Heaven deferred the hour ordained to rend
  From saintly rottenness the sacred stole;
  And cowl and worshipped shrine could still defend
  The wretch with felon stains upon his soul;
  And crimes were set to sale, and hard his dole
  Who could not bribe a passage to the skies;
  And vice, beneath the mitre's kind control,
  Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.

XXIII.

  At last the earthquake came--the shock, that hurled
  To dust, in many fragments dashed and strown,
  The throne, whose roots were in another world,
  And whose far-stretching shadow awed our own.
  From many a proud monastic pile, o'erthrown,
  Fear-struck, the hooded inmates rushed and fled;
  The web, that for a thousand years had grown
  O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.

XXIV.

  The spirit of that day is still awake,
  And spreads himself, and shall not sleep again;
  But through the idle mesh of power shall break
  Like billows o'er the Asian monarch's chain;
  Till men are filled with him, and feel how vain,
  Instead of the pure heart and innocent hands,
  Are all the proud and pompous modes to gain
  The smile of heaven;--till a new age expands
Its white and holy wings above the peaceful lands.

XXV.

  For look again on the past years;--behold,
  How like the nightmare's dreams have flown away
  Horrible forms of worship, that, of old,
  Held, o'er the shuddering realms, unquestioned sway:
  See crimes, that feared not once the eye of day,
  Rooted from men, without a name or place:
  See nations blotted out from earth, to pay
  The forfeit of deep guilt;--with glad embrace
The fair disburdened lands welcome a nobler race.

XXVI.

  Thus error's monstrous shapes from earth are driven;
  They fade, they fly--but truth survives their flight;
  Earth has no shades to quench that beam of heaven;
  Each ray that shone, in early time, to light
  The faltering footsteps in the path of right,
  Each gleam of clearer brightness shed to aid
  In man's maturer day his bolder sight,
  All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.

XXVII.

  Late, from this western shore, that morning chased
  The deep and ancient night, that threw its shroud
  O'er the green land of groves, the beautiful waste,
  Nurse of full streams, and lifter-up of proud
  Sky-mingling mountains that o'erlook the cloud.
  Erewhile, where yon gay spires their brightness rear,
  Trees waved, and the brown hunter's shouts were loud
  Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;

XXVIII.

  And where his willing waves yon bright blue bay
  Sends up, to kiss his decorated brim,
  And cradles, in his soft embrace, the gay
  Young group of grassy islands born of him,
  And crowding nigh, or in the distance dim,
  Lifts the white throng of sails, that bear or bring
  The commerce of the world;--with tawny limb,
  And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.

XXIX.

  Then all this youthful paradise around,
  And all the broad and boundless mainland, lay
  Cooled by the interminable wood, that frowned
  O'er mount and vale, where never summer ray
  Glanced, till the strong tornado broke his way
  Through the gray giants of the sylvan wild;
  Yet many a sheltered glade, with blossoms gay,
  Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.

***.

  There stood the Indian hamlet, there the lake
  Spread its blue sheet that flashed with many an oar,
  Where the brown otter plunged him from the brake,
  And the deer drank: as the light gale flew o'er,
  The twinkling maize-field rustled on the shore;
  And while that spot, so wild, and lone, and fair,
  A look of glad and guiltless beauty wore,
  And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:

XXXI.

  Not unavenged--the foeman, from the wood,
  Beheld the deed, and when the midnight shade
  Was stillest, gorged his battle-axe with blood;
  All died--the wailing babe--the shrieking maid--
  And in the flood of fire that scathed the glade,
  The roofs went down; but deep the silence grew,
  When on the dewy woods the day-beam played;
  No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.

XXXII.

  Look now abroad--another race has filled
  These populous borders
Cné May 2018

Poetry comes back to me
where long there had been none.
Lyrical, the imagery, once shared
and then was done.

Thoughts of such sincerity
in words that grace the page,
Race across the span of time
that bridge the gap of age.

Trusting in the ardor that
has cooled and healed with time,
I read again the tender lines
of kindred souls, in rhyme.

Oh spirit of another age,
reach out from time and space.
Fan the embers turned to ash
and torpid ruin replace.

Mateuš Conrad Aug 2018
. give me enough *****, lime juice and pepsi, the right song, and i will show you a control-environment psychotic episode...

sometimes, it's not about what you
know, versus who you know -
notably? when you're aiming at knowing
yourself...

      and psychosis?
   the synthesis of a soul while within
the confines of a body?
       one such example is walking
under two street lamps,
and spotting two shadows,
   immediately investigating,
whether or not, someone is walking
behind you, with a stalking
proclivity...

  you turn around -
  nothing but a hallowing voice
on the slightest of breezes -
the kind that barely motivates
branches to bow...

       - everyone knows that
the italians are famous for their pasta,
just like the french are, for their buns...
some Pakistani makes a joke
about the western love for cabbage...
esp. pickled cabbage -
mashed up with wild mushroom
to make up the filling for slavic
dumplings...

       sure... how's the turmeric?
i've been dying for the turks
working in kebab shops
to elevate the lamb doner (kebab)
using pickled cabbage -
  like they might use pickled
chillies -
       oh look... both are muslims -
the Ottoman's might have
figured out the southern slavic
palette, having occupied
the Balkans...

          we do more with potatoes
than a mere boiling down
to, what could never become an Irish
famine...
   first?
     there's the *****...
    nothing quiet unlike the whiskey
perfumery of pict-land of Scotland...

     Silesian potato doughnuts -
usually served with a cabbage radish -
pickled -
          and a thick pseudo-Hungarian
sauce...
   the potatoes are boiled,
then mashed,
   then sliced into 4 portions,
1/4 is moved aside,
      potato flower is added in equal
volume, and one egg...
   then it becomes mashed bashed
and given the skin
     tenderness of a drunk's wife's skin...
cut and molded into little doughnut
shapes,
   the index finger is inserted
into each one,
          and then each "infantry" member
is boiled,
till ready, i.e. floating on top
of the salted water...
             and there you have...
        Silesian potato doughnuts -

and there is a variant - potato hooves...
same ergonomics -
but instead of potato flower,
plain flower -
               i can't remember the proportions...
also boiled...
         but best cooled,
and subsequently fried -
for a crispness -
         mingled with honey
and something the Hindus know
that the Slavs also make -
     not exactly quark cheese -
   but getting there - more flaky...

    mind you...
   the whole out of Africa story?
   given that so many Roma live and trade
in Poland?
            perhaps having incorporated
the Africans into your pre- and post-colonial
nations, the genesis story would
begin with: out of Africa...
  
        and they swam across the mediterranean...
funny...
    you's sooner see a white competitor
in the 100m sprint final,
   than in the 100m final of
     the breast stroke / butterfly / etc. final...

no...
      i place my origins in India...
moving across the platitude of Siberia...
i have more in common with
Raj origin story... than i have anything
to do with: Zulu and the pinnacle
of Giza...

