Her memory is like the beauty of the silted Nile,
Of sacred blue lilies and heron
And skimming eyes of the crocodile.

Sing my song of forgetting,
Of lips never wrong, never upsetting,
Sing the wine-infused air along,
From the violin’s grapevine song,
Purely gifted as the altar wine and alms
Of the Santa Maria della Visitazione,
A cadenza from the catgut of stringed waves,
     The vibrato in polyphonic staves across the lagoon,
          Amid the psaltery sway of submerged algae plumes,
               Like the strident tails of the horses of Neptune,
Or the teardrop-surge of the glass chandeliers of Murano,
The same powdered hue of Venetian sky,
As bluebirds fallen into their own drowned tune,  
As absence awash over the sun-scattered tombs of Olympus.

Sing with a felt-tipped tongue,
So my song of forgetting is never undone.

Love is a thousand women who fail to amount to one,
Peasant seductress with bared shoulders of red dun-colored roads and candle smoke,
Who pours down her wet, ungoverned hair, like a fast-fading storm to dry over Aurelian walls,
In that dark sneer of sultriness over the sentry-like stillness of ramparts and stone,
A wasp in water whose sibilance comes from what the sting makes,
Like the upgathered phalanx of spears in the sand,
Or the sisters of fate who have coiled their hair as sunset snakes,
Her fingertips ***** into me like much-traveled and ancient rain.

Morning was sudden-made as an onwardness of hills,
Meant for donning crusade in chainmail glistenings,
The sun visored in misty slats of cold steel,
To glimmer fusty through the godded grove,
A holy sepulchre, earthly-dim to its rafters of oak,
Where the forest-fall of sunlight shed its rosework,
And a red-breasted bird, its song-flight of dappled gleam,
And in the meadow, where colorful whorled the tale of Saladin,
Wayside flowers shook beneath the destriers' cloth caparisons,
A sunny fullness of vales for the crusaders' forest-heartened lungs,
And when this furthering of sights was sunken from,
Still an onwardness of hills to Jaffa like steppingstones.

Sings a small boy whose hair is tousled by the wind,
As too the folds of his mother’s peplos and the robes of clouds,
When Greece gathers in silence like the stillness for a deposed crown,
And all Athens around, the song of eiresione for firstfruits of Autumn,
Singing boys with the olive branches of colored wool and garlanded gourds,
A fall-bird to wander the Ionic sky, foretelling of new sunrise.
How that joyful ancient voice still haunts the songbird of sunset.

I never learned to weep
But ground my eyes down
On the griststone of a mill
Turned sadness into powder
Then choked on my own weaponized sorrow.

In our love for the wind and all that passes,
Each smote of self, a wisp of loss and absence,
Like the snow pendulous slips over last grasses,
In the glow of the lamppost and unholding fences:
So too the thousand-grains of breath
Blow through our bodies’ incandescence,
And in the starlit-smoke from the dragon's mouth
On wings of filth swirl the bone-edge of death.