which is cool.    Kidnapped by computer geeks



Adam and Benjamin Powell are brother's with a difference, Adam is a nice clean cut young dude who likes to muck around on the streets, while Ben loves to have his geeky friends over for an evening of dungeons and dragons, adam quite often teased Ben, saying he wasn't very normal and when Ben was finished he got out his wild west kit and tied Adam to the stairs and pretended to hold Adam hostage till their parents got home, and mind you Adam was very scared, in fact, what Adam wanted to do mainly is hang around with his street kid mates, but Ben wanted Adam to be his little teasie, even if it meant he would you know make Adam feel, like he's been held hostage, and what makes it worst, when his parents got home, Ben carried on as if nothing has happened.
So day in and day out, weekends and after school, Ben told Adam to be home before him, or he'll hang you by the neck till he was dead, and Adam was too scared to say no, and went home as he promised and each day, his brother Ben was there with his mate Rick and both Ben and Rick tied Adam up and held kept him in the cupboard in the room where they played their fantasy game, Adam was scared and banged the door, and then Ben got up and opened the door, come on ******, play with me, I have friends, you haven't, and that is how it'll stay, Adam Powell, and then Ben went back to his game, leaving Adam very scared, thinking his brother was a evil villain, we all know he was a kid, but Adam was still sacred shitless, because really he doesn't deserve this one little bit.
At 5-30 their parents got home and Ben let his brother Adam go and then their parents dropped a bombshell which made Adam happy, because some of Adam's school friends invited him to a birthday party, and Adam looked at Ben and Ben was smiling, saying he isn't a poor sucker, who relies on this small talk, to get him by, just as long as he doesn't meet any of the cool street kids, because I ain't playing my geeky games, so he can bring to this family the poor people act, so Ben went to Adam and told him, if you go anywhere near anyone street trash, I will hold you hostage right in front of mummy and daddy, and then Adam left the house all scared and jumpy and on his way there he grabbed this 7 year old, and said, watch out for my geeky brother, he is a psychopath, and then Adam saw Ben's light turn on and Adam ran real hard, so Ben can't see him talking.
Ben went out and this kid told Ben what Adam said to him, and Ben said thanks and went back to his house and waited for Adam to come home, and when he did, their parents weren't home and Ben decided to hold Adam hostage and tie him up on the shed with his d&d; friends and while Adam was struggling to get free from the rope and gag, he was getting rope burns all over his body and all the geeks laughed their geeky laughs, saying we are keeping this little cool kid away from any street kid, because we want him with us, we want to teach him, that people do what Ben Powell and his mates tell him, and if you call me a ******. Like you told that kid, you will die, little Adam, so suffer little cool kid, us geeks will keep you from being safe, heh heh heh heh heh.
These kind of events happened day in and day out, and their parents never knew what happened and when Adam turned 18 he went to his friend who was a street kid when he was young, he was saved off the streets and both Adam and Rob, the name of his friend, mucked around together throwing beer bottles on his geeky brothers roof, and Rob forced Adam to make fun of his brother and Adam liked that, and he seemed to understand it, so he went home and teased Ben and his mates saying, you guys are geeks, you ****, and I will never be like you and Ben tried to keep a goody goody look for his parents, but Adam decided to take Rob's advice and treat Ben like a stupid little geeky yeah mate yeah kid and then he said, you will be pushed to family life, because I ain't like you, I am like the street kids, they help you protect themselves, from **** ******* ***** like you and Ben who thought he still had the hold over him phoned his friends to kidnap Adam and tie him to a bed, to cut the devil out of him, and Ben's friends were persuaded by Rob to ask Ben to the singles night, to pick up chicks, but instead they kidnap Ben and take him to Robs parents house and tie him up to the bed, with duct tape on his mouth really tight.
Ben was very scared and he tried to say through his gag, why me, and Rob said, because you keep your brother from us, we're cool, and you will be gagged here for life, so if you were cool once, your not anymore, and then the kidnappers let Ben go and Ben was too scared to teaee Adan anymore and made love with his girlfriend and he had 3 kids with her, and Adam, who was still scared, because he thought a leopard doesn't change his spots, still was too scared of life, but every time he saw Ben. He laughed secretly to himself, because Ben is no longer his holder, some say, Ben is now scared to mess with Adam, but others say, that Ben didn't know right from wrong, really, and he was just being a kid, and now he's an adult, and those days are behind him, and all the kidnapping thoughts are over, Adam was relieved, and now Ben is his best friend,

But that's not his name.
He really doesn't have a name.
For starters no name could even hint at what he means to me.
No name could get anywhere near his sheer visceral naked beauty.
No name could delineate the slim ripple of his muscles.
His beautiful stiff ****--oh so suckable and lickable.
No name could hint at the smell of the dried **** on his *****.
No name could begin to describe the taste of his warm fresh ***.
No name would fit the feel of the shaft of his perfect stiff **** in my fingers.
No name could describe the shade of lavender of his exposed **** head.
The way his **** head fits in my mouth.
The feeling on my tongue as I slide it along the full length of the shaft of his stiff ****.
I call him Ben.
Weve travelled the world together for nigh on 29 years now.
Ive ****** his **** in ,my imagination on most continents,as ive laid in the same room tossing myself off imagining being ****** by him every night and during every day..
Ive licked his *** filled ***** in Bangkok and Delhi and London and Amsterdam and Barcelona and Deia and Kathmandu and Bodh Gaya and York and Paris and Dharamsala and Amravati and oh so many other places.
Ive swallowed litres of his warm fresh ***.
Ive rained typhoons of kisses on his upturned face.
Ive tossed him off to ******* too many times to count.
Ive loved him endlessly.
I call him Ben .
His diamond sharp intellect.
His smirky smile that lights up his face.
His oh so tasty tongue flickering in and out of my mouth.
Licking my lips--wrestling my tongue to a standstill.
The taste of his saliva --like the sharpest sweetest nectar.
His arms that wrap themselves around my nakedness.
His hands that never fail to connect to my *****
no matter how dark the room.
His fingers that tease and ****** my throbbing testicles.
My lovely boyman--my lovely lover.
I call him Ben.
His fingers wrapped around the shaft of my stiff ****
like ivy on an ancient wall.
they seem to grasp my ***** member so deeply
its as if they live below my skin.
I call him Ben.
When I kneel in submission to him and lick his *** filled *****
I am elevated into the land of adjectives and superlatives.
When I cringe servilely at his feet licking the full length
of the shaft of his oh so stiff and perfectly shaped *****
I become just a tongue tasting his dried ****.
I call him Ben.
Oh I so love and adore the taste of his dried ****
coating the lavender helmet of his bell end.
When I slide the whole of the head of his hard *****
between my lips filling my mouth completely
I am turned into a human shaped jelly quivering
with the anticipation of swallowing the cream of his pre ***
flowing out of that divine slit.
I call him Ben
When his naked hips ****** his stiff **** down my throat
I feel divinely graced with unconditional love
and I realise he owns me.
I am his ****.
I am his Slave.
I await the whip.
I long for the sharp sting of the lash.
I need the tender chastisement that only Ben can give me.
I call him Ben and he is  my Master.
He tells me stand with my hands on my head
and I immediately comply with his order for I am his Slave.
His very own *******.
There to give him the pleasure he gets from whipping me.
There to offer all parts of my nakedness to the whip in his hand.
Why is Sado-Masochistic love with Ben so lovely?
Why is the pain of his whipping so soft and gentle and tender and stinging?
Why do I stand with stiff **** jutting out and ***** dangling
begging him--beseeching him to take advantage and whip it as he does?
Each stroke of his whip making my **** **** and bounce and sway
turning it red and so mildly painfull?.
I call him Ben and I love him.
Ive loved him for 29 years.
But alas he does not love me unconditionally..
When we are together he humiliates me and I love him more--for his weakness in being the Slave of the Mind and Conditioned Identity.
I love feeling inadequate when I am near to him.
I want him to humiliate me.
To be humiliated is to be humble.
I do not care what people say.
I love him.
I call him Ben.
But oh how I wish wish wish that he were like me.
Mindless and Conditioned Identityless.
He could be such a nice guy if he weren't such an *******.

The double 12 sorwe of Troilus to tellen,  
That was the king Priamus sone of Troye,
In lovinge, how his aventures fellen
Fro wo to wele, and after out of Ioye,
My purpos is, er that I parte fro ye.  
Thesiphone, thou help me for tendyte
Thise woful vers, that wepen as I wryte!

To thee clepe I, thou goddesse of torment,
Thou cruel Furie, sorwing ever in peyne;
Help me, that am the sorwful instrument  
That helpeth lovers, as I can, to pleyne!
For wel sit it, the sothe for to seyne,
A woful wight to han a drery fere,
And, to a sorwful tale, a sory chere.

For I, that god of Loves servaunts serve,  
Ne dar to Love, for myn unlyklinesse,
Preyen for speed, al sholde I therfor sterve,
So fer am I fro his help in derknesse;
But nathelees, if this may doon gladnesse
To any lover, and his cause avayle,  
Have he my thank, and myn be this travayle!

But ye loveres, that bathen in gladnesse,
If any drope of pitee in yow be,
Remembreth yow on passed hevinesse
That ye han felt, and on the adversitee  
Of othere folk, and thenketh how that ye
Han felt that Love dorste yow displese;
Or ye han wonne hym with to greet an ese.

And preyeth for hem that ben in the cas
Of Troilus, as ye may after here,  
That love hem bringe in hevene to solas,
And eek for me preyeth to god so dere,
That I have might to shewe, in som manere,
Swich peyne and wo as Loves folk endure,
In Troilus unsely aventure.  

And biddeth eek for hem that been despeyred
In love, that never nil recovered be,
And eek for hem that falsly been apeyred
Thorugh wikked tonges, be it he or she;
Thus biddeth god, for his benignitee,  
So graunte hem sone out of this world to pace,
That been despeyred out of Loves grace.

And biddeth eek for hem that been at ese,
That god hem graunte ay good perseveraunce,
And sende hem might hir ladies so to plese,  
That it to Love be worship and plesaunce.
For so hope I my soule best avaunce,
To preye for hem that Loves servaunts be,
And wryte hir wo, and live in charitee.

And for to have of hem compassioun  
As though I were hir owene brother dere.
Now herkeneth with a gode entencioun,
For now wol I gon streight to my matere,
In whiche ye may the double sorwes here
Of Troilus, in loving of Criseyde,  
And how that she forsook him er she deyde.

It is wel wist, how that the Grekes stronge
In armes with a thousand shippes wente
To Troyewardes, and the citee longe
Assegeden neigh ten yeer er they stente,  
And, in diverse wyse and oon entente,
The ravisshing to wreken of Eleyne,
By Paris doon, they wroughten al hir peyne.

Now fil it so, that in the toun ther was
Dwellinge a lord of greet auctoritee,  
A gret devyn that cleped was Calkas,
That in science so expert was, that he
Knew wel that Troye sholde destroyed be,
By answere of his god, that highte thus,
Daun Phebus or Apollo Delphicus.  

So whan this Calkas knew by calculinge,
And eek by answere of this Appollo,
That Grekes sholden swich a peple bringe,
Thorugh which that Troye moste been for-do,
He caste anoon out of the toun to go;  
For wel wiste he, by sort, that Troye sholde
Destroyed ben, ye, wolde who-so nolde.

For which, for to departen softely
Took purpos ful this forknowinge wyse,
And to the Grekes ost ful prively  
He stal anoon; and they, in curteys wyse,
Hym deden bothe worship and servyse,
In trust that he hath conning hem to rede
In every peril which that is to drede.

The noyse up roos, whan it was first aspyed,  
Thorugh al the toun, and generally was spoken,
That Calkas traytor fled was, and allyed
With hem of Grece; and casten to ben wroken
On him that falsly hadde his feith so broken;
And seyden, he and al his kin at ones  
Ben worthy for to brennen, fel and bones.

Now hadde Calkas left, in this meschaunce,
Al unwist of this false and wikked dede,
His doughter, which that was in gret penaunce,
For of hir lyf she was ful sore in drede,  
As she that niste what was best to rede;
For bothe a widowe was she, and allone
Of any freend to whom she dorste hir mone.

Criseyde was this lady name a-right;
As to my dome, in al Troyes citee  
Nas noon so fair, for passing every wight
So aungellyk was hir natyf beautee,
That lyk a thing immortal semed she,
As doth an hevenish parfit creature,
That doun were sent in scorning of nature.  

