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 230° 
Mike Hauser
I don’t know what you’re saying
No idea of what you mean
This goes beyond this simpletons
Degree of Poetry

What I need you see is a rhyme
Like Mary’s Little Lamb
One I find in my own time
Will easily be grasped

Using simple words
With no need to look them up
Toss in the till, one syllable
And then wish it good luck

I don’t need my poetry
To dig itself too deep
Skimming along the surface
Is plenty fine by me

My hope is that this explains
Why I write the way I do
Just keep it simple stupid
If you must know the truth
 153° 
hgrbc
i remember she used to always tell me, it's okay to cry.
she gave me that look that said everything. as if she was silently telling me than it was okay to not be okay, to be broken, to be absolutely destroyed.
i'll always remember that side hug and proud look. the hand squeeze and happy tone in her voice when she boasted about me.
i'll remember everything now that you're gone.
 107° 
David Lessard
I used to read your poems
but lately you don't write
you're silent and aloof
you know that isn't right.
You can't close a door once opened
you can't abolish all your dreams
you're a poet of the heart
mustn't fall apart at the seams.
Say what you can in words
they speak the message true
spoken from the heart
the poems will see you through.
A hermit's not your style
a recluse, you are not
never give up writing
of things that you've been taught.
I used to read your poems
I'd read them once again
if you would send them out
(this one's from a poet friend)
 73° 
Nina
We hug
We kiss
We cuddle
In bed

We were just friends
We made out
To him
We were having ***
To me
We were making love
I was his friends with benefits
But he was my lover
 69° 
Akshay
These words are for me,
For I'm the one who's hurting,
I'm just healing myself.
I often wonder why we can't understand other's poems sometimes, but deep down it is the one who writes it knows the value of it.
 64° 
Ariana Bagley
I love him
I tell myself
I know that
We will be together forever
I don’t believe that
We could be separated
My thoughts tell me that
He’s the love of my life
Sometimes my heart lies and says
I could live an eternity
Without him
Like my friends say
β€œWe’re perfect for each other”
And you can’t tell me
He’s not the one.

Now read from bottom to top.
 46° 
eli
today,
i wore it again
and people complimented me
they say red is my color
and it suits me.

today,
it's too thick and dark
did i overapply
no, it's the right amount
just enough
to make them think
i'm fine.

today,
i look at myself
in the mirror,
and they're right
red shines on me,
so i applied
another layer,
and another
until my lips felt too thick,
but my eyes still see
the scars beneath it.
 34° 
ranveer joshua
as i look through my window
i cannot find his light
he’s nowhere to be seen
i’m all alone tonight

his presence calmed me
silent and serene
his warm yellow shine  
a sight unseen

oh please come back soon
i miss you so much
i’m off to bed now
please stay in touch
 32° 
Grace
sitting as the scissors trim, hair falling to the floor all dark and wet,

I watch her twirl fragments into sections, watch the sharp, quick movements,

and I gaze, haphazardly, at the girl in the mirror

who sits within herself, makes faces when the brush pulls too hard, smiles slightly when our eyes meet,

and that is when I stop watching the hairdresser but her face instead,

that girl, my sister,

so beautiful and sweet.
 31° 
fallacies
your eyes still look familiar
but the looks they give me now are foreign
 31° 
Alex Teng
We fell in love by chance,
We stay in love by choice.
 24° 
Goddess Rue
Heaven rained on me,
I breathed in the petrichor,
Bathed in the downpour.
I have sinned,
So destroy me,
With your rain.
 22° 
Betty H
I ride the waves of sorrow
to join eternal bliss
I await a kindly person
to plant a gentle kiss
 20° 
Marie-Lyne
:)
I think
the world
needs
more
of us
than we
can offer
Her soul is bleeding,
her colors are fading;
instead of becoming nothing,
she chose to give away her everything.

And so...

The world around her
suddenly turned brighter,
and there she was
slowly becoming duller.

