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Aditi Sharma May 2013
--- <3 ---
My heart is a litmus paper.
A red.
Sometime s a blue.
An unusual gray sometimes.
Just for the cheer.
Acidic wit comes to rescue.
My heart is a litmus paper.

--- <3 ---

My heart is a litmus paper.
It cries for love.
It caresses the hate.
Its my soul pumping life to my body.
A red, sometimes.
Sometimes, a blue.

--- <3 ---

My heart is a litmus paper.
Take it , or leave it.
The conclusion is in your hands.
Yes! Right there.
Be it or believe it.
My heart is a litmus paper.

--- <3 ---
*Please refer Chemistry :)
I am in need of litmus paper;
A wriggling creature indeterminately featured follows,
It does not sit nor stand no feet nor hands just wriggling waving scribbling in goopy slop, no stops
The smell of burning band-aids trailing in its wake.

Savage monstrous floatation above a tile sea,
Its motions are elegantly sick, delightful ****,  
And I think I am thinking I'd like to know what it thinks,
But then, I know I should never truly know.

I am in need of litmus paper.
Is it an acid, base, or an accidental space
Filled, yet out of place, a dogma to my face?
Recurrent in its situation, killed once, but a reactivation?

I am in need of litmus paper.
Somewhere, I find, I am in the trail it leaves behind.
In this sign, I am afraid.

As it situates, conscious or unconsious,
Wriggling along, regurgitating from behind itself over and over again,
Halving itself, then fusing whole again,
It stares ahead, using an invisible force, inward eyes inside a blank face, to its next traversed inch in the slimy tiles.

And I think,
I need litmus paper.
Donald Guy  Nov 2012
Mine.
Donald Guy Nov 2012
Mine

6:48 a Wednesday
Two Weeks later
Then: Thanksgiving eve
5E; MIT

I sit at my desk:
stare out of the windows <
My skull
at the Chocolate Bock I just
Overflowed > all over my notes
on the Circe episode of Ulysses,
which I have not yet read.

20 minutes after I just ––
Went alone. Stood there, yes, alone
Above the porcelain enterprise
Taking that litmus test of humanity
Clear, I pass. Yellow, I fail.
It was rather clear I think
Honestly? I don't remember.

Two weeks ago, I stood there==
and came up with this phrase.
Standing there with special eyes::::
Seeing.
Came back to my room, I did, faithfully
Looked there below my second fridge
A plate sat. mine. On it: maybe food, maybe *****
Probably marijuana
Only the first my own
Who remembers?

Next to it: an empty prescription bottle
"It's some medicine for Asthma. I don't even
have asthma!"
"Classy **** I am; I've never bought a shot glass.
Just use discarded prescription bottles."

An experiment @ the sink: exact: 2.0z. On the dot.
Turns out that's 1&1/3 of the standard—The ritual
We make it. And have made it.
For years now together after midnight
[or so]
4 years. Soon it will be
Maybe I shall leave; probably not

but harken back, that fortnight, less 6
To that evening. Orange and purple
Effort sublime but not enough:
Lost to a team of Freshman.?!

~If only:~
"Tripped mad-laundry shrooms",
6 and a half months ago

Two men sit in the corner of my room
I know one; the other spoke

2-weeks-later: sticky keyboard
I am not sober, but who is?

Last night. Remember those videos?
reminded me that *** can be beautiful:
After basically 2 years: I almost forgot.
x-art.com. December 6, 2011

I have a perspective now:
It is not the same as yours
it is not and, by necessity,
can not be the same.

But I see it. Stephen Daedalus
calls it immature—lyrical
but *******, James: it is mine!

I am. Will always be.
Will have never been.
But, God/Goddess **** it now!
I am: I See.
I try!

~D.B.Guy
Proper reading involves out-loud pronunciation of some of the punctuation

12/7/11. the day I was drunk 14 hours.