     i place my origins there...
         and those potato hooves?
they have a name in Italian...
       they're called gnocchi...
served with parmigiano-reggiano
       & pesto...
    never fried,
          and subsequently hardened -
next time i hear the cabbage
joke from some copper-skin
about a group's palette...
       having, actually enjoyed
the other group's palette?
             skin is a base no one works
from to make obsolete
     and redundant bigotry...
    we don't have to share
the same physiognomy...
  but sure as **** we can share
a meal;
        like among the russian drinkers...
i honestly quiet enjoyed
their dried fish ***-bits
to nibble on...
    because, whoever said that...
beer was to be accompanied by
peanuts?
It must have been thirty five years ago now,
I remember the kid as clear as day
His name was Eddie, or Timmy or something
Remember him clear as day, I think it was Eddie
Well, this kid was sure something
A true believer in his ability to play the game
He really loved it, ****** at it, but the desire
You could see it in them brown eyes of his
Or were they blue?, no matter...they might have been brown
Anyways, kid had desire, no talent, but desire
Played third base for me, thought he was a pitcher
But, he played third...that I'm sure of
He didn't have speed enough to move anywhere else
And I think he was blind in his right eye,
So, he could only move left
Good kid, Timmy or Eddie
Had an arm like a rocket
the ball would just explode out of his hand
I never knew where it was going
And truthfully, I don't think he did either
But, wow....it went fast, wherever it ended up
Kid actually made it rain one day
Just because he threw the **** ball so high into the clouds
He was trying to throw to first, but hell, it went high
Always smiling this kid, always...
don't know if he was just happy
Or if his jaw hadn't grown right for his teeth,
But, he was always smiling
couldn't hit worth a ****, had a nice swing
But, that blind eye....couldn't see a pitch until it hit him
Cooled us down on the bench though
Made a hell of a breeze when he swung
He was good for that,
lots of wind from Eddie, or Timmy
He did get a hit once or twice, I remember that
Scared us, scared him too I imagine
But, he did hit it, and it did go a long way
Problem was it happened so infrequently
He always forgot to run
And when he did, he ran like a duck
*** wobbled all over, arms flailing, head still
Quack, Quack...run Eddie, I'd yell
He'd smile, and take off,
couldn't see where he was going
But he'd run....and he'd stop only when he felt like it
I remember he was Mexican looking, or Spanish
There, brown eyes...knew I'd remember
anyways, he got called out for swearing once
Knocked the **** cover off the ball
then he stood there and watched it go
By the time he started to run,
He'd Holy ******* at least three times
And got tossed by the umpire
I argued, but, the ump would draw the line at two
Three holy *****...that's a little much
But, he knocked that ball into the next county
He'd probably throw it there too if he tried
The kid had desire, no talent,
but a smile and desire
Got tossed after striking out once too
Struck out a lot, once he let loose with a barrage
And I mean a barrage of swear words ....In Italian no less
I always thought the kid was Mexican or Spanish or something
But, he swore in Italian in front of an Italian ump
Poor kid, three holy ***** in another language
And he got tossed,
If I could get him to stop at two....he'd be fine
Eddie was a good kid, I liked him
He tried, he smiled, and he was terrible
couldn't hit water if he fell out of a boat
But he didn't care, and neither did I
But, Eddie, or Timmy, whoever he was
Was a good kid,
I hope he remembers me as fondly as I do him.
Simon Clark Aug 2012
CHRISTMAS PARADISE

The table was filled with lots of things to eat,
Mince Pies, Stuffing, Turkey and many other meats,
A candle in the centre to flicker out its gold,
A special time for all of us to cherish and to hold.

Everyone pulls a ******* and wears their hats with pride,
As they sit around the burning logs warming all inside,
But through the window they can see a chestnut skating on the ice,
It tries to break through the frozen sheet to a Christmas paradise.

The singers are singing their tunes of Christmas dreams,
So that everybody's hearts and eyes can gleam,
The ribbon that will lie stretched out across the floor,
Will be forever engraved to our minds and deep within our core.

From every house along their street giggling can be heard,
And silent prayers are spoken but God hears every word,
To sprinkle merriment upon their place if only for one day,
So that they can celebrate Christmas in their own special way.

ONE ENCHANTED DAY

I looked from the window on a misty Christmas morn,
The fog was thicker than it had ever been before,
It was cold and quiet and all around my house,
Nothing appeared cheerful not even the decorated tree,
The fairy she looked glumly down,
And the baubles hung their heads in shame,
The tinsel draped all carelessly among the fading lights,
Above the fire there stood one solitary card from someone I once knew.

Around the foot of my Christmas tree not a gift awaited me,
Santa forgot to visit and it all seems so lonely,
I was beginning to despair that this was just another day,
But along came an angel and this she said to me,
I'll give you a tree with decorations so bright and a mantle full of cards,
If you'll enjoy this special day with every inch of your heart,
And so now my Christmas is full of cheer, saved from heartbreak and despair,
I thank the moon and all the stars for my one enchanted day.

SANTA HOPPED ONTO HIS SLEIGH

Santa hopped onto his sleigh with his sack of treats,
Working hard and happy to deliver to the streets,
He carried with him gifts of gold, gifts of card and gifts of cheese,
In answer to the kiddies� wishes for around their Christmas trees.

Santa hopped onto his sleigh pulled by Reindeers strong,
There was Comet and there was Blitzen on his journey long,
Rudolph led the team of merry deer, his nose a shiny red,
While Santa glided down the chimneys - the children still in bed.

Santa hopped onto his sleigh running as fast as he could,
With Donner, Dancer and ***** he knew they'd do what they should,
Old Dasher and Reindeer Cupid flew Santa to the skies,
So that to every little girl and boy he could bring a surprise.

Santa hopped onto his sleigh with thoughts for everyone,
He knew he had to finish soon as he saw the rising sun,
High into the clouds they soared leaving only a jangling bell,
Removing all traces of his presence so that no one on Earth could tell.

SPARE A THOUGHT

As you sit there feeding your face full of seconds and thirds,
And opening gifts that you may not deserve,
There is a place where Santa won't go,
The doorways and steeples with people freezing below,
They only know its Christmas because the streets are so bare,
But on this day of happiness - who will show them some care?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

As we sit here laughing and falling asleep before the screen,
And eating lots more pudding - some with extra cream,
There is a place where Reindeer won't tread,
In the shelters and the hideaways filled with loneliness and dread,
They heard about a Christmas in a "once upon a time",
But on this day of indulgency - who will put their own greed on the line?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

As you secretly think of the things Christmas didn't bring to you,
And thinking of seasonal games for you to play and do,
There is a place so lost that Santa cannot find,
Just a box of cardboard where hope gets left behind,
They were told that Christmas was just around the corner,
It's a day that never comes - who will stand and be more than a mourner?

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

So spare a thought this Christmas, spare a thought please do,
Spare a thought this Christmas for those less fortunate than you.

STOCKINGS

Timmy had a stocking hung from his bedroom door,
He wished that it be filled with things he'd never had before,
Maybe a toy soldier beating his drum,
Maybe a model sailor drinking his bottle of ***,
He hoped for a motorcar that could speed around his house,
Or maybe a cuddly toy the image of Mickey Mouse.

He hoped that Father Christmas would bring something for his mum,
Maybe a freshly baked cake or something filled with plum,
A brand new box of magic tricks for my brother Sam,
And a gift for dad to show how grateful I really am,
And Timmy hoped that his dog wouldn't be missed out,
Cause Rover would be sad and blue on Christmas day, no doubt.

Timmy was always thinking of others not only of himself,
That�s why he left a small token for Santa on the shelf,
There was plate filled with cookies - the ones with the choc-chip,
And there was some brandy to keep out the cold - just a little nip,
He also left a bag of many little snacks,
For all the hungry reindeer that'd help fly Santa back.

THE MEANING OF THIS CHRISTMAS

As you huddle beneath your Christmas tree,
Amidst a flame of warmth,
Opening presents, sharing presents, and sharing laughter too,
Remember the meaning of this Christmas is love and joy - peace, happiness for you.