The pain was unbearable
yet she silently endured it all,
she held the brush in her hand
and painted until the end.
I should’ve
waited
for someone
like
her to
come
into my
life.
 16° 
rac1
Uncle Vanya Nyet

I ain't seen nothin' Yet
 16° 
Madeysin
THIS.  IS.  LOVE.  

yell it until the vein on the side of your temple pulsates, pulsates in my 21 year old mind

yell it until the bruises are gifts

yell it until the anxiety is your inspiration
 16° 
noa
this time of year feels like a memory already
 15° 
Saint kaya
The sky is
A graveyard of stars

And I remark
Something so tragically beautiful

Just like fireworks of art
From here to the nearest star

And I wish
I could lay awake
In the night

With you
And our lingering hearts

And tell you all about a tragedy
Called life
 14° 
Nat Lipstadt
Why Men Cry in the Bathroom

For so many reasons.
I will tell you the why.
I think you know,
Or perhaps, you think you know.

Men are always O.K.,
Even when not.

We expect the worse,
Accept the worse,
Nonetheless,
We are forever unprepared.

Wearily, we cry,
In the bathroom, in private,
Lest sighs slip by,
We be unmasked,
Early warring, strife signs warning.

Copious, tho we weep
Before the mirror confessor,
It is relief untethered,
Unbinding of the feet,
An uncounting
Of beaded rosaries,
Of freshly fallen hail stones,
Of night times terrors
By dawn's early edition's light,
and welcomed.

But look for the mute tear,
The eye-cornered drop,
*** tat, that never drops,
But never ceases formation and
Reforming, over and over again,
In a state of perpetuity of reconstitution,

The tippy tear of an iceberg revealing,
And I see you peeping, wondering,
What is beneath


Look for:
the torn worm-eaten edges of spirit,
thrift shop bought, extra worn,
grieving lines neath the eyes,
where the salt has evaporated,
discolored the skin.
worry lines,
under and above,
browed mapped, furrowed boundaries.
the laugh line saga,
where better days are stored,
recalled, as well as recanted,
publicly, privately.

Why just men?

I don't know,
Perhaps,
it is all I know.


Jan 6, 2013
your effusive and lengthy comments are each a poem in their own right.  

Tinkered with June 22, 2013
With a push from Bala,
A serial peeper, thank God!
 12° 
Everforest
Monday,
We woke up looking perfect, right?
Tuesday,
We're kind to everyone cause it's what we love to do, right?
Wednesday,
Put extra makeup on to hide the evidence of last night's beating, cause if anyone found out they'd laugh and tell us to **** it up, right?
Thursday,
We laugh because crying ruins our image, right?
Friday,
. . .I got in a fight.

I don't know about you but even on the moon's brightest nights,
it's still got a dark side,
Maybe we don't always see it, but it's there,
So don't judge me when I miss the mark on "perfection"
 12° 
ketjil
You can’t compare yourself
With the unbroken girls
Surrounding you
You already shattered
Creating
A new form
Of beautiful

-jt
a somewhat older poem
 11° 
emnabee
The poet lives two lives.
One on the outside,
And one in their mind.

When you look in their eyes
You could see an abyss.

If you looked long enough
You could sink into it.

But most people don’t see it.

Take the time to read the words, though,
And you would know for sure.

The poet lives in two different worlds.
A little escape from the madness.
Or maybe, into.
 11° 
Me
No more lies
or games
no shame taken
on

I am
what I am
and will
with no fibre of me
adjust
just to make you feel
better.
 11° 
rosalind
someone once told me
you never forget your first love
you always love them
maybe in some strange twisted way
your brain forgetting
all the pain they caused
you love them
and i think they were right
because in a way
i love you
and i think i always will
for some nonsensical reason
i will never see the world
the same because of you
and sometimes i wish
i could change that
erase you from my thoughts
as you distort them
with your unwavering power
but then i remember
i wouldn’t want it any other way
you have shaped me
into the person i am today
and because of that
and i wouldn’t change a thing

- i'll never forget you
 11° 
Psychosa
There is a wolf that stalks me in the night.
I hear her howls as I am confined to the gnawings of my mind.