Ostensibly written for William Corbett's 21W.756 Writing and Reading Poems.
ostensible nod to James Schuyler.
Mateuš Conrad Dec 2015
me? i have no bond shares in terms of lying,
i have no profit...
i walk the streets at night painting a canvas
with only brown hue offshoots:
first it’s three bavarias,
then it’s a stella artois,
then a cobra,
after that a belgian leffe blanc,
i finish off with a saint michael from spain...
after that it’s barcode whiskeyh at 10.30 a bottle...
between khaki and tawny?
well, there’s ochre and there’s sepia...
there’s carbonated synopia and there’s slave hydroxy-loss rufous...
all shades of brown set againt st. andrew’s cross...
shadows in the fog i too tamed japan in spring
rather than in the wilderness of the seas among the waving waves
of the mongol invasion planned...
oh care less for me in my attention for an escapism...
it spans the lodgings of jailor and the strutting bars
as it might in 2d iv slash through to v....
i am wed to my past... i have not clear value for tomorrow...
because, after all, cats and dogs are cheaper to keep than women
obviously enough true and sad thus.
about that litmus testing i entitled this poem?
£110 prostitutes will not lie concerning having an ******,
i wish i had a bigger phallus to have one-night-stands...
bed more women...
but given the size of mine, the prostitutes i try to be familiar with
in an hour for £110 will ask for an extra £10 to give them oral ***...
and among them only one had an ******,
the rest didn’t fake it... they they just numb from not having it...
it humbling i might add... to pay for something numbing
and see what other cares have failed when tried...
it’s sobering to see a ******* worth £110 an hour...
and not see it translated into self-esteem of an orgsam
due to the fact that one’s phallus was not big enough
to provide an intimate relationship
of the objectification of an hour...
that’s what’s so ardently lost in me...
in wish for relationships that only last a night...
i have sacrificed the only relationship i could have had...
spanning beyond the blue of the moon once noted and thus lost:
******* envy? not so much, casual-envy of what can easily reclaim
a morbid frequency of the repeat and dis-satisfaction...
any shred of egoism can thus be discarded,
when it comes to ******* sizing...
i also have this defense mechanism like a turtle shell or
a hedgehog at a barbers... the freudian madonna-***** complex
splintering... an impotence mechanism...
when given the chance for a one-night-stand...
ironic you might say... not that macho said anything concerning bicep or tricep
to be worried about on the same magnitude... macho didn’t,
so i acknowledge when to speak and not feel un-concerned for the right reasons.
Brett  Jul 2021
Litmus Test
Brett Jul 2021
The litmus test for loneliness, is the approaching dark
and the clawing hand
that pulls you closer to your resignation to become engulfed in it.
An empty café
bustling only with,

The screaming thoughts that stack up in your mind like poker chips. The same expression frozen stiff makes you fake a smile
when least appropriate.
A jester at the funeral,

Human touch just strikes you as unusual because an open hand is like
subtle subterfuge, syphoning your soul for personal use.
Emotional exposure erodes a stone demeanor.
Loneliness is like an open road with no street signs pointing home.
Hold onto loneliness
Keith J Collard Jan 2013
"Wow, what a mansion!"--Albert Wesker RE1


Gothic mansion, where every warrior lost it,
head, heart, and soul--as Faust did,
there walks a scientist who's blood is acid,
with glasses that turn to shade--death reactive.

" Who dares touch my holster" he says bombastic.
as walls evaginate victims, send out vines,
it is from Jesus' in the crowd--Mathew--his lines.
the sight of thorax, stinger and fang,
******* the slain,
do not phase him, for he is phase-less,
turn off receptors of pain, and all is pain-less.
A fallen teamate, still and a'swarm,
the black shades do not mourn,
as thorax crawls ontop of her
but laughs at the irony of a female,
impregnated with ovipositor.

He helped design those creatures,
and--he is her traitorous leader.