Try to know the story of a baby that was born,
In a manger bed from a woman pure as snow,
Her husband he watched lovingly,
As he calmly cooled her brow.

On that starry night three wise travellers appeared,
Bearing gifts of golden wonder,
Without a need for return,
They sought only a moment with a new life that to this Earth He placed.

And now two thousand years away,
Let's try to recall the message of Christmas,
As we fill our plates with plenty - turkey and chocolate treats,
Singing carols and dancing alive with glee.

Try not to be contented with an overwhelming greed,
Look within your heart and see what you really need,
Is it music? Is it toys? Is it the latest craze?
Learn to embrace a loved one without a possession haze.

Hear the silent footsteps of the men, who travelled all night,
See the snowflakes drifting down from the heavens above,
A reminder to us all,
The meaning of this Christmas my dear, it must be love.

THE ROBIN

Is it the distant whisper of a thousand tiny bells?
Or is it the carolling that tells us when it starts?
I wish for the knowledge from many wishing wells,
I now know when Christmas arrives from the beating of my heart.

It's the day when first you see a robin perched upon a tree,
When you hear his little chirping from a snow covered branch,
You'll see his red breast moving in time with your heartbeat so free,
Be it snowy, be it wet, be it sunny, be it cold - I'll know from the robin on my ranch.

He comes my way each Christmas week and settles in his nest,
It's then I'll know that my sweet family will arrive,
And bring with them such hilarity that makes me truly blessed,
So I raise up my eyes to God and give thanks that I'm alive.

THE SNOWMAN COMES TO LIFE

Little Josephine spent yesterday outside,
She darted through the streets feeling snow under foot,
Her face shone out delight; her smile couldn't hide,
Nothing could ***** the blanket of white not even the blackness of soot,
So she found a silent spot, a space open wide,
A place to build her snowman, where he could always stay put.

She built him high and tall, as tall as her legs would allow,
She made him round and whole with a face that looked so proud,
Now the snow had settled down, it lay upon the bough,
She drew his eyes from coal and a mouth to laugh aloud,
She gave him nose of carrot, hat and scarf but darkness fell and go, she had to now,
She told the snowman she'd return tomorrow, this with crossed heart she vowed.

Home she ambled to her sleepy room to lay down her sweet head,
In her silent sleep that night the wondrous dreams she had,
She saw her snowman come to life and dance, not sit, around instead,
She watched him smile and seeing him fly - it all just made her glad,
In her books and stories a tale like this she'd never read,
She knew it was a dream yet she wasn't sad, the visions she saw were good - not bad.

Little Josephine returned the very next day,
Her snowman was gone the sunshine was here,
Her eyes welled up - her tongue no words to say,
The hat and scarf still on the ground showed nothing was to fear,
For in her mind she knew he'd visit - he would find a way,
If he couldn't get back inside, she'd made memories to recall each and every year.

TWO LOVERS HOLDING HANDS

Two lovers holding hands across the table,
Share this Christmas time,
Something simple no fancy foods,
Not concerned with wine,
They focus on the laughter, on the pleasure of this day,
As their smiles intertwine.

They take an elegant candle and place it in the mud,
They light the wick and out its fire shines bright,
There material belongings for which they will not care,
As they rest their heads on the carpet of endless white,
Holding each other tight they'll gaze beyond the stars,
Nothing will matter as their souls become one this Christmas night.

Two lovers holding hands for eternity,
Sharing each Christmas time,
Something precious and something true,
No concerns for design,
They focus on the sharing, on the wonder of each day,
As their lives will suddenly be defined.
Written in 2004
Corey J Grace Dec 2013
There are moments in life.
Then there are moments, in life.
It's a gift to know exactly when
you discovered what love really is.
It was laying ear to ear with you,
So quiet I can almost hear your thoughts.
Cheeks pressed together,
yours so much softer than mine.
Laying, our backs on the cooled pavement
watching the sky spread out,
and the world roll over.
It's knowing I see you in a way few if any will.
A beauty that stretches past words.
Unfindable in any magazine or movie.
A living breathing diamond.
Intangible and unequaled.
It was the late night rides with the windows down.
The heat of the day dying on the breath of the wind.
The entire air charged with nostalgia.
Full of thoughts of friends and memories and feelings.
Watching the headlights cut the darkest parts of the night.
Thinking I'd die before I could find a way
to explain exactly what you mean to me,
but knowing I'd never be so happy to try for the rest of life itself.
I wrote this a considerable time ago, but never posted this to the site.
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
George Li Feb 2011
My passions have cooled.
My heart has become hard to be moved.
I walk my route
and maintain my fine mood,
knowing that's one stage of my life with which I am through.
Fantasies of ***, smoking cigarettes,
romantic love,
experimentation with drugs.
I run these things through my head,
I realize I'd rather watch the sunset,
reminisce on parting, familial hugs instead,
before I forget another memory yet.
Mateuš Conrad Feb 2016
you know, on that N86 bus listening to dikanda's
https://goo.gl/OAUjMe (ketrin ketrin),
while going to the brothel, where i kissed *****'s
eyelid skin i turned my heart into a lung...
and it burst akin to muscled stress of the softer tissue,
by heart was the black horse of the race...
she would only be worth £110 an hour...
but in my heart... a lifetime... so classical fm is
asking for three songs to be enlisted in the hall of fame
here are my three:
1. something to think about (christopher young) -
   hellraiser ii,
2. no time for caution (hans zimmer) -
    interstellar,
3. spectres in the fog (hans zimmer) -
     the last samurai, competing with
(4. any other name (thomas newman) -
     american beauty,
and....
5. carpe diem (maurice jarre) -
     the dead poets' society);
i always found classical music invoked
by fast image exchange most adhering
to a modern public... after all...
the notes written down are transliterated
from moving geometries
asking for a human face...
that one abstraction leaving another created...
so enriched we can be living and leaving here,
but leave and live here cradled and crawling
and nothing more than an attempt for
a crafted shawl of woollen care...
assuredly we were the blank canvas,
when the sheep and lion were clothed...
the lizard inwardly having its blood cooled...
and we the mediators...
to evolve from an origin of such biological diversity?
why will darwinism claim to be a humanism
and let no humanism in?!
if darwinism branched from science for a populism
of understanding prepositions as propositions
(given that propositions are allowed expression
with far many more complex words than prepositions,
given the former are deemed a nature or origin
and the latter a nature of coordination)
why allow it a humanistic simplicity
and complicate humanism to a non-expression's
extent of a complexity? darwinism cannot grasp
humanism's complexity per se, for each its own per se
allowance... darwinism cannot relate to humanism,
since humanism deals with the one diluted into the many,
while darwinism deals with the many concentrated into
the one:
and noting the varied dimensional usage of pronouns,
the singular (engaging), the singular (disengaging),
the plural (effective), the plural (ineffective),
to use but a few among others... how would a self,
as either realistically concerned or as expressed
in an atlas pose when one individual speaks of a species
to ever survive... to speak of humanity per se,
is to not speak of being human per se (a self),
but as if under a constant threat from either internal
or external stimuli, it's to speak as if human
but hardly being human... darwinism only said
in simpler terms 1 = ~∞ 0 1 (one equals
approximately infinity denying one... expressed
further: one equals approximately infinity denying
oneness, hence ethnicity, hence disparity,
the infinite approximate is due to the no. of equally
represented identities of reflection as one's akin
in historical content for a vanity representation
of ego) / although there's a parallel disparity:
1 = ∞ 0 ~1 (1 equals a reasonable infinity
of the semblance collective, as approximated within
one's own constitution, denied by the constitution
of the semblance collectivised denying 1 its
oneness by a division, into pop. psychology
of subconscious, unconscious, ulterior and posterior
assembling of identification in order to relate
a concrete un-divisible one, to a oneness
of ~∞ 0 ∞†, whether governed by animate or inanimate
things, worthy of either representing
∞ = 0 ~1, or ~∞ = 0 1 (infinity equating itself to
a denial of an approximation of one,
or approximate infinity equating itself to a denial
of one) - by most standards a collective power
increases, while an individual coercion with
such increase in power is diluted to mediocre representation
of what was once hoped for to be an individual...
as worded: i'm about to inherit a pickaxe, an igloo,
a herd of sheep, a land arable for regular hunts
to provide sustenance, but as i said, the oddity
of increasing vocabulary as body-building index muscle,
will hardly teach you the physics of quanta in
the realm of modulating grammar,
on the basic basis of grammatical as
a method of de-categorisation one word from it being
named, to it being acted upon as a termed way of
walking (differently), or otherwise.

