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We are spotted and blemished and
ring straked herds of milkable critters,

we are modifiable metaphors for
fountains of milk and honey, from
the other side, breathing in and out,

thinking jello seen through,
to the bubble of me, from the one
of you, in the discernible pixels one
adjusts to ignore as the knowledge

milk of conscious multi-tasking,
driving and paying attention

to a bubble popping book,
a Yucca… in jellotime thought form,

takes centuries for some to bloom,
children believe, because why
would the giant yuccas be
called century plants, if
not because they only bloom once

in three generations to be seen,
as a spikey life form familiar,

in the live and let live desert,

where we eat the snakes we ****.

Which causes jellotime to glup up

a contrasting hueristic to guage
color critical shades of orininating
emotions, also known as answers

matching evidence accepted as its
self, as so, we see, it is, these words

connect at attention applied, a hook,
a will to have a go and making sense,

in timeless pastless points,
as art, around the time disease,
and misperceptions, such enforce,
hold that breathe
thought
as truth as manifest cruelty of mighty
blobs of solid right to stand still
and firm, a we form, from ancient
orders,
used to form first informers, thus
inventing us, after dancing to explain,

some where, in your learning control,
taking hold of yourself, see the shape

we may perceive, as we, the payers
of attention needed to twist these

threads, fine
spiderkites from the pines, common

at lattitudes about a third of the way
up the sphere's gravitational truth
compressing core, living idea, life
at planatary participant level,

poet, po. Poe, ever, more avsinthesis
m'dear, Frankly, whether Einstein
or Ben, said it, compounding,
interest in flim flam,
shaking it down, and pressing it
into stone, on which a you are forms
of us as others, redcoats fighting freedom

living legos, universal, and one use,
life is like that, and we the new ones,

we adapt to our techknowlogos, as such,
informing our selves of news and sighns,

signaling
slow down
you read to fast, this is doubt, the feature,
consciously functioning as qwerty guy, key

element of know how, indirectly hanging
by a thread in 'cient science, finding ling-

ering tastes, and effects from kissing,
stretching tongues intuitively knowing

this is what they mean,
or meant, that is, back when, it was said

that forty million frenchmen, could not
be wrong,
about how we gonna keep down
on the farm,
after they've tasted the happy place,
and tickled a childish fascination
with words

and a will, to make light of the dread,
said by many orders of left mind tyrants,

spiritual exercises in will worship,
worth of a warrior learning
there is no easy day,

popping
into my bubble. Easy entry, plop\

into the jellotime you had in mind,
when the whole idea shivered,

like a little rolling green hill,
seen from the clouds, of course,

we have Google's first score, point
one in the assisting intelligence
user's credo, be doers first,

of nothing evil, follow ons,
all your choice, the weapons used

to pull down strongholds,
mighty fortress forces repelling
efforts to fit one trick legos into

monstrosities as effective as
George's Dragon, or my puff tincture,

in the world of wonderful make believe,

tune in, drip. Drip. Slip into the ABC years,
percolater rythm
post recordible television, black and white,
during Disney-ification drills, preceded
by prelingual exposure to Fantasia,

reigning next oldest memory for which
valid links to now exist, occurred
at the White Rock Courts

during the years after 1948,
and a half,  after Fantasia,
was in local theaters,

and GI Bills was not kicking enough,
for rent in Phoenix and driving,
back and forth up one side,
down the other, old mind
river she keep aggin' us on,

she's no devil, no siree,
that wombed, she got papers on me.

and wise wizardry between jewels
as bright as earth seen from a distance,

as we all oughta know, by now,
as a hitchhiker's angel once said,

yes, sidereal, crossing the Mohave
at night, … pick the road
from Vegas, two lanes, double yellow lines,

easy for my cars lights to show, so I know,
I am on the right side of this thing,

this mound of telling stories found
looted of all but the ghosts
of its chances taken, on mob made rules.
The Delusion of Crowds, and Robinhood writer meme extraction,
taking out the history entertaining my collected trophy points,
I acknowledge new knowns used first right, here.
starting at re-co-knowin what this means ? Wise as that serpent,
harmless as the dove first timid in any tale told long enough/
Àŧùl Jul 2020
I do not know how, no I do not.
Some of their poems appear bad.

Some are out of rhyme,
Some are not worth a dime.

I don't know how the legendary poets
Came to be known as legendary...

Perhaps because they had no reference
They had no parallels either
And so, they couldn't read others...

I am writing my 1866th poem
However, I read a lot more of them.