Howling night forest, awakens the staff,
as if they sleep facedown in saltwater tides,
shuffling and whale moaning, as if  harpooned--
going to lonely depths to die.
then there are the hunters, reptilian apes,
can open locked doors with skeleton claw,
move to quick in hallways,
why pump buttstock you saw.
Pepper the **** on the bed with full load,
with zombies fellating down to bone,
scream through your muzzle,
slide room apart in jigsaw puzzle.
then watch your six for the hunter,
it is stalking you, wants to put its foot on your face,
and dig in, then kick its leg--and rip off your skin.
retreat from hunters and faces bloated with cadaverine,
find a safe room to safely scream.
Sit down at the bar, pull scotch from its coffin,
on counter, rest pump and Colt python,
do not think of the things you will die from.
there are three darts in the bullseye,
in William Tell style,
but the board is in fashion of an atom,
with electrons in orbit,
the  numbers are the human genome,
and a surgical marksman has scored it.
He is Wesker, and this mansion is his tester,
blood and bone is both colors of his litmus,
horribles awaiting in dark room pay witness.
his muzzle flashlight's rooms with hot spark,
entry beats claw swing, shades now clear in dark.
they say in total black silence, one will go crazy,
from the sound of their heart.
but "My trigger that squeezes within,
charged from pupil's firing pin,
sweet semi-auto strokes of violin."
as he vaunts over dying beast,
and darkness returns to his shades,
from moon light through window,
reflecting knifes on wall from moon in wane.
he slicks back a loosed strand,
locks the door behind him, and continues with his plan.
" In my father's mansion are many rooms,
" I'll go prepare a room for you." he mocks, as he walks,
with parabellum hollow points and acid round glocks.
This is his mansion, he is Achilles loosing knees,
he is warrior and scholar, a student of Thucidydes.
team-mates--out air holes in jungle boot bleed,
blood seeping through pants--
olive drab uniform now fatigue.
rooms: blood grooves running down your bayonet--
traps-- channeling you to your death.
prop open  oaken door with knife, hope  it will hold,
walk to the far side of parlor,
the sound of medieval bolt.
door spits out knife,
just scream through keyhole.
The iron maiden taper is coming slowly,
do not let it go through non-vitals,
a slow way to die,
take it through frontal lobe behind eye.
alas a team-mate hears your screams,
in the sepulchal hall,
door swing, and out of deaths thrall.

Charley Mike: continue mission,
and paint the walls black,
with dead flesh backsplash,
gun or nerves jam, then die a ripping death,
smell a cannibals breath.
Be it known, the man in black and strap,
laughs off exposed rib cage slats,
with only a scrape to his pistol belt.

Enter the man in reactive shades,
Picture a alligator, calm, age old in the everglades.
One in the brain, and none in the chest,
those extra shots for rooks, without prowess.
" Wesker, you'll pay for this treachery," invoking Karma,
but the man in black measures her tears as he harms her.
So all that enter mansion portal,
and reach the basement, before becoming morsel,
finally catching up with Wesker,
no more trail of labotomized minds,
and jaws and eyes in epileptic shock,
from a calm trigger squeeze of glock.
Face to face with the master of the saxon race,
mastering gunpowder under the scope,
and you hear the hunters off distant,
primal howls and hissing.
Listen to what the man in black says,
the mortal contest is over,
and he has a virus to offer,
" Die here, and your death will be longer than your life,"
says the man, who's shooting hand is the reapers scythe.
" But live with this virus, and you will never die."
but watch the sun burn out in the sky."
You can refuse him, and face the nightmare creatures alone,
adding your skeleton to the calcium of mansion stone.
or take the virus that invaded the first cell,
invading mitochondria,
making 'other men' the meaning of hell.

" Come decide, lest I go prepare a room for you".--
From powder burns,  your tears are black,
eardrums ring from screaming contest of
chrome python against giant asp.
shoulder numb from combat loading shotgun,
thumbing shells straight to chamber--
almost cyclic.
blood in boots: not much fight left.
your friends are dead, and you answer,
" I rather die forever traitor, to rid the world of your cancer."

In my masters mansion, are many rooms,
dying, crying, moaning: eternal tombs.
how resident evil the movie should have felt.......I only cite the 96 video game, which only shared the setting with my poem.
Mateuš Conrad May 2016
oh yeah, there's enough Bolognese sauce to go round... round and round the Bolognese sauce goes round, while we milk the cow for the Béchamel sauce! raw eggs the sushi apéritif; eh, Bologna! tiff piff paff bara boom, Arab dead naked in the sand as described by Camus... so forget the mama mia... eh?*