†a bit much for me, an alfred jarry moment
at the end of dr. faustroll's opinions and exploits...
papa **** got the dangling essence of things:
je suis jarry among the je suis cherub charlies,
if poet does not appreciate other artistic mediums
he can't mediate them,
poetry is supposed to mediate all artistic expression
with platonic criticism... it's supposed to mediate,
with poets appreciating each and every craft...
whether sculpture we scrap metal stolen from a park,
or whether an oil canvas be worth as much as toilet
paper when the painter is alive, and millions more
when he's dead.. we need gravity a demanding
drama to extend drama into grammar...
poets have to become the middle-men of haggling,
they need to appreciate art in an elitist way
in order that art can't become genealogically defining,
like dramatics of the theatre lost between idols
of 1950s screening compared to idols of 19'90s screening...
we need poets as the glue stuck to every output...
we need to appreciate all art other than their own
to discover their own... we can't have the mindless
jealousy bribe us to reconcile composition,
so that poet against poet is still writing poetry...
he isn't... he's writing a polemic... and that's hardly
a dialogue... it's a mortifying analogue of monologue...
and we don't want poetry to be such a belittling
circumstance of the original intent of practice,
why would a poet's rarity be reduced to
a market blasphemy of ultra-eloquent speech
in order that it might be used to scold?
why the jealousy? why?! it reeks of revenge
that only requires a Darwinism to include it,
as sustainable and necessary,
too many monkeys to create a single man...
too many difference in man from continental span
of africa, to asia... to even bother a standing ovation
origination in genetic scrip of a chimpanzee...
script wants man to be genetically above
a genetic script of a banana numbering more genes
that itself... the biodiversity of monkey
is akin to man... why would the two chiral statues
suddenly become gemini of explanation?
it all fits... but it stinks...
well, whatever that was... it's the pride of a language
that keeps darwinism alive...
but theology is closer to humanism than darwinism...
it's a compound logic, darwinism ends with with an ism,
an empiricism... and the only logic accounted for
is a logic of repeat... just look at the forms of these words...
formulated by L and Γ (origin of the kabbalistic interpretation
of allah)... keep the prefix akin to a suffix composed to
an enclosure... theology provides the better logistics
of expressing being human than an empiricism
known to be darwinism... after all a -logy tends to
repeat a systematic use of words...
empiricism a systematic use of facts...
easier to become bored of facts than words.
Can I explain this to you? Your eyes
are entrances the mouths of caves
I issue from wonderful interiors
upon a blessed sea and a fine day,
from inside these caves I look and dream.

Your hair explicable as a waterfall
in some black liquid cooled by legend
fell across my thought in a moment
became a garment I am naked without
lines drawn across through morning and evening.

And in your body each minute I died
moving your thigh could disinter me
from a grave in a distant city:
your ******* deserted by cloth, clothed in twilight
filled me with tears, sweet cups of flesh.

Yes, to touch ******* made us worlds
stars, waters, promontories, chaos
swooning in elements without form or time
come down through long seas among sea marvels
embracing like survivors in our islands.

This I think happened to us together
though now no shadow of it flickers in your hands
your eyes look down on ordinary streets
If I talk to you I might be a bird
with a message, a dead man, a photograph.
So winter closed its fist
And got it stuck in the pump.
The plunger froze up a lump

In its throat, ice founding itself
Upon iron. The handle
Paralysed at an angle.

Then the twisting of wheat straw
into ropes, lapping them tight
Round stem and snout, then a light

That sent the pump up in a flame
It cooled, we lifted her latch,
Her entrance was wet, and she came.
Zoe Green Dec 2014
I was a hot cup of water

Freshly set on the wooden table

You the sweet, dark leaves

That floated past the steam

The minutes pass

And though I became dark

I was so much more

Just you and me, sweet tea

But we cooled

You, spooned out

I, quietly drank

and

it

was

all

gone
rhiannon Mar 2019
Once upon a time there was a special girl called Sonya Randall. She was on the way to see her Dad Tristan Godfrey, when she decided to take a short cut through Hyde Park.

It wasn't long before Sonya got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Laura, but Laura was nowhere to be found! Sonya began to panic. She felt sure she had packed Laura. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a naughty Uni-pug dressed in a blue dungarees disappearing into the trees.

"How odd!" thought Sonya.

For the want of anything better to do, she decided to follow the peculiarly dressed Uni-pug. Perhaps it could tell him the way out of the forest.

Eventually, Sonya reached a clearing. In the clearing were two houses, one made from peas and one made from cakes.

Sonya could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

"Hello!" she called. "Is anybody there?"

Nobody replied.

Sonya looked at the roof on the closest house and wondered if it would be rude to eat somebody else's chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Sonya a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Laura!

"Laura!" shouted Sonya. She turned to the witch. "That's my toy!"

The witch just shrugged.

"Give Laura back!" cried Sonya.

"Not on your nelly!" said the witch.

"At least let Laura out of that cage!"

Before she could reply, the naughty Uni-pug in the blue dungarees rushed in from a footpath on the other side of the cleaning.

"Hello Big Uni-pug," said the witch.

"Good morning." The Uni-pug noticed Laura. "Who is this?"

"That's Laura," explained the witch.

"Ooh! Laura would look lovely in my house. Give it to me!" demanded the Uni-pug.

The witch shook her head. "Laura is staying with me."

"Um... Excuse me..." Sonya interrupted. "Laura lives with me! And not in a cage!"

Big Uni-pug ignored her. "Is there nothing you'll trade?" he asked the witch.

The witch thought for a moment, then said, "I do like to be entertained. I'll release him to anybody who can eat a whole front door."

Big Uni-pug looked at the house made from cakes and said, "No problem, I could eat an entire house made from cakes if I wanted to."

"There's no need to show off," said the witch. Just eat one front door and I'll let you have Laura."

Sonya watched, feeling very worried. She didn't want the witch to give Laura to Big Uni-pug. She didn't think Laura would like living with a naughty Uni-pug, away from her house and all her other toys.

Big Uni-pug put on his bib and withdraw a knife and fork from his pocket.

"I'll eat this whole house," said Big Uni-pug. "Just you watch!"

Big Uni-pug pulled off a corner of the front door of the house made from cakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Uni-pug started to get bigger - just a little bit bigger at first. But after a few more fork-fulls of cakes, he grew to the size of a large snowball - and he was every bit as round.