This lady, which that al-day herde at ere
Hir fadres shame, his falsnesse and tresoun,
Wel nigh out of hir wit for sorwe and fere,
In widewes habit large of samit broun,
On knees she fil biforn Ector a-doun;  
With pitous voys, and tendrely wepinge,
His mercy bad, hir-selven excusinge.

Now was this Ector pitous of nature,
And saw that she was sorwfully bigoon,
And that she was so fair a creature;  
Of his goodnesse he gladed hir anoon,
And seyde, 'Lat your fadres treson goon
Forth with mischaunce, and ye your-self, in Ioye,
Dwelleth with us, whyl you good list, in Troye.

'And al thonour that men may doon yow have,  
As ferforth as your fader dwelled here,
Ye shul han, and your body shal men save,
As fer as I may ought enquere or here.'
And she him thonked with ful humble chere,
And ofter wolde, and it hadde ben his wille,  
And took hir leve, and hoom, and held hir stille.

And in hir hous she abood with swich meynee
As to hir honour nede was to holde;
And whyl she was dwellinge in that citee,
Kepte hir estat, and bothe of yonge and olde  
Ful wel beloved, and wel men of hir tolde.
But whether that she children hadde or noon,
I rede it naught; therfore I late it goon.

The thinges fellen, as they doon of werre,
Bitwixen hem of Troye and Grekes ofte;  
For som day boughten they of Troye it derre,
And eft the Grekes founden no thing softe
The folk of Troye; and thus fortune on-lofte,
And under eft, gan hem to wheelen bothe
After hir cours, ay whyl they were wrothe.  

But how this toun com to destruccioun
Ne falleth nought to purpos me to telle;
For it were a long digressioun
Fro my matere, and yow to longe dwelle.
But the Troyane gestes, as they felle,  
In Omer, or in Dares, or in Dyte,
Who-so that can, may rede hem as they wryte.

But though that Grekes hem of Troye shetten,
And hir citee bisegede al a-boute,
Hir olde usage wolde they not letten,  
As for to honoure hir goddes ful devoute;
But aldermost in honour, out of doute,
They hadde a relik hight Palladion,
That was hir trist a-boven everichon.

And so bifel, whan comen was the tyme  
Of Aperil, whan clothed is the mede
With newe grene, of ***** Ver the pryme,
And swote smellen floures whyte and rede,
In sondry wyses shewed, as I rede,
The folk of Troye hir observaunces olde,  
Palladiones feste for to holde.

And to the temple, in al hir beste wyse,
In general, ther wente many a wight,
To herknen of Palladion servyse;
And namely, so many a ***** knight,  
So many a lady fresh and mayden bright,
Ful wel arayed, bothe moste and leste,
Ye, bothe for the seson and the feste.

Among thise othere folk was Criseyda,
In widewes habite blak; but nathelees,  
Right as our firste lettre is now an A,
In beautee first so stood she, makelees;
Hir godly looking gladede al the prees.
Nas never seyn thing to ben preysed derre,
Nor under cloude blak so bright a sterre  

As was Criseyde, as folk seyde everichoon
That hir behelden in hir blake wede;
And yet she stood ful lowe and stille alloon,
Bihinden othere folk, in litel brede,
And neigh the dore, ay under shames drede,  
Simple of a-tyr, and debonaire of chere,
With ful assured loking and manere.

This Troilus, as he was wont to gyde
His yonge knightes, ladde hem up and doun
In thilke large temple on every syde,  
Biholding ay the ladyes of the toun,
Now here, now there, for no devocioun
Hadde he to noon, to reven him his reste,
But gan to preyse and lakken whom him leste.

And in his walk ful fast he gan to wayten  
If knight or squyer of his companye
Gan for to syke, or lete his eyen bayten
On any woman that he coude aspye;
He wolde smyle, and holden it folye,
And seye him thus, 'god wot, she slepeth softe  
For love of thee, whan thou tornest ful ofte!

'I have herd told, pardieux, of your livinge,
Ye lovers, and your lewede observaunces,
And which a labour folk han in winninge
Of love, and, in the keping, which doutaunces;  
And whan your preye is lost, wo and penaunces;
O verrey foles! nyce and blinde be ye;
Ther nis not oon can war by other be.'

And with that word he gan cast up the browe,
Ascaunces, 'Lo! is this nought wysly spoken?'  
At which the god of love gan loken rowe
Right for despyt, and shoop for to ben wroken;
He kidde anoon his bowe nas not broken;
For sodeynly he hit him at the fulle;
And yet as proud a pekok can he pulle.  

O blinde world, O blinde entencioun!
How ofte falleth al theffect contraire
Of surquidrye and foul presumpcioun;
For caught is proud, and caught is debonaire.
This Troilus is clomben on the staire,  
And litel weneth that he moot descenden.
But al-day falleth thing that foles ne wenden.

As proude Bayard ginneth for to skippe
Out of the wey, so priketh him his corn,
Til he a lash have of the longe whippe,  
Than thenketh he, 'Though I praunce al biforn
First in the trays, ful fat and newe shorn,
Yet am I but an hors, and horses lawe
I moot endure, and with my feres drawe.'

So ferde it by this fers and proude knight;  
Though he a worthy kinges sone were,
And wende nothing hadde had swiche might
Ayens his wil that sholde his herte stere,
Yet with a look his herte wex a-fere,
That he, that now was most in pryde above,  
Wex sodeynly most subget un-to love.

For-thy ensample taketh of this man,
Ye wyse, proude, and worthy folkes alle,
To scornen Love, which that so sone can
The freedom of your hertes to him thralle;  
For ever it was, and ever it shal bifalle,
That Love is he that alle thing may binde;
For may no man for-do the lawe of kinde.

That this be sooth, hath preved and doth yet;
For this trowe I ye knowen, alle or some,  
Men reden not that folk han gretter wit
Than they that han be most with love y-nome;
And strengest folk ben therwith overcome,
The worthiest and grettest of degree:
This was, and is, and yet men shal it see.  

And trewelich it sit wel to be so;
For alderwysest han ther-with ben plesed;
And they that han ben aldermost in wo,
With love han ben conforted most and esed;
And ofte it hath the cruel herte apesed,  
And worthy folk maad worthier of name,
And causeth most to dreden vyce and shame.

Now sith it may not goodly be withstonde,
And is a thing so vertuous in kinde,
Refuseth not to Love for to be bonde,  
Sin, as him-selven list, he may yow binde.
The yerde is bet that bowen wole and winde
Than that that brest; and therfor I yow rede
To folwen him that so wel can yow lede.

But for to tellen forth in special  
As of this kinges sone of which I tolde,
And leten other thing collateral,
Of him thenke I my tale for to holde,
Both of his Ioye, and of his cares colde;
And al his werk, as touching this matere,  
For I it gan, I wol ther-to refere.

With-inne the temple he wente him forth pleyinge,
This Troilus, of every wight aboute,
On this lady and now on that lokinge,
Wher-so she were of toune, or of with-oute:  
And up-on cas bifel, that thorugh a route
His eye perced, and so depe it wente,
Til on Criseyde it smoot, and ther it stente.

And sodeynly he wax ther-with astoned,
And gan hire bet biholde in thrifty wyse:  
'O mercy, god!' thoughte he, 'wher hastow woned,
That art so fair and goodly to devyse?'
Ther-with his herte gan to sprede and ryse,
And softe sighed, lest men mighte him here,
And caughte a-yein his firste pleyinge chere.  

She nas nat with the leste of hir stature,
But alle hir limes so wel answeringe
Weren to womanhode, that creature
Was neuer lasse mannish in seminge.
And eek the pure wyse of here meninge  
Shewede wel, that men might in hir gesse
Honour, estat, and wommanly noblesse.

To Troilus right wonder wel with-alle
Gan for to lyke hir meninge and hir chere,
Which somdel deynous was, for she leet falle  
Hir look a lite a-side, in swich manere,
Ascaunces, 'What! May I not stonden here?'
And after that hir loking gan she lighte,
That never thoughte him seen so good a sighte.

And of hir look in him ther gan to quiken  
So greet desir, and swich affeccioun,
That in his herte botme gan to stiken
Of hir his fixe and depe impressioun:
And though he erst hadde poured up and doun,
He was tho glad his hornes in to shrinke;  
Unnethes wiste he how to loke or winke.

Lo, he that leet him-selven so konninge,
And scorned hem that loves peynes dryen,
Was ful unwar that love hadde his dwellinge
With-inne the subtile stremes of hir yen;  
That sodeynly him thoughte he felte dyen,
Right with hir look, the spirit in his herte;
Blissed be love, that thus can folk converte!

She, this in blak, likinge to Troylus,
Over alle thyng, he stood for to biholde;  
Ne his desir, ne wherfor he stood thus,
He neither chere made, ne worde tolde;
But from a-fer, his maner for to holde,
On other thing his look som-tyme he caste,
And eft on hir, whyl that servyse laste.  

And after this, not fulliche al awhaped,
Out of the temple al esiliche he wente,
Repentinge him that he hadde ever y-iaped
Of loves folk, lest fully the descente
Of scorn fille on him-self; but, what he mente,  
Lest it were wist on any maner syde,
His wo he gan dissimulen and hyde.

Whan he was fro the temple thus departed,
He streyght anoon un-to his paleys torneth,
Right with hir look thurgh-shoten and thurgh-darted,  
Al feyneth he in lust that he soiorneth;
And al his chere and speche also he borneth;
And ay, of loves servants every whyle,
Him-self to wrye, at hem he gan to smyle.

And seyde, 'Lord, so ye live al in lest,  
Ye loveres! For the conningest of yow,
That serveth most ententiflich and best,
Him *** as often harm ther-of as prow;
Your hyre is quit ayein, ye, god wot how!
Nought wel for wel, but scorn for good servyse;  
In feith, your ordre is ruled in good wyse!

'In noun-certeyn ben alle your observaunces,
But it a sely fewe poyntes be;
Ne no-thing asketh so grete attendaunces
As doth youre lay, and that knowe alle ye;  
But that is not the worste, as mote I thee;
But, tolde I yow the worste poynt, I leve,
Al seyde I sooth, ye wolden at me greve!

'But tak this, that ye loveres ofte eschuwe,
Or elles doon of good entencioun,  
Ful ofte thy lady wole it misconstrue,
And deme it harm in hir opinioun;
And yet if she, for other enchesoun,
Be wrooth, than shalt thou han a groyn anoon:
Lord! wel is him that may be of yow oon!'  

But for al this, whan that he say his tyme,
He held his pees, non other bote him gayned;
For love bigan his fetheres so to lyme,
That wel unnethe un-to his folk he fayned
That othere besye nedes him destrayned;  
For wo was him, that what to doon he niste,
But bad his folk to goon wher that hem liste.

And whan that he in chaumbre was allone,
He doun up-on his beddes feet him sette,
And first be gan to syke, and eft to grone,  
And thoughte ay on hir so, with-outen lette,
That, as he sat and wook, his spirit mette
That he hir saw a temple, and al the wyse
Right of hir loke, and gan it newe avyse.

Thus gan he make a mirour of his minde,  
In which he saugh al hoolly hir figure;
And that he wel coude in his herte finde,
It was to him a right good aventure
To love swich oon, and if he dide his cure
To serven hir, yet mighte he falle in grace,  
Or elles, for oon of hir servaunts pace.

Imagininge that travaille nor grame
Ne mighte, for so goodly oon, be lorn
As she, ne him for his desir ne shame,
Al were it wist, but in prys and up-born  
Of alle lovers wel more than biforn;
Thus argumented he in his ginninge,
Ful unavysed of his wo cominge.

Thus took he purpos loves craft to suwe,
And thou

By Bob Englehart
(based on a true story)


Ben Hogan was the strongest man.
The game had ever seen,
The purest golfer in the world,
Who’d ever graced a green.

He had one dream and only one:
To play a perfect round,
Eighteen glorious holes-in-one
Before he’s in the ground.

One day a wealthy patron,
The richest man in town,
Said “Ben, I’ll tell you what I’ll do,
If you play that perfect round.

I’ll give you a million dollars,
More than fifty grand a stroke.
If you can do what no man’s done.”
Said Ben “Is this a joke?”

“Let’s do it now” the man said.
“Lets have a little fun.”
“OK”, said Ben.  “I’ll get my clubs.”
And they walked to number one.

He put his ball down on the tee,
The turf was Kentucky Blue.
He squared his body to the plane,
And swooped his follow-through.