She bore her claws in me once,
and I am now marked by the scent of a blood so bittersweet.
When I am weak, she lunges for me with daggers for teeth.
I am her eternal prey,
caught in a slow-burning wildfire.

The only path in sight, leads me to her lair.
It is the only place of refuge for the inferno that surrounds me.
My path is one from which I cannot hide,
for my blood makes a trail for this she-wolf of the night.

I await her presence. I have been here before.
But this time I do not know if I will make it out alive.
 10° 
Reimers
It may look like I'm silent
But don't let it fool you
I'm holding back the will
To say that I love you
 10° 
misha
your name is
forbidden in
my mouth
or in my heart
because when
i think about
you;

i'll cry a little more,
hurt a little stronger
love a little softer
because you no longer
make me feel sober

i'm drunk on the
memory of you
if only i could chase you with pizza but shots don't work like that
Under the mango tree where the shade is dark and deep
she waits with years on her skin.

The face though weary with the burden of time
has not yielded to the fate
of having once loved and lost.

She believes the winds from the barren field
will one day carry the rustle of footsteps
raising a song from within earth
that the moment is arrived
for the dead river to rise in tides
and flood her cheeks with the sapplings of
all the unplanted kisses.

When the nights come
the fireflies would sing
love is such a beautiful thing
basking in the glow of her heart.
 9° 
Ronin
you
you
are the everything
causing me to be
broken
empty
lifeless

you
did it
it is all
you
your fault
why

me
forever damaged
full of hate
all for
you
 8° 
Creator Sun
Hey
Hey.
You probably won't see this,
But what I want to say is that I.
I hate you.

You're stupid.
Filthy.
Unreasonable.
There isn't enough words to describe your awfulnesses.

So why does it hurt?
Why does it hurt when I push you away?
Why does it hurt when you chase someone else?
Why does it hurt so much?

As much as I want to say 'I hate you!',
I realise that I.
I.
I love you.

It's stupid, isn't it?
If I told you this, you'll laugh at me.
Reject me. Pity me.
I just know you will.

And that's why I never told you.
That's why I kept pushing you away.
That's why I'm drifting away, drifting away
From my light. You.

But absence makes the heart fonder,
Doesn't it?
It hurts so much, it feels like I've
Left my heart behind. With you.
I'm salty that my poem got lost due to a connection error. Anyways, do you think this letter fits a Tsundere or Utsudere better? I'm experimenting with letter formats in an attempt to raise my motivation for my scenario writing which is where I've been focusing most of my attention onto. I have a lit exam tomorrow too, so extra practice in analysing my own poem for me!
 8° 
Debra Lea Ryan
I FLEW TOO CLOSE TO YOUR SUN
YOU FLEW TOO CLOSE TO MY MOON
WE HEARD OUR SONG
THEN DISAPPEARED SO SOON!

SEE YOU LATER BABY!
IΒ Β WILL ALWAYS BE IN LOVE WITH YOU.
β˜€β™₯ΖΈΣœΖ·βœΏβ™¬
Rath De' Ort
∞
 8° 
Kafka Joint
Nothing can justify your silence,
Unless you really don't want to talk about it.
 8° 
Max
She said "I'm falling in love."

I said "I'm falling apart."
What's the difference?
 7° 
Ann
keep your eyes closed love.

Β Β Β Β Β Β Β Β Β Β  eΒ Β Β Β  tΒ Β Β Β Β Β 
Β Β Β Β Β Β  mΒ Β Β Β Β Β Β Β Β Β  i
Β Β Β Β oΒ Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β  m
sΒ Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β eΒ Β 
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β sΒ Β Β Β  all you have to
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­ lΒ Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β to is what the sound
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β  iΒ Β Β Β Β Β Β Β Β Β Β Β n
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β sΒ Β Β Β Β Β Β Β Β Β  e
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β  t

Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β  v
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β aΒ Β Β Β Β Β Β Β e
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β  of theΒ Β wΒ Β Β Β Β Β Β Β Β Β Β Β Β Β  s
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β 
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β tellsΒ Β you
Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β ­Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β Β to do.
"Keep your eyes closed, love. sometimes all you have to listen is to what the sound of the waves tells you to do."