"Erm... I don't feel too good," said Big Uni-pug.

Suddenly, he started to roll. He'd grown so round that he could no longer balance!

"Help!" he cried, as he rolled off down a ***** into the forest.

Big Uni-pug never finished eating the front door made from cakes and Laura remained trapped in the witch's cage.

"That's it," said the witch. "I win. I get to keep Laura."

"Not so fast," said Sonya. "There is still one front door to go. The front door of the house made from peas. And I haven't had a turn yet.

"I don't have to give you a turn!" laughed the witch. "My game. My rules."

The woodcutter's voice carried through the forest. "I think you should give her a chance. It's only fair."

"Fine," said the witch. "But you saw what happened to the Uni-pug. She won't last long."

"I'll be right back," said Sonya.

"What?" said the witch. "Where's your sense of impatience? I thought you wanted Laura back."

Sonya ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from peas and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Sonya sat down on a nearby log.

"You fail!" cackled the witch. "You were supposed to eat the whole door."

"I haven't finished," explained Sonya. "I am just waiting for my food to go down."

When Sonya's food had digested, she broke off another piece of the door made from peas. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Sonya was down to the final piece of the door made from peas. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Sonya had eaten the entire front door of the house made from peas.

The witch stamped her foot angrily. "You must have tricked me!" she said. "I don't reward cheating!"

"I don't think so!" said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. "This little girl won fair and square. Now hand over Laura or I will chop your broomstick in half."

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Sonya hurried over and grabbed Laura, checking that her favourite toy was all right. Fortunately, Laura was unharmed.

Sonya thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Tristan. It was starting to get dark.

When Sonya got to Tristan's house, her Dad threw his arms around her.

"I was so worried!" cried Tristan. "You are very late."

As Sonya described her day, she could tell that Tristan didn't believe her. So she grabbed a napkin from her pocket.

"What's that?" asked Tristan.

Sonya unwrapped a doorknob made from cakes. "Pudding!" she said.

Tristan almost fell off his chair.

The End
Caroline Grace May 2010
A woman drew herself up from wrecked wood at the bottom of the ocean;
whispered sea-songs into the wistful ear of a long lost love;
shook her locks 'til his heart beat faster;
looked longer than she should into the deep pools of his pleading eyes.

"I will call you when I want to;
I will call you when I want."

Cooled his temples;
breathed her watery breath
as silvered beads streamed down his shocked skin.

                                       .......

Rumors rock an empty drifting boat;
a glazed shell faced with priceless pearl
broken from its moorings,
strangled by a knotted rope.

"You have not chosen me, but I have chosen you"

Hold fast the bestowed gift,
your Quinquireme of stowed treasure.
Protect its precious structure.
"Who are you, the one who stripped my soul?
Who is the third who stole yours?"  

                                          .........

B­roken from netting I lie
a beached starfish on burning sand,
wishing the waves to wash me
back through Time's receding current
to find the silence that once was;
to turn away before the sacrifice,
before the Eye of the storm.



copyright © Caroline Grace 2010
Mateuš Conrad Mar 2018
-
I: tonight! at the Oscars!

i really had to watch the whole show
twice, to convince myself of
something;
    the first time i watched it i was
as any usual idiot aspiring to
wow!
                      you know the usual
finesse,
             a bunch of humble people
with diamonds that belong
                                     to hades,
or at least the j. r. r. tolkien dwarves,
       and the masked king
          under the dome of the theatre
or rather:
           when does an actor, not act?
and i thought the mob
    that went to see ballet clapped
too much...
                        boy i had it coming
with this crowd...
                  these one-legged actors
seem to clap more than
    your typical pleb like me at
                       a ballet performance;
but this was only upon first sitting.

2nd sitting? ooh - a cringe (show
a face of constipation with closed eyes
and skidding mouth trying
to usher in the crin-  with a floating
                    -dg         - the d being
subtle) show...
                     the majority of americans
are of german descent, although
they speak english, right?
      and i thought english humour
was bad...
                        upon watching highlights
a 2nd time,
      i started smelling a rat...
         weinstein...
               sure, sure...
                          but who's that young
girl sitting next to guillermo del toro?  
      holding his arm as if clinging
to daddy issues - but hey!
               there's the aqua god hidden
somewhere in that bag of meat
               finely, finely attired!  
yeah... and i have an easter bunny
shoved up my ***,
                    and mother goose too!  
and black, so much black,
                 well, khaki doesn't cut it
really...
              but by watching the highlights
the second time
           it just felt like
     quote from the phantom tailor,
i.e. you hurt my feelings!
   chic? what's chic?
          chick-chicky-poo-brains...
        crass, man, absolutely crass...
     the absolute german joke:
    regarding the best picture
            award from last year...
              it just so happened that
the academy made a mistake between
a BLACK movie, and a musical...
     and in this years "ceremony"
            the hurt feelings had to be
appeased and what: the barbarian horde
expected was - but not on the last
minute whim...
            well, bull in a china shop,
     the closest i can come to the grace
of a balerina, is to curl my toes inward,
  and then stand up and walk the crow
walk... the opposite of how a gorilla
does the same with its hands.

***** please, don't confuse hans zimmer
with: are you sure that
   john williams isn't plagiarising
himself all the time?
           so, i came up with a new category,
the sort of guys
    who choose the music for such
films like baby driver...
                          can't argue that that
film is the ******* purely on the basis
of what soundtrack was behind it...
how about there's an oscar for those
music nerds?

II: i never follow the exact recipe -
    this is my body (pepper),
                          this is my blood (salt)
.


just 'ave a look at this:

ingredient list from
     two different recipes
     (a) epicurius.com
                      (b) pekishme.com
   (c) ... the hybrid

  (no measurements are to be given
in the later revealed hybrid
   as in the following two recipe
sources for a reason...
        i'll admit... the only branch
of chemistry i was good was
       organic: or rather - the i see) -
i've seen too many english women
sticking to "guidelines"
  and have seen at least two
marriages where a woman didn't
understand the concept of
       al dente, that later had to be
cooked to a nice chew in the sauce
after having rested in a seive
   drizzled with oil, prior to being
cooled with cold water to stop cooking...

                   A                                              B
butter          ­                                       fettuccine
breadcrumbs                                    cutterf­ish
fresh basil                                         shrimps
chopped fresh thyme                      clams
mussel                          ­                     white wine
water                                                 double cream
olive oil                                            onions
zucchini   ­                                         garlic
yellow summer squash                  thyme
red bell pepper                                oregano
garlic             ­                                    olive oil
shrimps                                            parmesan cheese
scallops
fettuccine

                                     C      
butter                                                
br­eadcrumbs                                    
                   ­                                         shrimps
                ­                      
mussel                                               white wine
                                                           double cream
olive oil                                            onions
           ­                                                garlic
                                                          ­ thyme
                                                           oregano

                                                        ­   parmesan cheese

fettuccine

and there are problems with reading two
recipes...
         e.g. you can't exactly use wine
and cream and also add
  zucchinil, yellow summer squash                  
& red bell pepper with these mild
sensations that are not balanced
akin to cream and wine (esp. white),
fresh basil? doesn't go with cream...
fresh thyme does go along with meat,
notably, lamb?

    dried thyme & oregano are
a match made in heaven...

      point being,
            the crucial aspect of fusing
recipe (a) with recipe (b)
  is the butter and breadcrumbs...
    you melt the butter and brown
the breadcrumbs in it...
    let them cool, and then sprinkle
them on the dish...
    you can also infuse the addition
of cream with parmesan,
  as you might also add extra on
top...
                 but the point of
recipe (a) crux is the breadcrumbs
mingling with everything
   in recipe (b) - but also with
what's essential in recipe (a) rubric.