Oh, he started on the first one,
And heaved his mighty whack!
It rolled onto the high side
And dribbled in the back.

The next one was a dogleg,
He waved the crowd away,
The gallery was silent now,
The trees began to sway.

A little breeze had risen up,
He put his club back in,
And took out something with less loft
And a little more backspin.

He hit it with a wallop!
It carved into the wind,
It chose a path below the wrath
And bounced and rolled.  It’s in.

The third one was a downhill,
With water on the left,
A line of trees behind the stream
And sand traps hard and wet.

Ol’ Ben let go a low one,
It swallowed up the air,
And blew right through an apple tree,
A peach tree and a pear.

That ball had so much on it,
Though it hardly did rise up,
It scattered rocks and leaves and dust
‘Til it rolled into the cup.

Its cover had unraveled,
Ben bent to lift it out.
He gave it to his caddy
Who gave a mighty shout.

Number four and five the same,
Perfection every shot,
Six through nine were ones apiece.
He was thirsty now and hot.

Number ten, the toughest hole
The golf course had on tap,
A double-dogleg, raised up green,
And a bunker called The Trap.

The Trap was a crater in the ground,
With a rope to climb on down,
And a flashlight on the bottom sand,
By a skull some golfer’d found.

Ol’ Ben just squinted skyward,
And lifted up his chin,
“I want to try to make this shot
Before the darkness settles in.”

He came down through that golf ball,
With a smile of purest pleasure,
And it headed for The Trap at speeds
Impossible to measure.

It dipped into the chasm,
And headed for the gloom,
It plunged down deep in the abyss
‘Til it hadn’t any room.

It hit the skull like a bullet,
Some bone was blown clean off,
Out the top of the Trap it flew
And lined up with the moss.

It rolled two hundred yards or so,
And headed for the cup,
And dropped in with a gentle plop
With its logo facing up.

Eleven, twelve and thirteen,
Were handled much the same,
You couldn’t hold a candle to him,
When Ben was on his game.

The next four holes were all alike,
The ones that came before,
All holes-in-one were on his card,
No twos were on his score.

He strolled up to the eighteenth tee,
His heart was beating loud.
He put his fingers to his lips,
And quieted the crowed.

The last one was a short one,
A straight-ahead par three
There were no hazards anywhere,
No sand trap, pond or tree.

“This should be a snap, ol’ sport”
The patron said as he looked.
He reached into his pocket,
And got out his checkbook.

Ben hit the ball without a tee,
A divot flopped in front,
The ball flew forward to the rough
Like a major-leaguers’ bunt.

It straightened out and bounded for
The cup which was dead ahead,
His target clearly right on line,
“Draino,” the patron said.

But deep inside that little hole,
In the center of the green,
A bug was singing courtship songs
That filled the round ravine.

And on the edge…above him,
His girl bug sat and giggled,
And fluttered sixteen eyelids
Her antennae bobbed and jiggled.

The ball snuck up behind her,
It didn’t see her charms,
And it knocked her off the slippery edge
Right into her boy bug’s arms.

The ball stopped when it hit her.
It wouldn’t moved an inch.
The patron’s eyes popped real wide,
Ben Hogan didn’t flinch.

Ben couldn’t know the truth of it,
He only knew he failed.
He took it all upon himself,
And stomped the ground and wailed.

Other dreams would have to wait.
He couldn’t rest until
He turned around and headed back
To the first tee on the hill.

They say his ghost’s still out there
And on moonlit nights you’ll hear
The pounding of his irons
Against the dimpled sphere.

It seems a family member on my Wife’s side wants to pay us a visit
Now what a surprise
But what I didn’t realize
This is my Wife’s Great Uncle who is a family pest
He isn’t my Wife’s family best
In fact, the family could care less
Apparently, my Wife’s Uncle Ben likes to take advantage since he is very old
But being old he knows how to be bold
At least that is what I was told
Uncle Ben would often fake a Heart Attack to get his way
Then it becomes later with other family member that let Uncle Ben stay
But after awhile Uncle Ben loses his welcome
The other family members don’t really talk but is very seldom
Uncle Ben that has his way
Now he is coming to our house to stay
So according to my Wife, I have no idea as to what to expect
Accept from what I was told in his personality in effect
But if Uncle Ben fakes a Heart Attack in my house, I will have no choice but to reject
He would be taken to the Doctor for careful observation
This is my 911 for preservation
Now my Wife and I are on vacation
We really wanted to go away
Perhaps while Uncle Ben is here, we will make our getaway
So if Uncle Ben starts a problem, he will be called a cab with suitcase in all
I will not hesitate having no stall
My Wife would probably be mad
But for a peace of mind I would be glad
I am not running a Holiday Inn
My house is not an automatic step in
Well let’s see how Uncle Ben will be
I will have to wait and see
If Uncle Ben cuts up, he will be out of the door like a bird set free
I mean whole hearty being a house flee
But I will never give Uncle Ben our keys
So Uncle Ben I hope you are ready for responsibility in house
This house belongs to us
Following our house rules is a must.

She remembered it well. Ben made no bones about it, as he told his little sister, "You want to make something of your life, you got to get out of here and don't look back."  And he did just that, saying his goodbyes to her as he embarked off into the army.

There's a whole other world out there than just Jasper Island

How terrifying of a concept that was to Rachel back then. Ben was almost three years older, and without him it was just her and Pop . Jasper Island was all she knew, and at the age of sixteen that was a terrifying concept to a shy girl who had been sheltered her whole life.

Rachel envied Ben. Between the two of him, he was the only one who really remembered their mother. She was close to three-years-old when her mother left this earth. Ben was six. Her recollections of her dear mother were like vapors, like dreams that had lost most of their definition.

There was only one time she really could envision her mother correctly. She could just faintly recall her mother hanging up sheets outside, and they were blowing in the wind like sails, matching her mother's windblown skirt. Rachel was giggling as her mother tried to shoo her out from getting caught up in those magical sheets. She could still remember the beauty of her mother as she snuggled up against her, her mother catching up to her impish daughter as she twirled up in one of the sheets like a girl trying to play dress up. Her mother's skirt smelled like a soft perfume mixed with the sea.

Everywhere, as a child, Rachel was surrounded by sea. It made her dreary home pleasant after she lost her mom. The sea was a constant friend. With its mystery and its beauty, the sea gave her a right to dream of what lay beyond it. Ben was right. She needed to get out from under her little, protective shell. She would read Ben's letters that came  Germany, where he was stationed, and would dream of being there, herself.

Pop never mentioned Ben, again, like he didn't exist. Her father was a distant man, a fisherman who never had much for conversation or desire for closeness. Rachel was used to his distance, for that was her norm. But as she grew up, she realized he was bitter when he lost her mother. Rachel's aunt, Roberta, her father's sister, clued her in on his former life before marriage. She told Rachel, "Your father never was a man to show his emotions. He shied away from people and would rather tinker around in his tool shed or be out on his boat. I sometimes don't know what your mother saw in him, for she was quite a social gal."

Rachel saw herself more in her distant father, more than she cared to see. She was artistic, and felt more at home with a paintbrush than with anything else. She would paint pictures of anything--the quaint homes around where she lived, the woods and nature, and especially anything  to do with the sea.

Everyone told her she had talent. She won a talent contest in her school, though the pool of artsy students was small. Her island school was about three times the size of a one room schoolhouse, and it was quite easy for her to shine there. Was she really that talented? Many of her teachers saw and encouraged her abilities. They  wanted her to do something with her gift, and surely not to waste it. Everyone said so--except her pop. He never took much notice.

Ben was right. Frightened as she was, Rachel decided to try to make it on the mainland. It just became too irresistible of a notion. She promised her father, "I'll write to, Pop". He didn't even face her as she was saying goodbye, so she repeated, "Pop...I am going to write, will keep in touch".

"Don't bother", he simple replied. He wouldn't even look at her, but buried his nose into his newspaper.

Eight years later, on Jasper Island, Rachel stood before the home she grew up in. Those words still stung.

Don't bother

Pop had died. Aunt Roberta was the one to inform her, and she wasn't able to get back in time before the funeral. It was a small one--you could count the attendees on one hand--but her pop probably wouldn't have cared either way.  Rachel felt numb about it all. How should she feel? She knew she should grieve for her father, but the tears didn't come. He was such a hard man to know.

It would be nearly half a year before she returned to Jasper Island. She was living in Europe at the time, and she had moderate success in living off her art.  It was enough of an experience in which she could support herself. She first saw her brother in Germany then eventually went to Rome, to Paris and to London, working her way through as she traveled. Eventually, she stayed in London and became an art teacher. But now here she was again on Jasper Island.

She looked upon her hold house for the longest time. It looked so different. There were new shutters, a new coat of paint, and it didn't seem right with the backdrop of the sea. The house was yellow and the plastic pink flamingos were an eyesore to her. New residents occupied the house, and it just didn't seem right or real. Though she had no claim on it anymore, it still was her home. Now it was sold off soon after her pop died. She never even got a chance to stand inside for one last time, to peer into her old room or sit upon the back porch and bask at the beauty of the sea.

She tried not to appear too nosy, as she looked out back. Clothes were hanging up on the line, blowing in the breeze, and she thought of the faint memory of her mischief with her mother so long ago.      

Rachel didn't dare to knock on the door. Perhaps, she knew the people inside. Everyone knew everyone on that island. If she did know them, she didn't really want to know the details. She was the intruder, after all. Or was it the other way around?  

She made her way around and marveled how time seemed to catch up with her island home. There was a new movie theater in place of the beat up one that she knew as a child. The playground by the school looked so much better it wasn't filled with children. Hardly a soul was there, like all the children had grown up, or something.  

Aunt Roberta was her only real link to her old home now. The few friends she had left a long time ago, just like her. Her mom's people vacated the island long before she ever met them. Aunt Roberta was still there to receive her, though. She had something special for her.  Gathering up two shoe boxes, she handed them to her niece. Rachel wondered what what the contents were, and she couldn't believe her eyes.All the letters she promised to write to her pop were all in there in those two boxes.

"I found them," Aunt Roberta said, amazed herself, "after cleaning out my brother's closets. He kept them all, it seems."

Rachel promised that she would write home, and she did. And it was true--her pop saved every single letter or postcard she ever sent him.  The envelopes were all opened up, so he obviously looked at them. She was amazed that he didn't  throw them away or burn them.  Never once, did he write her back, and Rachel thought he had completely dismissed them and disowned her.

Holding those envelopes and postcards in her hands was like finding some rare and valuable artifacts, and now the tears would come. For the first time in quite some time, Rachel felt something when it came to her distant father. It was everything rolled into one--her island home, her mother, her brother, her father, her sense of self--and she just wept freely as her aunt held her tight and comforted her.

Rachel never cared about the money. Her pop never made a will. He never owned much, but Aunt Roberta would make sure she was fair about the money. Rachel would have traded every cent of it if only she was to see her father one last time. She wanted to come back sooner, but she feared she would not be welcome, that the door would be slammed in her face. Now her only way to see her father was at the cemetery were generations of fellow island dwellers met their resting place.

At the grave, her parents were buried side by side, and the sea was their backdrop. It was just as her father would have wanted it. Rachel cleared away a few weeds, and she placed a handful of wildflowers at her mother's grave. "Hi, mamma", she said out loud. "I miss you and wish I could you could be here, again. I see you in my mind, and you are that young, delightful mother I still think of. " The sound of the breezes, and the birds constant communication of chirping, was a calming response.

She then addressed her father's grave, "Pop", she started to say, "Thanks for keeping those letters. I know it was hard for you now. We all left you, didn't we? Mamma, Ben...me..."

Rachel looked out into the sea. The sun was shining well, and it was like the waters were filled with diamonds. That enchanting sea--that is what her father cherished the most. He taught her how to swim there, not to be afraid of the waters but to respect the strength they held. He protected her from feeling so small and scared by it. He taught her about what was in the sea and how to fish from it. She smiled and thought of how she would have rather collected pretty seashells than to handle a slimy fish . He reaped so many things from the sea, and she knew he belonged to it. She closed her eyes and tried to think of such moments between her father.

Before she left, she held an unopened letter in her hand and said, "Pop, I got really, really sad looking at all those letters, especially because I can't write to you anymore. I'm just amazed you have them. I hope you read them, and if you did, I hoped you knew I really loved you". She smiled at what her dad would probably think as silly sentiment. He probably was rolling in his grave right now, squirming from all this mushy stuff. But at least now, she could tell him she loved him.

