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KEEP a red heart of memories
Under the great gray rain sheds of the sky,
Under the open sun and the yellow gloaming embers.
Remember all paydays of lilacs and songbirds;
All starlights of cool memories on storm paths.
  
Out of this prairie rise the faces of dead men.
They speak to me. I can not tell you what they say.
  
Other faces rise on the prairie.
  They are the unborn. The future.
  
Yesterday and to-morrow cross and mix on the skyline
The two are lost in a purple haze. One forgets. One waits.
  
In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know.
  
I don't care who you are, man:
I know a woman is looking for you
and her soul is a corn-tassel kissing a south-west wind.
(The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.)
  
I don't care who you are, man:
I know sons and daughters looking for you
And they are gray dust working toward star paths
And you see them from a garret window when you laugh
At your luck and murmur, "I don't care."
  
I don't care who you are, woman:
I know a man is looking for you
And his soul is a south-west wind kissing a corn-tassel.
  
(The kitchen ******* the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.)
  
I don't care who you are, woman:
I know sons and daughters looking for you
And they are next year's wheat or the year after hidden in the dark and loam.
  
My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings?
  
On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach?
Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut?
  
Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
 Aug 2010 Pedro Tejada
Tete Tonwe
It isn't so much
broken, as muscle is
unlike bone and
does not fracture cleanly.
It will not heal completely,
when damaged, no matter
how well it is set.
Bone calcifies to mend itself,
and adds new minerals
and elements to make it stronger yet.
Muscle, however, turns to weaker ends
that lack its own elasticity.
It mends itself with collagen,
and becomes more prone to injury.
 Apr 2010 Pedro Tejada
Ado A
I once knew a girl her
Name was Liez she did not
Have hair fingernails cartilage
She had the nicest smile.
When Liez smiled it was as rare as
Feeling the last raindrop of a storm
Remembering the last time your father
Hoisted you up to sit on his shoulders the
Last time you could sit with your legs Indian-style
With your feet on top.
When Liez died no one made a sound but they
All cried and I did too.
Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.
Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.
Spectrous aberrations of youth
Surround him, embrace him
Leaving him disoriented, dismayed
Amidst sultry belongings
He’s tethered to that pole of vicissitude
Draped by disfavor
Postmarked Valhalla
Addressed to Folkvangr
Teased by irreverent lovers
In pursuit of contentment
His chronicles restart
In an unpublished testament
Bound by leather, cows unfettered
One lifeless body stationary
Crimson streams part chalk-dry lips
As love’s guillotined victim drips
His future’s fortune forsaken
Willingness to triumph in battle
Leaks from this dimension
With each fluxing discharge
Of her stream’s outgoing apathy
And his fluid permeates alluvium
In streambeds near life’s summit

— The End —