III: code.

    for a while i forgot where you begin
writing html...
            blanked man, blanked...
     oh... right... in the notepad
and then you save the file under
   under index.htm
             with a sub-heading ALL TEXT...
but at this point it's really caveman
talk to me, the ones using the language
proficiently have been taught
by pioneers in the field,
            and it's not about wealth
distribution, but about knowledge...
  
e.g.
      <!DOCTYPE html>
<html>                         but why not <\html>?
<body>                         but why not <\body>?

<h1>me being late</h1>
<p>the first word is spelled mama, or gaga?</p>

</body>
</html>

           with those questions in italics
  i can't see no gate opening, nor closing
     subsequently with <h1> and <p>,
               apparently the gates
    are always open and there needs
               to a constant flow through them.

sure, smart, but dumb at the same time;

because i can tell you,
i once had an "I.T" "teacher" in my youth,
charged 20 quid an hour,
and all he managed to "teach" me
was how to change the, ******* screenshot!

it's not exactly true what they say
about teachers... it's not that if you can't
do, you teach... the darker side is:
                       you scam.

IV: ✡.

       there is no such thing as a "secret"
among the rich,
    as there certainly isn't such a thing
as a "conspiracy" among the poor.

V: the croydon cat-killer.

this isn't even an urban myth told
in thailand by hippies...
        let me tell you,
          when you spot a decapitated
cat, lying on the street while
walking at night,
   and you've read about where
this story originated, i.e. croydon
you start to start looking
   for that pathetic sadist...
   thinking to yourself:
           well, and we met, would
you have the ***** to do that to me?
  i'm gagging for a chance encounter,
just to see the ****** breakdown
upon trying to move to an upper
tier of this depraved practice.
Zane McHarris Oct 2014
Every Sunday they would play, dancing on water,
Skidding across the ripples, and climbing up together
Two skiers fall in love, I for her,

And she for another, a friend to both.
Coveting what we wished was ours.
Idly on the shore I stood

Where The water cooled my feet
Watching how she watched,
how she chased

with a smile, I'd have given anything to make.
When the object of her eye, fell
Hard into angels' arms,

And nineteen turns around the sun
Was all that he would have
She cried, and her tears broke my heart

We both lost a friend that day,
But what hurt me most
Was how I knew she'd have never cried like that

If it had been me who fell
And so inside I said, I wish I could have traded fates
So for once I'd have made her smile stay
I'd love feedback
Thomas Newlove Feb 2011
Here lies a calculator, once unstoppable,
Together we solved the world’s problems.
Your black buttons warmed my hands,
While my head was cooled by the solutions you created.
Stress relieving buttons,
How I often mistreated you,
Slamming my fingers into your soul,
Jabbing your rugged terrain.
My intelligence blossomed with you at my side,
But now you have shrivelled up,
Shedding your petals, one equation at a time,
Until you are planted in the grave you resemble.
I etched my name into you
At the start of our glorious friendship-
A sacred bond that would last forever.
Now, at the end, I engrave again.
This time there is no solution.
It is always an emotional time when you lose a calculator that lasted you through most of secondary school :'(
Where Shelter Aug 2023
<>

”To dream by the oak and awake by the sea
when August has ripened and turned Jubilee
you must enter dominion of summer's delight
and live in the rapture of candescent light

Oh to live and to love one must first learn to kiss,  
the kinetics of summer, with eternal bliss.”


~from vienna bombardieri’s poem, “Kinetics Of Summer~
(with her kind permission)

<>

First verse pinpoints accurate, this,
my spot!
by oak and sea,
my precise longitude and latitude, where my summertime
eyes open to receive the gift of morning’s light, observing
the conjunction of land, hard by the sea, the land-ed avian gentry
and sea~sailor birds interacting, sharing the uprising currents,
for sport and observation, travel and pleasured sailing,
these “Masters of the Sky can fly for hours (or days), while barely flapping,” and this verse stuns, and
my shock,

at these, her words
my breathing is gasped and grasped
by oak and sea, for so it be,
this is where
my morning’s operatic scrum, ballet and dance hall hullabaloo,
my diurnal natural choreography is performed,
while slow sipping my very heated first coffee

it was here
that I learned to love more easily,
for the kinetics of summers trio of sun, sky, and moderate breezes,
lulled the turbulence of my disheartened lives into an easier
order, the world~surround, a living, breathing exercise that
warmed the spirit, cooled the soul, and spoke without uttering
a single word,
here dear person, is the where and the when,
the comfort of the natural-blanket
that enwraps, covers, cherishes the atmosphere entire,
containing the healing elixirs and protective ointments,
that remove the
plaque of life’s accumulated injuries, slights and scar tissue

simply put,
here I breath freely,
here I see with clarity
here the infusions of
living in nature, prolongs,
restore, remind, enliven
and enhances,
the intermixture of
body and soul

here in actual deed,
the kiss of summer bliss
upon
my tiring cell’s walls,
are resurrected even unto the nuclei,
by the warm breath of sun life and sun light,
and the breezes of salty sweet caramel air
and under their loving, combined-dominion
am I
resurrected and will yet sense,
one more Jubilee again
as I lay dreaming
by the oak and the sea…
great appreciation to Vienna B. for the beautiful poem she wrote,
and thanks for the inspiration!
Always be dreaming!
W.S.
Robby Robinson Nov 2015
The grass is wearing my lipstick
  and there's frost on my face.
     I see no trace
         of the bird that took my shoe.      
     The trees are looming over,
               taking fun of my fallen state.            
      Is there nothing better for them to do?  
        My cheeks are redder than a    
   snowstorm,
     the bugs are in my hair.
         The bird has taken my other shoe,
    They're ******* on the fairy lights.
    Do they truly not care?
    Because I fall they do not fight
     their own fights.
           A rabbit grew wings and gave me back    
      my shoes.
The grass returned my lipstick and the frost 
      cooled down my face.
       Tomorrow I may fall again,
         But of the trees,
         there will be no trace.
One of my most cherished pieces.
Nicole Lourette Sep 2010
An empty park picnic table
cooled by the light,
whispering breeze,
spotted by the burning
life-giving sun.

I see us there.
chatting,
laughing,
enjoying each others company
in this never-ending summer.

I see myself
dressing up as the wife,
laying out a picnic basket
and table cloth.
Pouring iced tea
into a chilled glass,
Watching the condensation
slide down your fingertips
as your throat
gulps in the refreshment.

I lay a blanket
on the grass,
inviting you to come sit.
We lay.

And that chuckling breeze
picks up
and lifts the whole of
my 1950s homemaker dress.

You smooth it back down,
lowering your hand on my hip.
The wind has stopped,
but you keep smoothing away…
down my thighs,
across my backside,
up my back,
until my head is
cupped in your hands
nearing closer to your face.

I would not call it a kiss,
because a “kiss” is too
short a word, too precise
and too emotionless
to fit this phenomenon.
You embrace me fully
leaving no passion unaccounted for,
no ounce of me left untouched.

