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My road, with the dawn of a beautiful golden sun, took me to a little rural Taranaki town called Opunaki.
There my bride and I took part in an emotional, short ANZAC Day ceremony....where in an ancient clifftop cemetary, against the backdrop of a raging ocean surf, thirty souls and two dogs remembered the troopers who sacrificed for their country in two great world wars.
The New Zealand flag flew hard and the words of the old Priest were lost in the gale... but the tears ran freely down every cheek as the little transistor radio played the military horn's Last Post at full volume.

It was a slice of old Taranaki and a comemoration of the ANZAC DAY of years gone by.

LEST WE FORGET
April 25 2024
A response to Phillip Kurt Behm's emotional poem, "The Road (unedited)"
‘My Oldest And Dearest Friend’

It’s hard to explain the organic quality of a road unless you’ve been down it. Perhaps on a Motorcycle, in the dark and the rain, sometimes afraid, but always with your senses more alive than at any other time.

More feeling The Road than seeing it, and more wishing for the outcome than its certainty, The Road you choose is one that you must travel alone.

The Road knows that I am faithful and no longer in search of another mistress. I ride in awe of her beauty as she brings out the very best in me. Wanting her all to myself, she laughs at my folly, telling me that: “Of course, she belongs to me and to me alone,” as she watches me leave. The breath inside of me exhales, but the memory of what’s not forgotten lingers, and I go to bed each night in a cheap motel feeling her turning inside me once more.

Alone on her twists and turns, my thoughts become guided taking me to places in her grandeur that I would never have gone before. Never promising destination, only duty bound, allowing me to find myself within every drop and elevation that her direction leads.

The Road Only Travels One Way … The Way I Need To Go

I am with her during times of her sickness too. Sitting in the waiting room of her road construction, I watch the large machines rip open her back, replacing what’s vital within her and allowing her to take me to places I have never seen.

The mountains and canyons stand in awe of The Road realizing they only sit in reference to what The Road already knows. Without The Road, their splendor would only be a bleak reminder of potential greatness within themselves. Without The Road to tell the story, their narrative becomes self-serving and unwashed and then unknown — not even forgotten. It is only The Road and its traveler that carries their message for today and a thousand more as it has always been. Footpath or gravel, asphalt or concrete, the surface is only that. It stands as an invitation to the traveler who is quickly absorbed in the motion it instills.

The Road can never offer you safety — protection being the veil that keeps enlightenment out. The Road offers much more. In its total exposure, it removes all invisibility exposing you for what you are today while presenting again what its next turn may bring. The Road places all things in motion, carrying your message inside its spirit while delivering you to a place of immediacy where you arrive alone.

The Road begins where excuses end, leaving weakness along its apron, allowing only true meaning to pass through and by. The Road has no toll beyond the one you set for yourself and has no permanent ending. Endings are something that have already been discarded and left behind.

Do you wish to be great or just to live among greatness? The Road never makes you choose. The Road needs to be ridden like oceans need to be crossed — all meaning pent up in the traverse of its direction. Understanding is just a myth here. True knowledge waits in the deliverance of how you feel once the travel is done.

There is no deal making to be done with The Road, that is for the hitchhiker and those from a lesser time.

If The Road ever were to end, it would end in the transcendence of your spirit — the place where lovers go to die and children of a greater God are born again. The Road gives you this without your asking, and without praise or blame you are accepted for who you have now and forever become.



(The West: August, 2011)
There are miracles when I open my eyes.
The smile on the cat, the taste of strong coffee.
A Beethoven symphony while I taste dark chocolate.
I exist in the present, next week is nebulous.
The touch of my baby's cheek against mine
defeats the demons and destroys chaos.
https://www.youtube.com/watch?v=lgXtR-Z6G9s
Check out my you tube channel where I read my poetry.
Gray Mountain, Arizona

                                      October 2nd, 1995

Out of gas again! The chill that ran down the back of my neck when passing that last open gas station should have given me pause. I was so sure there was still a gas station open in the middle of the Navajo Nation, one that served great fry-bread, and one that would get me to Tuba City with a quarter tank to spare. As I fiddled with the radio, tuning into the Navajo language network, the fear inside of me was already questioning what the night might bring.

Six years had passed since I had been down this road. The gas station I remembered was now boarded up and deserted, just like the dreams of most of the people it used to serve. With not enough gas to either press onward or go back, I became a prodigal wanderer in search of a distant Samaritan. I was now seeking in the remoteness of my spirit — the hospitality of the kind.

                        In The Remoteness Of My Spirit

In eight more miles, I saw a gravel road leading to a small ranch house a quarter of a mile at its end. To the right of the house sat a Hogan, telling of native inhabitants inside. In this part of the west, near the New Mexico / Arizona border, it was assuredly Zuni or Navajo, and I bet Navajo, as I parked the bike and walked up the long stone driveway.

I left the bike back on the road to seem like less of an intruder and walked up to the front door while rehearsing what I would say. I was hoping that someone was home, and if they were, that they would open the door. People were very scarce in these parts, and new people usually brought trouble along with them as part of their welcome.

To my great surprise, an attractive middle-aged native woman opened the door before I knocked and said: “Yes, can I help you?” They were warm words coming from the middle of such loneliness that surrounded me, and I explained to her my situation and that my gas was almost gone. She looked down the long gravel driveway for what seemed like forever and then said: “The only gas that my husband Charles and I have is in our white pickup truck which is around back.”

She told me that her name was Juanita, and she was sure that her husband would help me. She then said: “He has just gone into the Hogan ‘to sweat’ and would not be out for more than an hour. If you will remove your shirt and shoes, you could go in and join him, I’m sure he wouldn’t mind. Just make sure to announce your presence before walking through the flap.”