Rachel put her hand on his tombstone and stroked its rough exterior. She added, "Well, then I thought--who is to say I can't write? So I did. I got a letter for you,Pop, and I'm going to read it to you, now. Hope your listening."

She didn't know when she would come back for another visit to Jasper Island, but she knew she would return. Unlike Ben, she would not go way and never look back . How could she deny it as her home? She opened the letter, cleared her throat, and read it out loud, "Dear Pop, I hope you are at peace. I hope you are proud of me and that you hear me now. Take care of Mamma, and I'll see you on the other side." After she stopped, the tears came again, rolling down her check. She closed up the letter, put it on her father's tombstone and laid a rock on it to anchor it well. Eventually, the elements would get to it--the sun, the rain, the changing seasonal forces--but for now it was in good shape,

As the ferry made it's way from Jasper Island, the land became smaller and smaller, until it was just a speck in her view. But once it was the whole world to her, not just a destination to visit. Nevertheless, it wasn't some insignificant blip on the many maps of the world. It would always beckon her. Rachel could never forget Jasper Island.

He's jetted to Atlanta to spend time with his three children while his estranged wife shoots her new movie in the city.

And on Saturday Ben Affleck was spotted playing the role of doting dad perfectly as he treated two of his children Seraphina, 6, and Samuel, 3 to a fun day out.

The Batman Vs Superman star and his kids were spotted at a local farmer's market, with Ben, who announced his split from wife Jennifer in June, feeling the heat as he wiped away sweat during the shopping trip.


The 42-year-old actor looked tired as he walked around the market with his children, waiting as they stopped to check out toy and craft stalls.

Ben, who also shares Violet, 9, with his estranged wife, was seen driving to a private airport in Los Angeles on Friday to join his family in Atlanta, where Jennifer has relocated to film new movie Miracle From Heaven.

The dad of three wasted little time in exploring his new surroundings with his children on Saturday.

The actor dressed down in a pair of sweatpants and a Detroit t-shirt, the city where he spent much of last year shooting the hugely anticipated Batman v Superman: Dawn of Justice.

Sporting a heavy beard, Ben was wearing his wedding ring, which he has been spotted with on multiple occasions since announcing his split from his wife of ten years on June 30.

The Hollywood star was spotted carrying a number of bags after an afternoon at the market, as well as a bright pink doll carrier.

Earlier in the day Jennifer, 43, joined her estranged husband as the former couple treated Violet, Seraphina and Samuel to a trip to the movies to see new Pixar film Inside Out, before a spot of shoe shopping.

Jennifer was also seen wearing her wedding band on Saturday, with a source telling People that the pair have decided to keep wearing the rings for their children.

'[They] are a big part of why they're still wearing [the rings]...they just want them to be okay,' said the insider.

The website added that as Jennifer films in Atlanta with their three children in tow, Ben 'plans to be there with them as much as he can.'

While Ben has flown to Atlanta to be with his children, the family's former nanny Christine Ouzounian, who has been at the centre of a media firestorm over whether of not she and Ben are having an affair, was spotted relaxing at the luxurious Hotel Bel Air in Los Angeles.

A source told People Wednesday that Ben 'is taking care of Christine's expenses at the hotel.'

At this time of year, room rates for one night at the exclusive resort start at around $1,000 on a weekday and $1,500 on a weekend, with fees increasing according to the size of the room or suite.

The hotel is situated on 12 acres of lush gardens and has 58 guestrooms and 45 suites, including seven one-of-a-kind specialty suites.

The 28-year-old was seen working on her tan earlier this week in a tiny black bikini and enjoying drinks at the hotel's poolside bar.

The pretty blonde, who was fired by Jennifer just over a month ago, appeared not to have a care in the world, despite the speculation over her and Ben.

Adding fuel to the fire, photos surfaced this week showing the Gone Girl star warmly welcoming Christine to his LA bachelor pad in a late night rendezvous on July 17.

Reps for Ben continue to deny any affair, saying the claims are 'complete garbage.'

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Alex is dead.
Alex is indistinguishable from the soil.
Alex is the dissemination of bad ideas, the confusing of such schools of thought.

Ben feels like Alex is.
Ben is lost in a crowd.
Ben is a poor choice of words, on the wrong end of a loaded barrel.

Alex feels nothing.
Alex feels the twitching of an index finger on the trigger.
Alex does not see her target, but catches the vague outline of a thing lost in translation.

Ben misspoke.
Ben makes a sand angel on a beach of excuses.
Ben is the bottom of a wine barrel, sublimates a clenched fist into an outstretched palm.

Alex is the opposite of sublimation.
Alex is subsumed by id.
Alex is locked in the cast iron *** of what she thinks her friend did.

Ben sits down at the table.
Ben places the gun in her hand.  
Ben cannot do this himself; Alex is shaking, shaking, shaken.

This:    
The vacant lot of 2AM - did she hear him correctly?
Not much of a distance for a voice to travel
Meek and fractured though it may be
So surely she heard what he said; the words "pull the trigger".
But what is the f()king point of an epilogue
If it contradicts the book? And what's the f()king point of a moral compass, if the needle is broken? No more can she read and she doesn't know the difference between North and South, she holds a tooth from The Always Open Mouth.

There are three types of people in this world: those who are rocks, those who are hard places, and those are pinned between the first two. Ben is a rock, and Alex isn't sure whether the only way to help both of them is to stay trapped, or to push him down this hill. Alex feels nothing now. And Ben is indistinguishable from the soil.

he was in the room
with a mop and a broom
the room was all clean
no dirt was to be seen
and he left the room
not to be seen
by his friends who would mock him
if he were to be seen in that scene
He had a safe in a safe
in the night he was beside it
so they wouldn't devide it
in the day he would clean it to make it sing
the clean would squeek
although it was meek
but it came too soon
because no one was awake
to hear the tunes it would make
the safe would squeek and squank
the tune it would make
as it sat by the lake
that was made from the water
from the dirt and the solder
that was once on the safe
that he cleaned off with haste
he wanted to sing
but the safe sung for him
he had his dream
but his safe stole it
and locked it up
inside it's safe
though it wasn't literal
it all was real
that the man had a dream
that the safe would steal
the man's name was Ben
he was the worst of his friends
because his friends were better than he was
he hated himself and the safe that would speak
because he cleaned it and made it squeek
he had a friend named Ben
the other Ben who was cool and gear
was a friend of the Ben who was full of fear
he would sing and he sung
as Ben cleaned and clun
and both Bens made music that was good
but Ben hated his
and Ben liked his
but both Bens liked Bens song
but one song squeeked
and as it did, it squank
and the song it did make
put both in a trance
but Ben one was not real
and Ben two was the seer
one was in the mind
while the other one cleaned
he wished Ben two was real
because he wanted a friend
and he wanted to hate
because he wanted a blame
for his lack of fame
because his song was great
but too early it came
because no one was awake
to hear the music it would make

Prohemium.

But al to litel, weylaway the whyle,
Lasteth swich Ioye, y-thonked be Fortune!
That semeth trewest, whan she wol bygyle,
And can to foles so hir song entune,
That she hem hent and blent, traytour comune;  
And whan a wight is from hir wheel y-throwe,
Than laugheth she, and maketh him the mowe.

From Troilus she gan hir brighte face
Awey to wrythe, and took of him non hede,
But caste him clene out of his lady grace,  
And on hir wheel she sette up Diomede;
For which right now myn herte ginneth blede,
And now my penne, allas! With which I wryte,
Quaketh for drede of that I moot endyte.

For how Criseyde Troilus forsook,  
Or at the leste, how that she was unkinde,
Mot hennes-forth ben matere of my book,
As wryten folk through which it is in minde.
Allas! That they sholde ever cause finde
To speke hir harm; and if they on hir lye,  
Y-wis, hem-self sholde han the vilanye.

O ye Herines, Nightes doughtren three,
That endelees compleynen ever in pyne,
Megera, Alete, and eek Thesiphone;
Thou cruel Mars eek, fader to Quiryne,  
This ilke ferthe book me helpeth fyne,
So that the los of lyf and love y-fere
Of Troilus be fully shewed here.

Explicit prohemium.

Incipit Quartus Liber.

Ligginge in ost, as I have seyd er this,
The Grekes stronge, aboute Troye toun,  
Bifel that, whan that Phebus shyning is
Up-on the brest of Hercules Lyoun,
That Ector, with ful many a bold baroun,
Caste on a day with Grekes for to fighte,
As he was wont to greve hem what he mighte.  

Not I how longe or short it was bitwene
This purpos and that day they fighte mente;
But on a day wel armed, bright and shene,
Ector, and many a worthy wight out wente,
With spere in hond and bigge bowes bente;  
And in the herd, with-oute lenger lette,
Hir fomen in the feld anoon hem mette.

The longe day, with speres sharpe y-grounde,
With arwes, dartes, swerdes, maces felle,
They fighte and bringen hors and man to grounde,  
And with hir axes out the braynes quelle.
But in the laste shour, sooth for to telle,
The folk of Troye hem-selven so misledden,
That with the worse at night homward they fledden.

At whiche day was taken Antenor,  
Maugre Polydamas or Monesteo,
Santippe, Sarpedon, Polynestor,
Polyte, or eek the Troian daun Ripheo,
And othere lasse folk, as Phebuseo.
So that, for harm, that day the folk of Troye  
Dredden to lese a greet part of hir Ioye.

Of Pryamus was yeve, at Greek requeste,
A tyme of trewe, and tho they gonnen trete,
Hir prisoneres to chaungen, moste and leste,
And for the surplus yeven sommes grete.  
This thing anoon was couth in every strete,
Bothe in thassege, in toune, and every-where,
And with the firste it cam to Calkas ere.

Whan Calkas knew this tretis sholde holde,
In consistorie, among the Grekes, sone  
He gan in thringe forth, with lordes olde,
And sette him there-as he was wont to done;
And with a chaunged face hem bad a bone,
For love of god, to don that reverence,
To stinte noyse, and yeve him audience.  

Thanne seyde he thus, 'Lo! Lordes myne, I was
Troian, as it is knowen out of drede;
And, if that yow remembre, I am Calkas,
That alderfirst yaf comfort to your nede,
And tolde wel how that ye sholden spede.  
For dredelees, thorugh yow, shal, in a stounde,
Ben Troye y-brend, and beten doun to grounde.

'And in what forme, or in what maner wyse
This town to shende, and al your lust to acheve,
Ye han er this wel herd it me devyse;  
This knowe ye, my lordes, as I leve.
And for the Grekes weren me so leve,
I com my-self in my propre persone,
To teche in this how yow was best to done;

'Havinge un-to my tresour ne my rente  
Right no resport, to respect of your ese.
Thus al my good I loste and to yow wente,
Wening in this you, lordes, for to plese.
But al that los ne doth me no disese.
I vouche-sauf, as wisly have I Ioye,  
For you to lese al that I have in Troye,

'Save of a doughter, that I lafte, allas!
Slepinge at hoom, whanne out of Troye I sterte.
O sterne, O cruel fader that I was!
How mighte I have in that so hard an herte?  
Allas! I ne hadde y-brought hir in hir sherte!
For sorwe of which I wol not live to morwe,
But-if ye lordes rewe up-on my sorwe.

'For, by that cause I say no tyme er now
Hir to delivere, I holden have my pees;  
But now or never, if that it lyke yow,
I may hir have right sone, doutelees.
O help and grace! Amonges al this prees,
Rewe on this olde caitif in destresse,
Sin I through yow have al this hevinesse!  

'Ye have now caught and fetered in prisoun
Troians y-nowe; and if your willes be,
My child with oon may have redempcioun.
Now for the love of god and of bountee,
Oon of so fele, allas! So yeve him me.  
What nede were it this preyere for to werne,
Sin ye shul bothe han folk and toun as yerne?

'On peril of my lyf, I shal nat lye,
Appollo hath me told it feithfully;
I have eek founde it be astronomye,  
By sort, and by augurie eek trewely,
And dar wel seye, the tyme is faste by,
That fyr and flaumbe on al the toun shal sprede;
And thus shal Troye turne to asshen dede.

'For certeyn, Phebus and Neptunus bothe,  
That makeden the walles of the toun,
Ben with the folk of Troye alwey so wrothe,
That thei wol bringe it to confusioun,
Right in despyt of king Lameadoun.
By-cause he nolde payen hem hir hyre,  
The toun of Troye shal ben set on-fyre.'