I succumb to your embrace
and we start to make love when…

A car horn beeps.
I blink.
Look around, and remember
that I’m sitting in a
library parking lot
looking at an empty picnic table.
Conor Oberst Mar 2012
Come by when you get off work
I will be sitting around doing nothing
We can wait until the sun goes down
Then we will drive off deep into the night
I don't care where we are going
as long as I'm going with you
The summer swells in
With the heat comes a new kind of wanting
Cool nights never cooled us off
Lay around and wait for something to happen
when it is three lonely figures
a bedroom, a basement, she is scared
Which one is sleeping and which one is lying awake?
Which one is sleeping and which one is lying about it?
Afternoon drags on and on
Movie nights that never end
We can hang out all night long
Lay in bed and talk to a good friend
because you only get older and you probably forget what it's like
The university is quiet today
We didn't clean
We just talked in the bathroom
The girl always gets in the way
Ruined friendships but others replace them
These opinions are poison
I have been drinking them all of my life
I could never replace you
and I could never forget what it's like
Step out on a moonlit roof
The radio leads a feel good revolution
Cigarettes and my closest friends
I tell myself that I have to remember this
I have to remember this
Jae Elle Feb 2012
he called her his
constellation
& set her up in
the sky
with care and precision

she fell anyway
in all those little bits
& pieces of stars
but it was far more
magnificent
than anyone could have
hoped for
in her demise

a piece of her landed
in my backyard
& when she cooled off
I picked her up

she was so lonely
& had been that way
for a time

"don't cry,"
I said with conviction.
"I can keep you
forever
if you'd like."

a smile crept upon
her lips
like sullied
enchantment

"oh honey,
I've seen forever

it is endless
endless
& annoying as
hell."
Not Lauren Jan 2016
From the time the heart first knew how to feel, and the eyes distinguished rain from tears, few have hidden behind the walls within me. Whether they found it a safe place or a jail cell - well, I guess we'll leave that to the imagination. No matter if it was a cell or heaven, the space within always felt alive. Even at my deadest times, the heat within coursed like it knew something more valuable was in store.

Somehow, some way, a wanderer found a pathway in. Had he known better, perhaps he would not have been in the hands of the girl with wisps of flame at her angered fingertips. The burns don't sustain, but the more that's lost, the more it dissolves all other slivers of hope left to grasp.

Fear is the real culprit, you must see. The fear I must face by harboring a false love; a fear of committing my own sins; of breaking my own promises.

I've never understood a "true understanding." Anger can be cooled by the calm, as does the rainbow after the storm. With the storm blown over, his eyes shone bright and revealed his intentions clearly - you can still love with a straight face and a frigid heart.
Sacrelicious Mar 2012
I had to write a process analysis paper for my adv. comp class Senior year.
My topic was an acid trip. Hope you enjoy.


Bored with the various street drugs that you take daily to achieve a mediocre high, you long for something new. You're striving to reach enlightenment, mental clarity, and an escape from your worldly woes. By chance or fate, you come across a man selling what he claims to be the best of all drugs: LSD, lysergic acid diethylamide-25, better known as acid. This appears to be the only way your mind and, in turn, your soul will experience the mysterious and desirable acid trip.
Upon impulse, you purchase the drug. This was saturated in a piece of newspaper. As you survey your ticket to mental bliss, you read the words on the small paper. The sentences of the article were cut to meet the spacial requirements of the acid. This made the paper difficult to read. Deep within the mess of incomplete thoughts and ideas, your eyes cross paths with the word peace. The simple but powerful word that was camouflaged in the unfinished article increased your desire to take the LSD. The "peace" was your chance to free your mind and consequently yourself.
Giving into impulse, you place the paper under your tongue. Like the words on the paper, the acid dissolves into your glands entering your body with aspirations of arriving upon your brain. Moments later, you feel nothing. You were expecting the drug to work immediately upon contact. This was far too big of an expectation. LSD like many other medications needs time before it comes to life. Disappointed, you retreat to your living room to watch a film on the television. As you sit in the dark, ruby red chair, your only thoughts are about acid.
An hour later you feel nauseous. Racing to the bathroom it starts to hit you. The porcelain toilet and clear water within is your muse. With each heave, you notice a minor change in your mind. When finished with vomiting, you realize your stomach is empty. You try to think of something to eat but your stomach has no desire to take anything.
The mirror catches your attention and there you stand staring at yourself. While gazing upon yourself, you notice your pupils have dilated. The large black circles that were once small now resemble the largest craters on the moon's surface. During this moment of time, your vision is misty. Every shape has a fog surrounding it.
When your hand reaches the forehead, the temperature of your skin burns it. As your hand rests there longer, your fingers are cooled by little drops of sweat that slowly flow down your forehead in an effort to cool your body. You conclude that the fever has created the sweat that is secreting from your body. The moisture from the evaporating liquid has created a misty air. This realization leads you to believe that the acid was beginning to take control.
An immense thirst has dried your throat and mouth. Like a desert they both need water. You have this newfound energy and possess the amount of adrenaline that can keep you up for days. You feel invulnerable and this is the healing hour for the body and soul. As the second hour of your experience comes to a close you have covered a lot of ground. You have gone from having control to no control. The acid has changed you. The man you were two hours ago was in a different dimension. In this dimension you are a new and different man.
The third hour has brought the acid to its maximum power. Your high is peaking. The visions you see and the sounds you hear paint beautiful hallucinations. They feel sensational and bring waves of shivers up and down your spine. The television screen looks like a portal to a new world, and the sounds it makes sound like greetings in a foreign language. Your eyes close and you open them immediately. Realizing this is not a dream, a state of confusion fogs your mind. Despite reality, every thought and action feels dreamlike.
Contemplating the situation, you ask yourself if this is normal. Cackling, you scream, “Normal does not exist. Normality is simply an impossible goal that has plagued society since the beginning of time." The once well known actions and thoughts that molded you were strange and unknown. This was the point of no return. You would never go back to the past. Normal process occurs no longer this far into an acid trip.
You feel groovy. Everything is fine. Your face is frozen in the shape of a smile. Nothing can take you down. The serotonin in your brain has been altered, making every moment feel good. Still staring at the screen, you see a tiny man waving at you. The physical greeting he gives you carries the sound of a hello. When he opens his mouth you see what he says. Each word is portrayed by a symbol in an unclear language. The symbols hypnotize you and give you comfort. The mind without acid would see nothing in the hypnotic symbols. But the symbols converse with you. Your sensations have now crossed over. Sights have turned to sounds, and sounds to sights.
Matter is glowing with a faint rainbow that lies on each objects surface. The fourth hour of your high is ending, the man in the television is becoming harder and harder to see. Like your high, the man is leaving. Over the next two hours, you slowly drift back to reality. The once sea bound boat is approaching land and, with each passing wave, you are coming closer to sobriety.
The loud song of the cuckoo clock has marked the sixth hour. LSD no longer controls you. You are a different man but in the same respect, the same. At your command you gave yourself to a higher power, one that intensified your emotions and took you back to man's primitive mind set. Drained from the crusade, you turn off the television to rest in the quiet. The sun is leaving with your energy. A cool breeze travels through the room which carries you to sleep.
Kate Little Sep 2010
The leaves
Twist gold and red
and drift like butterflies
to earth, settling on crisp, cooled ground
A shawl
© Words by K A Little
All Rights Reserved
jimmy tee Aug 2013
at most points of your life you have to take a stand
this usually means propping up your own causes
in a way that allows everyone else to take a step back
the myth of the strong individual

every once in a while you have to shed a tear
when young, as a means of attracting attention
as you age, you cry toward yourself
as true maturity takes over, the plaque of the years
puts an end to this ridiculous practice

truth is unknowable
the unicorn just told me
so I spread it around
coldly, life is based on shared lies

how anarchy lifts the soul
great heights of blessed freedom
from you

of course he was right
we are built for small communities
where information dribbles in
in a process called understanding
not this ever accelerating gyre
it is just too **** big

so what good does insolence deliver?
well, it can be very inventive
and people are left confused anyway
no matter what you say
or how you say it
whats a ******* for, anyway?