Still in my heavy riding suit, I took off my jacket and shirt and the padded boots I wore for touring. I felt a greater weight being lifted from me than just the clothes that I removed, and although I didn’t understand the feeling, I wanted to go inside.

I walked the short distance to the Hogan and stood outside its entrance wondering how I would feel having a stranger walk in on me. The silence of the open spaces overwhelmed me, as the sound of my heartbeat was the only thing I heard. With all that was inside me, I heard myself say: “Charles, my name’s Kurt, and your wife Juanita said it would be OK to come in and talk.” I stood there for a minute that seemed more like an hour until I heard a muffled voice from inside say: “All right, please enter.”

As I stepped through the flap the temperature change consumed me, and the steam coming off the hot rocks made it difficult to see. In the far corner of the Hogan, and with his back to the wall, sat an Indian man bare-chested and shoeless, with his head bowed and hiding his eyes. He had a bright yellow, green, and red bandana tied around his forehead. Its tails drifted down his back with the two ends resting on his belt. With his head still lowered he spoke again, asking: “Please sit down and tell me what has brought you to this place.”

I explained that my bike was almost empty, and he paused for a long moment before saying: “Your path has today led you in the direction of your own choosing. Sometimes without looking we most find our way. You now need to be able to find this inside of yourself once you leave”

                             Sometimes Without Looking …

Finally raising his head, he invited me to sweat with him. Already feeling the effects of the steam, and without any hesitation I said, yes, and we sat there in silence as all things started to change. He asked if I knew why the native man does this? I said: “It was for purification, and to come in contact with himself.” Then raising his head slightly, he said: “You surprise me strange visitor, you know more than was required and more than most know.” He then told me “I was expected,” and that he knew I was coming. He had known it inside himself since the last moon.”

                         He Had Known I Was Coming

He then spoke again: “We also sweat to come in contact with our past lives and those of our ancestors. It strips us of all place and time, focusing only on what’s real. Bow your head and think of nothing, and let the steam come inside you being thankful that on this day the Great Spirit has brought you to me. I will know what is happening, you don’t need to tell me, just feel the steam reach inside you as it frees you from all else.” As I did, a peace replaced my conscious self, and I felt my body leave the dwelling. I saw a distant ball-field of my youth, long ago and very far away.

My father was pitching to my grandfather who was catching. The in-fielders were all faceless and the outfield was gone. Through a connected vision I watched my grandfather pass a signal to my father, and staring as hard as I could I watched for the ball. My father wound up, pitching something toward me, and as it got closer it turned into a white bird with red eyes. The bird flew down low and went completely around me, and then coming up from behind, it rested on top my head.

I could feel its sharp talons grab my scalp as we lifted off slowly. Our speed increased, as we traveled to great heights out of the ballpark and into the dark. I don’t know if the flight lasted minutes or hours. I know that I did see my whole life, both the past and what was to come. I saw my children’s, children’s, children, standing off in the distance, all wearing a sign asking: “What is my name?”

We flew over the Great Canyon, the home of my Mother. We swooped down on the river as our reflections were released to the sky. At the North Rim. the talons let go and my body was now weightless, and in a mindless free motion I was allowed to begin again.

With this, I heard the gentle voice of Charles calling my name. Not from anywhere outside, but his voice was calling from within saying to me that: “Everything was all right and it was now time to come back.” I opened my eyes and Charles was still sitting with his head bowed before me, and without my uttering a word he said: “Ok, let’s go get you some gas.”

I ran to the bike and got the plastic siphon hose from the trunk, as Charles backed his truck down the long driveway, parking it as close to me as he could. We stood there and watched the small tube breath new life into the Venture, and he insisted that I fill the tank all the way to the top. I tried to pay him, but he refused and only asked for a favor — asking if he could ride on the back of the bike with me to a spot about five miles distant.

I waved to Juanita as we took off together, and in a few short minutes he tapped my shoulder saying: “This is the place.” As he got off the bike, there appeared to be nothing but desert and rock in the fading light. I watched him for as long as I could as he slowly walked East off into the darkness with my deliverance in hand.



Kurt Philip Behm
  Apr 23 Marshal Gebbie
Riz Mack
ah canna mind
the Spring in bloom
the buzzin o' hospital lights
the midwife's panicked rushin'
ti bring air inta ma lungs
or ma polymer palace in beige


ah canna mind
ma mither's greetin', when light
wis still entwined wi her form, before
colour drained fae her perceptions
or the shade o' the devil whit took it


ah canna mind the ald grey hoose
on a cracked black road in the schemes
or the wid paneled livin' room
an' stickin' ti dark leather
dreams planted neatly doon the side.
ah dinna ken

mind - remember
(inspired by ‘Dusty Rose Dreaming’ by vb)

We’re powdered city girls heading into a club,
bright orchids entering the hothouse,
spreading fun with noblesse oblige,
qua somethings suited for silver screens.

Our attention’s as uncertain as the stock market.

Experts at mixing trickery and disguise,
we’re but vague summations of nature,
as we sparkling preen, like excited atoms.

Rouged and kohled to unnatural colors,
dressed in silk-whispers to tease and entice,
in neon-light, broken by par-cans, scanners
and champagne flutes, we’re superhero-like
immune to societal judgment and aghast rebuke.

In our few, fleeting nights of youth
let our voices chorus in laughter.
What’s it to you? Tell the truth.
.
.
Songs for this piece:
Baby You’re a Superstar by NuDisco
Love Land by the Blenders
Nostalgie Du Voyage by Nightflight
BLT Merriam Webster word of the day challenge:
Noblesse oblige: those with high social rank or wealth being generous to the lower ranks.
qua:  a substitute preposition for ‘as’
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