When I was much younger, beaches were my second favorite places. I still love watching waves as they go by, crashing against each other and the whole process repeating all over again.
 7° 
Glenn Currier
Gathering into the hatchway
I push my breath from rest
in the clouds and adventures
into the city with my sister
who would rather walk and breathe
and push her body out and away
from convention and comfort
while I try to make up excuses
to use the car.

She stops to notice the police
trying to corral unruly homeless
while I seek refuge on a grassy *****
with a few of my elders enjoying the sun.

I know the city and the commerce
that has gashed through soil
of this once quiet prairie
to construct one steel obelisk
after another
making art and poetry sad afterthoughts.

Now it is time
for me to move my creaky bones
into a day yet to aborn
beyond my bed,
to wash myself in the infinite seed of creation
splashed upon me
with each dawn.
 7° 
Louise
π‘«π’Šπ’π’† 𝒂 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚,
𝒆𝒍 𝒄𝒖𝒓𝒂 𝒑𝒖𝒆𝒅𝒆 𝒉𝒂𝒃𝒍𝒂𝒓 π’š 𝒍𝒂𝒅𝒓𝒂𝒓 𝒕𝒐𝒅𝒐 𝒍𝒐 𝒒𝒖𝒆 π’’π’–π’Šπ’†π’“π’‚,
𝒔𝒖𝒔 𝒑𝒂𝒍𝒂𝒃𝒓𝒂𝒔 𝒏𝒐 𝒔𝒐𝒏 𝒍𝒂 𝒗𝒆𝒓𝒅𝒂𝒅, 𝒆𝒔 𝒐𝒕𝒓𝒐 π’‰π’π’Žπ’ƒπ’“π’†;
𝒆𝒏 𝒆𝒍 π’‡π’Šπ’π’‚π’ 𝒅𝒆 𝒕𝒐𝒅𝒐, é𝒍 𝒏𝒖𝒏𝒄𝒂 𝒔𝒆𝒓Ñ π‘«π’Šπ’π’”.

π‘«π’Šπ’π’† 𝒂 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚,
𝒍𝒐𝒔 π’„π’“π’†π’šπ’†π’π’•π’†π’” 𝒏𝒐 𝒔𝒐𝒏 π’”π’†π’ˆπ’–π’Šπ’…π’π’“π’†π’” π’„π’Šπ’†π’ˆπ’π’”,
𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚ 𝒏𝒐 𝒆𝒔 𝒑𝒆𝒓𝒇𝒆𝒄𝒕𝒂, 𝒆𝒔 𝒖𝒏𝒂 π’Šπ’π’”π’•π’Šπ’•π’–π’„π’ŠΓ³π’;
𝑨 𝒗𝒆𝒄𝒆𝒔 𝒆𝒔 π’Šπ’π’„π’π’–π’”π’ 𝒍𝒂 π’π’”π’„π’–π’“π’Šπ’…π’‚π’… 𝒂𝒍 π’‡π’Šπ’π’‚π’ 𝒅𝒆𝒍 𝒕ú𝒏𝒆𝒍.

π‘«π’Šπ’π’† 𝒂 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚,
𝒆𝒍 𝒑𝒖𝒆𝒃𝒍𝒐 𝒏𝒐 𝒔𝒐𝒏 𝒔𝒖𝒔 π’Žπ’‚π’”π’„π’π’•π’‚π’” 𝒑𝒂𝒓𝒂 π’…π’†π’”π’‡π’Šπ’π’‚π’“,
Β‘π‘Ίπ’π’Žπ’π’” π’‰π’Šπ’‹π’π’” 𝒅𝒆 π‘«π’Šπ’π’”, 𝒏𝒐 𝒆𝒔𝒄𝒍𝒂𝒗𝒐𝒔 𝒅𝒆 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚!
Β‘π‘Ίπ’Š 𝒍𝒂𝒔 𝒄𝒐𝒔𝒂𝒔 π’†π’Žπ’‘π’†π’π’“π’‚π’, 𝒆𝒔 𝒑𝒐𝒓 𝒄𝒖𝒍𝒑𝒂 𝒅𝒆 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚!