Telling his tale alwey, this olde greye,
Humble in speche, and in his lokinge eke,
The salte teres from his eyen tweye
Ful faste ronnen doun by eyther cheke.  
So longe he gan of socour hem by-seke
That, for to hele him of his sorwes sore,
They yave him Antenor, with-oute more.

But who was glad y-nough but Calkas tho?
And of this thing ful sone his nedes leyde  
On hem that sholden for the tretis go,
And hem for Antenor ful ofte preyde
To bringen hoom king Toas and Criseyde;
And whan Pryam his save-garde sente,
Thembassadours to Troye streyght they wente.  

The cause y-told of hir cominge, the olde
Pryam the king ful sone in general
Let here-upon his parlement to holde,
Of which the effect rehersen yow I shal.
Thembassadours ben answered for fynal,  
Theschaunge of prisoners and al this nede
Hem lyketh wel, and forth in they procede.

This Troilus was present in the place,
Whan axed was for Antenor Criseyde,
For which ful sone chaungen gan his face,  
As he that with tho wordes wel neigh deyde.
But nathelees, he no word to it seyde,
Lest men sholde his affeccioun espye;
With mannes herte he gan his sorwes drye.

And ful of anguissh and of grisly drede  
Abood what lordes wolde un-to it seye;
And if they wolde graunte, as god forbede,
Theschaunge of hir, than thoughte he thinges tweye,
First, how to save hir honour, and what weye
He mighte best theschaunge of hir withstonde;  
Ful faste he caste how al this mighte stonde.

Love him made al prest to doon hir byde,
And rather dye than she sholde go;
But resoun seyde him, on that other syde,
'With-oute assent of hir ne do not so,  
Lest for thy werk she wolde be thy fo,
And seyn, that thorugh thy medling is y-blowe
Your bother love, there it was erst unknowe.'

For which he gan deliberen, for the beste,
That though the lordes wolde that she wente,  
He wolde lat hem graunte what hem leste,
And telle his lady first what that they mente.
And whan that she had seyd him hir entente,
Ther-after wolde he werken also blyve,
Though al the world ayein it wolde stryve.  

Ector, which that wel the Grekes herde,
For Antenor how they wolde han Criseyde,
Gan it withstonde, and sobrely answerde: --
'Sires, she nis no prisoner,' he seyde;
'I noot on yow who that this charge leyde,  
But, on my part, ye may eft-sone hem telle,
We usen here no wommen for to selle.'

The noyse of peple up-stirte thanne at ones,
As breme as blase of straw y-set on fyre;
For infortune it wolde, for the nones,  
They sholden hir confusioun desyre.
'Ector,' quod they, 'what goost may yow enspyre
This womman thus to shilde and doon us lese
Daun Antenor? -- a wrong wey now ye chese --

'That is so wys, and eek so bold baroun,  
And we han nede to folk, as men may see;
He is eek oon, the grettest of this toun;
O Ector, lat tho fantasyes be!
O king Priam,' quod they, 'thus seggen we,
That al our voys is to for-gon Criseyde;'  
And to deliveren Antenor they preyde.

O Iuvenal, lord! Trewe is thy sentence,
That litel witen folk what is to yerne
That they ne finde in hir desyr offence;
For cloud of errour let hem not descerne  
What best is; and lo, here ensample as yerne.
This folk desiren now deliveraunce
Of Antenor, that broughte hem to mischaunce!

For he was after traytour to the toun
Of Troye; allas! They quitte him out to rathe;  
O nyce world, lo, thy discrecioun!
Criseyde, which that never dide hem skathe,
Shal now no lenger in hir blisse bathe;
But Antenor, he shal com hoom to toune,
And she shal out; thus seyden here and howne.  

For which delibered was by parlement
For Antenor to yelden out Criseyde,
And it pronounced by the president,
Al-theigh that Ector 'nay' ful ofte preyde.
And fynaly, what wight that it with-seyde,  
It was for nought, it moste been, and sholde;
For substaunce of the parlement it wolde.

Departed out of parlement echone,
This Troilus, with-oute wordes mo,
Un-to his chaumbre spedde him faste allone,  
But-if it were a man of his or two,
The whiche he bad out faste for to go,
By-cause he wolde slepen, as he seyde,
And hastely up-on his bed him leyde.

And as in winter leves been biraft,  
Eche after other, til the tree be bare,
So that ther nis but bark and braunche y-laft,
Lyth Troilus, biraft of ech wel-fare,
Y-bounden in the blake bark of care,
Disposed wood out of his wit to breyde,  
So sore him sat the chaunginge of Criseyde.

He rist him up, and every dore he shette
And windowe eek, and tho this sorweful man
Up-on his beddes syde a-doun him sette,
Ful lyk a deed image pale and wan;  
And in his brest the heped wo bigan
Out-breste, and he to werken in this wyse
In his woodnesse, as I shal yow devyse.

Right as the wilde bole biginneth springe
Now here, now there, y-darted to the herte,  
And of his deeth roreth in compleyninge,
Right so gan he aboute the chaumbre sterte,
Smyting his brest ay with his festes smerte;
His heed to the wal, his body to the grounde
Ful ofte he swapte, him-selven to confounde.  

His eyen two, for pitee of his herte,
Out stremeden as swifte welles tweye;
The heighe sobbes of his sorwes smerte
His speche him refte, unnethes mighte he seye,
'O deeth, allas! Why niltow do me deye?  
A-cursed be the day which that nature
Shoop me to ben a lyves creature!'

But after, whan the furie and the rage
Which that his herte twiste and faste threste,
By lengthe of tyme somwhat gan asswage,  
Up-on his bed he leyde him doun to reste;
But tho bigonne his teres more out-breste,
That wonder is, the body may suffyse
To half this wo, which that I yow devyse.

Than seyde he thus, 'Fortune! Allas the whyle!  
What have I doon, what have I thus a-gilt?
How mightestow for reuthe me bigyle?
Is ther no grace, and shal I thus be spilt?
Shal thus Criseyde awey, for that thou wilt?
Allas! How maystow in thyn herte finde  
To been to me thus cruel and unkinde?

'Have I thee nought honoured al my lyve,
As thou wel wost, above the goddes alle?
Why wiltow me fro Ioye thus depryve?
O Troilus, what may men now thee calle  
But wrecche of wrecches, out of honour falle
In-to miserie, in which I wol biwayle
Criseyde, allas! Til that the breeth me fayle?

'Allas, Fortune! If that my lyf in Ioye
Displesed hadde un-to thy foule envye,  
Why ne haddestow my fader, king of Troye,
By-raft the lyf, or doon my bretheren dye,
Or slayn my-self, that thus compleyne and crye,
I, combre-world, that may of no-thing serve,
But ever dye, and never fully sterve?  

'If that Criseyde allone were me laft,
Nought roughte I whider thou woldest me stere;
And hir, allas! Than hastow me biraft.
But ever-more, lo! This is thy manere,
To reve a wight that most is to him dere,  
To preve in that thy gerful violence.
Thus am I lost, ther helpeth no defence!

'O verray lord of love, O god, allas!
That knowest best myn herte and al my thought,
What shal my sorwful lyf don in this cas  
If I for-go that I so dere have bought?
Sin ye Cryseyde and me han fully brought
In-to your grace, and bothe our hertes seled,
How may ye suffre, allas! It be repeled?

'What I may doon, I shal, whyl I may dure  
On lyve in torment and in cruel peyne,
This infortune or this disaventure,
Allone as I was born, y-wis, compleyne;
Ne never wil I seen it shyne or reyne;
But ende I wil, as Edippe, in derknesse  
My sorwful lyf, and dyen in distresse.

'O wery goost, that errest to and fro,
Why niltow fleen out of the wofulleste
Body, that ever mighte on grounde go?
O soule, lurkinge in this wo, unneste,  
Flee forth out of myn herte, and lat it breste,
And folwe alwey Criseyde, thy lady dere;
Thy righte place is now no lenger here!

'O wofulle eyen two, sin your disport
Was al to seen Criseydes eyen brighte,  
What shal ye doon but, for my discomfort,
Stonden for nought, and wepen out your sighte?
Sin she is queynt, that wont was yow to lighte,
In veyn fro-this-forth have I eyen tweye
Y-formed, sin your vertue is a-weye.  

'O my Criseyde, O lady sovereyne
Of thilke woful soule that thus cryeth,
Who shal now yeven comfort to the peyne?
Allas, no wight; but when myn herte dyeth,
My spirit, which that so un-to yow hyeth,  
Receyve in gree, for that shal ay yow serve;
For-thy no fors is, though the body sterve.

'O ye loveres, that heighe upon the wheel
Ben set of Fortune, in good aventure,
God leve that ye finde ay love of steel,  
And longe mot your lyf in Ioye endure!
But whan ye comen by my sepulture,
Remembreth that your felawe resteth there;
For I lovede eek, though I unworthy were.

'O olde, unholsom, and mislyved man,  
Calkas I mene, allas! What eyleth thee
To been a Greek, sin thou art born Troian?
O Calkas, which that wilt my bane be,
In cursed tyme was thou born for me!
As wolde blisful Iove, for his Ioye,  
That I thee hadde, where I wolde, in Troye!'

A thousand sykes, hottere than the glede,
Out of his brest ech after other wente,
Medled with pleyntes newe, his wo to fede,
For which his woful teres never stente;  
And shortly, so his peynes him to-rente,
And wex so mat, that Ioye nor penaunce
He feleth noon, but lyth forth in a traunce.

Pandare, which that in the parlement
Hadde herd what every lord and burgeys seyde,  
And how ful graunted was, by oon assent,
For Antenor to yelden so Criseyde,
Gan wel neigh wood out of his wit to breyde,
So that, for wo, he niste what he mente;
But in a rees to Troilus he wente.  

A certeyn knight, that for the tyme kepte
The chaumbre-dore, un-dide it him anoon;
And Pandare, that ful tendreliche wepte,
In-to the derke chaumbre, as stille as stoon,
Toward the bed gan softely to goon,  
So confus, that he niste what to seye;
For verray wo his wit was neigh aweye.

And with his chere and loking al to-torn,
For sorwe of this, and with his armes folden,
He stood this woful Troilus biforn,  
And on his pitous face he gan biholden;
But lord, so often gan his herte colden,
Seing his freend in wo, whos hevinesse
His herte slow, as thoughte him, for distresse.

This woful wight, this Troilus, that felte  
His freend Pandare y-comen him to see,
Gan as the snow ayein the sonne melte,
For which this sorwful Pandare, of pitee,
Gan for to wepe as tendreliche as he;
And specheles thus been thise ilke tweye,  
That neyther mighte o word for sorwe seye.

But at the laste this woful Troilus,
Ney deed for smert, gan bresten out to rore,
And with a sorwful noyse he seyde thus,
Among his sobbes and his sykes sore,  
'Lo! Pandare, I am deed, with-oute

When I was ten, I met a man who sailed the ocean far;
he came across from England with his suitcase and guitar.
He dug graves for a living, but no man was more alive.
His creed: to live, while others just survive.

Old Ben, he was a wanderer who roamed this country 'round
and wove his tales of travel into tapestries of sound.
The tune I borrowed from a song I loved to hear him play;
the words I wrote for Ben one yesterday.

Ben, ye bleedin' Briton, it's been many, many years
since your singing and your picking of the blues has reached my ears.
He dug graves for a living, but no man was more alive.
His creed: to live, while others just survive.

His music whispered magic with its pain and with its joy
and gently cast a spell upon this fourteen-year-old boy.
But as my life was starting, I saw Ben's life start to sour,
and watched him age a year for every hour.

It's hopeless and it's helpless when you just can't understand
how the bottle Ben was draining drained the magic of his hand.
When his voice took to creaking like an ancient barn-door hinge,
he took off on a desperation binge.

Ben, ye bleedin' Briton, it's been many, many years
since your singing and your picking of the blues has reached my ears.
You dug graves for a living, but no man was more alive.
Your creed: to live, while others just survive.

Some say you're in Nashville; others say you're in L.A.,
but if these words should find you, may they find that you're OK.
The tune I borrowed from a song I loved to hear you play;
the words I wrote for you one yesterday.

Ben, ye bleedin' Briton, it's been many, many years
since your singing and your picking of the blues has reached my ears.
You dug graves for a living, but no man was more alive.
Your creed to live...I hope it's still alive.

We have a cat named Ben who doesn’t wear a collar.
I know a saint named Ben whose picture's on a medal.


I wear it for safety, a bigger one we hang above the door for
superstitious reasons like a black cat that isn't ours
walking across our path, Ben is ours but Ben is brown not black
and Ben won't wear a collar so he stays indoors.