the world's too big for us
to encompass a global individual;
not even a bottle of whiskey will aid
the idea... and a Dubai Lamborghini
will not craft an Indiana Jones adventure
either, a global individual is a
mistaken litmus test... a failing...
listen to the peepsqueak pokémons,
i'm not even in possession of ropes
for a stalker motive...
globalisation gave us the distancing safety...
god help us with the internet auto-suggestive
of its narcissistic ownership by rich youth...
**** them to hell and their monopolization of things,
have they even registered the notion
that adverts can be bypassed via pause and forward
and the mute buttons? or did they just spend their
father's inheritance on bling-bling to show off?
here's the mansion... and here's the Hilton gutter...
welcome to Paris, ******.
Mateuš Conrad Aug 2016
i like looking up these shadow-people, the labourers
away from the spotlight, away from easy reference conclusions,
Ludovico Arrighi is among them, as is
the high jumper **** Fosbury - no belly-flop in
the competition after... after 1968 the road signs
told every jumper to expose the back and ***
when overpowering the heights -
Philippe Petit is outside the world, the ultimate
expression of solipsism, what grandeur (previous
attempts, the dyslexic source: the graphemes, æ,
previously i wrote grandeur as: grandeaur,
grandaeur, etc., somehow the syllables of only
vowels can leave you momentarily dyslexic,
when we're talking pure consonant graphemes
we have an aesthetic performed,
sheering can become šeering, whereby the diacritical
input overpowers excess spelling of graphemes,
such examples arise from what became the silent H...
or the surd H... ping-pong with the tetragrammaton...
e.g. dhal - which is said with a macron over the a:
dāl... but the trinity of spelled words gives rise
of neurosis... unless it's a word as conjunction,
the tribunal of aesthetic in keeping language beautiful
will prefer the spelling dhal or even daal rather than
what i proposed). concerning Ludovico Arrighi's
italics type... the skewed rhombus alignment /    /
is prescribed for emphasis... i need something to introduce
something that doesn't stress emphasis, but
sarcasm / ridicule... when i write something,
as i did in Christianity 2.0 (two point oh),
i'd change the direction of the ~wind, i.e. instead of
/    /    for emphasis, i'd like to stress ridicule in the
following direction:    \     .
but that's beside the point, it's like a western with
English not applying noticeable stresses...
for example the English trill, or the French hark...
they should be equipped with diacritical marks
of distinction... some sort of uniformity
of suggestion... the northerners trill (roll)
their R, the French used to, now anything but
a puddle of phlegm... but indeed, easy dyslexia from
pure vowel graphemes... cutting up graphemes
with diacritical incisions (safety, in a persistent vocabulary,
following the method of philosophical methodology -
hence my casual use of diacritics and graφemes -
i.e. when graphemes can't be constructed due
to a lacking of grapheme intention - unlike θ and φ -
supported by their alignment of a twin sound,
the Greeks would never consider applying diacritical
marks on p, t, h - unlike in Polish, where the h
is distinguished into a ch for aesthetic purposes -
e.g. chleb - bread and huj - **** -
but overpowering the vowel graphemes produced
their disappearance and the emergence of diacritical
vowels, e.g. the acute o (ó), which is a U, i treat
the diacritical mark as an incision point for the parabola,
cutting up the omicron, and that seems natural
given that the Greeks already did it without the acute
sign, i.e. the omega (the double u) - ω - again,
aesthetic reasons, the forgotten gallery of words
is there, you just have to forget Chomsky for a while.
but indeed, breaking up graphemes provides us
the necessity for diacritical marks,
the ancient Roman graphemes might have disappeared,
but they're still digitally present: mostly concerning
major words, like onomatopoeia - or encyclopaedia -
graphemes behave differently with the barbarians,
the latter encyclo- example is obviously nostalgic,
the ono- example does a reverse grapheme variation
of oe... but modernity expresses these couples
with individual distinctions - i.e. encyclopaedia
could be written utilising... well not a caron - not quiet
***, and more p'eh - the resurrection of the tetragrammaton
is necessary, i'd have inserted the variation without
minding French, i.e. grave accent on e eating away
the last vowel... or vowels... i.e. encyclopaèdia -
so avoiding the French usage that would cut off the -ia,
i'd insert it for reasons of interacting with a h, p'eh.
Joyce's Finnegan's Wake should have been written like this...
instead, it was written without noticing the diacritical
marks, and therefore made it's pompousness known
by omitting diacritical marks, therefore succumbing to
excessive spelling... or the ruin of Delmore Schwarzt -
nurse! scalpel: sch(sh /sz / š)- -wä(łä)- r(z)'t - drum-kit
wet snare tss't like in jazz.
still i need to define the R being trilled (rolling ball)
akin to the å - but of course the umlaut would do the job
likewise - but it's the aesthetic purpose that's necessary,
i guess umlaut designates an eased concept of
arithmetic included above the sound: i.e. prolonged,
count +2.