Β‘π‘«π’Šπ’π’” 𝒆𝒔 𝒂𝒃𝒔𝒐𝒍𝒖𝒕𝒐, 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚ 𝒏𝒐!
Β‘π‘«π’Šπ’π’” 𝒆𝒔 π’‚π’Žπ’π’“π’π’”π’ π’š π’π’Šπ’ƒπ’†π’“π’‚π’…π’π’“, 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚ 𝒏𝒐!
𝑬𝒍 π’‚π’Žπ’π’“ 𝒅𝒆 π‘«π’Šπ’π’” 𝒆𝒔 π’Šπ’π’„π’π’π’…π’Šπ’„π’Šπ’π’π’‚π’, 𝒄𝒐𝒏 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚, ¿𝒅ó𝒏𝒅𝒆 𝒆𝒔𝒕Ñ 𝒆𝒍 π’‚π’Žπ’π’“?
‘𝒀 π‘«π’Šπ’π’” 𝒆𝒔 π’…π’Šπ’—π’Šπ’π’, 𝒃𝒐𝒏𝒅𝒂𝒅𝒐𝒔𝒐 π’š 𝒑𝒆𝒓𝒇𝒆𝒄𝒕𝒐, π’š 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚ 𝒏𝒖𝒏𝒄𝒂 𝒍𝒐 𝒔𝒆𝒓Ñ!

𝑬𝒏𝒕𝒐𝒏𝒄𝒆𝒔 π’…π’Šπ’π’† 𝒂 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚,
𝒑𝒖𝒆𝒅𝒆𝒏 𝒉𝒂𝒄𝒆𝒓 𝒅𝒆 π’ŽΓ­ 𝒖𝒏 π’†π’π’†π’Žπ’Šπ’ˆπ’,
π’’π’–π’†π’Žπ’‚π’…π’Žπ’† 𝒆𝒏 𝒍𝒂 π’‰π’π’ˆπ’–π’†π’“π’‚ 𝒐 π’‚π’‰π’π’“π’„π’‚π’…π’Žπ’† 𝒉𝒂𝒔𝒕𝒂 𝒒𝒖𝒆 π’”π’‚π’π’ˆπ’“π’†;
‘𝑨𝒍 π’‡π’Šπ’π’‚π’ 𝒅𝒆𝒍 𝒅í𝒂, 𝒑𝒐𝒓 π‘«π’Šπ’π’” 𝒕𝒐𝒅𝒂𝒗í𝒂 𝒄𝒓𝒆𝒆𝒓í𝒂!

𝒀 π’…π’Šπ’π’† 𝒂 𝒍𝒂 π’Šπ’ˆπ’π’†π’”π’Šπ’‚,
𝒑𝒖𝒆𝒅𝒆𝒏 π’”π’Šπ’π’†π’π’„π’Šπ’‚π’“π’Žπ’† 𝒐 π’‚π’•π’‚π’“π’Žπ’† 𝒍𝒐𝒔 𝒃𝒓𝒂𝒛𝒐𝒔,
𝒅𝒆𝒔𝒉𝒂𝒛𝒕𝒆 𝒅𝒆 π’ŽΓ­, π’„π’π’π’—π’Šπ’†π’“π’•π’† π’Žπ’Šπ’” 𝒉𝒖𝒆𝒔𝒐𝒔 𝒆𝒏 π’‚π’Žπ’–π’π’†π’•π’π’”;
‘𝑯𝒂𝒔𝒕𝒂 𝒆𝒍 π’‡π’Šπ’ 𝒅𝒆𝒍 π’Žπ’–π’π’…π’, 𝒍𝒐 ΓΊπ’π’Šπ’„π’ 𝒒𝒖𝒆 𝒉𝒂𝒄𝒆𝒏 𝒆𝒔 𝒅𝒂ñ𝒂𝒓!