     St Benedict of Nursia the patron saint of lots of things,
     of remedies for poisoning, of evil witchcraft,  suffering,
     a patron saint of lots of things, of aggies, engineers,
     spelunkers and those with fever near the gates of death.

     He is the patron saint of gall stones but not kidney stones
     if so his medal would have saved me from significant pain,
     but still I wear his medal when I go out to keep myself
     protected from whatever it is he protects us against.

     before he became a good luck charm, before he was a medal
     he lived in a cave in Italy in the year 400 a.d. where for
     three years the townsfolk brought him food to eat and finally
     talked him into coming out. No, not that kind of coming out
     he wasn’t gay, he was a priestly hermit who was celibate.

     They put him in charge of a monastery when no one else
     wanted the job, but when he made the rules that still stick today
     they didn’t want to listen so they tried to poison him twice
     both unsuccessful. This is where he gets the nod for sainthood.

     Divine intervention saved the day, a raven stole the
     poisoned bread and a spasm smashed the poisoned cup.
     if they wanted him to go away they could have asked him  
     but I guess they needed a saint, someone to martyr, so
     he went back to his cave and was promptly forgotten

     until the Connecticut witch trials of 1647 when a captured
     witch confessed that her powers were contained by a
     conspicuous medal that she’d never seen before mounted
     over doorways, and she heard the whispers of the townsfolk say
     the medal was the medal of a saint they called St. Benedict.

I can personally attest that the medal is quite unique with
Latin inscriptions on both the front and the back. On one side
of the medal he stands and holds the holy rules, at his feet
a raven and a broken cup. An inscription on the medal reads:

            “May we at our death be fortified by his presence”

Flip it over and you’ll see:

               C
          C  S   S
       N D S M D
          P  M   B
               L

“May the holy cross be my light”
          “Let not the dragon be my overlord”
                      “This is the cross of Father Benedict”
                             “yadda   yadda   yadda”

Along the outer edge it looks like this, strangely similar
to a Ouija board.

                             PAX
                    B                    V
                V ­                           R
               I                    ­             S
                L                             N
                 Q                          S  
                     M                 V  


PAX  for Peace

The rest is this:
“Begone Satan yadda yadda yadda
          for evil is what you prefer yadda yadda
              so drink your own poison yadda”

350 some years since its inception and the medals popularity
still flourishes.  I reach down and finger the medal beneath
my t-shirt and I realize what the strangeness feels like.

It feels like witchcraft.

I guess I’ll wait and see if anything happens
before I pass judgment.

I hang it near our bed at night and while
we sleep

our brown cat Ben likes to bat it around.

Travel, traveling Ben, travel to the stars,
See the world as it comes again, produced from afar,

Spirits of the Dawn make haste for Time is coming…
When the Sun will crest her waves, bringing forth the light of days,

Loose the moorings set your clock, burn incense for the Spirits,
Travel! Traveling Ben, you know the universe, is happening!

And all time will be told again, in a machine-space of stars,
Her oboe of horology, for the sailors tune –cosmology,

Loose the moorings set your clock, burn incense for the Spirits,
Sail your ship over the sun, the place of your appearance.

Travel traveling Ben, travel to those stars,
Your ship a cap, you ship captain, from a sandy field of ours.

I could not think what else to say to end this little ditty,
But thinking on my ancient Egypt makes me oh so giddy!

What has Ben, will be Ben again, for Ben plus Ben makes two,
And there you go, I’ve gone and done it, given you a clue…

today, bob delahunty, was asked along to that HDU, to try and here the stories

of these many people who have been arguing about who is god, you see, there

is always, debates on who is more powerful that jesus, and who is jesus, and

when bob arrived, all the HDU, are arguing religious topics at each other till

their ears bleed, and bob didn’t know which way to turn, so, what bob did

is take them aside, first was ben teckerdid, who says his god, and bob said what makes

you god, buddy, ben said, well, i help people after i get drunk with them, my gift of the mandrunk

is to overdo helping people, and i end up here all the time, to reform everyone here, to

get this fucken place, closed down, then bob said, why that does make you GOD, ben

no, your just a crazy person, who likes to help, but you are not medicated right, in doing your deeds,

well, it passes the god test, but ben you are not the almighty one, and ben told bob to SHUT UP, singing

i know god is the devil, but the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

ben the devil and bobby poo

bob told ben to sit down and brought richard smith in, who believes he is the real jesus, and bob

was intrigued, why are you the real jesus, and richard said, because i can feel everyones pain

if you hit anyone, i feel it, and if i worked in a homeless shelter, i will get everyone inspired

cause, i am the real jesus, bob sat there laughing hitting himself with a rubber band, and richard

said, it doesn’t work like that, you see bob, i turned water into wine, i told moses to walk on water

i enjoy drinking wine, but i am a filthy little ****, i am jesus, cause, on inspection days in my flat

i can clean all day, to past the test, ooooh, i must be jesus, and bob said, ok, you have my vote

and richard said no bob, i am jesus christ, and not just to get out of here, either, I AM JESUS

and richard left saying, did you understand, as he left singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD, THE DEVIL, AND ****** BOB

the next patient also thought he was jesus, he was also the devil and god, because to him

he was religion, he lived for 323 years, and all his stories were written in his tent, but bob

thought straight away, WHAT A NUTJOB, he isn’t religion, he’s a clot, and his name was barney

and he lived near fred, and a woman named betty as his wife, and they worked on a dinosaur

and bob said, this guy has flipped his ****** marbles, that was a television show in thew 1970s

and barney said in his defense, no, it actually was the truth, barney helped fred, i helped fred

i am barney, and bob said, you are a shitzophrenic patient in the HDU, i don’t want to upset you

but the flintstones, never was real, in the way you explained it, ben and richard had better views

that you, buddy, and barney told bob to *******, and went away singing

god is the devil and the devil is bob, and barney is religion

god is the devil and the devil is bob and barney is religion

god is the devil and the devil is bob and barney, oh barney oh barney is religion

flintstones existed bobby delahunty

bob saw his last patient who said he was jesus christ and the devil, he saves people

but he also condemns people, ya know, puts people right all the time, bob thought

i don’t mess with you, mr, and he said he was jack flynn, i am 23, and i live and work

in a ****** neighbourhood, i never get any help from doctors and psych crews

and my only solace are my beliefs and writing them down on my computer

and i can save a lot of people, with the stories i wrote, buddy, ya know

bob asked, i understand that, but both jesus and the devil, and jack said

ummmmm, i am jesus, and there is no devil, good things happen bad things happen

the devil doesn’t control, and yeah, I, JESUS, MUST FORFILL MY DUTY TO PROTECT THE WORLD FROM VIOLENCE

IN ANY SHAPE OR FORM, bob said, interesting, ok, and bob went away making sure

that each of these dellusionists take their medications cause even if they are, their crimes were wrong, ok

but, remember, they have a right to their beliefs, and bob went away singing

god is the devil, and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

bob went off thinking

god is the devil and the devil is bob

god is the devil and the devil is bob

god is the devil and the devil is bob

GOD THE DEVIL AND BOB

Poor old Uncle Ben, looks like you have been fired
Get off our product packaging, your no longer required
Years of service would suggest, that you were once admired
But loyalty no longer counts, when your status has expired

Once you we're respected, and you didn't have to brag
I don't know why your suddenly, classed as a red flag?
They want to erase history, but their voices need a gag
A disrespect for microwaves, and rice boiled in the bag

Society no longer wants you, that much is surley proved
Do black lives really matter, when it's black that's being removed?
It doesn't make things better, and there's nothing that's improved
You can't substitute your ignorance, in the hope the world gets soothed

Why has he been targeted, why is it so precise?
Uncle Ben has been removed, from long and whole grain rice
Seventy years no way a slave, now he has paid the price
You have no thoughts, you've followed suit, you've taken bad advice

Your face must be offensive, cos they've played the racist card
This is the reason your now banned, and why you have barred
Paddy fields have felt your pain, they've taken the news hard
But it's not just blacks and foreigners, that's emotionally scarred

It doesn't matter what you change, or if old relatives discarded
He'll still be known as "Uncle Ben", he's too highly regarded
Whoever thought of this idea, they must be quite *******
Do you think your being diverse, when the public are bombarded?

Where is your proof or evidence, that the futures more inclusive?
It's not so stereotypical, when that club is non exclusive
You prattle on like pensioners, but your uncle's now illusive
How hypocritical can you be, when nothings that conclusive

Don't cause community divide, don't move things out of sight
Why do you exile darker skins, it simply is not right
Maybe it's your nature, and it's you that's not too bright
I wouldn't out of irony, ship them to the Isle of White

I fail to see the difference, with your product interference
Why are people in minority, scheduled for a massive clearance?
Perhaps you have a dislike, and you love race disappearance
The trouble is your arguments, have no sense of coherence

Who's next on the agenda, Who suffers the next chop?
Can I expect a range of goods, absent from the shop?
I hope "Aunt Bessie" won't succumb, to names that you will drop
Manhandled of her dumplings prove, that this madness should stop

Lunacy is on the rise, with the things that you endorse
Is "Meena" safe from tyranny, will you stop her at the sauce?
Or will korma be victorious, without the use of deadly force
With senseless attitudes of today, we'll find out in due course

I think that in all honesty, you've taking things too far
Even Disney's lost its faith, in Zip-A-Dee-Doo-Dah
"Uncle Remus" can no longer, wish upon a star
Despite the fact they said it makes, no difference who you are?

Your excuses are not valid, so I couldn't give two hoots
Footwear is getting tighter, cos your too big for your boots
I wouldn't be at all surprised, if you dispose of "Levi Roots"
No more music on your food, and there's no real substitutes

Scapegoats come in many forms, through all our uphill slogs
To save us getting in a jam, they ditched the golly wogs
It started many moons ago, with the grinding of lifes cogs
But it wasn't worth the effort, now we've gone to the dogs

Who thought of "Ben's Original", that name is just the worst
It's quite clear that "Uncle Ben", simply got there first
Originality isn't something, that is planned and then rehearsed
Your led away like mindless sheep, and your obviously cohorst

There's nothing wrong with Uncles, or a packet that shows faces
Especially when they depict, a span of different races
I'll only purchase Uncle Ben's, with intact ethnic traces
We don't want contradictory claims, with "Original" as their bases

I think I'll switch to bachelors, or even shops own brand
Cos I can't stand the way you treat, the ethnics of our land
Why drown yourself In petulance, why try to get things banned?
Your attitude just goes to show, that you are underhand

You didn't mind old Ben's face, when you raked in the cash
It seems to me your acting dumb, and being far to rash
Why is "Uncle " so offensive, and the cause if rice backlash?
Your suffering from vindictiveness, and a sense of being brash

Jars of cooking sauces, now have something they all lack
The distinguished face of a man, who happens to be black!
He is a childhood icon, and he should be brought right back
And never mind the unaoriginal, with "Original" on the pack

Don't rip away the legacy, of a man from way back when
Actions taken do more harm, more now than they did then
Take my advice just leave things be, and don't mention it again
Cos I don't think it's very fare, on poor old Uncle Ben

Ik heb wat testjes afgenomen,
wilde bepalen welke dromen
mij het beste klaar kunnen stomen
voor een leven in de bomen.

Ik stem, studeer en ben het bos
verloren, staar en veer op
van het bed, wens terug los
te zijn, zoek vrijheid en een job.

Ik, wie ben, ik, boe, wie ben ik, moe.
Wie ik ben, is wat ik doe,
niet minder, meer, niet zeer,
toch op zoek. Want wat was nu ook weer
de clue?

Ach juist, ik was op zoek,
naar wie mij kan definiëren.
Ik heb een onuitstaanbare nood
aan vastleggen wie ik ben,
het is geen aanrader, 'k zou het niet
proberen.

Ik wil vertrouwbaar zijn, betrouw
me gauw en ik zal horen,
ik ben als luisteraar geboren.
Ook lief en accepterend,
de armzaligen verwerend,
doch lachend uit, oordelend,
liefst de taken verdelend.
Dat ben ik, Daan, de ambassadeur
van buzz, plezier en lachen
bezorgen aan de cohorte
is mijn favoriete forte.

Zeg ik allemaal zelf, rapportage
is onbetrouwbaar onderzoek,
ik blijf blijkbaar blij mijzelf verschuldigd
te zeggen wie ik ben
en is dat een probleem?
't Is dat ik vanonder zoek.
Voor mij een beetje maar van bovenaf is
dat allemaal oke.