but these are but minor points of consideration,
obviously it would take decades to implement, and knowing
human endeavours in this realm, once fixed, once
fixated, nothing will hardly change - due to the already
existing utilisation, whereby it works perfectly to segregate
people... and the fact that there's no linguistic bible to
mind... but talking about orthodoxy and meddling with
dogma, i'm still bothered about the Malachi heresy,
how could it have been implemented?
i mean, a polytheistic concept of reincarnation is the oldest
form of identity theft, isn't it?
monotheism is incompatible with the concept of reincarnation,
this is the weakest spot / the blemish in Judaism...
Malachi is the actual inventor of Christianity and Islam,
he introduced the concept of reincarnation with
the return of Elijah, as mentioned in the New Testament
where Jesus is compared with Elijah...
it's a monotheistic heresy... reincarnation has no place
in monotheism, yet there it is, glaring at everyone from
the page... it was Malachi's error that gave rise to
schism... the litmus test of a monotheism is it's inability to
succumb to schism... well, Christianity is poly-schismatic,
Islam suffered an infection of schism early on...
Jewish schism?  you either practice or don't...
you either don the full attire of a Hasidic jews or you simply
turn your opinions toward earthly matters...
and so much rigour just because they didn't care to
roll the ******* back during ***, all that much work
from snipping the *******... early intervention did the job,
snip the skin off and we have the most ridiculously
funny god in the thought of man, an entire Mongolian
horde of intellectuals have been spawned from his existence...
imagine if god intervened when plastic surgery came around...
wouldn't be so ******* funny by my count.
****! listening to the radio and standing up between sentences
then realising there's no go-back button... it's live...
sometimes the oddities of not being your own d.j. can be
petrifying, when you're working against the river-current
like a Salmon of rhythm.

lastly... i guess this is a major point, in a magazine article
some dung-heap of opinion wrote something
about poetry, in ditto:
a policeman shoots dead Michael Brown in Ferguson,
Missouri in August 2014, Maggie Smith's poem
Good Bones goes viral, it wasn't about Ferguson,
it was about life being short and often terrible -
continues with: poetry is the language of crisis, of
profound thought and deep emotion, it may not be
much read these days, but it is certainly felt...

is that all true? is poetry the language of crisis?
i think that assertion is a load of *******...
it's a bit like using a hammer to paint the civil room's
walls (living room, i call it the civil room) -
if i'm reading poetry i'm not commuting or lying in bed,
i'm perched on the windowsill in a quasi-akimbo pose,
sipping a glass of bourbon with coca-cola and
smoking a cigarette, mindful of never wanting to
wear contact lenses or eyeglasses,
poetry is more than this idealism about it,
that you read poetry to savour the moment of critical needs,
i read poetry because newspaper articles **** me off...
poetry is like newspaper articles when those monstrous
literary ****** get going for months of necessary
attention to finish them... poetry, when drinking
bourbon, smoking a cigarette, quasi-akimbo on the windowsill,
perfect use of spacing, i bet most people who stick
to poetry will have better eyesight when they grow older.
SøułSurvivør Sep 2017
... is loving in the face of

TOTAL REJECTION.


SøułSurvivør
9/10/2017
It has come to my attention that a negative post was written about me. I haven't read it, because i know of its nature, and know it to be untrue. I hold the author no I'll will. I hope he can find some peace.

♡ Catherine

"Let love be without hypocrisy. Abhor what is evil. Cling to what is good. Be kindly affectionate to one another with brotherly love, in honor giving preference to one another; not lagging in diligence, fervent in spirit, serving the Lord; rejoicing in hope, patient in tribulation, continuing steadfastly in prayer; distributing to the needs of the saints, given to hospitality.

Bless those who persecute you; bless and do not curse. Rejoice with those who rejoice, and weep with those who weep. Be of the same mind toward one another. Do not set your mind on high things, but associate with the humble. Do not be wise in your own opinion.

Repay no one evil for evil. Have regard for good things in the sight of all men. If it is possible, as much as depends on you, live peaceably with all men. Beloved, do not avenge yourselves, but rather give place to wrath; for it is written, "Vengeance is Mine, I will repay," says the Lord.

Therefore,
"If your enemy is hungry,  feed him;
If he is thirsty, give him a drink;
For in so doing you will heap coals
     of fire on his head."

Do not be overcome by evil, but overcome evil with good."

Romans 12:9-21

— The End —