π‘ͺπ’‚π’šπ’‚'𝒕 π’”π’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’;
‘𝑬𝒍 𝒄𝒖𝒓𝒂 𝒏𝒖𝒏𝒄𝒂 𝒄𝒖𝒓𝒂𝒓Ñ,
𝒉𝒂𝒔𝒕𝒂 𝒒𝒖𝒆 𝒔𝒖 π’‚π’π’Žπ’‚ 𝒔𝒆𝒂 𝒑𝒖𝒓𝒂!

~~

π‘¨π’Œπ’Šπ’π’ˆ π’Žπ’Šπ’π’‚π’Žπ’‚π’‰Γ‘π’ 𝒏𝒂 π’„π’‚π’ƒπ’‚π’ƒΓ’π’šΓ‘π’,

π‘Ίπ’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’,
𝒏𝒂 π’‚π’π’ˆ π’‘π’‚π’“π’Š π’‚π’š π’Žπ’‚Γ’π’‚π’“π’Šπ’π’ˆ π’Žπ’‚π’ˆπ’”π’‚π’π’Šπ’•π’‚ 𝒂𝒕 π’…π’–π’Žπ’‚π’π’…Γ‘π’ π’‰π’‚π’π’ˆπ’ˆπ’‚π’π’ˆ π’π’‚π’Šπ’”π’Šπ’ π’π’Šπ’šπ’‚,
π’π’ˆπ’–π’π’Šπ’• π’‚π’π’ˆ π’„π’‚π’π’Šπ’šπ’‚π’π’ˆ π’Žπ’ˆπ’‚ π’”π’‚π’π’Šπ’•Γ’ π’‚π’š π’‰π’Šπ’π’…π’Š π’‚π’π’ˆ 𝒄𝒂𝒕𝒐𝒕𝒐𝒉Ñ𝒏𝒂𝒏, π’…π’‚π’‰π’Šπ’ π’”π’Šπ’šπ’‚ π’‚π’š π’Šπ’”π’‚π’π’ˆ 𝒕𝒂𝒐 π’π’‚π’Žπ’‚π’π’ˆ;
π’”π’‚π’Žπ’‚π’Œπ’‚π’•π’–π’˜π’Šπ’…, π’‰π’Šπ’π’…π’Šπ’π’ˆ-π’‰π’Šπ’π’…π’Š π’”π’Šπ’šπ’‚ π’Žπ’‚π’ˆπ’Šπ’ˆπ’Šπ’π’ˆ π’‚π’π’ˆ π‘«π’Šπ’šπ’π’”.

π‘Ίπ’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’,
π’‚π’π’ˆ π’Žπ’ˆπ’‚ π’Žπ’‚π’π’‚π’π’‚π’Žπ’‘π’‚π’π’‚π’•Γ’π’šπ’‚ π’‚π’š π’‰π’Šπ’π’…π’Š π’Žπ’ˆπ’‚ π’ƒπ’–π’π’‚π’ˆ 𝒏𝒂 π’•π’‚π’ˆπ’‚π’”π’–π’π’π’… π’Γ‘π’Žπ’‚π’π’ˆ,
π’‚π’π’ˆ π’”π’Šπ’Žπ’ƒπ’‚π’‰π’‚π’ π’‚π’š π’‰π’Šπ’π’…π’Š π’‘π’†π’“π’‘π’†π’Œπ’•π’, π’Šπ’•π’ π’‚π’š π’Šπ’”π’‚π’π’ˆ π’Šπ’π’”π’•π’Šπ’•Γ»π’”π’šπ’π’;
π’Žπ’Šπ’π’”π’‚π’ π’Šπ’•π’ 𝒑𝒂 π’π’ˆπ’‚ π’‚π’π’ˆ π’…π’Šπ’π’Šπ’Ž 𝒔𝒂 𝒅𝒖𝒍𝒐 π’π’ˆ π’Žπ’‚π’‰π’‚π’ƒπ’‚π’π’ˆ π’π’‚π’ˆπ’–π’”π’‚π’.