maybe there’s a point to all this that everyone has missed
everyone but Voltaire
and he still ran out of time and space
I thought I was finished but I was mistaken
you see, warm air can hold more moisture than cold air
and grass grows in the direction of the sun
fences tend to separate things but cannot go on forever
and once you see a fractal, that’s about all you can see


there in the cinema
everything is staged for a purpose
maybe comedy or tragedy or adventure
then its all edited in order to present its very own meaning
that is not art
its tomfoolery
Mateuš Conrad Aug 2018
. only last night i decided to put out a cigarette stump on my left hand's right knuckle...  squeamish? i didn't exactly hear a protest, invoking a gasp, of imploding pain.

                                           so...
  when was the last time,
you, actually tell your
neighbor to...
  *******...
   trembling with anger
as if waiting to have a fist-fight
over the most minor triviality?
i've heard him speak
foul words before his
supposed bride...
  and before the ******* kid...
i hate bullies...
  back in school i remember
being a bully for a split second...
i stephen kennedy...
   i heard an anecdote
   about a girl forcing him
to eat **** from the pavement...
so i jagged him up
with a fist to the kidneys...
    but then i took care of
         martin elliker -
the crooked toothed hunchback
during chemistry classes...
helped him out from time to time...
didn't mind the bad breath...
     we talked about playing
final fantasy VII...
   in this catholic school -
even the so called bullies protected
the genuine victims,
   from whimps, cry-babies,
you name them...
    and we shared a, as i mentioned
before, a pax non bellum...
we corporated in our approach
for the general morale of the peers...
in the 6 or so years at the school?
one suicide, a girl...
   just one...
              not bad...
       i met this girl at a romford
bus-stop once... told me her father
walked from Ethiopia to England...
        so we took the bus,
to Goodmayes...
    i, trying to be polite...
said i was going to visit a friend
to smoke some marijuana...
   she bought the story...
but then... i had to tell her the truth...
she already shielded my supposed,
slumber approaches with the line:
i have a boyfriend...
   so i told her...
    i'm actually going to the brothel
for an hour's worth of a, "girlfriend"...
all of a sudden, "richard" pops out
out of nowhere...
   "richard" was a proper bully before
moving from high school
to a six former status...
    on the sly:
    on a school trip to Glasbury-on-Wye,
for kayaking, caving, horse-riding,
      just after the mad-cow epidemic
cooled downed...
    each morning...
      me... at the breakfast table...
with about nine afro-saxons...
   not even making jokes
about phallus sizes...
                so this, "richard" remembered me,
asked me if i remembered his name...
which i did, several days later...
OH ****! DANIEL!
           would have been *******
easier if it was Fola Malomo...
a nigerian kid from primary school...
      point being...
  all this "real" life and the internet
imprint, internet banking
and internet shopping - also not being real,
apparently...
      well... internet trolling -
first i'm all for internet transparency,
second of all, some sort of cordiality
ethos -
                 ****-posting is not my thing...
neither is trolling...
   when you have a real problem
with a neighbor, over whether he tells
you that you should inform him
when you're cooking up a barbeque
and he has clothes on the washing line...
and you start trembling,
internalizing berserk anger in a
metaphysical ******...
                 and all you have in your head
is the color red, and plum...
    and a smashed in gorilla cartilage
of what was once a human nose?
    - and you have to use
verbal restraints, akin to: *******...
   what's with all these internet, "problems"?
it's not even worth the tunnel vision
analogy of a horse donning pomp
shutters...
     by then i turn off... become black-eyed,
losing a reference to an iris...
    i become a honing device...
between my tongue and my fist...
   is the matchstick's worth of width
of keeping up the least, or last
         artifact of civilized cordiality;
here?
   but an outlet - a refrigerator...
   some men would probably
      prefer to cool down aiming at
a punching bag...
                i can't do that...
       i have to be more subtle...
   and employ words as the worth
of punches... and a blank canvas as
the punching bag.
Adam Childs Sep 2015
I am the soft silent sight
nestled in a tree gently
holding hands with emotion.
Together like lovers we intimately
sit with an invisible touch.
Our eyes penetrating darkness
we govern like a loving mother
or angelic force like Mother Teresa.
A shiny moon polishing  
a silvery heart cooled
by a vast ocean.
I always fly quietly as I bring
a gentleness into darkness.
Tucking the night up with
the softest quilt, through a pane
of glass in a near by wood you
hear me calling.

I give a rod of stability eternal sight
seen it all before will see it again.
As we hang softly like the moon
in the sky or an Owl in the tree.
I lift people through their night
I carry them with my sight a
tractor beam of light.
As you feel my presence like a
million hands that softly
penetrate.
All holding torches you are
lite like a child who's mother
has come back.
Scooping you up your
darkness falls on
entering my Owls sight.

I am the light that always
surrounds the night .
I am the ever expanding vision
the tide that never turns but
just keeps on rising.
I grow with a bursting force
of an ever expanding universe
as I stretch my eyes they keep
on reaching.  
I am the ancient eye placed high
above always unstirred but
filled with feeling.
Like the white of an eye surrounding
a pupil I am the army who circles
around the darkness.

I am the reflection of the velvet
moon sitting on the ocean
threading itself throughout
your being.
Those caught within my sight
will feel a thousand tiny bubbles
of bright light.
Gandolf the white explores
your caves holding his
wisdom stick and lantern.
Unlocking your hidden emotion
giving you magic fighting
of your demon.
I will conquer hell fire with
a gentle trickle finding my path
like a mountain stream passing.
But when I open my heart my wings
the devil will shudder because I hold a
power like the pacific ocean.

So much protection we can find
at night within the Owls sight.
Ryan Bowdish Feb 2011
You sad fool. My dear, old friend
How I find myself waiting for you again.

Your eyes drive into mine, with brights on,
and you leave palpable words hanging in the air with the writings by your teeth,
without a mouth to open, just jaw clenched, no recognition of existence,
And your hands are soldering irons cooled clenched until clashing into my air
Touching time, and instantaneously heating space, as an element
Reaching Avogadro's number, ten to twenty-third
Holes appear between us.

I remember when we used to laugh
And mostly at each other,
but not as we do now.

There was no malice.
One day maybe there will be solace.

"You act as though I'm a nice guy"
So it's true you like to objectify
The object (oh, the irony) of your affection
Which is anything that cares to mention
How creative was your invention
It was not my intention to
Organize a fluidity to the scrutiny
And the staged mutiny of what was a foundation.
For it's not representative to your thumbprint.

I feel no organization here. You have ordered chaos.

Francisco,
Bring up your lights.
Just remember that you look best at night, when the moon is carved into the sky
and your real intentions revealed.
Where you sit upon that pale desk
And wrap your knuckles against the floor,
Stab with a quill the pools you leave behind,
to write your ***** recollection,
Just remember you look best when your tears catch this starlight.

Francisco, bring up your ****** lights.
The only other man I ever loved.

— The End —