Vanaf morgen zeg ik nee
wil ik minderen
die letters zinderen na
en daarom zeg ik ja
wanneer ik liever
afwijs.

Het is een zwakte als
pas gelakte nagels
later wordt het mooi,
voor nu is het een zooi
tot het droogt
en het poogt
alles te
verbeteren.

Dat ben, was, word ik later
een zeveraar een prater
een typer, een tikker,
getikt, jouw type, cherry picker.

Ik eet de kersen op jouw taart
wanneer je moederdag verjaart
eet de olie van jouw dom
de spookjes uit jouw kom
Ik ben veel en ook een vraat
ik schrok zelfs terwijl ik praat
tijdens de film
god wat zou ik mezelf
ambetant vinden
als ik mezelf niet was

Daarom kan ik niet om met mensen die niet anders zijn,
ik zou ze verwensen maar dat is niet mijn
manier van werken
ik tolereer ze, laat liefst niet teveel merken
van mijn afgrijzen, afschuwelijk plezier
als ik zie *** pijnlijk op een kier
de deur staat
naar vergetelheid.

Ben Sana Mecburum (“You Are Indispensable”)
by Attila Ilhan
translation/interpretation by Nurgül Yayman and Michael R. Burch

You are indispensable; how can you not know
that you’re like nails riveting my brain?
I see your eyes as ever-expanding dimensions.
You are indispensable; how can you not know
that I burn within, at the thought of you?

Trees prepare themselves for autumn;
can this city be our lost Istanbul?
Now clouds disintegrate in the darkness
as the street lights flicker
and the streets reek with rain.
You are indispensable, and yet you are absent ...

Love sometimes seems akin to terror:
a man tires suddenly at nightfall,
of living enslaved to the razor at his neck.
Sometimes he wrings his hands,
expunging other lives from his existence.
Sometimes whichever door he knocks
echoes back only heartache.

A screechy phonograph is playing in Fatih ...
a song about some Friday long ago.
I stop to listen from a vacant corner,
longing to bring you an untouched sky,
but time disintegrates in my hands.
Whatever I do, wherever I go,
you are indispensable, and yet you are absent ...

Are you the blue child of June?
Ah, no one knows you—no one knows!
Your deserted eyes are like distant freighters ...
perhaps you are boarding in Yesilköy?
Are you drenched there, shivering with the rain
that leaves you blind, beset, broken,
with wind-disheveled hair?

Whenever I think of life
seated at the wolves’ table,
shameless, yet without soiling our hands ...
Yes, whenever I think of life,
I begin with your name, defying the silence,
and your secret tides surge within me
making this voyage inevitable.
You are indispensable; how can you not know?

***

Original text:

Ben sana mecburum bilemezsin
Adini mih gibi aklimda tutuyorum
Büyüdükçe büyüyor gözlerin
Ben sana mecburum bilemezsin
Içimi seninle isitiyorum.
Agaçlar sonbahara hazirlaniyor
Bu sehir o eski Istanbul mudur
Karanlikta bulutlar parçalaniyor
Sokak lambalari birden yaniyor
Kaldirimlarda yagmur kokusu
Ben sana mecburum sen yoksun.

Sevmek kimi zaman rezilce korkuludur
Insan bir aksam üstü ansizin yorulur
Tutsak ustura agzinda yasamaktan
Kimi zaman ellerini kirar tutkusu
Bir kaç hayat çikarir yasamasindan
Hangi kapiyi çalsa kimi zaman
Arkasinda yalnizligin hinzir ugultusu

Fatih'te yoksul bir gramofon çaliyor
Eski zamanlardan bir cuma çaliyor
Durup köse basinda deliksiz dinlesem
Sana kullanilmamis bir gök getirsem
Haftalar ellerimde ufalaniyor
Ne yapsam  ne tutsam nereye gitsem
Ben sana mecburum sen yoksun.

Belki haziran  da mavi benekli çocuksun
Ah seni bilmiyor kimseler bilmiyor
Bir silep siziyor issiz gözlerinden
Belki Yesilköy'de uçaga biniyorsun
Bütün islanmissin tüylerin ürperiyor
Belki körsün kirilmissin telas içindesin
Kötü rüzgar saçlarini götürüyor

Ne vakit bir yasamak düsünsem
Bu kurtlar sofrasinda belki zor
Ayipsiz   fakat ellerimizi kirletmeden
Ne vakit bir yasamak düsünsem
Sus deyip adinla basliyorum
Içim sira kimildiyor gizli denizlerin
Hayir baska türlü olmayacak
Ben sana mecburum bilemezsin.

Keywords/Tags: Turkey, Turkish, Attila Ilhan, modern English translation

Incipit prohemium tercii libri.

O blisful light of whiche the bemes clere  
Adorneth al the thridde hevene faire!
O sonnes lief, O Ioves doughter dere,
Plesaunce of love, O goodly debonaire,
In gentil hertes ay redy to repaire!  
O verray cause of hele and of gladnesse,
Y-heried be thy might and thy goodnesse!

In hevene and helle, in erthe and salte see
Is felt thy might, if that I wel descerne;
As man, brid, best, fish, herbe and grene tree  
Thee fele in tymes with vapour eterne.
God loveth, and to love wol nought werne;
And in this world no lyves creature,
With-outen love, is worth, or may endure.

Ye Ioves first to thilke effectes glade,  
Thorugh which that thinges liven alle and be,
Comeveden, and amorous him made
On mortal thing, and as yow list, ay ye
Yeve him in love ese or adversitee;
And in a thousand formes doun him sente  
For love in erthe, and whom yow liste, he hente.

Ye fierse Mars apeysen of his ire,
And, as yow list, ye maken hertes digne;
Algates, hem that ye wol sette a-fyre,
They dreden shame, and vices they resigne;  
Ye do hem corteys be, fresshe and benigne,
And hye or lowe, after a wight entendeth;
The Ioyes that he hath, your might him sendeth.

Ye holden regne and hous in unitee;
Ye soothfast cause of frendship been also;  
Ye knowe al thilke covered qualitee
Of thinges which that folk on wondren so,
Whan they can not construe how it may io,
She loveth him, or why he loveth here;
As why this fish, and nought that, comth to were.  

Ye folk a lawe han set in universe,
And this knowe I by hem that loveres be,
That who-so stryveth with yow hath the werse:
Now, lady bright, for thy benignitee,
At reverence of hem that serven thee,  
Whos clerk I am, so techeth me devyse
Som Ioye of that is felt in thy servyse.

Ye in my naked herte sentement
Inhelde, and do me shewe of thy swetnesse. --
Caliope, thy vois be now present,  
For now is nede; sestow not my destresse,
How I mot telle anon-right the gladnesse
Of Troilus, to Venus heryinge?
To which gladnes, who nede hath, god him bringe!

Explicit prohemium Tercii Libri.

Incipit Liber Tercius.

Lay al this mene whyle Troilus,  
Recordinge his lessoun in this manere,
'Ma fey!' thought he, 'Thus wole I seye and thus;
Thus wole I pleyne unto my lady dere;
That word is good, and this shal be my chere;
This nil I not foryeten in no wyse.'  
God leve him werken as he can devyse!

And, lord, so that his herte gan to quappe,
Heringe hir come, and shorte for to syke!
And Pandarus, that ledde hir by the lappe,
Com ner, and gan in at the curtin pyke,  
And seyde, 'God do bote on alle syke!
See, who is here yow comen to visyte;
Lo, here is she that is your deeth to wyte.'

Ther-with it semed as he wepte almost;
'A ha,' quod Troilus so rewfully,  
'Wher me be wo, O mighty god, thow wost!
Who is al there? I se nought trewely.'
'Sire,' quod Criseyde, 'it is Pandare and I.'
'Ye, swete herte? Allas, I may nought ryse
To knele, and do yow honour in som wyse.'  

And dressede him upward, and she right tho
Gan bothe here hondes softe upon him leye,
'O, for the love of god, do ye not so
To me,' quod she, 'Ey! What is this to seye?
Sire, come am I to yow for causes tweye;  
First, yow to thonke, and of your lordshipe eke
Continuance I wolde yow biseke.'

This Troilus, that herde his lady preye
Of lordship him, wex neither quik ne deed,
Ne mighte a word for shame to it seye,  
Al-though men sholde smyten of his heed.
But lord, so he wex sodeinliche reed,
And sire, his lesson, that he wende conne,
To preyen hir, is thurgh his wit y-ronne.

Cryseyde al this aspyede wel y-nough,  
For she was wys, and lovede him never-the-lasse,
Al nere he malapert, or made it tough,
Or was to bold, to singe a fool a masse.
But whan his shame gan somwhat to passe,
His resons, as I may my rymes holde,  
I yow wole telle, as techen bokes olde.

In chaunged vois, right for his verray drede,
Which vois eek quook, and ther-to his manere
Goodly abayst, and now his hewes rede,
Now pale, un-to Criseyde, his lady dere,  
With look doun cast and humble yolden chere,
Lo, the alderfirste word that him asterte
Was, twyes, 'Mercy, mercy, swete herte!'

And stinte a whyl, and whan he mighte out-bringe,
The nexte word was, 'God wot, for I have,  
As feyfully as I have had konninge,
Ben youres, also god so my sowle save;
And shal til that I, woful wight, be grave.
And though I dar ne can un-to yow pleyne,
Y-wis, I suffre nought the lasse peyne.  

'Thus muche as now, O wommanliche wyf,
I may out-bringe, and if this yow displese,
That shal I wreke upon myn owne lyf
Right sone, I trowe, and doon your herte an ese,
If with my deeth your herte I may apese.  
But sin that ye han herd me som-what seye,
Now recche I never how sone that I deye.'

Ther-with his manly sorwe to biholde,
It mighte han maad an herte of stoon to rewe;
And Pandare weep as he to watre wolde,  
And poked ever his nece newe and newe,
And seyde, 'Wo bigon ben hertes trewe!
For love of god, make of this thing an ende,
Or slee us bothe at ones, er that ye wende.'

'I? What?' quod she, 'By god and by my trouthe,  
I noot nought what ye wilne that I seye.'
'I? What?' quod he, 'That ye han on him routhe,
For goddes love, and doth him nought to deye.'
'Now thanne thus,' quod she, 'I wolde him preye
To telle me the fyn of his entente;  
Yet wist I never wel what that he mente.'

'What that I mene, O swete herte dere?'
Quod Troilus, 'O goodly, fresshe free!
That, with the stremes of your eyen clere,
Ye wolde som-tyme freendly on me see,  
And thanne agreen that I may ben he,
With-oute braunche of vyce on any wyse,
In trouthe alwey to doon yow my servyse,

'As to my lady right and chief resort,
With al my wit and al my diligence,  
And I to han, right as yow list, comfort,
Under your yerde, egal to myn offence,
As deeth, if that I breke your defence;
And that ye deigne me so muche honoure,
Me to comaunden ought in any houre.  

'And I to ben your verray humble trewe,
Secret, and in my paynes pacient,
And ever-mo desire freshly newe,
To serven, and been y-lyke ay diligent,
And, with good herte, al holly your talent  
Receyven wel, how sore that me smerte,
Lo, this mene I, myn owene swete herte.'

Quod Pandarus, 'Lo, here an hard request,
And resonable, a lady for to werne!
Now, nece myn, by natal Ioves fest,  
Were I a god, ye sholde sterve as yerne,
That heren wel, this man wol no-thing yerne
But your honour, and seen him almost sterve,
And been so looth to suffren him yow serve.'

With that she gan hir eyen on him caste  
Ful esily, and ful debonairly,
Avysing hir, and hyed not to faste
With never a word, but seyde him softely,
'Myn honour sauf, I wol wel trewely,
And in swich forme as he can now devyse,  
Receyven him fully to my servyse,

'Biseching him, for goddes love, that he
Wolde, in honour of trouthe and gentilesse,
As I wel mene, eek mene wel to me,
And myn honour, with wit and besinesse  
Ay kepe; and if I may don him gladnesse,
From hennes-forth, y-wis, I nil not feyne:
Now beeth al hool; no lenger ye ne pleyne.

'But nathelees, this warne I yow,' quod she,
'A kinges sone al-though ye be, y-wis,  
Ye shal na-more have soverainetee
Of me in love, than right in that cas is;
Ne I nil forbere, if that ye doon a-mis,
To wrathen yow; and whyl that ye me serve,
Cherycen yow right after ye deserve.  