Talk about modern poets,
Some of them presume cussing,
To be good, to be divine
Like the evening wine.
My HP Poem #1866
©Atul Kaushal
Ocean: When you are legendary

Utopia of lost Atlantis
Sunken city asleep
Under pillars of larimars
Plato’s wisdom once bestowed
Untold magic and sacred stones

A surge of madness, whips of rain
Battling down the hull of a boat
From beneath the profound chaos
The Kraken, furious, emerges
The ship is wrecked, turned into dust!

Ocean: When you are awe-ful

A breeze flows, ***** sea gloats!
What a beautiful mess- debris floats
With a quest for vengeance
Opposing swells are relentless
Casting spells on the defenseless

The ocean is endless, it's stupendous
Guarded by deep clouds - tremendous
Dreams drown staring at these clouds
Feels proud, someone from the deep down
A half-asleep Kraken screams loud

Ocean: When you are ritualistic

Fresh and salty energetic waves
Diving the dreamer into a megalopolis
Of scaled goddesses performing a ballet
Invited to a very cruel and festive banquet
Colorful, an aquatic aurora borealis of blood

In which the mythical mermaid sings
Skimming her *******, a pendant of aquamarine
She is Pacific, lustrous and libertine
Her voice enchanting the remotest sea-temple
On the surface, the waters suddenly turned red

Ocean: When you are watery hell

On the horizon, the wide blue yonder scribbled
A storm surge, the dreamer lost urge
Hope purged and dwindled, waves got stained
Silently an atrocious maelstrom wiggled
There the sea-temple stood naked and belittled

Resonating to the sound of an unheard curse
From the inside of the mermaid's purse
An enigma, a blank verse - unfathomable
Making the deep not amicable yet diverse
The ocean is inhabitable still, unnavigable

Written between December 17, 2019 and January 17, 2020
Cc Jordan Rains and cc Appoline Romanens
Mystic Ink Plus Jan 2020
Since then
No two souls
Are the same

In every verses
You exist
I exist
We will continue to
Exist
No matter what
Now and always
Genre: Autobiography
Theme: Writing is being
xavier thomas Jan 2020
I strive off struggle & determination to create success.
My craft is so unique, it performs greatness.
My intelligence is sharp
Wisdom is astounding
Through God's gift,
My sacrifice for my love ones change their lives for the better.
But one thing's for sure though...
As I stand out from the crowd,
I am Magnificent
My legacy will forever ♾
Take Note
Ken Pepiton Jul 2019
Blarney, the legend latest learned says

the group of beings minded to destroy manmind

were familiar with a ratio,  a fractal of power
per hap, each hap has this power, y'see

perhaps we agree
to see things from my POV and I'm blind,

like Milton,
or Fannie Crosby
or the "Isn't she beautiful' guy

who has had his warhol-fifteen consumed
I guess,
he
shoulda carved a stele, eh?

Take m'name down f'm them lights,
carve it care-filled into stone,

soft sand and shell and bone formed stone,
easy to may y'mark

now, bow, touch your brow to this
very stone,
this if I'd known stone

thump thump doh, tah dah
open says a me.
a lie left lying with no gloss to make it shine is just another stumbling stone.
Mystic Ink Plus Nov 2018
An artist stopped
His once dreamt
Legendary Masterpiece
Incomplete

In order to
Reflect his time
Why it needs to be
Like this

Rest waits
He understands
Genre: Abstract
Theme: Echoes and Reflections, something deep
Aaron LaLux Oct 2018
How much is too much,
doing those Emily Dickinson numbers,
almost to #2100,
doing with words what was previously unheard of,

the Andy Warhol of pop poetry,

will continue until even the Atheist Haters believe in me,
I mean if they ever again believe in anything,

&,
I’m on track,
to not look back,
all I’ve gotta do to be great is not die,
or do something stupid and get locked up,
like lose my cool & Triangle Choke out a fool,
just for acting rude,
doest that mean I have a bad attitude,
I don’t know that’s why i’m asking you,

used to have nothing to lose,
now I’ve got nothing to prove,
Game of Life you decide,
pay the price roll the dice win or lose make your move,

I made mine,
by choosing to write these lines,
created my own style & gave it a title,
end every piece where it begins
so the thought’s are complete & the piece comes full circle,
add a few pop culture references & call it Pop Poetry,

& no one known is excluded,
I include more than a few references to saying & names,
my work is an encyclopedia of idioms,
it’s our entire collective Contemporary History literally explained,

& artistically rearranged to keep their attention & entertain,

& I’l write until I write every last thought right outta my brain,

how much is too much,
doing those Emily Dickinson numbers,
almost to #2100,
doing with words what was previously unheard of,

the Andy Warhol of pop poetry…

∆ LaLux ∆

Cali, Colombia

July 2018
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