π‘Ίπ’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’,
π’‚π’π’ˆ π’•π’‚π’π’π’ˆπ’ƒπ’‚π’šπ’‚π’ π’‚π’š π’‰π’Šπ’π’…π’Š π’„π’‚π’π’Šπ’π’‚π’π’ˆ π’Žπ’ˆπ’‚ π’‚π’π’‚π’ˆπ’‚π’π’ˆ π’‰π’‚π’šπ’π’‘ 𝒏𝒂 π’Žπ’‚Γ’π’‚π’“π’Šπ’π’ˆ π’Šπ’‘π’‚π’“π’‚π’…π’‚,
π’•π’‚π’šπ’ π’‚π’š π’Žπ’ˆπ’‚ π’‚π’π’‚π’Œ π’π’ˆ π‘«π’Šπ’šπ’π’”, π’‰π’Šπ’π’…π’Š π’Žπ’ˆπ’‚ π’‚π’π’Šπ’‘π’Šπ’ π’π’ˆ π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’!
𝑨𝒕 π’‘π’‚π’ˆ π’π’–π’Žπ’‚π’π’‚ 𝒑𝒂 𝒍𝒂𝒍𝒐 π’‚π’π’ˆ π’Žπ’‚π’”π’‚π’Žπ’‚, π’Šπ’•π’ π’“π’Šπ’ π’‚π’š π’…π’‚π’‰π’Šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰π’‚π’!

π‘¨π’π’ˆ π‘«π’Šπ’šπ’π’” π’‚π’š π’•π’Šπ’šπ’‚π’Œ, π’‚π’π’ˆ π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’ π’‚π’š π’‰π’Šπ’π’…π’Š!
π‘¨π’π’ˆ π‘«π’Šπ’šπ’π’” π’‚π’š π’Žπ’‚π’‘π’‚π’ˆπ’Žπ’‚π’‰π’‚π’ 𝒂𝒕 π’π’‚π’ˆπ’‘π’‚π’‘π’‚π’π’‚π’šπ’‚, π’‚π’π’ˆ π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’ π’‚π’š π’‰π’Šπ’π’…π’Š!
π‘¨π’π’ˆ π’‘π’‚π’ˆ-π’Šπ’ƒπ’Šπ’ˆ π’π’ˆ π‘«π’Šπ’šπ’π’” π’‚π’š π’˜π’‚π’π’‚π’π’ˆ π’Œπ’–π’π’…π’Šπ’”π’šπ’π’, 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰π’‚π’, 𝒏𝒂𝒔𝒂𝒂𝒏 π’‚π’π’ˆ π’‘π’‚π’ˆ-π’Šπ’ƒπ’Šπ’ˆ?!
𝑨𝒕 π’‚π’π’ˆ π‘«π’Šπ’šπ’π’” π’‚π’š 𝒃𝒂𝒏𝒂𝒍, π’Žπ’‚π’ƒπ’‚π’Šπ’• 𝒂𝒕 π’˜π’‚π’π’‚π’π’ˆ π’Œπ’‚π’Žπ’‚π’π’Š-π’Žπ’‚π’π’Š, 𝒂𝒕 π’‚π’π’ˆ π’”π’Šπ’Žπ’ƒπ’‚π’‰π’‚π’ π’‚π’š π’‰π’Šπ’π’…π’Š π’Œπ’‚π’Šπ’π’‚π’π’Žπ’‚π’ π’Žπ’‚π’ˆπ’Šπ’ˆπ’Šπ’π’ˆ!