'And shortly, dere herte and al my knight,
Beth glad, and draweth yow to lustinesse,
And I shal trewely, with al my might,
Your bittre tornen al in-to swetenesse.
If I be she that may yow do gladnesse,  
For every wo ye shal recovere a blisse';
And him in armes took, and gan him kisse.

Fil Pandarus on knees, and up his eyen
To hevene threw, and held his hondes hye,
'Immortal god!' quod he, 'That mayst nought dyen,  
Cupide I mene, of this mayst glorifye;
And Venus, thou mayst maken melodye;
With-outen hond, me semeth that in the towne,
For this merveyle, I here ech belle sowne.

'But **! No more as now of this matere,  
For-why this folk wol comen up anoon,
That han the lettre red; lo, I hem here.
But I coniure thee, Criseyde, and oon,
And two, thou Troilus, whan thow mayst goon,
That at myn hous ye been at my warninge,  
For I ful wel shal shape youre cominge;

'And eseth ther your hertes right y-nough;
And lat see which of yow shal bere the belle
To speke of love a-right!' ther-with he lough,
'For ther have ye a layser for to telle.'  
Quod Troilus, 'How longe shal I dwelle
Er this be doon?' Quod he, 'Whan thou mayst ryse,
This thing shal be right as I yow devyse.'

With that Eleyne and also Deiphebus
Tho comen upward, right at the steyres ende;  
And Lord, so than gan grone Troilus,
His brother and his suster for to blende.
Quod Pandarus, 'It tyme is that we wende;
Tak, nece myn, your leve at alle three,
And lat hem speke, and cometh forth with me.'  

She took hir leve at hem ful thriftily,
As she wel coude, and they hir reverence
Un-to the fulle diden hardely,
And speken wonder wel, in hir absence,
Of hir, in preysing of hir excellence,  
Hir governaunce, hir wit; and hir manere
Commendeden, it Ioye was to here.

Now lat hir wende un-to hir owne place,
And torne we to Troilus a-yein,
That gan ful lightly of the lettre passe  
That Deiphebus hadde in the gardin seyn.
And of Eleyne and him he wolde fayn
Delivered been, and seyde that him leste
To slepe, and after tales have reste.

Eleyne him kiste, and took hir leve blyve,  
Deiphebus eek, and hoom wente every wight;
And Pandarus, as faste as he may dryve,
To Troilus tho com, as lyne right;
And on a paillet, al that glade night,
By Troilus he lay, with mery chere,  
To tale; and wel was hem they were y-fere.

Whan every wight was voided but they two,
And alle the dores were faste y-shette,
To telle in short, with-oute wordes mo,
This Pandarus, with-outen any lette,  
Up roos, and on his beddes syde him sette,
And gan to speken in a sobre wyse
To Troilus, as I shal yow devyse:

'Myn alderlevest lord, and brother dere,
God woot, and thou, that it sat me so sore,  
When I thee saw so languisshing to-yere,
For love, of which thy wo wex alwey more;
That I, with al my might and al my lore,
Have ever sithen doon my bisinesse
To bringe thee to Ioye out of distresse,  

'And have it brought to swich plyt as thou wost,
So that, thorugh me, thow stondest now in weye
To fare wel, I seye it for no bost,
And wostow which? For shame it is to seye,
For thee have I bigonne a gamen pleye  
Which that I never doon shal eft for other,
Al-though he were a thousand fold my brother.

'That is to seye, for thee am I bicomen,
Bitwixen game and ernest, swich a mene
As maken wommen un-to men to comen;  
Al sey I nought, thou wost wel what I mene.
For thee have I my nece, of vyces clene,
So fully maad thy gentilesse triste,
That al shal been right as thy-selve liste.

'But god, that al wot, take I to witnesse,  
That never I this for coveityse wroughte,
But only for to abregge that distresse,
For which wel nygh thou deydest, as me thoughte.
But, gode brother, do now as thee oughte,
For goddes love, and kep hir out of blame,  
Sin thou art wys, and save alwey hir name.

'For wel thou wost, the name as yet of here
Among the peple, as who seyth, halwed is;
For that man is unbore, I dar wel swere,
That ever wiste that she dide amis.  
But wo is me, that I, that cause al this,
May thenken that she is my nece dere,
And I hir eem, and trattor eek y-fere!

'And were it wist that I, through myn engyn,
Hadde in my nece y-put this fantasye,  
To do thy lust, and hoolly to be thyn,
Why, al the world up-on it wolde crye,
And seye, that I the worste trecherye
Dide in this cas, that ever was bigonne,
And she for-lost, and thou right nought y-wonne.  

'Wher-fore, er I wol ferther goon a pas,
Yet eft I thee biseche and fully seye,
That privetee go with us in this cas;
That is to seye, that thou us never wreye;
And be nought wrooth, though I thee ofte preye  
To holden secree swich an heigh matere;
For skilful is, thow wost wel, my preyere.

'And thenk what wo ther hath bitid er this,
For makinge of avantes, as men rede;
And what mischaunce in this world yet ther is,  
Fro day to day, right for that wikked dede;
For which these wyse clerkes that ben dede
Han ever yet proverbed to us yonge,
That "Firste vertu is to kepe tonge."

'And, nere it that I wilne as now tabregge  
Diffusioun of speche, I coude almost
A thousand olde stories thee alegge
Of wommen lost, thorugh fals and foles bost;
Proverbes canst thy-self y-nowe, and wost,
Ayeins that vyce, for to been a labbe,  
Al seyde men sooth as often as they gabbe.

'O tonge, allas! So often here-biforn
Hastow made many a lady bright of hewe
Seyd, "Welawey! The day that I was born!"
And many a maydes sorwes for to newe;  
And, for the more part, al is untrewe
That men of yelpe, and it were brought to preve;
Of kinde non avauntour is to leve.

'Avauntour and a lyere, al is on;
As thus: I pose, a womman graunte me  
Hir love, and seyth that other wol she non,
And I am sworn to holden it secree,
And after I go telle it two or three;
Y-wis, I am avauntour at the leste,
And lyere, for I breke my biheste.  

'Now loke thanne, if they be nought to blame,
Swich maner folk; what shal I clepe hem, what,
That hem avaunte of wommen, and by name,
That never yet bihighte hem this ne that,
Ne knewe hem more than myn olde hat?  
No wonder is, so god me sende hele,
Though wommen drede with us men to dele.

'I sey not this for no mistrust of yow,
Ne for no wys man, but for foles nyce,
And for the harm that in the world is now,  
As wel for foly ofte as for malyce;
For wel wot I, in wyse folk, that vyce
No womman drat, if she be wel avysed;
For wyse ben by foles harm chastysed.

'But now to purpos; leve brother dere,  
Have al this thing that I have seyd in minde,
And keep thee clos, and be now of good chere,
For at thy day thou shalt me trewe finde.
I shal thy proces sette in swich a kinde,
And god to-forn, that it shall thee suffyse,  
For it shal been right as thou wolt devyse.

'For wel I woot, thou menest wel, parde;
Therfore I dar this fully undertake.
Thou wost eek what thy lady graunted thee,
And day is set, the chartres up to make.  
Have now good night, I may no lenger wake;
And bid for me, sin thou art now in blisse,
That god me sende deeth or sone lisse.'

Who mighte telle half the Ioye or feste
Which that the sowle of Troilus tho felte,  
Heringe theffect of Pandarus biheste?
His olde wo, that made his herte swelte,
Gan tho for Ioye wasten and to-melte,
And al the richesse of his sykes sore
At ones fledde, he felte of hem no more.  

But right so as these holtes and these hayes,
That han in winter dede been and dreye,
Revesten hem in grene, whan that May is,
Whan every ***** lyketh best to pleye;
Right in that selve wyse, sooth to seye,  
Wax sodeynliche his herte ful of Ioye,
That gladder was ther never man in Troye.

And gan his look on Pandarus up caste
Ful sobrely, and frendly for to see,
And seyde, 'Freend, in Aprille the laste,  
As wel thou wost, if it remembre thee,
How neigh the deeth for wo thou founde me;
And how thou didest al thy bisinesse
To knowe of me the cause of my distresse.

'Thou wost how longe I it for-bar to seye  
To thee, that art the man that I best triste;
And peril was it noon to thee by-wreye,
That wiste I wel; but tel me, if thee liste,
Sith I so looth was that thy-self it wiste,
How dorst I mo tellen of this matere,  
That quake now, and no wight may us here?

'But natheles, by that god I thee swere,
That, as him list, may al this world governe,
And, if I lye, Achilles with his spere
Myn herte cleve, al were my lyf eterne,  
As I am mortal, if I late or yerne
Wolde it b

Sadie the crazy lady
Who killed her granny to be close to her mummy
She also killed her grandad
Without lifting a finger when the old guy fell made
It look like an accident
it didn’t stop there she was evil
She showed people about
Her version of death
By burning a candle to a piece of paper
Then Ben who is her desk neighbour
Brought action figures for show and tell
Sadie just burnt them and threatened
Ben by putting the burnt action figure in her locker
That really scared him
He thought Sadie the crazy lady
Should be locked away in Gaol
But Sadie the crazy lady
Killed the mental health workers
By accidently on purpose locks them
In a burning room
Sadie the crazy lady
Drew a picture of Ben being hung
By the neck till he was totally head
But the way Sadie the crazy lady
Could do that is killing her teacher
And made it look like an accident
Yes Sadie the crazy lady
Having fun killing everybody
But she wanted her mummy and daddy
To know nothing about what Sadie was up to
Sadie the crazy lady
Started to figure out a way to **** Ben
But this was going to be hard
Because her house was the only
Place she could do it
And Sadie will be going out
So Sadie the crazy lady
Saw a happy man walking by her
She said to him ******* *******
Or I will fucken **** you
You don’t know me
I could really harm you
Make you jitter so *******
Away from me
And let Sadie **** Ben in peace
Sadie the crazy lady
Was killed by Ben in self defence yeah
When her funeral was on
Sadies mother blamed ben
For killing her little girl yeah
And Ben went to court and
Was locked up for 5 years
And Sadie the crazy lady
Was laughing and saying
I am causing earth grief


Sent from my iPhone

I will tell you a story about my friend Ben
Always rating my poetry with a perfect ten
One macho guy in our simple town
Last year, he takes home the Mr. Admirable crown

There's really something about my friend Ben
He really likes the journey of my talkative pen
He said its prettiness afar from the rose
Dancing gracefully while in paper leaving its ghost

Indeed I have a story about my friend Ben
Who reads my drafts again and again
Little I've realized that it's more than it seems to be
Until I've heard him saying "he loves me as me"

I've felt sorry then, for my long time friend Ben
The only poem I could dedicate to him
Was a poem for a friend

I will tell you a story about my friend Ben
He changed his name now
She called herself Jen


March 8, 2017
Mysterious Aries

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

**** nothing. I know all things that live die,
still **** nothing. All life is sacred, so let all creatures
live their sacred lives until they end naturally.
I saw a gnat once on my desktop. It was so small
I could barely see it, but I did not **** it. I watched
as it slowly--very slowly-- made its way from one
end of my desk to the other. I grew to admire the
gnat's tenacity. I grew fond of the gnat. The gnat
became my friend. The next morning, I looked
for the gnat somewhere on my desktop and
finally found it. I called the gnat "Ben." Ben was
now my friend. Ben did its thing while I did my
things. The third day, I looked for Ben again.
I looked and looked and looked, but could not
find Ben. Finally, I stopped looking and began
to use my computer. Toward noon, I lifted a
small stack of papers, and as I did, saw Ben. He
was dead, lying, I could barely see, on his side.
I knew Ben for a little more than two days, but
I was sad. I had lost a friend.

TOD HOWARD HAWKS

By: Cedric McClester

Uncle Ben
Ain’t gonna win
But white folks continue
To humor him
He’s now ahead
In all the polls
Like others before him
Who’ve sold their souls

Uncle Ben
Had a violent past
He’d have us believe
That he’s cured at last
But the media said
Not so fast
No one remembers him
As a **** alas

Uncle Ben
Was good with his hands
And could do all the things
That intricate surgery demands
But the dark side
That he's tried to project
No one can remember
And so he's suspect

Uncle Ben
As a matter of fact
Hasn't a rabbit's *** idea
How to reach fellow blacks
Let me give him a hint
Not with a rap that is wack
Because all that demonstrates
Is that he lacks tact







Cedric McClester, Copyright © 2015.  All rights reserved.

.

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