π‘ͺπ’‚π’šπ’‚'𝒕 π’”π’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’,
π’Žπ’‚Γ’π’‚π’“π’Š π’π’Šπ’π’‚ π’‚π’Œπ’π’π’ˆ π’Šπ’•π’–π’“π’Šπ’π’ˆ 𝒏𝒂 π’Šπ’”π’‚π’π’ˆ 𝒄𝒂𝒍𝒂𝒃𝒂𝒏,
π’‚π’Œπ’'π’š π’”π’–π’π’–π’ˆπ’Šπ’ 𝒔𝒂 𝒕𝒖𝒍ô𝒔 𝒐 π’ƒπ’Šπ’•π’‚π’šπ’Šπ’ 𝒔𝒂 𝒆𝒏𝒕𝒂𝒃𝒍𝒂𝒅𝒐,
π’”π’‚π’Œπ’”π’‚π’Œπ’Šπ’ π’‰π’‚π’π’ˆπ’ˆπ’‚π’π’ˆ 𝒔𝒂 π’…π’–π’Žπ’‚π’π’‚π’Œ π’‚π’π’ˆ π’…π’–π’ˆπ’ π’Œπ’;
π’‘π’‚π’ˆπ’„π’‚π’•π’‚π’‘π’π’” π’π’ˆ 𝒍𝒂𝒉𝒂𝒕 π’π’ˆ π’Šπ’•π’, π’Žπ’‚π’π’Šπ’π’Šπ’˜π’‚π’Γ‘ 𝒑𝒂 π’“π’Šπ’ π’‚π’Œπ’ 𝒔𝒂 π‘«π’Šπ’šπ’π’”!

𝑨𝒕 π’”π’‚π’ƒπ’Šπ’‰π’Šπ’ π’π’Šπ’π’šπ’ 𝒔𝒂 π’”π’Šπ’Žπ’ƒπ’‚π’‰Γ‘π’,
π’Žπ’‚Γ’π’‚π’“π’Š π’π’Šπ’π’‚ π’‚π’Œπ’π’π’ˆ π’‘π’‚π’•π’‚π’‰π’Šπ’Žπ’Šπ’Œπ’Šπ’ 𝒐 π’Šπ’•π’‚π’π’Š π’Žπ’‚π’ π’π’Šπ’π’‚ π’‚π’π’ˆ π’‚π’Œπ’Šπ’π’ˆ π’Žπ’ˆπ’‚ 𝒃𝒓𝒂𝒔𝒐,
π’Šπ’‘π’‚π’•π’‚π’‘π’π’ π’π’Šπ’π’‚ π’‚π’Œπ’, π’ˆπ’‚π’˜π’Šπ’π’ˆ π’‚π’π’•π’Šπ’π’ˆ-π’‚π’π’•π’Šπ’π’ˆ
π’‚π’π’ˆ π’‚π’Œπ’Šπ’π’ˆ π’Žπ’ˆπ’‚ 𝒃𝒖𝒕𝒐;
π’‰π’‚π’π’ˆπ’ˆπ’‚π’π’ˆ 𝒔𝒂 𝒄𝒂𝒕Ñ𝒑𝒖𝒔𝒂𝒏 π’π’ˆ π’Žπ’–π’π’…π’, 𝒍𝒂𝒉𝒂𝒕 π’π’ˆ π’ˆπ’Šπ’π’‚π’ˆπ’‚π’˜π’‚ π’π’Šπ’π’‚ π’‚π’š π’‘π’‚π’π’‚π’Γ‘π’Œπ’Šπ’• 𝒂𝒕 π’‘π’‚π’π’ˆ-𝒂𝒂𝒃𝒖𝒔𝒐!


π‘Ίπ’–π’Žπ’‚π’”π’‚π’Šπ’π’šπ’,
𝑳𝒂 π‘­π’Šπ’π’Šπ’ƒπ’–π’”π’•π’†π’“π’‚
"La Filibustera" series, parte uno
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